Tom Evans (Badfinger)

Their moniker was based on John Lennon’s “Bad Finger Boogie” working title for “With A Little Help from My Friends” – though I prefer George’s revelation that it was inspired by a stripper who worked the Hamburg music scene as Helga Fabdinger. A gifted composer/singer, the late Tom Evans anchored the brilliant yet doomed Badfinger. Originally a guitarist for The Iveys, his bass playing cemented the classic line-up with Pete Ham, Joey Molland, and Mike Gibbins.

 

Akin to their Apple bosses, Evans and Badfinger were exemplary song players – rendering exactly what the compositions and recordings required harmonically, rhythmically, and aesthetically.

 

Tom Evans Sound & Vision…

 

“Baby Blue” https://youtu.be/9k_aj6b2xsA

 

“No Matter What” https://youtu.be/9x1MZEDQbtA

 

“Come and Get It” https://youtu.be/9tOnbeNAxdU

 

“Day After Day” https://youtu.be/XonFZjuyc6E

 

Andy Hummel (Big Star)

To my ears, no band “Americanized” the British Invasion sound more so than the legendary Big Star.

 

Denied the commercial success they so richly deserved, Big Star are among indie rock’s most influential ensembles – with such indie rock icons as The Replacements and R.E.M. citing the original quartet as their heroes.

 

The late Andy Hummel, who also rendered vocals and penned tunes, was the model power pop rock bassist, supporting the compositions of Alex Chilton and Chris Bell with refined pocket grooves and an occasional melodic flourish.

 

Dig Andy on “In The Street” https://youtu.be/2iXukwny37U

Andy on his co-composition with Alex Chilton “Life Is White” https://youtu.be/v_ddynyb_JA

 

Tony Bowers (Simply Red)


Courtesy of Simply Red Com Courtesy of Simply Red Com

Courtesy of Simply Red Com

Simply put, he brought the groove to Simply Red.


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A composer, multi-instrumentalist, and producer with a wide array of credits spanning such ensembles as The Durutti Column (a founding member), Ray Tarintino, and The Mothmen among others, Tony Bowers’ fluid, funky pocket passages in the service of Mick Hucknall turned millions of young ears on to soul music – with a decidedly pop veneer.

Dig Tony on “Money’s Too Tight” https://youtu.be/04zwhjRiCbo

Dig Tony on “The Right Thing” https://youtu.be/jLTJ5ktfyw8

A versatile bassist who also doubled on upright, Gary was an early adopter of the Steinberger XL.       


Courtesy of Simply Red Com - Tony with his Steinberger XL and Dick Clark! Courtesy of Simply Red Com - Tony with his Steinberger XL and Dick Clark!

Courtesy of Simply Red Com – Tony with his Steinberger XL and Dick Clark!

Gary Tibbs (Roxy Music, Adam & The Ants, Vibrators)

Courtesy of Gary Tibbs LinkedIn
A versatile slap, fretless, and fingerstyle player, Gary Tibbs’ funk-fusion fluidity consequently updated Roxy Music from an art glam ensemble into suave AOR outfit as evidenced on two exemplary platters: Manifesto (1979) and Flesh + Blood (1980).

 

Gary also anchored a version of Adam & The Ants replete with the obligatory tarted up New Romantic jim-jams, and also helmed seminal sides by Brian May, Corey Hart, The Vibrators, Kristy MacColl, and Hazel O’Connor, to cite a fringe few.

 

Gary Tibbs Sound & Vision…

Roxy Music “ Manifesto” https://youtu.be/nYeCn7deon0
Roxy Music “Trash” https://youtu.be/HZr5HpNm2TU
The former Stuart Goddard
“Stand and Deliver” https://youtu.be/4B2a6l6wM2k

“Ant Rap” Notes bassist, author Robert Burke Warren:

“The only Roxy bassist to be immortalized in an Adam & The Ants song!”  https://youtu.be/B4z__lCCBX0

The Vibrators “Automatic Lover” https://youtu.be/_HWieMCKxt0

 

Tim Butler (Psychedelic Furs, Love Spit Love)

Photo by Jamie Moroni

 

Given John Ashton’s idiosyncratic sonic soundscapes, and inventive chord inversions (akin to the masters George Harrison, Mick Ronson, Johnny Marr), coupled with contrapuntal plinkery from an array of keyboardists, and further enhanced by Duncan Kilburn / Mars Williams’ sax-y countermelodies beneath Richard Butler’s signature sand and glue croon– somebody in the bleedin’ Psychedelic Furs had to render the root notes!

 

Enter founding bassist Tim Butler, who did just that on a variety of instruments (Fender, MusicMan, Ibanez, Zon, among others) occasionally abetted with subtle effects and varying rhythms throughout several superb slabs. In the 21st Century (or what’s left of it) The Furs are back in business sans  Ashton, go figure, however their golden era remains relevant. Among rock’s most underappreciated ensembles….

 

Tim Butler Sound & Vision…

 

Psychedelic Furs:   

 

“Come All Ye Faithful” https://youtu.be/IID_yINv42s

 

“Shock” https://youtu.be/KHTanWoS5iM

 

“Until She Comes” https://youtu.be/dNEDY9I_wOk

 

“Angels Don’t Cry” https://youtu.be/XU65Y4gTUYo

 

“All That Money Wants” https://youtu.be/Gti22zo6sm0

 

“Pretty In Pink” https://youtu.be/RuWmsg-ihLg

 

“Shine” https://youtu.be/xZjTwh-WGBo

 

Love Spit Love:

 

“Half a Life” https://youtu.be/kKGa_P-GZMk

 

Klassje Van Der Wal (Shocking Blue)

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“A goddess on a mountain top was burning like a silver flame…”

Formed in The Hague in 1967 as a blues outfit, Nederbeat rockers Shocking Blue hit the charts when they enlisted racoon eyed singer Mariska Veres and turned psychedelic in ‘69, waxing a series of groovin’ slabs and singles which sold in the millions.

A Fender Precision plectrum purveying pocket player Klaasje Van Der Wal anchored such memorable hits as “Never Marry a Railroad Man,” “Send Me a Postcard,” “Mighty Joe,” “Love Buzz” and the iconic “Venus” among others.  As their popularity faded in the early 70s, the members went their separate ways save for a few scattered reunion shows in the early ‘80s and recordings which never saw commercial release. Alas, with the passing of Van Der Wal in 2018, no primary member of Shocking Blue traverses this mortal coil…

 

Dig Klassje and Shocking Blue…

“Venus” https://youtu.be/aPEhQugz-Ew

“Never Marry a Railroad Man” https://youtu.be/amFm3Ihosig

“Love Buzz” https://youtu.be/QaPL8UsTR1Q

“Send Me a Postcard” https://youtu.be/upO7h5FsIYI

Mighty Joe” https://youtu.be/zHub01jVQ3M

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Hank Harvey (Crabby Appleton)


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Led by singer-songwriter Michael Fennelly, Crabby Appleton waxed two fine Elektra slabs circa 1970-71 and enjoyed a bona-fide hit with “Go Back. ” Bassist Hank Harvey was a pocket player with a rhythm & blues disposition who worked the supportive role like so many of us do.

Dig Hank with Crabby Appleton….

“Go Now” https://youtu.be/NM9qgiTZO6Y

“Cant Live My Life Without You” from American Bandstand https://youtu.be/KCzAoEh24R8

“To All My Friends” https://youtu.be/zhlNZ0lJ2cU

“Smokin’ In the Morning” https://youtu.be/tuHnvX4DJXc

“Peace by Peace” https://youtu.be/q-mjBhzSoxY


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Rosko Gee (Traffic, Johnny Nash, Go)

 

“The music we make is a reflection of our time. The past we dare not forget and the future, that – that we must learn to. Our duty to those who come after us and the richness of our lives today. We try to give from what we get.” Rosko Gee

 

Jamaican born bassist Rosko Gee was a go-to session cat on the 1970s London scene when reggae inspired everyone from classic rockers to the punks.

 

A fluid, soulful player with a blunt tone given to melodic and pocket passages, Gee anchored several seminal slabs with Traffic, Go – featuring Stomu Yamashta, Michael Shrieve, and Steve Winwood; Johnny Nash, Rebop, Can, Jim Capaldi, and Vivian Stanshall, among others.

Rosko Gee Sound & Vision…

 

Rosko with Traffic: Woodstock ‘94 https://youtu.be/N0tf8FIPZsw

 

“Dream Gerrard” https://youtu.be/KMYUSnecC58

 

Go “Crossing the Line” https://youtu.be/T3lDZ9MPFLs

 

Rosko with Johnny Nash “Tears on My Pillow” https://youtu.be/nXvQvSxeCSA

 

Rosko & The Hooded Ones “Volcano” https://youtu.be/-uhBOx-lZGI

 

Photos courtesy of Rosko Gee Facebook Page

George Alexander (Flamin’ Groovies)

Courtesy of Flamin’ Groovies Com Courtesy of Flamin’ Groovies Com

Courtesy of Flamin’ Groovies Com

Punks? Garage rockers? Revivalists? Power Pop Godfathers? All of the above and then some.  

Throughout the many fiery incarnations of the Flamin’ Groovies; bassist George Alexander (who learned to play the instrument at the behest of founding members and friends Roy Loney and Tim Lynch) served as the band’s steady anchor since their formation in San Francisco in 1965.

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A groovey (pun intended) player who works the pocket, George’s approach to the instrument is steeped in the timeless tradition of outlining the changes with a flair for a thundering riff when the situation warrants as exemplified by simpatico bassists Bill Wyman, Paul Samwell-Smith, and Peter Quaife.

Dig George & the Flamin’ Groovies…

“Shake Some Action” https://youtu.be/PIcmk8WA10A

“Teenage Head” https://youtu.be/14MkbmML4YY

“You Tore Me Down” https://youtu.be/y1GGxQcEna4

“Headin’ for the Texas Border” https://youtu.be/Z0b4Ga5WQkw

“Little Queenie / Slow Death” https://youtu.be/5lmRBEgWNuM

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Joe Farrell Quartet


Joe Farrell’s ’70 solo bow is a masterful meld of post-bop and jazz fusion. Released three times with three different album designs and titles – Farrell, on tenor and soprano, enlists simpatico collaborators John McLaughlin, Chick Corea, Jack DeJohnette, and bassist Dave Holland on this entrancing song-cycle.  With McLaughlin and Farrell moving in tandem, to my ears, this ensemble waxed the finest rendition of John’s iconic “Follow Your Heart.” Holland enhances every cut with his usual harmonic / rhythmic genius.