By Tom Semioli
You’ve heard him on the radio…you’ve heard him on the juke box on the song “Juke Box Hero” among many others….and you’ve likely seen him on the concert stage. Rick Wills commenced his remarkable chart topping career as a bassist with British blues rockers Jokers Wild in 1965 – which also featured future Pink Floyd guitarist David Gilmour. He also anchored hard rockers Cochise for a few slabs which never quite reached their commercial potential despite their stellar output.
Among the most sought after recording and touring bassists in the album rock era (1970s-1980s), Rick plies his craft with a decidedly rhythm and blues disposition, usually on a Fender Precision. His high profile gigs include Peter Frampton’s Camel, Roxy Music (Viva Roxy / 1975), solo Bryan Ferry, and the revamped Small Faces. In 1979, Rick commenced a fourteen-year career with Foreigner – waxing several platinum slabs whilst filling arenas around the globe.
In 1992 Rick joined Bad Company following Boz’s second or third exit, and helmed the bass chair for Lynyrd Skynyrd for a spell when their original bassist left for health reasons. In recent years Rick and Small Faces / Faces / Who drummer Kenny Jones are on the bandstand under the guise of “The Jones Gang.”
Among Rick’s stellar recordings include David Gilmour’s self- titled debut (1978) wherein he utilizes flange and chorus effects and harmonic extensions to augment the guitarist’s best work outside of the Floyd.
Rick Wills Sound & Vision and Zoom Zessions:
Cochise: “59th Street Bridge Song” https://youtu.be/VQtMF8ljtGg
Peter Frampton:
“Don’t Fade Away” https://youtu.be/D3HB6ZWVCWo
“All I Wanna Be Is By Your Side” https://youtu.be/AoOu5Xa-Iw4
“It’s A Plain Shame” https://youtu.be/pgwEFO651bE
“Do You Feel Like We Do” https://youtu.be/CGczyG6-aAw
“Something’s Happening” https://youtu.be/mif_MW8YeUU
“Doobie Wah” https://youtu.be/3VM0wb7RqeI
With Bryan Ferry and Chris Spedding “Let’s Stick Together” https://youtu.be/Z9EbR0ckb40
David Gilmour: “Mihalis” https://youtu.be/HTQHA0tOG9A
Foreigner:
“Night Life” https://youtu.be/4cAy3hK5tNs
“Juke Box Hero” https://youtu.be/W_TOsFvnmeQ
Small Faces: “High and Happy” https://youtu.be/U0cnbOo6fe8
Bad Company: “Clearwater Highway” https://youtu.be/5aTwhe5seSg
The Jones Gang EPK: https://youtu.be/hkYXyAh65us
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He is among the most revered British sidemen – session cats ever. Every record Alan anchored is worthy of exploration. Among his most noted recorded works include Jesus Christ Superstar (1970), Joe Cocker! (1969), Leon Russell (1970), Paul Kossoff Back Street Crawler (1973), Alvin Lee In Flight (1974), and Roxy Music Avalon (1982). You’ve heard him on stage and on record with Joe Cocker’s Grease Band, Roxy Music, Jim Capaldi, Paul Kossoff, Spooky Tooth, Alvin Lee, Kokomo David Coverdale, Bryan Ferry, Peter Frampton, Donovan, Steve Winwood, Ted Nugent, and Leon Russell, among many, many others…
If it were only for his incomparable bass passages on Jesus Christ Superstar (1970), Alan Spenner is legend. Spenner spins lines that exuded a soulful, rhythm & blues disposition akin to Motown masters James Jamerson and Bob Babbitt. Alan’s first professional gigs were with the blues/jazz outfit Wynder K. Frog which featured an impressive line-up of keyboardist Mick “Blue” Weaver (Mott the Hoople, Keef Hartley, David Gilmour), guitarist Neil Hubbard (Bluesology), drummer Bruce Rowland (Ronnie Lane, Fairport Convention, Joe Cocker), percussionist Reebop Kwaku Baah (Traffic), and saxophonist Chris Mercer (Bryan Ferry, Chris Farlowe, John Mayall). All these musicians intersected on many of the record dates that Spenner helmed. Sadly, Alan passed at a young age (43) from a sudden heart-attack.
Among Alan’s primary weapons of choice are Fender Precision – fretted and fretless. In his later years Alan switched to Wal basses.
Alan Spenner Sound & Vision:
Roxy Music “Same Old Scene” https://youtu.be/vXOgQN1a7bE
Roxy Music live “Avalon,” “Love is the Drug” https://youtu.be/co9TRT4Dar0
From Jesus Christ Superstar: “What’s The Buzz” https://youtu.be/c3LM2iQ8p7A
Tom Jones & Joe Cocker: “Delta Lady” https://youtu.be/V1gxVOcLZcI
Tony Senatore’s renditions of Alan’s passages from Jesus Christ Superstar
“Gethsemane” https://youtu.be/vbLvAyrB6cU
“Herod’s Song” https://youtu.be/jBVVKbmwQu8
“Heaven On Their Minds” https://youtu.be/ttnashv77K4
Alan with Joe Cocker at Woodstock: “Something’s Going On” https://youtu.be/kGbK5y94LOE
By Thomas Semioli
He’s had quite a life in rock and roll…and he’s still going strong on record and on the bandstand.
Salvatore Maida was among the stellar bassists employed by one of the most influential collectives in the history of rock ‘n’ roll, Roxy Music.
And he anchored one of the great lost glam pop ensembles of the 1970s – Milk ‘n’ Cookies.
Maida, who migrated to London from Little Italy at the onset of the glam rock movement to pursue his craft, shines on two stunning tracks which outstrip their respective studio versions – “Pyjamarama” and “Chance Meeting” – included on the iconic ensemble’s only live collection released during their 1970s reign as vanguards and innovators.
Utilizing a plectrum and a 1965 Fender Precision, and Dan Electro Longhorn, Sal lives for the pocket with a penchant for plying inventive upper register countermelodies.
Maida, who is also a writer/producer, additionally worked craft with the Sparks (Big Beat / 1976), David Lowery (The Palace Guards/ 2011), and Edward Rogers, among many others.
Sal was also a member of Cracker and appears on Greenland (2006) Sunrise in the Land of Milk and Honey (2009). Sal is married to singer songwriter, recording artist Lisa Burns, with whom he has collaborated with on several projects including her solo sides Unadorned (2004) and The Last Day of Winter (2014) by George Usher and Lisa Burns, among others .
But don’t let me tell you about Sal, read his extraordinary autobiography Four Strings, Phony Proof, and 300 45s: Adventures from Roxy Music, Sparks, & Milk N’ Cookies (Perfect Press)
Dig Sal Maida on Know Your Bass Player On Film Season One – 2015 New York City, Euphoria Studios https://bit.ly/3lp6Wpb
He was a prog-rock superstar who’s vocal and songwriting talents enabled the genre to reach a wider audience that was not quite ready for odd time-signatures, experimental instrumentation, and lyrics about wizards and topographic oceans.
At the behest of his pal Robert Fripp, Wetton joined a reformed King Crimson in 1972 and commenced to waxing four watershed sides Lark’s Tongues in Aspic, Starless and Bible Black, Red, and the live USA.
Following their ’74 split, Wetton continued the Crimson ethos with more of a pop approach with UK which cut two commendable platters but failed to catch commercial fire.
Wetton’s next project, a prog-rock supergroup with Geoff Downes, Steve Howe, and Carl Palmer working under the moniker of Asia struck gold with the of MTV and such anthemic tracks as “Heat of the Moment.”
Aside from his membership in the above referenced ensembles, Wetton also moonlighted in Family, Uriah Heep, Wishbone Ash, Roxy Music. He cut several albums under his own name and as a collaborator, and guested on sessions for artists including Phil Manzanera, Peter Banks, Steve Hackett, and Brian Eno to cite a very, very select few.
A player who used a wide array of instruments (Fender Precision, Zon), John influenced such high-profile bassists as Billy Sheehan, and Juan Alderete (Mars Volta). Wetton was an adventurous player, moving from the pocket to rendering countermelodic motifs – all while singing!
John Wetton Sound & Vision…
King Crimson:
“Red” https://youtu.be/X_pDwv3tpug
“Lament” https://youtu.be/_rPtnplgUgs
“Lark’s Tongue…” https://youtu.be/WhudDa3JAyc
UK: “Rendezvous” https://youtu.be/oZ5RgSPU3B4
Asia: “Heat of the Moment” https://youtu.be/xDpPoytXVvo
Photo by Robert Ellis Courtesy of John Wetton Com
A contemporary of the Beatles by way Liverpool ensembles such as The Big Three, which were managed by Brian Epstein on the recommendation of John Lennon, and The Merseybeats, the late John Gustafson was among the classic rock era’s most versatile and in-demand bassists / vocalists as a band member, session cat, and collaborator.
Gustafson excelled at plying inventive passages in a wide array of styles as evidenced by his work with the jazz-fusion incarnation of the Ian Gillan Band. John was also a groove master with Roxy Music, working the pocket on such seminal sides as Stranded (1973), Country Life (1974) and Siren (1975), including Ferry’s signature composition “Love is the Drug.”
An accomplished singer and solo recording artist, John was the voice of “Simon Zealotes” on the original Jesus Christ Superstar (1970) and rendered the vocals to “Watch Out for the Bat Now” for Roger Glover’s rock opera The Butterfly Ball and the Grasshopper’s Feast (1974). Gustafson also anchored scores of seminal sides with Quartermass, Kevin Ayers, Ian Hunter, Rick Wakeman, Yvonne Elliman, Gordon Giltrap, Phil Manzanera, Steve Hackett, and Shawn Phillips, to cite a very, very select few.
John Gustafson Sound & Vision…
The Merseybeats “I Think of You” https://youtu.be/xroTLNvW2D4
The Big Three “I Got It” https://youtu.be/X0sJ8tVsHm0
Jesus Christ Superstar “Poor Jerusalem” https://youtu.be/VYfAIt1spGo
Quartermass “One Blind Mice” https://youtu.be/dWyIoBzaPAg
Ian Gillan “Live at the Rainbow” 1977 https://youtu.be/p9oElP5QVpQ
Roxy Music “Love Is The Drug” https://youtu.be/LIMJAuKl9Ko
“Watch Out for the Bat” from Butterfly Ball live 1973 https://youtu.be/dhiHrtRl1bo
With Ray Fenwick “Tight White Shirt” on bass and vocals https://youtu.be/7r317_RwVQk
Ian Hunter “Lounge Lizard” https://youtu.be/lQ7Mm_TkJOE
Says Paul Page, Ian Hunter and The Rant Band bassist: He did the bass track on “Lounge Lizard” from the 1st IH solo album. I’m still intrigued by it whenever it pops up on the set list and I actually borrowed elements from his version when we did the MTH version for the MTH ‘74 shows. It’s just so slippery and groovy.
Courtesy of Neil Jason Facebook
As reported by Frank Beacham, Neil once proclaimed from the stage of the P & G Bar in New York City “how hard can it be, it’s only four strings!”
A session giant who excels in every genre, Neil Jason’s place in bass history would be secure if it had begun and ended with his remarkable artistry on the Brecker Brothers’ live masterpiece Heavy Metal Be-Bop (1978). A former member of the Saturday Night Live Band (1983-85) and deputy for Will Lee with Paul Schaffer’s World’s Most Dangerous Band and the CBS Orchestra, Mr. Jason has also distinguished himself as a composer, multi-instrumentalist, singer, and producer.
Neil’s body of work is as expansive as it is stylistically diverse, encompassing seminal sides and concert dates by Diana Ross, Don Cherry, Harry Chapin, David Sanborn, John McLaughlin, Roxy Music, Nils Lofgren, John Lennon, Cyndi Lauper, Billy Joel, Hall & Oates, Peter Criss, Gene Simmons, Mick Jagger, Sir Paul, Grace Slick, Harvey Mason Jr., David Johansen, Aldo Nova, Janis Ian, Gato Barbieri, Bryan Ferry, Michael Franks, Deodato, and Carly Simon to cite a very select few.
Neil Jason Sound & Vision:
Brecker Brothers:
“Some Skunk Funk” https://youtu.be/YeUgLV9C0j8
Dig Neil taking the lead vocal on “East River” https://youtu.be/wnfhHamrULc
Bryan Ferry: “Lost” https://youtu.be/_Ikpk1pTRsE
Roxy Music:
“Oh Yeah” https://youtu.be/so9OscJ2eUg
“The Main Thing” https://youtu.be/ib4-Lyxxyw0
“Eight Miles High” https://youtu.be/6ZAfAsN75T4
David Sanborn “Anything You Want” https://youtu.be/KhxqFOQt9Ww
Deodato “Shazam” https://youtu.be/FGNKZmpUWN8
Hall & Oates “Hard to Be In Love With You” https://youtu.be/BZ_O313vtnM