Courtesy of Elvis The Music Com – Elvis with Tommy Cogbill and Tommy’s Fender bass
A master counter-melodic / pocket player and certifiable giant of the instrument – and unquestionably deserving of Rock and Roll Hall of Fame recognition – the late Thomas Clark Cogbill was among the go-to Nashville / “Memphis Boys” session cats who established the electric bass in country music, rock, soul, pop, rhythm and blues, and permutations thereof.
A former guitarist, Tommy’s weapon of choice was a Fender Precision and flats, tweaking the treble tone just enough to rise through the mix. Where to begin with Cogbill’s canon?
Dusty Springfield (“Son of a Preacher Man”), Aretha Franklin, Wilson Pickett (“Funky Broadway”), Elvis, Neil Diamond (“Sweet Caroline”), King Curtis (“Memphis Soul Stew”), Dolly Parton, Herbie Mann, Dobie Gray, and Kris Kristofferson, to cite a select few…
Tommy Cogbill Sound & Vision…
Tommy with Elvis on Take 9 of “Kentucky Rain” https://youtu.be/ElumTJWwXWA
Dusty Springfield “Son of a Preacher Man” https://youtu.be/oAZLgsDRUv4
Wilson Pickett “Funky Broadway” https://youtu.be/QICXaxkBJMk
King Curtis “Memphis Soul Stew” https://youtu.be/U5swo4ibjYk
By Thomas Semioli
He is a mainstay of multiple musical configurations on the NYC Lower East Side scene (and all around town….) traversing blues, rock, folk, Americana, punk, soul, and permutations thereof.
Lower register groovin’ in-the-pocket… plying melodic motifs in the upper register as the situation warrants …this cat is as solid as his surname! And his name is….Johnny Cement!
Johnny’s primary weapon of choice is a vintage Fender Precision…
Johnny Cement Sound & Vision…
Phil Gammage “Good Night Irene” https://youtu.be/BhdvY1zNojs
Ricky Byrd “Adventures in Bluesland” https://youtu.be/34m5mlBdnm8
Lauren Dragon “I’d Rather Go Blind” https://youtu.be/D2PehjTCk8w
Phil Gammage “Don’t Turn Me From Your Door” https://youtu.be/79mfbP4n3Gg
Felice Rosser “Come Into My House” https://youtu.be/vICcy_ddIBY
The nattily attired Johnny Cement!
By Thomas Semioli
With a penchant for grooves, inventive rhythmic variations, solid pocket lines, and the occasional glissando and other techniques, bassist Steve Fossen is the consummate song-player. His tenure in Heart from 1969 to 1982 embraced the golden era of album rock and pop singles. Heart was that rare collective who waxed deep tracks and hits which were staples on two important mediums: FM and AM rock radio.
Steven and his Heart bandmembers were elected to the Rock and Roll Hall of Fame in 2013. Among Steve’s weapons of choice include the Fender Jazz, Fender Precision, and Gibson Thunderbird.
Steve Fossen Sound & Vision on select Heart tracks wherein he shares writing credits:
“Little Queen” https://youtu.be/kKY1wJlzqjo
“Sing Child” https://youtu.be/QQk867izt4M
Dig Steve on Bebe Le Strange live 1980: https://youtu.be/zxrbU2pgiPI
Along with founding Heart drummer Michael Derosier, Steve anchors Heart By Heart repertory ensemble.
Says Steve on www.HeartByHeart.com “I’m very appreciative of classic rock and classic hits radio for keeping our music alive for so many years,” he said. “It’s really cool to listen to the radio and hear a Pink Floyd song followed by a Led Zeppelin song and The Beatles and then a song by Heart will come on. It’s just a great feeling. I sit there and think ‘How did that ever happen?’”
With Kevin McCormick helming the bass chair, as well as serving as co-producer and co-composer; Melissa Etheridge emerged as a world class artist by way of her stunning self-titled 1988 debut, and such acclaimed slabs including Brave and Crazy (1989), Never Enough (1992) and her massively successful Yes I Am (1993).
McCormick is a groove master on the 4 and 5 string and plies harmonic extensions which fortify the soloists, singers, and their songs. Among Kevin’s weapons of choice include Guild and Fender Precision basses.
McCormick’s resume is impressive and expansive, collaborating with artists including Nils Lofgren, Jackson Browne, Robben Ford, John Mayall, Keb’ Mo, Crosby, Stills & Nash, Experience Hendrix, The Rides with Stephen Stills, Kenny Wayne Shepard, and Barry Goldberg – to cite a very select few.
Kevin McCormick Sound & Vision…
Nils Lofgren “Attitude City” https://youtu.be/pc2nROPVUvQ
Jackson Browne “Naked Ride Home” https://youtu.be/4my0i08lCNg
Kevin slappin’ and poppin’ with Melissa: “Brave and Crazy” https://youtu.be/N4K_Z3AR69o
“Jim Fielder is one of the pioneers of the Fender Bass. His lines were as important and recognizable to listeners as the melodies and words.” Ron McClure
As a founding member of Blood Sweat & Tears, Jim Fielder’s bass playing captivated millions by way of the band’s extraordinary run of hits and classic albums, including the monumental Child Is Father to the Man (1968), and BS&T (1969) both of which were a groundbreaking meld of rock, jazz, rhythm & blues, and pop music.
The towering Texan also contributed to landmark albums by Frank Zappa & the Mothers of Invention (guitar on Absolutely Free), Buffalo Springfield (Again), George Benson (Tell It Like It Is), Tim Buckley (s/t, Goodbye and Hello), Gene Clark, Chris Hillman, and Al Kooper among others.
Profoundly inspired by James Jamerson, Fielder likely helped Fender sell many a Precision bass in the late 1960s as his warm gritty tone, and soulful improvisations within Blood, Sweat & Tears’ amazing repertoire were a constant presence on AM/FM radio. Following his time in BS&T, Fielder became Neil Sedaka’s musical director/bassist for several years.
For additional insight on Jim’s career, check out KYBP Chicago Bureau Chief Joe Gagliardo’s Goldmine interview – published in 2010. https://bit.ly/2yMIivf
Jim on stage with Buffalo Springfield – Courtesy Buffalo Springfield Com
Jim Fielder Sound & Vision….
Gene Clark: “Kansas City Southern” https://youtu.be/pmk_P5C2uQI
Buffalo Springfield: “Everydays” https://youtu.be/Q5uqYTCOSsM
Tim Buckley: “Wings” https://youtu.be/GY35hx7Vemo
George Benson: “My Woman’s Good to Me” https://youtu.be/vvcnsvOWsjk
Blood, Sweat & Tears:
“Blues Pt. 2 https://youtu.be/O1ZRcI3g9vs
“Somethin’ Going On” https://youtu.be/fbzDl8DvSbQ
“Down in the Flood” https://youtu.be/M2zxGPHJyvk
“Smiling Phases” https://youtu.be/6ltXpCYDXKg
What a difference the bass player makes…
When William Martin Joel was allowed to bring his seasoned touring band into the recording studio – he waxed one of the best singer-songwriter sides of his generation The Stranger (1977)*, which was the first of a series of seminal slabs by the piano man.
The late Doug Stegmeyer embellished Billy’s hits and album tracks with tastefully executed grace notes, slaps, fretless glissandos, and nimble plectrum and finger picking – all rendered with a crisp bite in the service of the song. Doug came to the attention of Joel as a member of the band Topper, which also featured Liberty DeVitto and Russel Javors. His first tour with BJ was in support of the Streetlife Serenade album, waxed in 1974 which he did not appear on.
*Members of the “classic” Billy Joel band appeared on Turnstiles (1976) – which failed to reach a wide audience upon its initial release.
Rock journalist Stephen Thomas Erlewine noted in All Music Guide: “…no matter how much stylistic ground Joel covers, he’s kept on track by his backing group. He fought to have his touring band support him on Turnstiles, going to the lengths of firing his original producer, and it was clearly the right move, since they lend the album a cohesive feel. Turnstiles may not have been a hit, but it remains one of his most accomplished and satisfying records, clearly paving the way to his twin peaks of the late ’70s, The Stranger and 52nd Street…”
As pictured, Doug’s main weapon of choice was the Fender Telecaster bass.
Doug Stegmeyer / Huffington Post Eleven More Bass Players Who Belong in the Rock and Roll Hall of Fame https://bit.ly/38QIjf7
Bruce Springsteen came to his senses and ensured that the E Street Band got their props – albeit fifteen or so years too late. Now Billy Joel needs to own up to the responsibility. As I and millions of others were witness, the classic Billy Joel band line-up of saxophonist / keyboardist Richie Cannata, drummer Liberty DeVitto, guitarists Russell Javors and David Brown, and the late bassist Doug Stegmeyer were among the best live bands of their era. And they were magic in the recording studio.
In the absence of Stegmeyer and company, Billy made good records. With Doug and the boys, Billy waxed classic records. The Billy Joel band came of age in the 1970s – an incredibly fertile and diverse era. In those days, music artists competed and played on concert bills with everyone; spanning fusion powerhouses such as Return to Forever and Weather Report, to supergroups including Led Zeppelin; to groundbreaking roots artists such as Asleep at the Wheel and Townes Van Zandt; to prog rock masters Yes, Jethro Tull and King Crimson; to soul visionaries Stevie Wonder, Marvin Gaye; to reggae innovators Bob Marley; to politico punk rockers such as The Clash and Patti Smith; to singer songwriter pioneers such as Joni Mitchell, Bob Dylan, Laura Nyro, Carole King and Van Morrison; and whatever we can pin on Frank Zappa and The Mothers – to name a very select few. Before computers hypnotized the masses, ad agencies segregated listeners, and bands became “brands,” young audiences of my generation were attuned to musical excellence.
The classic line-up of the Billy Joel band exuded musical excellence and stood equal among these above referenced 1970s era artists. Go back and listen to their records, and their sizzling live set on The Stranger Deluxe Edition which fuses jazz, bar band rock, and Broadway. Doug Stegmeyer and his bandmates elevated the artistry of Billy Joel on stage and on record to greatness, and are long, long, overdue for their recognition in The Rock and Roll Hall of Fame in the Musical Excellence category.
Doug Stegmeyer Sound & Vision….
Doug groovin’ ‘n’ poppin’ with Billy on “The Stranger” at Carnegie Hall 1977 https://youtu.be/qdLPI6XhEN8
Tony Senatore’s renditions of Doug’s signature passages:
“Zanzibar” https://youtu.be/IqrmqhQ8Z0o
“Stiletto” https://youtu.be/wx0NKCzTuLs
“Movin’ Out” https://youtu.be/VBZBdX4y0dI
“Angry Young Man” https://youtu.be/s8A7CrWrWJI
“Rosalinda’s Eyes” https://youtu.be/ZtVhMfR9crc
“All You Want To Do Is Dance” https://youtu.be/PiOff5cxSic
“Sleeping with the Television On” https://youtu.be/_d6MIS8L_y0
Doug also shined as a session cat with Graham Parker (Another Grey Area /1982), Phoebe Snow, Bob James, and Karen Carpenter, among others.
Graham Parker:
“Temporary Beauty” https://youtu.be/Px8laM6lwzw
“No More Excuses” https://youtu.be/0VQkoRGqAWg
Photo courtesy of Aerosmith Com
By Thomas Semioli
Courtesy of Aerosmith Com
By Thomas Semioli
If you had to choose a role model of a classic rock bassist …look no further than this cat!
Huffington Post / Tom Semioli : Carl Radle: Eleven Bass Players Who Belong in the Rock and Roll Hall of Fame https://bit.ly/38WUMh2
He was the consummate sideman who came to prominence on seminal sides and concert performances with Derek & The Dominoes, George Harrison, Delaney & Bonnie, Eric Clapton, Leon Russel, and Joe Cocker. Bassist Carl Dean Radle’s motifs are so essential to the compositions that he waxed with those aforementioned rock icons; that if you were to play the songs without rendering his lines (near) verbatim – the tune sounds… wrong!
Born in Tulsa, Oklahoma, and migrating to Los Angles in the 1960s, Radle’s association with fellow Tulsan Leon Russell, then a prominent member of the Wrecking Crew, afforded Carl entry into the elite sessions circles.
Radle’s jaw-dropping resume also spans Gary Lewis & The Playboys, The Concert for Bangladesh (with Klaus Voorman), Dr. John, Dave Mason, J.J. Cale, Buddy Guy, Rita Coolidge, John Lee Hooker, King Curtis, Bobby Whitlock, Art Garfunkel, Donovan, and Bob Dylan, to cite a very select few.
Carl’s weapons of choice included a ’65 sunburst Fender Precision with a blocked and bound neck, ’68 blonde Fender Telecaster bass with a single coil Telecaster pickup and a split-coil Precision pickup, MusicMan Stingray, and a ’75 Alembic.
Radle’s fluid lines are a study in rhythm and space. His meld of staccato phrasing, sustained notes, and unadorned countermelodies sounds deceptively effortless – which further exemplifies Carl’s mastery.
Among Carl’s finest recordings include his work with drummer Jim Keltner as captured on Joe Cocker’s Mad Dogs & Englishmen (1970).
To my ears, Layla and Other Assorted Love Songs (1970) represents Carl’s most enduring recorded work and stands as a definitive example of the supportive role of the bass in a rock guitar-based setting.
Carl Radle Sound & Vision…
Derek and the Dominos
“Got to Get Better” https://youtu.be/ywdU0C2GH2o
“Bell Bottom Blues” https://youtu.be/FclW0go4Cfc
“I Looked Away” https://youtu.be/PMlmoLvRBNQ
“Anyday” https://youtu.be/QrWK5XWuGpk
Eric Clapton:
“Let It Rain” https://youtu.be/vFoheneUfU0
“Motherless Children” https://youtu.be/9EZlmqWmcqw
“Let It Grow” https://youtu.be/YpDlmop0uYU
Delaney & Bonnie & George & Eric “Comin’ Home” https://youtu.be/aazChqk4U-c
George Harrison “You” https://youtu.be/3xnTWee4eAI
Rita Coolidge “Superstar” https://youtu.be/e4Xi1I78Kms
Leon Russell “Stranger in a Strange Land” live https://youtu.be/Hjy7RAu8TJ4
Joe Cocker’s Mad Dogs & Englishmen
“Delta Lady” https://youtu.be/uIz8n4fprxw
“Darling Be Home Soon” https://youtu.be/RCl-zznJ5so
“Space Captain” https://youtu.be/RCl-zznJ5so
Photo courtesy of Queen Online Com
By Thomas Semioli