He anchored one of the world’s most artistically and commercially successful recording acts ever.

Though the Bee Gees employed scores of studio cats during their long, iconic career, the late Maurice Ernest Gibb waxed nearly all the bass tracks throughout their golden run from 1967 to 1979.

A multi-instrumentalist, brilliant harmony and lead vocalist, composer, and producer – Maurice was an underrated song-player who excelled on ballads, rockers, pop tunes, disco, dance tracks, and permutations thereof to which the brothers Gibb triumphantly traversed with fine countermelodies and pocket grooves.

Inspired by vocal groups including The Mills Brothers, Everly Brothers, Paul Anka, and The Beatles, Maurice’s weapons of choice included Rickenbacker and Fender basses.

Maurice Gibb Sound & Vision…

Maurice working a Fender P on this live version of “Nights on Broadway”  https://youtu.be/F2SDf42guB4

“Gotta Get a Message To You” – featuring upper register riffery on the Rick https://youtu.be/KYkrW7YpRpg

“To Love Somebody” https://youtu.be/RQCT1f8IHK0

“Run to Me” https://youtu.be/QUEHmN0eXeQ

Cliff Burton was unquestionably among of the most innovative, singular instrumentalists in rock history.

He was a natural virtuoso who melded thrash with classical, blues, and jazz. We can only speculate on how the instrument would have evolved had the revolutionary metal master had not been removed from this mortal coil so young – and so tragically.

Akin to John Entwistle and Jaco Pastorius, two of Cliff’s influences, Burton profusely purveyed the “lead school” of bass with Metallica.

Utilizing sonically enhanced instruments – Rickenbacker and Aria Pro – wired though guitar amplification gear, Burton’s melodic improvisations were oft enhanced by wah and distortion effects. Hence, many listeners assumed that Cliff’s lines, rendered with a high end resonance, were guitar parts!

Burton’s right hand technique was baffling: somehow he was able to play with remarkable fluidity without anchoring his thumb on any part of the bass.

Unfortunately, Metallica’s decidedly juvenile behavior in the media early in their career hampered the band’ s acceptance by the rock establishment -which might have been the whole idea in the first place. As such Cliff was never afforded the respect he deserved outside the fervent fan-base of heavy metal and thrash during his lifetime.

Every track Cliff recorded with Metallica, including his bass solo composition “Pulling Teeth” (Kill Them All, 1983), and such works as “Orion” (Master of Puppets, 1986) and “Creeping Death” (Ride The Lightening, 1984), are worth exploring .

For the definitive history of Cliff Burton and Metallica, be advised to read Joel McIver’s tomes Justice For All: The Truth About Metallica (2014) and To Live Is To Die: The Life and Death of Metallica’s Cliff Burton (2016).

Cliff Burton Sound & Vision…

“Pulling Teeth” https://youtu.be/GhFMMiTmHb4

“For Whom The Bell Tolls” Live https://youtu.be/qdlQyNe_9tE

“Seek and Destroy” https://youtu.be/UzdDAd9EBOI

“Orion” https://youtu.be/aoO5LYx1Kxc

KYBP Adjunct Professor Tony Senatore’s Rendition of “Master of Puppets” https://youtu.be/0vU9-HFQVLY