Courtesy Bob Daisley Com
Huffington Post / Tom Semioli (November 2017): A Bass Player’s Rant: Bass Players Who Belong in the Rock and Roll Hall of Fame: Bob Daisley https://bit.ly/3sc2NaJ
Bob Daisley’s career and discography reads like a hard rock history book: Ritchie Blackmore’s Rainbow, Ozzy Osbourne, Yngwie Malmsteen, Steve Vai, Paul Rodgers, Tony Williams, Jon Lord, Widowmaker, Uriah Heep, Gary Moore, Black Sabbath…
A supportive player, Daisely’s stylistic disposition is decidedly of a blues origin. Inspired by 60’s Motown, at the ripe old age of twenty Bob migrated from his home in Sydney, Australia in 1970 to seek fame and fortune as a rock bassist in London.
Replacing John Glascock (Jethro Tull) in Chicken Shack, Daisley quickly built a name for himself on the bandstand and in the studio. Anchoring such British blue-collar rockers Mungo Jerry, the Stan Webb Band, and Widowmaker (with Luther Grosvenor), among others – Bob was eventually tabbed by Ritchie Blackmore for the bass chair in Rainbow which led to an even higher profile for the dexterous bassist, composer, and producer.
In 1979 Daisley accepted Ozzy Osbourne’s offer to join Blizzard of Ozz with guitar prodigy Randy Rhodes. Intended to be a band rather than an Ozzy led solo project, Daisley played a major role in the writing and recording several Ozzy slabs and tours which put metal on the mainstream map including Osborne’s mega-hit No More Tears (1991).
However shady machinations in the Ozzy camp often rendered Bob un-credited and un-compensated. Last time I checked the lawsuits / disputes were still flying. Even Bob’s bass parts were wiped off Ozzy tracks at the behest of Mrs. Osborne. Such is the business of rock and roll.
Regardless, Bob continued his career with Gary Moore, Uriah Heep, Bill Ward, Mother’s Army, Living Loud (with Deep Purple guitarist Steve Morse, Uriah Heep drummer Lee Kerslake and Purple keyboardist Don Airey), Hoochie Coochie Men (with Jon Lord), and Black Sabbath among other notable projects.
In 2014 Bob published his highly controversial autobiography For Fact’s Sake – which reveals more than a few hard truths behind the hard rock legends!
Gear heads be sure to review Bob’s numerous weapons of choice https://bobdaisley.com/gallery/bobs-guitars
For all things Daisley, check in with www.BobDaisley.com
Bob Daisley Sound & Vision…
With Chicken Shack: “Revelation” https://youtu.be/RkV21EAZC48
With Widowmaker: “Such a Shame” https://youtu.be/Tw4Ew7MQwh4
With Rainbow: “Sensitive to Light” https://youtu.be/MzRN9CgVxWc
“Long Live Rock and Roll” Live: https://youtu.be/HDT_uqM1iqI
With Ozzy:
“Crazy Train” https://youtu.be/RMR5zf1J1Hs
“I Don’t Want to Change the World” https://youtu.be/zN7xOdjNIMc
With Gary Moore: “Teenage Idol” https://youtu.be/n4PaYq-H36M
With Steve Vai, Paul Rodgers, Tony Williams from In From the Storm Jimi Hendrix Tribute: “Bold As Love” https://youtu.be/gmIpQeF0xhQ
With Jon Lord & The Hoochie Coochie Men:
“Who’s Been Talkin” https://youtu.be/SFzg-gomrfw
“Hideaway / Lonesome Traveler Blues”https://youtu.be/te8hW2mO6rQ
With Living Loud: “Over The Mountain” https://youtu.be/rdIYBWNm8G0
With Black Sabbath: “Glory Ride” https://youtu.be/K8oSyLV2BUI
Resplendent in his kaleidoscopic haberdashery and long braided hair, which complimented his multi-colored Warwick instruments, Thomas Michael Stevens was among the preeminent bassists in pop, rock, jazz, funk, metal, punk, hip-hop and permutations thereof in the 1980s-90s until illness necessitated his retirement.
A composer, vocalist, producer, recording artist, first call session cat, clinician, educator, and showman extraordinaire – TM anchored platters and concert performances aplenty by artists spanning James Brown, Steve Vai, The Pretenders, Joe Cocker, Billy Joel, Tina Turner, Nona Hendryx, Tupac Shakur, Cissy Houston, and Narada Michael Walden to cite a very, very select few.
A brilliant slap, and finger player, TM was a warm, and spirited presence on the New York City music scene, frequenting clubs and talking bass with anyone – myself included, who shared a love for the instrument.
T.M. Sound & Vision….
Corey Glover and Van Romaine on a remake remodel of Deep Purple’s “Burn” https://youtu.be/pY56aonrm48
From his Shocka Zooloo LP “The River Flows” https://youtu.be/vuJbkBAmi88
With Eric Gales on Jimi’s VooDoo Chile https://youtu.be/TCx-quZVzAw
The Pretenders “Don’t Get Me Wrong” https://youtu.be/pKzoXuEkk00
The Pretenders “How Much Did You Get for Your Soul” https://youtu.be/47AfhCQAlrU
With Neil Zaza “I’m Alright” and “I’m A Believer” https://youtu.be/MIn0XrMn9Fc
You can tell an exceptional bass player by the company they keep – on stage and in the studio. Which brings us to Gary Shea. A hard-rocking New Englander inspired by the masters: James Jamerson, Bernard Odum with James Brown, Sir Paul, and John Entwistle – Shea forsook the guitar (like so many of us) for the bass and never looked back. A decidedly “no nonsense” i.e., groove player with a melodic flair, Shea continues to anchor two formidable ensembles: Alcatrazz and New England – among other projects.
Gary has also toiled behind the scenes: with R&D for Korg U.S.A, and writing bass programs for the AX1B, The Pandora 3, Pandora 4 and the AX3000B bass processors.
Shea briefly studied at Berklee College of Music in Boston. Among his stage and bandstand credits include Graham Bonnet, Luther Grosvenor (aka Ariel Bender of Mott the Hoople), Michael Corby, Rock Island Orchestra, Michael Monarch, Herman Rarebell (Scorpions), Peter French (Cooper-Shea), Jimmy Waldo, Yngwie Malmsteen, and Steve Vai…to cite a select few.
Gary Shea Sound & Vision…
New England:
“Shall I Run Away” https://youtu.be/TK2W9q5P2qg
“Don’t Ever Want to Lose Ya” https://youtu.be/oCwzRV0UMhA
2010 reunion https://youtu.be/X9it3OMtkG0
Alcatrazz:
“Island In the Sun” https://youtu.be/SitEuezk_Jw
“Lost in Hollywood” https://youtu.be/7eRLQyXzZ1Y
“God Blessed” https://youtu.be/N19Pu1KM3b4
2017 reunion “Skyfire” https://youtu.be/qahX84Ug-7w
Cooper- Shea “Nickels and Dimes” https://youtu.be/236br8-oj4s
Gary Shea Know Your Bass Player Zoom Zezzions
We consider him to be in a class of preeminent hard-rock bassists of his generation. Gary Shea recalls his early days, influences, his tenure with New England, working with Todd Rundgren and Eddie Kramer, and an intimidating audition with Clive Davis among other stories of a life in rock and roll! Writers/Interviewers: Tom Semioli, Robert Jenkins. Editor: Mark Polott.
Executive Producer: Mark Preston
Gary Shea reveals his approach to anchoring guitar virtuosos Yngwie Malmsteen and Steve Vai, and demonstrates his “patented plectrum prowess!” Writers/Interviewers: Tom Semioli, Robert Jenkins. Editor: Mark Polott. Executive Producer: Mark Preston
Cost of the instrument from Manny’s Music on West 48th Street New York City: $148.00! Gary Shea Modifications: A Precision bass neck. Telecaster pickguard. Bootleg Fender decal on headstock. Elmer’s glue to fix crack in the neck. Quan Badass bridge. White out and filed clay dots on the neck. Notch above neck pick-up where Gary anchors his thumb. Tools used: hot butter knife! Sound of the Gary Shea’s bass unplugged: awesome! Sound of Gary Shea’s bass on record: awesome! Sound of Gary Shea’s bass on stage: awesome! Writers/Interviewers: Tom Semioli, Robert Jenkins. Editor: Mark Polott. Executive Producer: Mark Preston
Is the long-player obsolete? Doomed to extinction? Has playlist and individual song streaming rendered the traditional song-cycle irrelevant? What are the pitfalls, the advantages of digital music? Bassists Gary Shea and Robert Jenkins weigh in. Writers/Interviewers: Tom Semioli, Robert Jenkins. Editor: Mark Polott. Executive Producer: Mark Preston