Andy Pyle (Bloodwyn Pig, The Kinks)

Andy Pyle, bassist by Tom Semioli

An exemplary pocket and melodic player with a supportive disposition, Andy Pyle’s resume as a sideman, session cat reads like a storied history of British rock and roll, traversing genres spanning blues, pop, and hard rock.

 

Pyle plied his craft with Bloodwyn Pig, Savoy Brown, Gary Moore, Juicy Lucy, Wishbone Ash, Rod Stewart, and Alvin Lee, among others. In 1985 Andy waxed his sole solo slab Barrier Language. Though he was never an official member of The Kinks, Andy anchored their two most important comeback slabs Sleepwalker and Misfits – and several tours between 1976-78.

 

Andy Pyle Sound & Vision:

 

Bloodwyn Pig “Modern Alchemist” https://youtu.be/EqV-uBMPMzA

 

Alvin Lee “Burnt Fungus” https://youtu.be/yLDvxorMKsE

 

Gary Moore “Back On The Streets” https://youtu.be/hAi24EF92PI

 

That’s Andy mugging for the camera on the Kink’s “Father Christmas” video from the winter of ’77  http://bit.ly/2ATS66A

 

Dig Andy with The Kinks on the Old Grey Whistle Test 1977 https://youtu.be/ZkRXfMj7lk4

Danny Thompson (Pentangle, Richard Thompson, Nick Drake)

DANNY THOMPSON.jpg

The BBC has awarded him two lifetime achievement awards! In a single lifetime, Daniel Henry Edward Thompson is among the most eclectic and accomplished bassists in recorded music appearing on thousands of recordings spanning pop, to film soundtracks.

Thompson’s career as a sideman / collaborator reads akin to a who’s who of legendary artists: John Martyn, Richard Thompson, Nick Drake, Kate Bush, Peter Gabriel, Donovan, Rod Stewart, Tim Buckley, Roy Orbison, and Alexis Korner to cite an extremely select few.

A founding member of British jazz-folk icons Pentangle, Thompson plies his craft on “Victoria” – an upright built in 1865, and “Alfie” a more recent instrument.

In addition to his high-profile career as a sideman and collaborator, Thompson has waxed several sides under his own name as a bandleader.  Thompson started his journey as a trombone player, and many of the elements of that instrument – from phrasing and note choices – are evident his bass artistry.

Danny Thompson Sound & Vision

With Richard Thompson “The Ghost of You Walks” https://youtu.be/eNPl5bI4wq0

With John Martyn “Couldn’t Love You More” https://youtu.be/_bi8uRmFKTY

With Pentagle “Willy O Winsbury” https://youtu.be/nwqP_yoszCE

With Nick Drake “Time Has Told Me” https://youtu.be/G8SmkwS82u4

Danny solo “Whatever” https://youtu.be/_UpbXowLFSo

 

Spike Heatley (Rod Stewart, Donovan)

Courtesy of Spike Heatley Facebook Courtesy of Spike Heatley Facebook

Courtesy of Spike Heatley Facebook

An acclaimed British upright jazz cat, session player, bandleader, and member of Alexis Korner’s Blues Incorporated among other noted ensembles; rockers of a certain age revere Spike Heatley’s brilliant artistry in the service of Rod Stewart in the early 1970s.

Spike added harmonic depth and swinging grooves to Rod The Mod’s readings of Bob Dylan (“Mama You’ve Been On My Mind”), Sam Cooke (“Twistin’ the Night Away” “Bring It On Home/You Send Me”), Chuck Berry (“Sweet Little Rock ‘n’ Roller”), and the rooster haired rocker’s choice album cuts composed with Martin Quittenton (“Farewell”) and Ron “I’ve Got My Own Album to Do” Wood (“Dixie Toot”), among others.

Among Spike’s session credits include doubling the electric bass of John Paul Jones for Donovan’s iconic “Sunshine Superman.”

Dig Spike on Rod’s “Twistin’ the Night Away” https://youtu.be/XzpDVPcKD4w

Dig Spike on “Sunshine Superman” https://youtu.be/YsX2FhBf9nY

 

Pete Sears (Jefferson Starship, Moonalice)

Pete Sears_opt.jpg Pete Sears_opt.jpg

“It’s like a tear in the hands of a western man… tell you about salt, carbon, and water…”

Pete Sears, who also distinguished himself as an in-demand session keyboardist, was the perfect choice to succeed the legendary Jack Casady in Paul Kantner’s ever-changing Jefferson Starship collectives.  Though Pete’s tone and approach to the instrument were in direct contrast from Jack – he is also an exemplary accompanist, soloist, and improviser.

A prolific plinker, composer, producer, and solo recording artist, Pete forged major contributions on seminal sides by Rod Stewart (Gasoline Alley, Every Picture Tells a Story, Never A Dull Moment, Smiler), Hot Tuna, Grace Slick, Nick Gravenites, Papa John Creach, Robert Hunter, Quicksilver Messenger Service, Kathi McDonald, and Starship to cite a very, very select few.

As a bassist – most notably in Jefferson Starship – Pete’s grooves and upper register forays cleverly merged the band’s multi-dimensional vocal arrangements as rendered by Marty Balin, Grace Slick, Paul Kantner, David Freiberg, and Mickey Thomas in various configurations. Sears’ extended bass solo was a highlight at many a Starship show as I was witness.

Dig Pete’s fingers close up on a modified Fender Jazz thanks to Ruper Coles https://youtu.be/5NH0RgFMdwM

Dig Pete workin’ a funk groove on  “Crusin’ https://youtu.be/BCvX_K_iLBk

Weapons of choice: a master pocket and melodic player Pete utilized a custom instrument created by one of Jerry Garcia’s favored craftsman, Doug Irwin (which went missing for 40 years and was recently returned), along with Fender Jazz and Rickenbacker instruments.

Pete with his Doug Irwin bass - Pete Sears Facebook Pete with his Doug Irwin bass - Pete Sears Facebook

Pete with his Doug Irwin bass – Pete Sears Facebook

Dig Pete on “Hot Water” https://youtu.be/HIYKpWHnj3k

Pete continues to play his craft(s) in the studio and on the bandstand with Moonalice, and Harvey Mandel, among other ensembles.

Dig Pete with Moonalice “Goin’ Down The Road…” https://youtu.be/1fmRwrMAbHw

Pete Sears – Producer – Kathi McDonald / Insane Asylum

Kathi McDonald .jpg Kathi McDonald .jpg

Her stage and studio credits include Long John Baldry, Ike & Tina Turner, Dave Mason, Joe Cocker’s Mad Dogs & Englishmen, the Rolling Stones’ Exile on Main Street, and Leon Russell & The Shelter People among others.

The late Kathi McDonald’s lost gem of a slab Insane Asylum (1974) is a magnificent mélange of blues, hard rock, and soul. Produced and arranged by renowned keyboardist/bassist Pete Sears, Kathi’s esteemed collaborators include Ronnie Montrose, Nils Lofgren, Neil Schon, John Cipollina, and Papa John Creach.  

Dig the title track to Insane Asylum with Pete cutting the bass and keyboard tracks https://youtu.be/rnI9vUC6FKQ         

Carmine Rojas (David Bowie, Joe Bonamassa, Rod Stewart, Nona Hendryx)

Courtesy Carmine Rojas Facebook

Among the most in-demand, versatile session cats since the late 1970’s, Carmine Rojas’ credits on stage and on record span David Bowie, Tina Turner, Joe Bonamassa, Carlos Santana, Nona Hendryx, Ian Neville, Allen Toussaint, Paul Rogers, Rod Stewart, John Waite, Carly Simon, and Herbie Hancock to cite a very, very select few.

 

A composer, producer, musical director (Rod Stewart, Julian Lennon), master of fretless, traditional four, and extended range bass, Carmine’s canon traverses rock, funk, rhythm & blues, jazz, soul, and hip-hop and permutations thereof.

 

Attention bassists: To give you an idea of the scope of Carlos’ approach to the instrument – be advised to study Bowie’s live archival Loving the Alien (1983-88), in particular, the Serious Moonlight Live ’83 selections, wherein Carmine goes full-throttle with harmonic extensions, pop/slap passages, and register leaping counterpoint to reinvigorate Bowie’s early canon.

 

As I recall back in the day, Bowie diehards recoiled (and many still do) at David’s pop funk forays, however Rojas and that band (also featuring Earl Slick, Carlos Alomar, Tony Thompson) kept the Ziggy zeitgeist relevant for a new generation.

 

Essential listening for those who did not get it the first time around! Rojas was brilliant on David’s Let’s Dance (1983), Tonight (1984), and Never Let Me Down (1987); working a modern rhythm & blues / reggae / funk / soul pocket with a piercing tone signature of the era.

 

Among Carmine’s current projects include A Bowie Celebration with several of David’s esteemed alumni including Earl Slick, Mike Garson, and Gary Leonard, among others.

 

Carmine Rojas Sound & Vision….

 

David Bowie:

 

Dig the harmonic / chromatic passage Carmine renders to add a new dimension to David’s “Rebel Rebel” https://youtu.be/W5YzzK4qVwA

 

Carmine stretching out on David’s “Cracked Actor” https://youtu.be/Shgbt4nN4xc

 

“Let’s Dance” https://youtu.be/VbD_kBJc_gI

 

Carmine in costume for “Blue Jean” https://youtu.be/NZnryZ5rDbs

 

Charlie Sexton:  A Bowie Celebration: “Let’s Dance” https://youtu.be/2KYvc_Zofzs

 

Sir Rod and Ronnie Wood on the Faces classic “Stay With Me” https://youtu.be/oop92KYfR08

 

Check out Carmine’s chordal work on Nona Hendryx “Tax Exile” https://youtu.be/HG9NAcveq1k

 

Joe Bonamassa: https://youtu.be/B4-QVk-6xUc

 

Carmine Rojas ZOOM ZESSIONS – 2021