B.B Dickerson (War)

 

Said the late, truly great Morris “B.B.” Dickerson to Rolling Stone magazine circa 1974 “some people call it ‘ass music’…others call it street boogie…rhythm…our rhythm is different.”

 

As the rhythmic and harmonic anchor of War, a collective which forged a seamless fusion of funk, rock, soul, jazz, Latin, blues, and permutations thereof – B.B. Dickerson grooved a generation. Literally!

 

Dickerson’s career started in a Harbor City Los Angeles church – singing in the choir. He took up bass and guitar at 12. When his brother Scott returned from Vietnam service, he formed Night Shift – backing NFL football star Deacon Jones who was dabbling in a soul music career. When former Animals singer Eric Burdon caught their act in 1969, he enlisted the ensemble as his backing band. Scott summoned B.B. for the bass chair in the newly christened Eric Burdon & War – and the rest, as they say, is history.

 

With a Fender Jazz as his primary weapon of choice, B.B. exuded a sharp, blunt tone wherein he worked the pocket and rendered melodies and motifs which served as hooks for the hits and album tracks. An accomplished lead and backing vocalist, B.B.’s lines often danced around the beat with a relaxed Southern Californian vibe: indicative of their environs. 

 

In the hip-hop age, B.B. and War’s grooves provided a bedrock for such artists Kanye West, De La Soul, the Beastie Boys, and Janet Jackson to cite a select few.

 

Notes War super-fan Reina Laguerra:  As one of WAR’S biggest fans it was my extreme honor to get to meet BB and call him my friend. BB was not only a legendary bass player, he’s the one singing lead on one of WAR’S most iconic songs, ‘The World Is A Ghetto’, which was Billboard Album of the Year 1973, and is #444 in Rolling Stone Magazine’s 500 Greatest Albums Of All Time.

 

“BB”, along with six original members of WAR and Eric Burdon, were the very last artists to jam with Jimi Hendrix the night before he died. WAR has been nominated 3 times for Rock & Roll Hall of Fame, only to get snubbed while they induct artists who sample or cover WAR; The Beastie Boys, NWA, Janet Jackson, 2PAC, and others. Because of WAR name legalities back in 1999, by producer Jerry Goldstein, the remaining WAR originals have been divided into two bands that perform WAR music. Goldstein’s faux “WAR” with one original, and the Lowrider Band, what with BB’s passing, is down to three WAR originals. True WAR fans stand with the Lowrider Band. Declare WAR at the Rock & Roll Hall of Fame NOW for 2023 induction.

 

B.B. Dickerson Sound & Vision…

 

“Spill The Wine” https://youtu.be/3i0DMbCKnAg

 

“The World is a “Ghetto” https://youtu.be/VIIbT89V7EI

 

“Where Was You At” https://youtu.be/PSBWtq4evTw

 

“All Day Music” https://youtu.be/U5pX4mRQcFo

 

John McKenzie (Seal, Everything But The Girl)

Courtesy of Mark Bass Courtesy of Mark Bass

Courtesy of Mark Bass

By Thomas Semioli

John McKenzie, bass player; Seal, The Pretenders, The Eurythmics, Dr. John, Everything But The Girl, James Ingram, David Bowie, Bob Dylan, Damien Rice Lionel Richie, Tina Turner, Alison Moyet, Renato Zero, Karl Jenkins, Bond, Moya Brennan, Eternal, Shakira, Graham Lyle, Charles Aznavour, Andrea Corr, Dexy’s Midnight Runners, Jim Diamond, Tom Scott, Paul Brady, Johnny Mathis, Wham, Andy Newmark, Blair Cunningham Leon Ware, Mudbone, The Breakfast Band, Kokomo,  Royal Philharmonic Orchestra, Maksim Wild, Sinead O’Connor, Reel People Steve Hillage, Man, Leo Sayer, Eric Burdon, Annette Peacock, Davy Spillane, Mirage, Global Village Trucking Company, Albert Lee, Tim Finn….to cite a select few.

A remarkably prolific genre-traversing, versatile UK session ace, sideman, collaborator, composer, bandmember, and educator, among other endeavors: John Michael McKenzie’s resume of credits was astounding.

A supportive soulful player who worked the trad four, fretless, and extended range…dig John with…

Everything But The Girl “Five Fathoms” https://youtu.be/x67EEIBuwIw

The Pretenders “Let’s Make a Pact” https://youtu.be/Lteg_r9alSU

Seal “ Future Love Paradise” https://youtu.be/cj21h504wKU

Bond Live at the Royal Albert Hall https://youtu.be/6OLEnJj5Y80

Steve Hillage “Live at Canterbury” https://youtu.be/MExLFl2g688

“John McKenzie Rocks That Bass” https://vimeo.com/196673711

Robert “Kool” Bell (Kool & The Gang)

Courtesy of Kool and the Gang Com Courtesy of Kool and the Gang Com

Courtesy of Kool and the Gang Com

He is the “Kool” in Kool and the Gang.

 

For a half-century and counting, Robert “Kool” Bell has anchored one of funk’s most commercially and artistically successful recording and performing artists. Drawing from jazz and rhythm & blues, Bell ranks among the masters of his genre – plying definitive pocket grooves which master rhythm, space and melody rather than flashy technique.

 

A finger and slap style player, Bell’s influence on bassists is incalculable – and he’s likely been sampled over a million times.

 

Kool Bell Sound & Vision…

 

Dig Kool on “Get Down On It” https://youtu.be/qchPLaiKocI

 

Tony Senatore Plays Kool Bell…

 

“Jungle Boogie” https://youtu.be/g7WOnb-_Cno

 

“Kool & The Gang” https://youtu.be/QZ9nvb8h_0I

 

“Hollywood Swingin’ https://youtu.be/DLTkuF4dF7w

 

Courtesy of M&M Entertainment Courtesy of M&M Entertainment

Courtesy of M&M Entertainment

Muzz Skillings (Living Colour)

 

Living Colour’s mainstream meld of metal, funk, jazz fusion and permutations thereof coupled with their socio-political libretto made Vivid (1988) one of the most influential slabs of its generation, and though commercial success did not ensue on following releases, the lads never wavered in their boundary stretching artistry.

 

Founding bassist Muzz Skillings is a genre traversing player, plying supportive and counter-melodic passages in the service of the songs.

 

A composer, singer, and guitarist, Muzz has led his own ensembles (Medicine Stick) and appeared on fine slabs by John Tiven, Alan Merrill, Wilson Pickett, and Robert Plant to cite a few.    

 

Muzz Skullings Sound & Vision …

 

“Cult of Personality” https://youtu.be/7xxgRUyzgs0

 

“Love Rears Its Ugly Head” https://youtu.be/MQcPB1WkISI

 

Fudgie Kae (Mandrill)

Anchoring what could arguably be among the first “world music” ensembles, the late Frederick “Fudgie Kae” Solomon helmed Bedford-Stuyvesant Brooklyn’s Mandrill during their golden era circa 1972 -75.

 

Laying down the groove with a fat flat-wound Fender P, Fudgie fused funk with Latin, rock, blues, and salsa on tracks which emerged in various edits on scores of hip-hop, techno, and acid jazz DJ mixes.

 

Fudgie Sound & Vision….

 

Mandrill’s signature track https://youtu.be/ayhpzgUrPQM

 

“Fencewalk” https://youtu.be/aTsw3u6g5YI

 

“Mango Meat” https://youtu.be/n-cIqYof2-8

 

 

Fudgie 2.png Fudgie 2.png

Francis Rocco Prestia (Tower of Power)

What is hip?

 

The bass mastery of the great Francis Rocco Prestia and Tower of Power, that’s what’s hip! The incomparable Tower of Power of Prestia wrote the book on funky pop rhythm & blues with an incredible string of 1970s releases including the essential Tower of Power (1973) and Back to Oakland (1974).

 

Born “Francis Houghton” in Sonoma, California, Prestia started out as a guitarist during his teen years, then switched to electric bass at the behest of TOP founder Emilio Castillo.

 

Rocco augmented the language and scope of the electric bass with his patented melodic, staccato finger-style funk approach to the instrument – as rendered in TOP’s signature “What Is Hip” –which remains a rite of passage for all serious bassists. Francis mutes the strings with his left fingers, forging  a percussive sound – you can find several examples of Prestia explaining his technique on YouTube and other video platforms (see below).

 

In 1999 Francis waxed his lone solo slab Everybody on the Bus!  Prestia’s primary weapon of choice is the Fender Precision, however he has been known to endorse brands such as ESP.

 

Francis Rocco Prestia Sound & Vision  

 

“What Is Hip” https://youtu.be/Pfim3SKTNkw

 

“Soul Vaccination” https://youtu.be/46hd6DZS0ww

 

“So Very Hard to Go” https://youtu.be/cbyKxiVvpaE

 

Franciso Rocco Prestia Bass Clinic from GoDPS Music 2014 https://youtu.be/lWaB9nTgncY

 

 

 

Verdine White (Earth, Wind & Fire)

Courtesy of Verdine White Com Courtesy of Verdine White Com

Courtesy of Verdine White Com

By Thomas Semioli

Shining star indeed! 

 

He anchors the ensemble named for the elements of our worldly existence. A showman, guru of the groove, Earth Wind & Fire bassist Verdine White incorporates his mastery of funk, soul, pop, rock, Gospel, rhythm & blues, disco and permutations thereof into an astonishing body of work.

 

Akin to Elvis, Miles, The Beatles, Frank Sinatra, Tony Bennett, Babs Streisand, Lena Horne, Ella Fitzgerald, Aretha Franklin, Prince, and Michael Jackson; EWF were among the rare class of artists who were not only the best of their generation, but also the most commercially successful. 

 

A bassist who has inspired generations of players, White cites his heroes as session ace and EWF horn player Louis Satterfield (who was also his electric bass teacher), Sir Paul, and James Jamerson. Verdine studied upright with Radi Velah of the Chicago Symphony Orchestra.  

 

A producer and composer, in addition to his tenure in EWF, White guested on slabs by Ramsey Lewis, Eumir Deodato, Jennifer Lopez, Kelly Clarkson, Flo Rida, Denice Williams, Gene Harris, and Solange to cite a select few. 

 

White also created a foundation which bears his name to provide instruments and education to underserved youth. 

 

Verdine was recognized by Bass Player magazine with a Lifetime Achievement Award and is listed among the 100 Greatest Bass Players of All Time.  White’s primary weapon of choice during EWF’s glory years was the Fender Jazz bass. Nowadays Verdine works a Sadowsky Jazz, among other instruments.

 

Verdine White Sound & Vision…

 

“Serpentine Fire” https://youtu.be/XoI1XPqXQ90

 

“Keep Your Head to the Sky” https://youtu.be/qpD4siBSUOE

 

“September” https://youtu.be/Gs069dndIYk

 

“Reasons” Live https://youtu.be/0Qz_b1di3i8

 

“Mighty Mighty” https://youtu.be/NKljHXYTRy0

 

“Evil” https://youtu.be/CQ2AsBQCPeI

 

White’s legendary solo from California Jam 1974 https://youtu.be/sJbZht9Jp94

 

Verdine’s “floating” bass solo: https://youtu.be/-iymKkfhL0E

 

Rare clip of Verdine working the Fender Precision “Fantasy” https://youtu.be/gL2MsEbrtgI

 

Tony Senatore Renders Verdine White:

 

“Yearnin’ Learnin’ https://youtu.be/H1Yn8i-d1dY

 

“Shinin’ Star” https://youtu.be/LKIb67U6-gA

 

Courtesy Earth Wind & Fire Com Courtesy Earth Wind & Fire Com

Courtesy Earth Wind & Fire Com

Larry Graham Jr. (Sly & The Family Stone, Graham Central Station)


Courtesy of Larry Graham Com Courtesy of Larry Graham Com

Courtesy of Larry Graham Com

By Thomas Semioli

Beat is gettin’ stronger, beat is gettin’ longer too, music’s soundin’ good to me, but I want to, said I want to, I want to take you higher…

Not only did he propel he instrument higher and higher as the anchor of Sly & The Family Stone and their crossover hits and album tracks – his creation of the slap technique afforded the electric bass its most potent identity. No longer was the electric bass perceived as the bastard child of the upright and /or electric guitar! As did Jamerson before him, and Jaco following him, Larry Graham Jr. forged a music (and cultural) revolution through our instrument. His influence on funk, disco, soul, dance, rock, contemporary pop, rap, jazz fusion, hip-hop and every permutation thereof is incalculable.

Bass icons Stanley Clarke, Prince, Marcus Miller, Bootsy, Flea, Verdine White, Mark King, Bernard Edwards, and Victor Wooten, to cite a few, all owe their watershed careers to Larry. And consider that Graham is among the “Godfathers of Funk” even metal prog gods such as Geddy Lee slap / pop given the opportunity!

Ironically, necessity was the mother of all popping – or as Larry says “thumpin’ and pluckin’. In brief, the ensemble that young Larry was working in with his mom, Dell Graham, lacked a proper percussionist, hence his thumb became a de-facto kick drum and his index finger assumed the role of the snare. Pop goes the bass string – it was that simple!

Graham is also a master finger-style player who employed a wide range of effects (flange, fuzz, wah-pedal, octave dividers, phase etc.) to further enhance his artistry. His pedal tones combined with his intuitive rhythmic variations afforded his bandleader’s vamp – single chord compositions a signature flavor.

Larry’s weapons of choice are the Fender Jazz, his Warwick Signature bass, along with a Vox Sidewinder, and a custom Moon Larry Graham bass, among others.

A gifted songwriter, vocalist, showman, and recording artist, Larry’s approach serves the song first and foremost. Unlike bassists who employ his slap technique as a platform for dexterity and flash, every note Larry thumps has a musical purpose. His lines sing and dance – as do the generations who have heard him since A Whole New Thing appeared in the magical year of 1967.

After his tenure with Sly, Larry kept the funk flag flying with his ensemble that continues to this day – Graham Central Station.

Dig Larry on these Sly anthems….

“Higher” https://youtu.be/BqWQzOzK3kw

“Thank You…” https://youtu.be/wj5VODa-eTY

“Everyday People” https://youtu.be/JJt-C6I6EDs

“Dance to the Music” https://youtu.be/N_LwJCxR7F4

Dig Larry with Graham Central Station:

“Can You Handle It” https://youtu.be/ck4AlFfu5pM

“The Jam” https://youtu.be/Is665CtmBUc

“Feel the Need” https://youtu.be/B10-z3dXDCg

Dig Larry and Prince:

“The Christ” https://youtu.be/NfqO-rt0BDI

North Sea Jazz Festival 2013 https://youtu.be/vweqb8xilWI

BB King’s New York City 2010 https://youtu.be/NfqO-rt0BDI


Larry Graham Sly Stone_opt.jpg Larry Graham Sly Stone_opt.jpg