By KYBP Austin Bureau Chief Robert Jenkins
Punk rock is an integral part of the evolution of music and Rock & Roll in particular. There are numerous bands who have been influenced by the sound of early punk rock and allowed that sound to develop into something completely new (just listen to the early Iron Maiden recordings to hear how British punk turned into British metal). But it is a sound that has endured numerous decades, still holding true to its roots. In Austin, Texas punk rock has been alive and well since the 1980’s and continues to thrive to this day.
Enter Jankem.
Gee Patino is the bassist for Jankem, a new punk band in Austin, Texas. Jankem is an extension of a punk band formerly known as Splif. Founded some years ago, (specifics aren’t needed because punk rock doesn’t care, it just is) Splif was formed with Gee as a founding member when he was 22. Originally a guitarist, Gee was forced into the role of bassist out of necessity (how often does that happen?) and he gladly accepted because, in his words, “Fuck yeah, it’s got two less strings and I get to make that thumping sound!” I mean, isn’t that really why we all play the bass? The honesty of our mission is distilled in that sentence.
What’s interesting about Splif is that their influences reach deep into prog rock. Their drummer, Mitchell, was heavily influenced by the likes of Genesis, King Crimson, Rush, et al. Gee was bringing the harder influences of The Minutemen (Mike Watt) and Fugazi. Splif guitarist, Anthony, brought along classic rock influences of Led Zeppelin et al. The result is a blissful, raucous mix of crazy musical arrangements paying homage to their influences while having the absolute irreverent blast a punk rock band should have. Sadly, the impact of COVID-19 brought Splif to an end when their drummer had to exit the band.
Okay, NOW enter Jankem.
Gee and Anthony kept working together. When they found a new drummer it was their decision to start the band anew. While Jankem still pursues the adventurous music started in Splif, they didn’t want the new drummer to feel confined to old material so everything is new. And Jankem is out of the gate in ATX having played their first show in March 2021 and continuing regularly to show the underground scene that they are here to, first and foremost, party, and then rock the house.
Gee is a humble bassist. He freely admits that he knows nothing of technique or music in general. He plays by ear and by what he feels, working closely with his bandmates to get the sound he needs. Gee also freely admits he doesn’t know anything about gear. Most (if not all) of what equipment he plays has been borrowed or bought as cheap as possible. “Dude, I’m not gonna spend $4000 dollars on gear to get fucked up and party with it.” By my reckoning, this is sound reasoning.
Jankem plays loud and obnoxiously, but they still respect the music they write and the music they listen to. Gee says, “We may not know a lot but we feel that we are good musicians for what we do. And we respect the musicians who work really hard at their craft. We love to listen to all kinds of music, and Jankem wants to draw from that. We keep an open mind. Good musicians have good taste.” Jankem is doing what all musicians should strive for: they have fun.
So who are Gee’s two biggest influences?
1) Mike Watt
2) Les Claypool
Now for the fun part. Gee’s rig rundown (disclaimer: I have done tech work on Gee’s bass).
Bass: No Name Jazz style bass that plays really nicely. Gee says he got it for about $20 or so.
Amp: “What kind of amp do you use, Gee?”
“Fuck man. It’s an Acoustic. Let me Google it and see what kind. Yeah, here it is. It says here that it is a B300HD.”
Cab: “What cab are you running it through?”
“I think it’s a 4×10 stack.”
“So 2 4×10 cabs stacked; an 8×10 stack?”
“Yeah, maybe? Wait. No. It’s just one cabinet with 4 10s in it.”
“So a single 4×10. Cool. What kind is it?”
“Fuck, man, I don’t fucking know.”
“Sweet.”
Jankem, ladies and gentlemen, are punk rock at their core.
Gee Patino Sound and Vision…
Splif:
Visit the Jankem Facebook page for live clips and promotional videos: https://m.facebook.com/JankemATX/
Courtesy of The Stranglers Co UK Com
Armed with a Fender Precision, Rotosound round-wound strings, a HiWatt amp, and a background in classical guitar; bassist, vocalist, composer, producer Jean-Jaques Burnel has anchored the legendary post-punk, alternative rock icons The Stranglers since their inception in the 1970s.
An exceptional melodic and pocket player, Burnell draws from many influences spanning funk, ska, old-school classic rock, dance, electronica, blues, and reggae.
An early adopter of Trace Elliot amps, J.J. now endorses Ashdown with his signature JJ500 rig. Among his weapons of choice aside from Fender include the Yamaha BB2000, and Steinberger L2.
John Shuker created a J.J. Signature Bass which he now uses. https://shukerguitars.co.uk/basses/j-j-burnel-signature-bass/
With The Stranglers:
“Skin Deep” https://youtu.be/aw9mEFn38to
“Golden Brown” https://youtu.be/z-GUjA67mdc
“Always The Sun” (Dig J.J. and his Steinberger XL https://youtu.be/8dEySTzQ6oc
“Do You Wanna” https://youtu.be/ctO4cX8SPJ4
“Longships” https://youtu.be/DoVPeHS03zg
“Sha Sha a Go Go” https://youtu.be/-q3erBndoww
“No More Heroes” https://youtu.be/2tfy8f9lDD0
“No Mercy” https://youtu.be/QzrciavctzQ
“Peaches” https://youtu.be/j2w0rbp6J9Y
J.J. Solo
“Euroman Cometh” https://youtu.be/ysWp2FkZ9cc
“Un Jour Parfait” https://youtu.be/9NtknlcTKLc
With Pat DiNizio
“124 MPH” https://youtu.be/4E1uNcoehw4
By Tom Semioli
Legend! Icon!
With his patented plectrum prowess as purveyed on a Rickenbacker, and later a Fender Precision, the oft airborne Bruce Foxton was the key to The Jam’s overwhelming power and cohesion as a musical unit.
A role model – musically and sartorially – to a generation of bass players, Foxton anchored this remarkable triumvirate which modernized Brill Building pop and ‘60s British beat and expanded the language of “punk” with their yen for soul and rhythm & blues.
Foxton’s bass passages were often the hooks beneath Paul Weller’s melodies. Bruce quoted the greats while maintaining a stripped-down approach sans grace notes or unnecessary fills! (Are there any other kind?)
Pity that The Modfather broke up to band much too soon – or at all. Bruce pursued a solo career, waxing platters that are woefully underappreciated. In addition to his fifteen-year tenure in Stiff Little Fingers, Foxton reunited with drummer Rick Buckler in 2007 to form the repertory ensemble From The Jam (go figure what inspired that moniker), touring the globe to packed venues. Foxton has made amends with Weller, and they’ve appeared on each other’s releases. In May 2010 Bruce joined his old boss on stage at the Royal Albert Hall.
Bruce Foxton Sound & Vision
The Jam:
“In The City” https://youtu.be/gHE8Z3SeLOg
“This Is the Modern World” https://youtu.be/ubRhnnQUyfM
KYBP Adjunct Professor Tony Senatore’s rendition of “A Town Called Malice” https://youtu.be/Yt0d3qxhMt0
Bruce crooning “David Watts” https://youtu.be/5wRGnbqZBeE
“News of The World” https://youtu.be/FO3_Udn3hYA
Bruce Solo:
“Number Six” https://youtu.be/8LsgACB6aFA
“Freak” https://youtu.be/gVfMFHEq0NQ
“Smithers Jones” https://youtu.be/26A_DpbaIcI
Photo by Jamie Moroni
Go figure why the Tuff Darts canon, with crooners Robert Gordon or Tommy Frenzy – didn’t position this fiery collective among their celebrated CBGB peers The Ramones, Blondie, Television, and the Talking Heads. They had the songs, the riffs, the looks, the chops…
Melding pub with punk, bassist / songwriter John DeSalvo worked a straightforward, punchy Fender P pocket with an occasional melodic riff. Woulda…shoulda…coulda…
John and the Tuff Darts with….
Robert “All for the Love of Rock and Roll” https://youtu.be/381hvkh4vj4
Tommy “Nuclear Waste” https://youtu.be/Dro6Ysjd5RQ
With bass passages borne of rhythm and blues, old school rock ‘n’ roll, and soul influences, bassist Fred Smith anchored one of the most influential ensembles to emerge from the New York City punk movement: Television.
A founding member of Blondie when they were known as Angel and the Snake, Fred’s conventional style was the perfect platform for Tom Verlaine to explore the outer reaches of his angular guitar artistry.
Smith also waxed sides and performed with his former bandleader Verlaine (including Dreamtime which also features Donnie Nossov), The Roches, Willie Nile, The Fleshtones, Richard Lloyd, and Peregrins, to cite a few.
Fred Smith Sound & Vision with Television
“Marquee Moon” https://youtu.be/g4myghLPLZc
“The Fire” https://youtu.be/aQflpcCR11A
“Days” https://youtu.be/w7UjpWhF2d8
By Thomas Semioli