We define “Americana” as a contemporary mélange of country, roots, folk, bluegrass, rhythm and blues –hence we acknowledge the cat with bass in hand who was there at the beginning: Chris Ethridge!
A songwriter, singer, band-member, collaborator – Ethridge was among the go-to session players of the fertile Laurel Canyon scene of the late 60’s and 1970s. His membership in the International Submarine Band and Flying Burrito Brothers helped to erase the cultural and musical divide between country and rock.
Chris honed his craft whilst toiling in the rhythm and blues clubs of his native Meridian, Mississippi. His style is that of the “song player” – wherein every passage serves the composition. Among the many, many, many gems in Chris’ canon include: Flying Burrito Brothers – The Gilded Palace of Sin (1969), Dave Mason – Alone Together (1970); Rita Coolidge (1971); Graham Nash – Songs for Beginners (1971); Bill Withers – Just As I Am (1971); Gene Clark – White Light (1971); Randy Newman – Sail Away (1972); Graham Nash & David Crosby (1972); Mike Bloomfield, Dr. John, John Hammond – Triumvirate (1973); Gram Parsons – GP (1973); Roger McGuinn (1973); Linda Ronstadt – Heart Like a Wheel (1974); Maria Muldaur (1974); Ry Cooder – Chicken Skin Music (1976); among scores of others including Jackson Browne, Willie Nelson, Grace Slick & Paul Kantner, Nancy Sinatra, Leon Russell, and a little-known all-star collective known as L.A. Getaway featuring guitarist Joel Scott Hill and drummer John Barbata which waxed one hot burrito of a self-titled platter in 1971 that, unfortunately, sank into obscurity.
Chris Ethridge Sound and Vision…
Flying Burrito Brothers https://youtu.be/BITiY8M_oDo
ISB “I Still Miss Someone” https://youtu.be/Rf38finhzPk
Linda Ronstadt “Faithless Love” https://youtu.be/NGmUYlsXTD4
Gene Clark “White Light” https://youtu.be/Ezl-hbIRCvM
Notes rock journalist James Spina: Imagine teaming up with Gram for about an hour and crafting two songs with little thought to any titles. “Hot Burrito #1,” “Hot Burrito #2.” Good ones Chris. And let’s redefine the relationship of a bass and a guitar breaking the mold on what folks think of as country music. This is akin to that magic meld on par with Hendrix telling Redding to put down his guitar and give the same thought to a bass. Jesus Christ! This is magnificent!
Flying Burrito Brothers “Hot Burrito # 1” https://youtu.be/SwsFmv9q4jM
By Thomas Semioli
If you had to choose a role model of a classic rock bassist …look no further than this cat!
Huffington Post / Tom Semioli : Carl Radle: Eleven Bass Players Who Belong in the Rock and Roll Hall of Fame https://bit.ly/38WUMh2
He was the consummate sideman who came to prominence on seminal sides and concert performances with Derek & The Dominoes, George Harrison, Delaney & Bonnie, Eric Clapton, Leon Russel, and Joe Cocker. Bassist Carl Dean Radle’s motifs are so essential to the compositions that he waxed with those aforementioned rock icons; that if you were to play the songs without rendering his lines (near) verbatim – the tune sounds… wrong!
Born in Tulsa, Oklahoma, and migrating to Los Angles in the 1960s, Radle’s association with fellow Tulsan Leon Russell, then a prominent member of the Wrecking Crew, afforded Carl entry into the elite sessions circles.
Radle’s jaw-dropping resume also spans Gary Lewis & The Playboys, The Concert for Bangladesh (with Klaus Voorman), Dr. John, Dave Mason, J.J. Cale, Buddy Guy, Rita Coolidge, John Lee Hooker, King Curtis, Bobby Whitlock, Art Garfunkel, Donovan, and Bob Dylan, to cite a very select few.
Carl’s weapons of choice included a ’65 sunburst Fender Precision with a blocked and bound neck, ’68 blonde Fender Telecaster bass with a single coil Telecaster pickup and a split-coil Precision pickup, MusicMan Stingray, and a ’75 Alembic.
Radle’s fluid lines are a study in rhythm and space. His meld of staccato phrasing, sustained notes, and unadorned countermelodies sounds deceptively effortless – which further exemplifies Carl’s mastery.
Among Carl’s finest recordings include his work with drummer Jim Keltner as captured on Joe Cocker’s Mad Dogs & Englishmen (1970).
To my ears, Layla and Other Assorted Love Songs (1970) represents Carl’s most enduring recorded work and stands as a definitive example of the supportive role of the bass in a rock guitar-based setting.
Carl Radle Sound & Vision…
Derek and the Dominos
“Got to Get Better” https://youtu.be/ywdU0C2GH2o
“Bell Bottom Blues” https://youtu.be/FclW0go4Cfc
“I Looked Away” https://youtu.be/PMlmoLvRBNQ
“Anyday” https://youtu.be/QrWK5XWuGpk
Eric Clapton:
“Let It Rain” https://youtu.be/vFoheneUfU0
“Motherless Children” https://youtu.be/9EZlmqWmcqw
“Let It Grow” https://youtu.be/YpDlmop0uYU
Delaney & Bonnie & George & Eric “Comin’ Home” https://youtu.be/aazChqk4U-c
George Harrison “You” https://youtu.be/3xnTWee4eAI
Rita Coolidge “Superstar” https://youtu.be/e4Xi1I78Kms
Leon Russell “Stranger in a Strange Land” live https://youtu.be/Hjy7RAu8TJ4
Joe Cocker’s Mad Dogs & Englishmen
“Delta Lady” https://youtu.be/uIz8n4fprxw
“Darling Be Home Soon” https://youtu.be/RCl-zznJ5so
“Space Captain” https://youtu.be/RCl-zznJ5so