Their moniker was based on John Lennon’s “Bad Finger Boogie” working title for “With A Little Help from My Friends” – though I prefer George’s revelation that it was inspired by a stripper who worked the Hamburg music scene as Helga Fabdinger. A gifted composer/singer, the late Tom Evans anchored the brilliant yet doomed Badfinger. Originally a guitarist for The Iveys, his bass playing cemented the classic line-up with Pete Ham, Joey Molland, and Mike Gibbins.
Akin to their Apple bosses, Evans and Badfinger were exemplary song players – rendering exactly what the compositions and recordings required harmonically, rhythmically, and aesthetically.
Tom Evans Sound & Vision…
“Baby Blue” https://youtu.be/9k_aj6b2xsA
“No Matter What” https://youtu.be/9x1MZEDQbtA
“Come and Get It” https://youtu.be/9tOnbeNAxdU
“Day After Day” https://youtu.be/XonFZjuyc6E
Courtesy of Simply Red Com
Courtesy of Simply Red Com – Tony with his Steinberger XL and Dick Clark!
Gary also anchored a version of Adam & The Ants replete with the obligatory tarted up New Romantic jim-jams, and also helmed seminal sides by Brian May, Corey Hart, The Vibrators, Kristy MacColl, and Hazel O’Connor, to cite a fringe few.
Gary Tibbs Sound & Vision…
“Ant Rap” Notes bassist, author Robert Burke Warren:
“The only Roxy bassist to be immortalized in an Adam & The Ants song!” https://youtu.be/B4z__lCCBX0
The Vibrators “Automatic Lover” https://youtu.be/_HWieMCKxt0
Photo by Jamie Moroni
Given John Ashton’s idiosyncratic sonic soundscapes, and inventive chord inversions (akin to the masters George Harrison, Mick Ronson, Johnny Marr), coupled with contrapuntal plinkery from an array of keyboardists, and further enhanced by Duncan Kilburn / Mars Williams’ sax-y countermelodies beneath Richard Butler’s signature sand and glue croon– somebody in the bleedin’ Psychedelic Furs had to render the root notes!
Enter founding bassist Tim Butler, who did just that on a variety of instruments (Fender, MusicMan, Ibanez, Zon, among others) occasionally abetted with subtle effects and varying rhythms throughout several superb slabs. In the 21st Century (or what’s left of it) The Furs are back in business sans Ashton, go figure, however their golden era remains relevant. Among rock’s most underappreciated ensembles….
Tim Butler Sound & Vision…
Psychedelic Furs:
“Come All Ye Faithful” https://youtu.be/IID_yINv42s
“Shock” https://youtu.be/KHTanWoS5iM
“Until She Comes” https://youtu.be/dNEDY9I_wOk
“Angels Don’t Cry” https://youtu.be/XU65Y4gTUYo
“All That Money Wants” https://youtu.be/Gti22zo6sm0
“Pretty In Pink” https://youtu.be/RuWmsg-ihLg
“Shine” https://youtu.be/xZjTwh-WGBo
Love Spit Love:
“Half a Life” https://youtu.be/kKGa_P-GZMk
“A goddess on a mountain top was burning like a silver flame…”
Formed in The Hague in 1967 as a blues outfit, Nederbeat rockers Shocking Blue hit the charts when they enlisted racoon eyed singer Mariska Veres and turned psychedelic in ‘69, waxing a series of groovin’ slabs and singles which sold in the millions.
A Fender Precision plectrum purveying pocket player Klaasje Van Der Wal anchored such memorable hits as “Never Marry a Railroad Man,” “Send Me a Postcard,” “Mighty Joe,” “Love Buzz” and the iconic “Venus” among others. As their popularity faded in the early 70s, the members went their separate ways save for a few scattered reunion shows in the early ‘80s and recordings which never saw commercial release. Alas, with the passing of Van Der Wal in 2018, no primary member of Shocking Blue traverses this mortal coil…
Dig Klassje and Shocking Blue…
“Venus” https://youtu.be/aPEhQugz-Ew
“Never Marry a Railroad Man” https://youtu.be/amFm3Ihosig
“Love Buzz” https://youtu.be/QaPL8UsTR1Q
“Send Me a Postcard” https://youtu.be/upO7h5FsIYI
Mighty Joe” https://youtu.be/zHub01jVQ3M
“The music we make is a reflection of our time. The past we dare not forget and the future, that – that we must learn to. Our duty to those who come after us and the richness of our lives today. We try to give from what we get.” Rosko Gee
Jamaican born bassist Rosko Gee was a go-to session cat on the 1970s London scene when reggae inspired everyone from classic rockers to the punks.
A fluid, soulful player with a blunt tone given to melodic and pocket passages, Gee anchored several seminal slabs with Traffic, Go – featuring Stomu Yamashta, Michael Shrieve, and Steve Winwood; Johnny Nash, Rebop, Can, Jim Capaldi, and Vivian Stanshall, among others.
Rosko Gee Sound & Vision…
Rosko with Traffic: Woodstock ‘94 https://youtu.be/N0tf8FIPZsw
“Dream Gerrard” https://youtu.be/KMYUSnecC58
Go “Crossing the Line” https://youtu.be/T3lDZ9MPFLs
Rosko with Johnny Nash “Tears on My Pillow” https://youtu.be/nXvQvSxeCSA
Rosko & The Hooded Ones “Volcano” https://youtu.be/-uhBOx-lZGI
Photos courtesy of Rosko Gee Facebook Page
Courtesy of Flamin’ Groovies Com
Joe Farrell’s ’70 solo bow is a masterful meld of post-bop and jazz fusion. Released three times with three different album designs and titles – Farrell, on tenor and soprano, enlists simpatico collaborators John McLaughlin, Chick Corea, Jack DeJohnette, and bassist Dave Holland on this entrancing song-cycle. With McLaughlin and Farrell moving in tandem, to my ears, this ensemble waxed the finest rendition of John’s iconic “Follow Your Heart.” Holland enhances every cut with his usual harmonic / rhythmic genius.