Michael Anthony (Van Halen, Chickenfoot)

By Thomas Semioli – Photo Courtesy of Michael Anthony Com

 

Michael Anthony Sobolewski was Van Halen’s secret weapon – so much so that when he was “excused” from the band, samples of his backing vocals were piped in for their live shows and his replacement had to replicate his passages or else….

 

In fact, Anthony’s remarkable harmony vocals afforded his band a unique identity – much like The Beach Boys and other vocal groups of the classic pop era of the 1960s.

 

Akin to Eric Clapton, Jimi Hendrix, and Jimmy Page; Eddie Van Halen’s emergence was a rock and roll game changer. Guitarists of my generation will tell you exactly where they were when they first heard EVH.

 

An extraordinary performer, “Diamond” David Weave Roth, oft derided for his vocal chops or lack thereof, brought the “attitude” and humor that also set VH apart from the metal motley.  And Alex was among the most average hard rock drummers of his era who also had a knack for playing to the song.

 

Simultaneously supporting a guitar god and larger-than-life lead singer(s) is/was a daunting task. Michael outlined the changes as Eddie furthered the sonic scope of his instrument and DLR/SH entertained the masses. Dig deep into the VH catalog and focus on Anthony – his gritty tone, the subtle movement in his motifs ala Sir Paul, and the occasional note flourishes and riffage prove that he was the right man in the right place at the right time supplying the right grooves.

 

 

 

In keeping with the over-the-top modus operandi of his bandmates and the 80s, Anthony’s mid-concert bass solo was more of an exercise in cacophony than musical. However it was entertaining, and gave his mates a chance to leave the stage and engage in “extraneous” activities.

 

A barbecue sauce entrepreneur (“it’s so hot you’ll need two assholes”) and lefty who plays right-handed, among Anthony’s idols include the aforementioned Zep bassist, along with studio ace Harvey Brooks, and Jack Bruce: all of whom, it must be noted, were exemplary song players.

 

A collector of basses, among Anthony’s arsenal include his signature Schecter series, Yamaha, MusicMan Stingray, and his infamous Yamaha Jack Daniels custom bass which now resides in the Rock and Roll Hall of Fame.

 

Sadly, the demise and “rebirth” of Van Halen is the stuff of soap operas. In his post-VH projects with Sammy: Chickenfoot, The Circle – Anthony improves with age, he still hits the high notes, and he remains a master of the hard rock pocket.

 

 

Michael Anthony Sound & Vision…

 

Van Halen

 

“Beautiful Girls” https://youtu.be/bJ9h2m06sFQ

 

“Light Up the Sky” https://youtu.be/bJ9h2m06sFQ

 

“Dirty Movies” https://youtu.be/NjVbokE_cFA

 

“Poundcake” https://youtu.be/GcABbx_pUCo

 

“Bass Solo” https://youtu.be/fgNzyyvPG20

 

Van Senatore – Tony Senatore’s VH Bass Renditions and Tutorials…. 

 

“Feel Your Love Tonight” https://youtu.be/4L6N_qnlIJ0

 

“Light Up the Sky” https://youtu.be/fZM7XKMxcss

 

“Love Comes Walking In” https://youtu.be/CVtzsrMPP-4

 

“Dead or Alive” https://youtu.be/hsGwlcfgHzI

 

“Dreams” https://youtu.be/akgzyosNzXQ

 

“You’re No Good” https://youtu.be/G-QisRzXSSo

 

Bass Intro “You’re No Good” https://youtu.be/0HfyJ5XCqzA

 

Michael with Chickenfoot: 

 

“Highway Star” https://youtu.be/GQVTtpE9J7s

 

“Oh Yeah” https://youtu.be/oy04wm_bj3Q

 

“Soap on a Rope” https://youtu.be/pHqA6HtVU70

 

 

Billy Sheehan (Mr. Big, Sons of Apollo, David Lee Roth)

Courtesy of DiMarzio Com Courtesy of DiMarzio Com

Courtesy of DiMarzio Com

There are a select few players you must see before we depart this mortal coil for that great gig in the sky (I hope they have backline!) …and this is one of them, regardless of what genre(s) speak to you as a fan and / or a musician.

The noble undertaking of every bass player is to make those around him or her sound better -which brings us to virtuoso Billy Sheehan, who has been plying his craft before millions on record and on stage for over 40 years.

Billy’s all-embracing playing technique, which incorporates tapping, picking, and the use of extensive chord voicings, is nothing short of astounding. And Sheehan’s expressive use of progressive, funk, jazz, pop, classical, soul, and blues motifs and rhythms along with his improvisations are legendary – as is his ensemble playing.

His note choices whilst toiling in-the-pocket always bring out the colors of a chord and the composition. Which is precisely why Sheehan enhances the work of any artist he collaborates with as evidenced by his chart- topping metal-pop work with David Lee Roth and Mr. Big; his forays into fusion with Niacin and Richie Kotzen; his gritty post-grunge blues venture The Winery Dogs; Sons of Apollo,  and his exemplary, far-reaching canon as a solo artist – and in tandem with Steve Vai, Talas, and Terry Bozzio, among scores of others.

A true, prolific giant of the instrument, and an acclaimed clinician, educator, songwriter, winner of several notable instrumentalist polls and awards, and bass designer (Yamaha Signature Altitude) – the best way to keep up with Billy is to check his website daily www.BillySheehan.com

Dig Billy with The Winery Dogs https://youtu.be/4qhxvnMDf2E

Dig Billy with Steve Vai and Tony McAlpine: https://youtu.be/3IQ-WWn6mYE

Dig Billy with Mr. Big https://youtu.be/mHGv5FCS2j8

Dig Billy with David Lee Roth: https://youtu.be/C8XnCVA5-6I

Dig Billy with Sons of Apollo https://youtu.be/J_1N8kVYfkE