By Thomas Semioli
Among the heroes of the classic rock era, the James Gang brought attention to two bona-fide guitar heroes: founding member Joe Walsh, and the late Tommy Bolin.
Bassist Dale Peters, who came aboard for the band’s definitive platter Rides Again (1970), was a versatile player who also composed, sang, and doubled on keys, guitar, and percussion.
To my ears, Peters’ extended bass improve as heard on “Lost Woman” from Live In Concert (1971) proves that excess is not necessarily a bad thing!
From KYBP Readers:
Dale, thanks for all the great bass lines. I’m still learning from your playing 35 years later. Dan O’Brien
“My Door Is Open” has the best bass track of all time. Absolutely the most overlooked track in ROCK AND ROLL HISTORY! The drummer banged it out pretty good too. I imagine these guys had a lot of fun playing this song together. Loji
Dale Peters Sound & Vision…
“My Door Is Open” https://youtu.be/m5eV7SgoNIY
“Lost Woman” https://youtu.be/zcap1-J-V58
“Walk Away” https://youtu.be/zo0vBdlWQs0
By Thomas Semioli
“He’s the baddest bass player in the U.S.A!” proclaimed the late, great Donny Hathaway from the stage of the Bitter End in New York City nearly 50 years ago (1971) – and that proclamation still holds true well into the 21st Century.
You know that jukebox that goes “doyt doyt” at Danny’s All-Star Joint? That’s Willie Weeks!
From the late 1960s to the present day, Willie Weeks continues to set the bar as a session player and sideman. A laid-back pocket player, Willie’s command of rhythm and blues, soul, country, jazz, and pop, and just about any permutation thereof has can be heard throughout the seminal recorded works of several artists including Stevie Wonder (“Misstra Know It All”), Rolling Stones (“It’s Only Rock n Roll), Chaka Kahn, Rickie Lee Jones, Herbie Hancock, John Mayer, Vince Gill, Ron Wood , Etta James, John Scofield, Aretha Franklin, Joe Walsh, George Harrison, Eric Clapton, BB King, Buddy Guy, Rod Stewart, Gregg Allman, Randy Newman, David Bowie (“Young Americans”), and Richard Thompson, to cite a very select few.
Willie’s weapons of choice include: Fender Precision and Fender Jazz basses, Kay, Alleva Coppolo, and his “WW” Willie Weeks signature bass by Bee Basses.
A giant of the instrument, Willie Weeks is long overdue for recognition in the Rock and Roll Hall of Fame
Tom Semioli / Huffington Post “A Bass Player’s Rant: 33 Who Belong in the Rock and Roll Hall of Fame” : https://bit.ly/2POxUJr
Willie Weeks Sound & Vision… (See Best Bass: Willie Weeks Know Your Bass Player Playlist – Spotify)
Willie Weeks’ watershed solo on “Voices Inside (Everything is Everything)” https://youtu.be/3gpN-SJD-VY from Donny’s iconic Live (1972) album remains a benchmark for bassists.
A rare Willie slap passage with George Harrison “Woman Don’t You Cry for Me” https://youtu.be/47l0EzvjN4I
Willie and Eric Clapton on a live rendition of “Motherless Children” https://youtu.be/h9d2ZeAvBgA
Rolling Stones “It’s Only Rock and Roll” https://youtu.be/DmgCy__eUa8
David Bowie “Young Americans” https://youtu.be/iO6OvHxD_m8
Willie’s bass solo composition with Ron Wood “Crotch Music” https://youtu.be/KNAg8TVS2RY
Vince Gill “Never Alone” https://youtu.be/MtQvLF1ZKCg
James Taylor “I Was a Fool to Care” https://youtu.be/SnwZySCHyNw
Stevie Wonder “He’s Misstra Know It All” https://youtu.be/uivvYGyQiow
Rickie Lee Jones “Danny’s All Star Joint” https://youtu.be/T9dRLzd0sXU
Courtesy of Randy Meisner Com
His deceptively unadorned root-fifth-octave bass motif which defines his band’s signature “Hotel California” composition is among the most identifiable in the history of rock ‘n’ roll.
Following stints with Poco, Ricky Nelson’s Stone Canyon Band, and most notably Linda Ronstadt, bassist Randy Herman Meisner became a founding member of The Eagles along with Don Henley, Glen Frey, and Bernie Leadon.
Though classic rock audiences nowadays are more familiar with the fiery, latter day Joe Walsh version of the band – the original quartet, with their addition of guitarist Don Felder in 1974, was a potent, groundbreaking collective.
Meisner, an accomplished singer and writer (“Take It to the Limit,” “Is It True?” “Too Many Hands,” “Try and Love Again” among others) and his fellow Eagles were a major catalyst in bringing country-rock to the pop charts in what is now commonly referred to as Americana.
As a bassist who rendered brilliant harmony vocals, Meisner primarily worked the pocket to fortify the singers and their chart-topping songs. Among Randy’s weapons of choice were Fender Precision, and the Rickenbacker 4001.
After splitting from The Eagles (coincidentally, his replacement Timothy B. Schmit also followed Randy in Poco), Meisner waxed a few under-appreciated solo albums, worked as a session player along with many of his famous friends, and played in various projects including the World Class Rockers with former members of Toto, the Moody Blues, Spencer Davis, Steppenwolf, and Santana.
Randy Meisner Sound & Vision…
The Eagles
“Hotel California” https://youtu.be/gj69BuobTzM
“Take It to the Limit” https://youtu.be/bhowXKEjjZ8
Poco
“What A Day” https://youtu.be/Q5ex4HkR24w
Solo
“Hearts on Fire” https://youtu.be/k3jFaDmC1t0
Courtesy of The Eagles Com