Doug Wimbish (Sugar Hill, Living Color)

Courtesy of Doug Wimbish Com – Photo Karstens Staiger

By Thomas Semioli

“I’m not just a bass player, I’m a sound-system…”

What James Jamerson is to Motown, Doug Wimbish is to Sugar Hill Records….

Among the most versatile, accomplished, and influential players ever to pick up the instrument, Douglas Arthur Wimbish’s body of work spans funk, hip-hop, dance, rock, pop, metal, blues, soul and permutations thereof.

Inspired by the sounds of his 1960s youth blaring from AM/FM radio – Sly Stone, Miles Davis, and George Clinton – Doug immersed himself in music theory studies at Hartford Conservatory. At Jackie McLean’s Artist Collective workshops, Wimbish began to collaborate with guitarists Skip McDonald and Barton Campbell, drummer Harold Sergeant, keyboardist Hubert Powel,l horn players Randy Boss and Otha Stokes as the Wood Brass & Steel ensemble.

With Skip, drummer Keith LeBlanc as the house band rhythm section for Sugar Hill Records, Doug commended to anchoring several watershed sides including Grandmaster Flash’s “The Message,” and “White Lines” to site two…and the rest, as they say is history.

With his Sugar Hill pedigree, Wimbish migrated to London in the early 1980s, founding TackHead – a highly acclaimed ensemble which was an innovative meld of industrial, hip-hop, hard rock, and electronica.  Though their commercial success was limited, they were role models for platinum selling rap metal rockers Rage Against the Machine, and Faith No More, among others.

In the UK, Doug’s visibility blossomed and he began to work on stage and in the studio with such high-profile artists including Jeff Beck, Mick Jagger, Seal, Madonna, Joe Satriani, Annie Lennox, Ron Wood, Billy Idol, Lauryn Hill, and Mos Def, to cite a few.

Doug replaced Muzz Skullings in Living Color in 1991 for several tours and slabs. A composer, solo recording artist, producer, and arranger, Doug is an exemplary soloist, pocket player, and melodic catalyst – his weapons of choice include Spector 4 and 5 string instruments.

Doug Wimbish Sound & Vision

Grandmaster Flash & The Furious Five “The Message” https://youtu.be/PobrSpMwKk4

Grandmaster Flash & The Furious Five “White Lines” https://youtu.be/HB-Kkvf5j5Y

Grandmaster Flash & The Furious Five “New York New York” https://youtu.be/Lecfn2D9Y94

The Sugar Hill Gang “Sugar Hill Groove” https://youtu.be/BZfz5VgsI0k

Afrika Bambaataa & James Brown  “Unity” https://youtu.be/16k-k29wA8Q

Madonna “Erotica” https://youtu.be/WyhdvRWEWRw

TackHead “Mind and Movement Control” https://youtu.be/GFmZsHLC1Wk

Living Color “Open Letter” https://youtu.be/aMJTGcG-sxc

Ron Wood “Testify” https://youtu.be/NP3u2A79yIg

Doug Wimbish “Revolution” https://youtu.be/jIEuonjB0Xc

John McKenzie (Seal, Everything But The Girl)

Courtesy of Mark Bass Courtesy of Mark Bass

Courtesy of Mark Bass

By Thomas Semioli

John McKenzie, bass player; Seal, The Pretenders, The Eurythmics, Dr. John, Everything But The Girl, James Ingram, David Bowie, Bob Dylan, Damien Rice Lionel Richie, Tina Turner, Alison Moyet, Renato Zero, Karl Jenkins, Bond, Moya Brennan, Eternal, Shakira, Graham Lyle, Charles Aznavour, Andrea Corr, Dexy’s Midnight Runners, Jim Diamond, Tom Scott, Paul Brady, Johnny Mathis, Wham, Andy Newmark, Blair Cunningham Leon Ware, Mudbone, The Breakfast Band, Kokomo,  Royal Philharmonic Orchestra, Maksim Wild, Sinead O’Connor, Reel People Steve Hillage, Man, Leo Sayer, Eric Burdon, Annette Peacock, Davy Spillane, Mirage, Global Village Trucking Company, Albert Lee, Tim Finn….to cite a select few.

A remarkably prolific genre-traversing, versatile UK session ace, sideman, collaborator, composer, bandmember, and educator, among other endeavors: John Michael McKenzie’s resume of credits was astounding.

A supportive soulful player who worked the trad four, fretless, and extended range…dig John with…

Everything But The Girl “Five Fathoms” https://youtu.be/x67EEIBuwIw

The Pretenders “Let’s Make a Pact” https://youtu.be/Lteg_r9alSU

Seal “ Future Love Paradise” https://youtu.be/cj21h504wKU

Bond Live at the Royal Albert Hall https://youtu.be/6OLEnJj5Y80

Steve Hillage “Live at Canterbury” https://youtu.be/MExLFl2g688

“John McKenzie Rocks That Bass” https://vimeo.com/196673711

Phil Spalding (Seal, The Who, Mike Oldfield, Toyah, Right Said Fred)

His website was modestly subtitled “Music & Mayhem” – and when you watch our interview with the late great Phil Spalding from Terminal Studios in Bermondsey, London – you’ll know why!

 

And if you’ve been listening to pop music on purpose or by accident, chances are you’ve heard Phil Spalding. A chameleonic player, composer, writer, and clinician, Mr. Spalding was that rare bassist who served a multitude of genres with authenticity and a sense of “joie de vivre.”

 

A groove and melodic master whose expertise extends to the stage and the studio Phil’s credits are astounding: Seal, Sir Mick, Sir Elton, Terence Trent D’Arby, Joe Cocker, Toyah, Mike Oldfield, Kylie Minogue, Robbie Williams, Right Said Fred (“I’m Too Sexy”),  Matthew Sweet, Bernie Torme, GTR with Steve Howe, Steve Hackett; Original Mirrors, Jewly Perso, Ray Charles, and if I keep dropping names I’ll break the internet….

 

Phil Spalding’s Know Your Bass Player Essay “The Journey” http://knowyourbassplayer.com/2022/06/30/phil-spalding-the-journey

 

Phil Spalding Sound & Vision…

 

Toyah in 1981: https://youtu.be/HWJWRbkGZBQ

 

Right Said Fred: https://youtu.be/P5mtclwloEQ

 

Original Mirrors “Boys Cry” https://youtu.be/XriIplP_-uE

 

Robbie Williams “Me and My Monkey” https://youtu.be/sY8LWPyOMpU

 

Mike Oldfield https://youtu.be/x5wP4SDYgro

 

Live with GTR from ‘86 https://youtu.be/qOujKHcwAW4

 

Phil and P.S.O. remake remodel of Mike Oldfield’s “Moonlight Shadow” https://youtu.be/Go-epkDEkvo

 

Phil Spalding Know Your Bass Player Interviews:

 

 

Gail Ann Dorsey (David Bowie)

Courtesy of David Bowie Com Courtesy of David Bowie Com

Courtesy of David Bowie Com

This fab Philly born singer, bassist, side-woman, multi-instrumentalist, composer, solo recording artist, among other titles has rocked stages and anchored slabs with Tears for Fears, Gang of Four, Lenny Kravitz, Bryan Ferry, Indigo Girls, Jane Siberry, Gwen Stefani, Seal, David Bowie, and John Ashton’s Satellite Paradiso, to cite a very, very, very select few.

Where to begin: In the service of David Jones, Gail Ann Dorsey brilliantly utilized the lower register of her extended range which revitalized her bandleader’s classic canon in concert.

Dig every minute of Gail at Bowie’s 50th bash https://youtu.be/GlEwkZ14n7k

Gail’s presence on David’s latter day works – Earthling, Reality, Storytellers, A Reality Tour, and The Next Day – contributed greatly to Bowie’s artistic and commercial resurgence.

Primarily a StingRay MusicMan player, though I have seen her on stage with Fender and various boutique instruments; Ms. Dorsey adapts her style to whomever she plays with – yet her identity emerges by way of her phrasing and rhythm – my guess is that her Philadelphia roots ingrained soul into her soul!

Dig Gail on her own from the album I Used to Be “Always True” https://youtu.be/JIGo7SqaZO0