If Know Your Bass Player employed a statistician, we’d discover that likely a billion people (and counting) have grooved in the past 50 years (and counting) to the Latin jazz fueled passages rendered by the late David Brown, founding member of Santana (1966-71, 1976).
As Carlos was a fervent practitioner of the multi-layered rhythmic modus operandi of electric Miles – and James Brown which utilized the art of repetition to the max, Brown intensely followed suite, digging deep in-the-pocket with hypnotic lines that grew more intense upon their reiteration with gradual harmonic embellishments.
David’s earthy tone was “pure” Fender Precision (though he occasionally used a Fender Jazz) – which he articulated by anchoring his thumb on the pick-up plate and either finger-picking by the bridge, or at the base of the neck– thereby eliciting the instrument’s signature “grrrrrowl” when he plied one of his rare and riveting fills.
Brown was a “feel’ player who was replaced on a few occasions in the Santana collective by more “accomplished” players, David passed in 2000, however not before he stood with his former bandmates at his Rock and Roll Hall of Fame induction. Carlos speaks very well of David in his must-read autobiography The Universal Tone: Bringing My Story to Light (2015 Back Bay Books).
David Brown Sound & Vision…
“Soul Sacrifice” from Woodstock https://youtu.be/AqZceAQSJvc
“Evil Ways” https://youtu.be/HPmPFY9PcCs
“Incident at Neshabur” https://youtu.be/338TDhTN7HQ
“Everybody’s Everything” https://youtu.be/Qj9-jqOAikY
“Everything Is Coming Our Way” https://youtu.be/7iRDRgr40NE
“Dance Sister Dance” https://youtu.be/lUwCUITkGwo
“Gitano” https://youtu.be/haiVzvjKKCU
“Listen to the rhythm of your heartbeat…”
In a career tragically cut short, the late Doug Rauch was a major force in Santana’s groundbreaking fusion explorations as documented on such essential albums as Caravanserai (1972), Welcome (1973), Love Devotion & Surrender- with John McLaughlin (1973), and the sprawling live masterpiece Lotus (1974).
Doug was a master of the double-thumb technique, which was a radical departure from previous Santana bassists. As such, Rauch was an extremely busy player – which was vogue in those heady, early days of jazz rock – rendering poly-rhythms galore to compliment Carlos’ increasingly intricate compositions.
Doug’s primary weapon of choice was a modified Fender Jazz with a Gibson EB-pickup – yes the infamous “mudbucker” ala Grand Funk Railroad’s Mel Schacher – in the neck position.
Rauch’s unique forays into funk fusion can also be heard on Betty Davis’ self-titled 1973 debut, Billy Cobham’s Life & Times (1976) and Lenny White’s Venusian Summer (1976).
Among Rauch’s session credits include Carly Simon, Papa John Creach, Jose Chepito Areas, and Buzzy Linhart.
Doug also anchored select shows on David Bowie’s Diamond Dogs tour, captured on the archival release, Cracked Actor.
Doug Rauch Sound & Vision…
With Carlos Santana
“Love Devotion and Surrender” https://youtu.be/qp3jDl2t1kw
“Going Home/ A1 Funk/ Every Step of the Way” (Live in South America 1973) https://youtu.be/E7Qgdt7WDgU
Billy Cobham “On A Natural High” https://youtu.be/wfrrNL-_jjI
Lenny White “Chicken Fried Steak” https://youtu.be/gdn4opwXmls
David Bowie (Live in Los Angeles 1973) “Cracked Actor” https://youtu.be/Je_Bci6G93M