Classically trained at New York University, flautist/bassist Andy Kulberg anchored one of rock’s most influential ensembles; Blues Project. Composer of “Flute Thing” Andy was among the first wave of electric rock bassists who drew from jazz, blues, and folk in an improvisational rock context. Following Blues Project, Andy formed Seatrain, which broke ground in rock roots music including a fine self-titled sophomore slab produced by George Martin.
Andy Kulberg Sound and Vision:
With Blues Project:
“Flute Thing” https://youtu.be/ERxBkzoYIp8
“Steve’s Song” https://youtu.be/HeYLMC7W6ZE
“I Can’t Keep from Crying” https://youtu.be/1Uxalc0o10s
With Seatrain:
“Willin’ https://youtu.be/iV9C8jlhOmY
For all the hipster hosannas heaped upon the Velvet Underground – and deservedly so, one essential member who is oft overlooked is bassist / multi-instrumentalist / singer / composer Doug Yule. Yule joined the ranks upon John Cale’s dismissal in 1968 and played a major role in the Velvet’s evolution. Doug anchored two seminal slabs and several archival and live releases which have inspired generations of rockers.
Unlike Cale, who was somewhat indifferent to the instrument, Yule was a fluid player and vocalist who complimented Lou’s gravitation from the avant-garde towards the then burgeoning singer-songwriter movement.
Though The Velvet Underground & Nico (1967) and White Light/White Heat (1968) were critically acclaimed groundbreaking efforts; to my ears Velvet Underground (1969) and Loaded (1970) both with Yule, represent the band’s most enduring works.
When VU finally split following Lou’s departure and the recording of Squeeze (1973), which was essentially a Yule solo album under the VU moniker to fulfill contractual obligations / management shenanigans – Doug founded American Flyer with Steve Katz (Blood, Sweat & Tears), Eric Kaz (Blues Magoos), and Craig Fuller (Pure Prairie League).
Despite critical acclaim the Flyers’ two Americana flavored releases, produced by George Martin, failed reach a wide audience. In addition to a tour or two with Lou, Doug anchored the cut “Billy” from Reed’s only Top Ten album – Sally Can’t Dance (1974) and appears on the 30th Anniversary edition alternate takes from Coney Island Baby (1975). Doug also waxed tracks with Elliott Murphy which were released on his stellar platter Night Lights (1976).
When the Velvet’s reunited for a money grab tour and live twofer in 1993, Yule was not invited despite the insistence of Sterling Morrison.
And Doug’s omission from the Velvet Underground’s Rock ‘n’ Roll Hall of Fame induction is inexplicable – especially given the fact that the majority of the band’s signature tracks feature Yule on bass and vocals!
Tom Semioli / Huffington Post 2015 Doug Yule “Eleven Bass Players Who Belong in the Rock and Roll Hall of Fame: Doug Yule” https://bit.ly/2VpzRyy
Doug Yule currently lives in Seattle, and plays, restores, and makes violins. Follow him at www.dougyule.com
Doug Yule Sound & Vision…
Velvet Underground:
“Candy Says” https://youtu.be/O4rbTBKRedE
“New Age” https://youtu.be/Z_-NAdntfqk
“Lonesome Cowboy Bill” https://youtu.be/MdqdietRww8
“Mean Old Man” (from Squeeze / 1973) https://youtu.be/0qh3rXu5cNY
Lou Reed: “Billy” https://youtu.be/U2WUlRDFmAI
American Flyer: “Lady Blue Eyes” https://youtu.be/0SzaJD5MhsU