Bob Glaub (Stevie Nicks, Jackson Browne)

Courtesy of Ampeg Com

 

The consummate studio cat, Bob Glaub’s body of work embraces blues, folk, pop, country, jazz, and rock and permutations thereof.

 

His astounding list of record credits span Patti Smith, Rod Stewart, Nicolette Larson, Gladys Knight, Warren Zevon, Jackson Browne, Stevie Nicks, Jon Bon Jovi, Bob Dylan, Ringo Starr, Natalie Merchant, Donna Summer, Bob Seger, Eddie Money, John Fogerty, CSN &Y, Neil Diamond, Linda Ronstadt, Randy Newman, Lucinda Williams, and Carole King to cite a very very select few.

 

Producers and artists depend on Glaub because he delivers exactly what is needed as a supportive player – a warm tone, melodic interplay, and pocket grooves.  Lakland created a Bob Glaub signature bass which is modeled after his 1964 Fender Precision.

 

Bob Glaub Sound & Vision…

 

Tony Senatore’s rendition of  Bob’s brilliant passage Jackson Browne’s “The Pretender” https://youtu.be/2nbIKdJenzE

 

Rita Coolidge “I’d Rather Leave While I’m In Love” https://youtu.be/yCaq9BOe5Yc

 

Warren Zevon “Excitable Boy”  https://youtu.be/fZokPAuhD6k

 

Stevie Nicks “Gold & Braid” https://youtu.be/rtSFGsG7yiE

 

Bob Dylan “Seeing the Real You At Last” https://youtu.be/-Dy0UgPt_tM

 

Rod Stewart “Lost In You” https://youtu.be/aEFZ2hHn40w

 

Neil Diamond “Will You Love Me Tomorrow” https://youtu.be/g4Ig2Rwls3U

 

Eddie Money “Let’s Be Lovers Again” https://youtu.be/WKX3Lc5uXys

 

Patti Smith “Going Under” https://youtu.be/xXi40UG-AAE

 

Linda Ronstadt “Girls Talk” https://youtu.be/AIlMetJm14E   

 

George Hawkins (Kenny Loggins)

By Thomas Semioli

A composer, producer, singer, and solo recording artist, the late George Hawkins Jr. was the go to bassist on stage and on record for several high-profile artists including Kenny Loggins and Jim Messina, Christine McVie, Mick Fleetwood’s Zoo, Lindsey Buckingham, The Monkees, John Fogerty, Jimmy Webb, Delbert McClinton, Richard Marx, Boz Scaggs, Steve Perry, Al Jarreau, Dave Mason, Roger McGuinn, and Stevie Nicks to cite a select few.

 

A Sadowsky endorser, pocket / melodic player who worked the extended range, George took over the bass chair with Loggins & Messina in 1976 from Larry Sims. He anchored the duo’s 1977 Farewell Tour and live platter aptly entitled Finale.

 

Loggins tabbed George for his solo band wherein the bassist waxed platinum selling platters Celebrate Me Home (1977), Nightwatch (1978), and Keep The Fire (1979), along with the concert twofer Kenny Loggins Alive (1980). George’s gig with Loggins led to more session and sideman work. In 1996 Hawkins cut his lone solo slab Every Dog Has Its Day.  Hawkins was still active when he passed in 2018.  

 

George Hawkins Sound & Vision…

 

Dig George’s funky slap bass break on “Junkanoo Holiday Fallin’ Flyin” from Kenny Loggins Alive https://youtu.be/jxKWe6oNkq4

 

Kenny Loggins “Whenever I Call Your Name” https://youtu.be/NmRh69YyKnA

 

Lindsay Buckingham “Trouble” https://youtu.be/OyONfX5bpyQ

 

Mick Fleetwood’s Zoo “Angel Come Home” https://youtu.be/g0C0gJu_j3E

 

Christine McVie “Friend” https://youtu.be/clyGRmFcMgI

 

George Hawkins “Every Dog Has Its Day” https://youtu.be/_FXIAlXZGaA

 

 

John McVie (Fleetwood Mac, John Mayall’s Bluesbreakers)

 

 

 

He is the Mac in Fleetwood Mac!

 

Seminal Sides: John Mayall & The Blues Breakers with Eric Clapton; Then Play On (1969), Future Games (1971), Mystery to Me (1973), Fleetwood Mac (1975), Rumours (1977), Tusk (1979), Live (1980), Say You Will (2003).

 

The late, truly great British blues guitar icon Peter Green was clever to name his fledgling ensemble for drummer Mick Fleetwood and former tax inspector / bassist John Graham McVie. Acknowledged among the most identifiable and flexible rhythm sections in rock history, Fleetwood’s bona fide Mac is a consummate song player – from pop to improvisatory blues.

 

Born in London in 1945, John commenced his musical journey as a teen, moving from trumpet, then to guitar, and then to bass when his dad purchased a snazzy Fender akin to Jet Harris – which must have cost a small fortune in the economically depressed post-war UK! 

 

McVie’s tenure in John Mayall’s Blues Breakers commenced when he was still relatively new to the instrument. Yet McVie help set the template for standard rock blues electric bass: working the lower register, outlining the changes, plying subtle harmonic extensions, and supporting the resident god-like guitar hero with a fat tone.

 

As with The Rolling Stones’ Bill Wyman, Mac’s approach evokes how Willie Dixon might have sounded had he played electric – which is quite logical given that his boss John Mayall (who hired and fired Mac several times) tutored the emerging musician, and was a staunch Dixon devotee.

 

Blues Breakers with Eric Clapton (aka “Beano”) is among the most influential albums of the classic rock era. Note that McVie and drummer Hughie Flint worked the pocket in the service of Mayall and Slowhand with a decidedly swing feel.

 

John McVie Sound & Vision…

 

John Mayall & The Bluesbreakers

 

“All Your Love” https://youtu.be/rUUEtCBhn_Q

 

“Steppin’ Out” https://youtu.be/PkulcvRkd4I

 

With Fleetwood Mac, and its various singer / songwriter / “front persons” including Peter Green, Jeremy Spencer, Danny Kirwan, Bob Welch, Christine McVie, Stevie Nicks, Lindsay Buckingham, Dave Mason, Rick Vito, Billy Burnette, Neil Finn, and Bekka Bramlett, McVie waxed inventive passages in support of the superstar singers and their chart-topping songs and album tracks. Often the subject of his ex-wife Christine McVie’s songs on Rumours, McVie’s weapons of choice included the Fender Jazz, Precision, and Telecaster Bass, and Alembic. Nowadays he’s a Lakland man. In 1992 John waxed his sole solo slab John McVie’s Gotta Band with Lola Thomas.

 

 

 

McVie also worked the occasional session, most notably with Warren Zevon on the classic track “Werewolves of London” with Mick Fleetwood helming the drum chair: https://youtu.be/iKtPOC3VqGs

 

And dig these Deep Mac tracks…..

 

“Rattlesnake Shake” (Then Play On / 1969) https://youtu.be/ob5Q_daCOB8

 

“Coming Your Way” (Then Play On) https://youtu.be/JCEqKVDsa0E  

 

“Station Man” (Kiln House / 1970) https://youtu.be/YSZJFWn7OM4

 

“Sands of Time” (Future Games / 1971) https://youtu.be/1Jkp34jMeEw

 

“Child of Mine” (Bare Trees / 1972) https://youtu.be/F–ImFAn8oU 

 

“Revelation” (Penguin / 1973) https://youtu.be/chcRAWh8Tik

 

“Miles Away” https://youtu.be/3za5HwkfuVQ and “Hypnotized” (Mystery to Me / 1973) https://youtu.be/fDzXbdxeeHI

 

“Bermuda Triangle” (Heroes are Hard to Find / 1974) https://youtu.be/f83nXE0TBvA

 

“Rhiannon” (Fleetwood Mac / 1975) https://youtu.be/jQAK6sVovUk and “The Chain” (Rumours / 1977) https://youtu.be/kBYHwH1Vb-c

 

Photos Courtesy of Fleetwood Mac . Com