đđ đđđ€đ đđđđđ đđ âđđ đ„đ đđŁđđĄđđ€….
MY #NYC 12 December 2025… #financialdistrictNYC #SpanishHarlemNYC

MY #NYC 1 December 2025 Harlem MeerÂ

MY #NYC November 2025 Harlem….

MY #NYC November 2025 Harlem….      
MY #NYC 24 November 2025… Central Park, Upper East Side…Â Â Â Â 
MY #NYC 19 November 2025 … East Village NYCÂ Â Â Â Â Â 
MY #NYC: 18 November 2025: East 125th Street Harlem… 
MY #NYC #RooseveltIslandNYC Tomaso Semioli “Face Time”        
MY #NYC 8 September 2025

MY #NYC 1 September 2025Â Â Â Â Â Â 
MY #NYC September 2025 SoHo
         
MY #NYC 19 July 2024Â Â Â Â Â Â Â Â 
My #NYC 28 June 2025Â Â Â
            
MY #NYC 26 June 2024Â Â Â 
MY #NYC 27 June 2025Â Â 
My #NYC 28 June 2025Â Â Â
   
31 May 2024 MY #NYCÂ Â

MY #NYC 22 June 2025Â

đđ #đđđ đđđČ đđ đđđđ

MY #NYC 2.1 September 2025: Always a great day in HarlemâŠ.

MY #NYC 20.1 May 2025

MY #NYC: 2 September 2025: Edward Kennedy “Duke” Ellington & Miles Dewey Davis IIIâŠ.

MY #NYC 10 May 2025Â

MY #NYC 10.2 May 2025

MY #NYC 8 May 2025Â

MY #NYC 29 April 2025Â

MY #NYC 24 APRIL 2025

MY #NYC 22.1 APRIL 2025Â

MY #NYC 20 April 2025

MY #NYC 17 April 2025Â

MY #NYC 10 April 2025

MY #NYC 19 March 2025

MY #NYC 8 March 2025Â

MY #NYC 25.3 February 2025Â

đ đŹ #đĄđŹđ đ° đđČđŻđżđđźđżđ đźđŹđźđ±

MY #NYC 30 January 2025Â

MY #NYC 28 January 2025Â

MY #NYC 18 January 2025Â

MY #NYC 18 January 2025Â

MY #NYC 6 January 2025Â Â

MY #NYC 6 January 2025Â

MY NYC 24 December 2024Â

MY NYC 10 December 2024Â

MY #NYC 21 November 2024

MY #NYC 17 November 2024Â

MY #NYC 9 November 2024

MY #NYC 6 November 2024Â

MY #NYC 3 November 2024Â

MY #NYC 1 November 2024Â

MY #NYC 15 September 2024Â

MY NYC 13 September 2024Â

MY #NYC 3 September 2024Â Â

My #NYC 27 August 2024Â

MY #NYC 25 August 2024Â

MY #NYC 22 August 2024Â Â

MY #NYC 12 August 2024Â

MY NYC 10 August 2024Â

MY #NYC 18 July 2024Â

MY #NYC 23 May 2024Â

MY #NYC 4 MAY 2024

MY #NYC 3 May 2024Â

MY #NYC 8 April 2024Â Â

MY #NYC 12 March 2024Â


Recording and performing artist, record label owner/entrepreneur, bassist, composer, founding member of âpost-punk / post- hardcoreâ (i.e. loud, experimental, abrasive) icons Fugazi, and collaborator, among other endeavors, Joe Lallyâs overall D.I.Y. ethos also defines his artistry as a player.
In a genre noted for its often-reckless aesthetic, Lally is a rather precise bassist – hence his use of a Precision bass perhaps? Lally can thrash with the best of them when he needs (needed) to. Yet he also masters the subtilties of the instrument with a wide range of rhythmic variations, chords, harmonics, and right-hand muting / thumb / finger / plectrum among his tool-box of techniques along with a range of effects, and of course, volume!
Inspired by the usual classic rock suspects (Led Zeppelin, Jimi Hendrix) a turning point for Lally as detailed in a recent NoEcho interview was his analysis of such players as Jah Wobble (Public Image Ltd., Invaders of the Heart) and Peter Hook (Joy Division, New Order) wherein our instrument can âstand aloneâ within a composition. That is, the bass âisâ the song (please donât tell the guitarists, drummers, keyboard, horn players etc.).
Lallyâs post- Fugazi endeavors show him to be an artist in perpetual evolution â which is why most of us play in the first place!
As for Fugazi, their story runs deep â their musical and personal ideology posed a threat to the establishment â they refused major label deals, fought for low ticket prices, among other activities that rattled the status rock quo. Rock messiahs spanning Henry Rollins to Johnny Marr have heaped hosannas aplenty upon the band musically and philosophically â and deservedly so.
But donât take my word for it, read about Fugazi in Michael Azerradâs Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981â1991.
Joe Lally Sound & Vision:
Fugazi: âShut The Doorâ https://youtu.be/6WHAnkJFOMs?si=OlmZyDlWVnQp5kTK
Fugaziâ âWaiting Roomâ https://youtu.be/C3LXkdpHNOQ?si=8bqgQBa1vm87MtIG
Messthetics âMythomaniaâ https://youtu.be/N7u2swa5LbU?si=7jAp2HAQJuDUqu-e
Coriky: âToo Many Husbandsâ https://youtu.be/RIHjRI6huRU?si=zrKI3zTsdyVtp8tY
Joe plugs latest edition of Fender Precision Ultra ll bass: https://youtu.be/pZw45jAa3IU?si=7aMKf1XyM7EWXFDl
Fugazi photo courtesy of Dischord Records / Photo by Glen E. Friedman /Â Joe Lally photo courtesy of Fender


Heâs a player who anchors bands with killer monikers!
Fans of LA hard rock and roll know bassist Johnny Griparic from his long association with the former Saul Hudson, more familiar to the masses as Slash, as a member of Snakepit; and the Guns ânâ Roses guitaristâs most recent (as of 2024) incarnation as a bluesman leading his Blues Ball (get it?) collective.
Born in Sweden, Griparic worked his way up, up, up the hard rock / blues food chain anchoring such artists of note including Richie Kotzen, BB Chung King and The Buddaheads (get it?), Jimmy Z and the Z Tribe, Triggerdaddy, Sonofabitch (as I said about band namesâŠ), Gilby Clarke, and Nina Hagan among others.
A fine pocket player and soloist, Griparic is a spirited on-stage presence who doesnât quite steal the show from his bandleader, but he could if he wanted to.
Who loves playing rock and roll more than Johnny Graparic?
Johnny Griparic Sound & VisionâŠ
Slashâs Blues Ball: âThe Pusherâ https://youtu.be/hnUO5rFG4Tg?si=tO-IhulOMbmk4ioJ
Slashâs Snakepit: âGrandâ https://youtu.be/LPL4JFsTgeI?si=FOwZmtA1LU5pGW2L
Richie Kotzen: Live in San Paolo 2007: https://youtu.be/anEYZexJBlg?si=wrhV-JA5CX3Q9kOd
Photo by Elliott Cynthia from Johnnyâs Facebook page! https://www.facebook.com/johnnygriparic

Photos courtesy Johnny Griparic Facebook

Anchoring an ensemble whose moniker derives from the Thai term for an airplane (hopefully not a Boeing), Laura Lee Ochoa – aka Leezy – takes an old-school doghouse / rhythm & blooze approach to the post-modernist Khruangbin trio.
Renown for her on-stage attire â Leezy leisurely works a classic/vintage J style bass (SX replete with ashtrays and the impractical thumb-rest) akin to the Memphis, Motown, and Muscle Shoals masters â flats, finger pluckage, and a muted resonance with lines that work the pocket and dance around the beat as the situation warrants. And she sings too! Everything old is new againâŠand vice versa.Â
Leezy Sound & VisionâŠ
âTexas Sunâ with Leon Bridges: https://youtu.be/zSWNWWREtsI?si=Xzw6tZajWqVeP4YS
âFifteen Fifty-Threeâ https://youtu.be/ZEPUuOGqjwU?si=Ie8Rm-fGZWitpCJd
âMaria Tambienâ https://youtu.be/JtMALA6Gkkc?si=CzQye-AZpbCTP9YA Â

Photos courtesy Laura Lee Facebook

Itâs not how many notes you play, itâs how you play them!
Such is the musical doctrine of bassist Sarafe, anchor of the East Village âfringeâ stalwarts SoulCake.
Since their official beginnings, which can be traced back to 2018 or thereabouts, Sarafe and her SoulCake colleagues JOff Wilson (songwriter / guitarist / provocateur) and Laura Sativa (flautist, bassist) have brought the Lower East Side aesthetic to environs yonder the Lower East Side. Â
Among the highlights of any SoulCake concerto is Sarafeâs note-perfect rendition of the Velvet Underground deep track âAfter Hours.â It’s not how many notes you play…
Sarafe SoulCake Sound & VisionâŠ
âShelterâ https://youtu.be/jWBoYZi74Tg?si=Xauf3g48UTraPfsF
âTears We Cried Yesterdayâ https://youtu.be/UchAD8hCTys?si=sWOcnp319Nym-_-d
âOther Side of Tomorrowâ https://youtu.be/MmRfO7dLKR8?si=TDhHydTQK-kmj074


Oft times guitarists will take a stab at playing the electric bass. Enter denizen of the deep end Joe Sztabnik, who actually plays the instrument!
A revered presence on the Lower East Side NYC music scene since the earth cooled – i.e. the 1970s, Sztabnik is mostly associated with his associations; The Dragons, New York Junk, Johnny Thunders, Walter Lure, and Dee Dee Ramone to cite a hallowed select few.
As a charismatic frontman, sideman â if rock and roll happened in said East Village environs, Sztabnik was there with the volume cranked and then some.
Frank Vincent Zappa aside, necessity is indeed the mother of invention; hence Joe wields his beloved 1964 Gibson EB-O in such experimental ensembles as Puma Perl & Friends and permutations thereof.
Stabâs plectrum purveying style is simply no frills: root, fifth, occasional riffage when the situation warrants. Given the resonance of his totem tool of the trade, Joe lets the tone do the talking.
Heâll converse after the gig!
For all things Joe Sztabnik:Â https://joesztabnik.com/home
Joe Sztabnik Sound & Vision:
Puma Perf & Friends Live in NYC (2023) https://youtu.be/tmOtO9KMMc4?si=N0UokAFbtTS8A6rN
The Dragons âWalk My Dogâ https://youtu.be/kHOtMKcTKTg?si=6WDSEHvQHWiuQcZI
New York Junk âPoison Heartâ composed by JS & Dee Dee Ramone https://youtu.be/JcsxxNg-deg?si=AkZR1nNL2EPUtMH2

đđ đ đđđđđ đđ đâđđ đđ âđđ đ„đ -âđ đđđđđđ€…
MY #LIC 6 September 2025Â

MY #NYC 1 September 2025: Empty streets of SoHo at dusk on a holiday weekend. Tourists departed on their flights homeâŠbridge ânâ tunnel revelers back to the boroughs and âburbs. Just us natives⊠peace in the neighborhood⊠for now.

MY #NYC 1.1 September 2025: âThere are no stars in the New York City skyâŠtheyâre all on the groundâŠâ Andrew Warhola

đđ #đđđ đđ đđźđ đźđŹđ đđđđ: âđđ đČđšđź đ°đđ§đ đđš đđđđ„ đŠđ đđđđđđ« đđ đđąđŻđąđ§đ. đđ«đąđ§đ đŠđ đ°đđđđ«, đ°đđđđ« đđšđ« đŠđČ đŠđąđ§đâŠâ đđ«đąđđ đđđą đđ«đąđ đĄđ     
đ đŹ #đĄđŹđ đźđ” đđđŽđđđ đźđŹđźđ±: âđđČđ đșđźđ», đđ”đźđ’đ đđŒđđż đđđđčđČ? đđŒđ đ±đŒ đđŒđ đŽđČđ đđŒđđż đžđ¶đ°đžđ đłđŒđż đčđ¶đđ¶đ»đŽ? đđČđ đșđźđ», đđ”đźđ’đ đđŒđđż đđđđčđČ? đđŒđ đ±đŒ đđŒđ đŽđČđ đđŒđđż đźđ±đżđČđ»đźđčđ¶đ»đČ đłđčđŒđđ¶đ»đŽ đ»đŒđ?” Lewis Allan Reed

MY #NYC 26.3 August 2025: âI was staring through a telescope at night at a large light in the sky. Its spinning lights reminded me of you. A star spinning in orbit lighting up the skyâŠâ Lewis Allan Reed Â

MY #NYC 26.2 August 2025: âSee myself in the pouring home. See the light, come over now. I see myself in the pouring rain. I watch hope come over meâŠâ Richard Melville Hall

MY #NYC 26.1 August 2025 âAlthough you think I’m sleeping as you get ready to leave. I can see your shadow packing from underneath my sleeve. And there you go and yes I know, I’ll always be the same. Well thanks for looking in on me – I’m really glad you cameâŠâ Ian Robbins Dury

MY #PORTLANDORE July 2025Â Â 
MY #PORTLANDORE July 2025Â Â 
MY #PORTLANDORE July 2025Â Â Â 
MY #PORTLANDORE July 2025Â Â Â Â 
MY #NYC 6 July 2025: âWell, she was walkin’ down the street. Lookin’ fine as she could be. Sheâs about a moverâŠ.â Douglas Wayne SahmÂ

MY #NYC 4 July 2025: âFace the face, got to face the face. Face the face, got to face the face. You must have heard the cautionary tales. The dangers hidden on the cul-de-sac trails. From wiser folk who’ve been through it all and the faded name sprayed up on the wallâŠâ Peter Dennis Blandford Townshend

MY #NYC 2 July 2025: âI am sitting in the morning at the diner on the corner. I am waiting at the counter… for the man to pour the coffeeâŠ.â Suzanne Vega

đđ #đđđ đ đđźđ„đČ đđđđ: âđđđŻđ đČđšđź đŹđđđ§ đĄđđ« đđđđ? đđđ« đđČđđŹ đ«đđđ„đđđ đđĄđ đđšđ„đšđ«đŹ đąđ§ đđĄđ đŹđ€đČ. đ đ°đđ«đŠ đđđŠđąđ„đąđđ« đ©đ„đđđ. đđš đđ đŹđ°đđ©đ đąđ§đđš đ°đĄđđ§đđŻđđ« đŹđĄđ’đŹ đđ„đšđŹđ đđČ. đđđ€đđŹ đŠđ đ°đšđ§đđđ« đ°đĄđČ. đđźđ§ đđČ, đđšđ§’đ đđźđ«đ§ đđđđ€. đđđ§’đ đĄđąđđ đđ«đšđŠ đđĄđđ đ„đšđšđ€ đąđ§ đĄđđ« đđČđâŠâ đđĄđ«đąđŹđđšđ©đĄđđ« đđąđ„đ„đŠđđ§
             
MY #NYC 1 July 2025: âI don’t look down. From Central Park to Shanty Town. I always hear that crazy sound⊠So why be bored? Who scared you and why stay here? This is no piece of cake. When I hear that crazy soundâŠâ James Newell Osterberg Jr.      
MY #NYC 30 June 2025: âYou got my heart… speak electric waterâŠyou got my soulâŠscreamin’ and howlin’ freedom, thatâs what I want now, give it to meâŠâ James Marshall Hendrix         
MY #NYC 29 June 2025: âGold and rose, the color of the dream I had. Not too long ago, misty blue and the lilac too⊠never to grow oldâ James Marshall Hendrix     Â

My #NYC 28 June 2025: âI’m up on the eleventh floor and I’m watching the cruisers below. He’s down on the street, and he’s trying hard to pull sister FloâŠâ David Robert Jones   Â

MY #NYC 27 June 2025: âStanding on the corner, watching all the girls go by⊠Brother, you don’t know a nicer occupation. Matter of fact, neither do IâŠâ Frank Loesser      
MY #NYC 26 June 2025: âHey now all you sinners, put your lights on⊠Hey now all you lovers, put your lights onâŠBecause there’s a monster living under my bed, whispering in my ear. There’s an angel with a hand on my head she says I’ve got nothing to fearâŠâ Erik Francis SchrodyÂ

MY #NYC 25 June 2025: âWhen my baby’s walking down the street I see red, I see red, I see red. How could someone wicked walk round free. I see red, I see red, I see redâŠâ Brian Timothy Finn OBE  Â

MY #NYC 24 June 2025: âI wanna run, I wanna ride. I want to tear down the walls that hold me inside. Oh, show me a place high on the desert plain where the streets have no nameâŠâ Paul David Hewson       
MY #NYC 22 June 2025: âFollow, follow the leader na-na-now. New York, New York City na-na-na-na-na-na-na-na-na-now now⊠Oh, if you wanna dance, hey, work up a sweat. You better-better-better, get yourself, ah-huh, a little romanceâŠâ Lewis Allen Reed     
MY #NYC 20 June 2025:Â âCold fire, you’ve got everything but cold fire. You will be my rest and peace child. I moved up to take a place near youâ David Robert Jones Â

MY #NYC 14 June 2025: âOn the surface itâs all superfluous. I tell Valerie, she gets nervous. If Iâm selected for selective service, my salary will more than serve usâŠ.â Tomaso John    Â

MY #NYC 13 June 2025: In New York concrete jungle where dreams are made of⊠there’s nothin’ you can’t do⊠Now you’re in New York. These streets will make you feel brand-new…â Shawn Corey Carter Â
 Â
MY #NYC 9 June 2025: âIf you want me to stay, I’ll be around today. To be available for you to see. But I am about to go and then you’ll know for me to stay here, I got to be meâŠâ Sylvester Stewart    Â

MY #NYC 1 June 2025: âLights onâŠsheâs changed her mind. Lights on⊠look at the time. So, you wanna go home? Iâll give you a ride⊠youâd rather go it alone, oh really?â Tom Clark     Â

MY #NYC 1.1 June 2025: âThere are no easy answers to elongated questions. So try and keep an eye out and be open to suggestionsâŠâ John Joseph Lydon

đđ #đđđ đđđČ đđ đđđđ: âđđđ§đđ đŹđąđŹđđđ« đđđ§đđ. đ
đđđ„ đđĄđ đ«đĄđČđđĄđŠ đđ„đšđ° đąđ§đđš đČđšđźđ« đŹđšđźđ„. đ đ„đšđŻđ đđš đ°đđđđĄ đČđšđź đŠđšđŻđ. đ đ„đšđŻđ đđĄđ đ°đđČ đČđšđź đđđ§đđâŠâ đđđ«đ„đšđŹ đđźđŠđđđ«đđš đđđ§đđđ§đ đđđ«đ«đđ ĂĄđ§ / đđšđŠ đđšđŹđđđ« / đđđźđ đź đđĄđđ§đđ„đđ«Â       
MY #NYC 30.1 May 2025: If I could make a wish, I think I’d pass. Can’t think of anything I need No cigarettes, no sleep, No light, no sound. Nothing to eat, no books to read. Sometimes all I need is the air that I breathe, and to love you.â Mike Hazlewood / Albert Louis Hammond        
MY #NYC 30 May 2025: âI stood up to the powers that be⊠I stood up, âcause I needed to seeâŠVoices in my head⊠canât you see, itâs a rising tideâŠâ Felice Rosser              Â

đđ #đđđ đđ đđđČ đđđđ: âđđĄđ«đšđźđ đĄ đđĄđ đŠđąđ«đ«đšđ« đšđ đŠđČ đŠđąđ§đ, đđąđŠđ đđđđđ« đđąđŠđ, đ đŹđđ đ«đđđ„đđđđąđšđ§đŹ đšđ đČđšđź đđ§đ đŠđ, đ«đđđ„đđđđąđšđ§đŹ đšđ đđĄđ đ°đđČ đ„đąđđ đźđŹđđ đđš đđâŠâ đđđŠđšđ§đ đđšđłđąđđ«, đđ«đąđđ§ đđšđ„đ„đđ§đ, đđđ°đđ«đ đđ«. đđšđ„đ„đđ§đ  
MY #NYC 26 May 2025: âI can’t forget the impression you made. You left a hole in the back of my head. I don’t like hiding in this foliage and peat. It’s wet and I’m losing my body heat. The cassette played poptonesâŠâ John Joseph Lydon  
MY #NYC 25.1 May 2025: âAs the trees reached their hands to the heaven and the watchman began to stare, I saw the two rainbows laying across the highway, and I dare not to stare. So can you come out tonight? I got a ride on a satellite. It’s a secret for you I’ve been creatingâŠâ William Earl Collins  
MY #NYC 25 May 2025: âPeople were dancin’ like there’s no tomorrow, Meat City Finger lickin’, chicken pickin’ Meat City, shook down U.S.AâŠ.â John Winston Lennon   
MY #NYC 21 May 2025: âCome on out of your dreams. And wake up from your reverie. Time is here don’t go to sleep. Streets are running on the brinkâŠâ Beck Hansen  
MY #NYC 20.1 May 2025: âIf I could read your mind love, what a tale your thoughts could tell Just like a paperback novel, the kind the drugstore sells. When you reach the part where the heartaches come the hero would be me. Heroes often fail, and you won’t read that book againâŠâ Gordon Meredith Lightfoot   
MY #NYC 19.1 May 2025: âI play the street life. Because there’s no place I can go. Street life. It’s the only life I know. Street life. And there’s a thousand cards to playâŠâ Will Jennings / Joe Sample     
MY #NYC 19 May 2025: Dis Is Da DrumâŠ. Herbert Jeffrey Hancock   
MY #NYC 10.1 May 2025: âOh, I just want to hear girls talk. I got a loaded imagination being fired by girls talk. But I can’t say the words you want to hear. I suppose you’re going to have to play it by ear. Right here and nowâŠâ Declan McManus    
MY #NYC 10.2 May 2025: âShe makes me feel like I’m theâ
onlyâ
man for herâ
in this world. Now maybe it’s theâ
way that my girl walk⊠maybe it’s the way that my girl talk. Oh yes she makes me feel like I’m a king. That’s the kind of love that my girl bring. Oh yeah-e, yeah-e, yeah-eâŠâ Gregory Isaacs  
MY #NYC 9 May 2025: âYou’re the kind of person that I’ve been dreaming of. You’re the kind of person that I always wanted to love. And when I first seen you walk right through that bar door. And I seen those suit and tie johns buy you one drink, and then buy you some more I had a⊠I knew you had that crazy feelingâ Lewis Allen Reed   
MY #NYC 8 May 2025 âWhenever dark has fallen you know the spirit of the party starts to come alive. Until the day is dawning you can throw out all the blues and hit the city lights. ‘Cause there’s music in the air and lots of lovin’ everywhere, so gimme the nightâŠâ George Benson     
MY #NYC 4 May 2025: âMake no mistake about it. Things ain’t what they seem. I’m gonna scream and shout it. This is just a dreamâŠâ Keith Richards   
MY #NYC 3 May 2025: Let’s see action. Let’s see people. Let’s see freedom. Let’s see who cares. Take me with you. Peter Dennis Blandford Townshend   
MY #NYC 1.4 May 2025: âWhy in the world are we here? Surely not to live in pain and fear. Why on earth are you there? When you’re everywhere. Come and get your shareâŠâ John Winston Lennon        
MY #NYC 1.3 May 2025: âLive your life, and just be yourself. ‘Cause you’re somebody special, somebody loves your lifeâŠ.â will.i.am / Carlos Humberto Santana BarragĂĄn      
MY #NYC 1.2 May 2025: âI hear voices, I see people. I hear voices of many people⊠Sayin’ everything is everythingâŠâ Donny Edward Hathaway    
MY #NYC 1.1 May 2025: âYou can understand everything’s to share. Let your spirit dance brothers everywhere. Let your head be free, turn the wisdom key, find it naturally – see you’re lucky to be. Dig this sound ItšÂȘs been round and round and round.â Carlos Humberto Santana BarragĂĄn     
đđ #đđđ đđ.đ đđ©đ«đąđ„ đđđđ: âđđšđ° đđŻđđ«đČđđĄđąđ§đ đąđŹ đ„đšđŻđđ„đČ. đđš đđšđ§’đ đ©đźđ đČđź đđ«đźđŹđ đąđ§đ§đ đđđ„đŹđ đ©đ«đšđ©đĄđđđČ. đđąđŹ đ đđ đđđ„đđČ đđĄđąđ§đ đđ§đ đđđđŻđąđ, đČđšđź đŠđąđ đĄđ đ°đšđ§đđđ«. đđđđ§đ đđąđ«đŠ đđš đđ„đ„ đđĄđšđŹđ đ°đĄđš đđđđ„ đđšđ§đđđ«đ§. đđ đ°đĄđđ§ đČđšđź đđđ§’đ đŹđđ đđĄđ đ„đąđ đĄđ⊠đČđšđź đŠđźđŹđ đŹđđ đđĄđ đđšđđąđ§đŹ đąđ§ đđ„đąđ đĄđ. đđąđđ đąđŹ đŁđźđŹđ đ đŠđđđđđ« đšđ đđąđŠđ đšđ« đŹđ©đđđ.. đđš đđ„đ„ đđĄđšđŹđ đ°đĄđš đĄđđŻđ đđš đđđđ đŹđšđ«đ«đšđ°âŠđŹđĄđđ„đ„ đšđ§đ„đČ đĄđđŻđ đđš đ°đđąđ ‘đđąđ„đ„ đđšđŠđšđ«đ«đšđ°âŠâ đđđđŻđ„đđ§đ đđđ«đđđ°đđČ đđšđ«đ«đąđŹÂ   
MY #NYC 29.1 April 2025: âNew York⊠like a scene from all those movies. But you’re real enough to me. There’s a heart⊠that lives in New YorkâŠâ  Benny Gallagher / Graham Lyle   
MY #NYC 29 April 2025: âDance little sister, dance with your missed her, saw that I kissed her, heard that he dissed her, sheâs a fighter, cigarette lighter, lighter getting lighter, mystery writerâŠâ Tomaso John     
MY #NYC 25 APRIL 2025: âLife is pleasure life is pain, homes are lost to eminent domainâŠwalk down the aisle be my brideâŠstick your tongue out open wideâŠâ Tomaso John    Â

MY #NYC 24 APRIL 2025: âPretty woman, won’t you pardon me? Pretty woman, I couldn’t help but see. Pretty woman, you look lovely as can be. Are you lonely just like me? RawwwwrâŠ.â Roy Kelton Orbison      
MY #NYC 22.1 APRIL 2025: âI saw her, yeah I saw her with her black tongue tied âround the roses. Fist pounding on a vending machine. Toy diamond ring stuck on her finger. Hey, my sun eyed girlâŠâ Beck David Hansen    
MY #NYC 22 APRIL 2025 âShoulda took a picture. Something I could keep. Buy a little frame. Something cheap. For youâŠâ David Robert Jones   
MY #NYC 20 April 2025: âDon’t these city lights, light these streets to life? All these crazy nights bring us togetherâŠWe’re supposed to be a land of liberty and those city lights to blaze foreverâŠâ Lewis Allan Reed    
MY #NYC 19 April 2025: âI was alone and content in my world. Dancing on air. You sent to me a message that said âI like your styleââŠâ Patricia Lee Smith

MY #NYC 18 April 2025: âI see us in the park strolling the summer days of imaginings in my head. And words from our hearts told only to the winds, felt even without being saidâŠâ Stevland Hardaway MorrisÂ

MY #NYC 17 April 2025 âThere she was just a-walkin’ down the street, singin’ ‘Do wah diddy diddy dum diddy do’. Snappin’ her fingers and shufflin’ her feet, singin’ ‘Do wah diddy diddy dum diddy do’. She looked good (Looked good). She looked fine (Looked fine). She looked good, she looked fine and I nearly lost my mindâŠâ Ellie Greenwich / Jeff Barry

MY #NYC 15 April 2025: âI’m starting with the man in the mirror, I’m asking him to change his waysâŠâSiedah Garrett / Glen Ballard   
MY #NYC 15 April 2025: âDaily records. Just want to be making daily records. Try to avoid the bad news in the lettersâŠâ Peter Dennis Blandford Townshend

MY #NYC 10 April 2025: âBut today there is no day or night. Today there is no dark or light. Today there is no black or white, only shades of grayâŠâ Cynthia Weil / Barry Mann Â

MY #NYC 7 April 2025: âLemon, see-through in the sunlight. She wore lemon but never in the daylightâŠâ Paul David Hewson   
MY #NYC 30 March 2025: âYou see I met a devil named Buena, Buena and since I met the devil I ain’t been the sameâŠâ Mark Sandman 
MY #NYC 29.1 March 2025: Cost of an iced coffee with a shot of expresso and a designer chocolate chip cookie downtown NYC $14.25 (tip included). Watching pretty girls pass me by: priceless….   
MY #NYC 30 March 2025: I got nothing to eat in this old house. I gotta go out and catch a mouse. I can’t be wrong so I gotta be right. Your skills are highly specialized. But still that girl can magnetize. You sense the hunger in her eyes⊠strike or be stricken. Eat or be eatenâŠâ James Newell Osterberg Jr.

MY #NYC 27 March 2025: âI’ll say goodbye to all my sorrow. And by tomorrow I’ll be on my way, I guess the Lord must be in New York City. Ain’t it wonderful to be where I’ve always wanted to be? I’ll breathe free, here in New York CityâŠâ Harry Edward Nilsson III   
MY #NYC 26 March 2025: âIâm a silhouette not a soldier. Iâm a dilletante who pulled one over the leaders and Japanese cedars who cede their power to the bottom feedersâŠâ Tomaso John  
MY #NYC 22 March 2025: âIn New York freedom looks like too many choices. In New York I found a friend to drown out the other voices. Voices on the cell phone. Voices from home. Voices of the hard sell. Voices down the stairwell in New York. Just got a place in New YorkâŠâ Paul David Hewson  
MY #NYC 20 March 2025: âYouâve heard of Radio Ethiopia? Well, Iâm Radio Brooklyn!â Lewis Allan Reed  
MY #NYC 19 March 2025 âAll the majesty of a city landscape. All the soaring days in our lives. All the concrete dreams in my mind’s eye. All the joy I see thru’ these architect’s eyesâŠâ David Robert Jones    
MY #NYC 17 March 2025: âThey call you ecstasy. Nothing ever sticks to you. Not velcro, not scotch tape. Not my arms dipped in glue.â Lewis Allan Reed  
MY #NYC 16 March 2025: âI’ll be your mirror, reflect what you are, in case you don’t know. I’ll be the wind, the rain and the sunset, the light on your door to show that you’re homeâŠâ Lewis Allan Reed  
MY #NYC 13 2025: âTime after time those fanatical minds try to rule all the world. Telling us all its them who’s in charge of it all. I’ve got a tricked out magic stick that will make them all fall. We’ve got the power now that’s where it belongsâŠâ Wayne Michael Coyne  
MY #NYC 11 March 2025: âAh, it’s a happy time inside my mind. When a melody does find a rhyme says to me I’m comin’ home to stay, oh Lord, home to stayâŠâ Timothy Charles Buckley  
MY #NYC 10 March 2025: âStanding in the shadow of another man. Lonely as the streets pass me by. Life ain’t under pressure ’cause I got a plan, starin’ at myself in the eyeâŠâ Stefani Joanne Angelina Germanotta 
MY #NYC 8 March 2025: âWhen that fat old sun in the sky is fallingâŠsummer evening birds are calling⊠and if you see, don’t make a sound, pick your feet up off the groundâŠâ David Jon Gilmour  
My #NYC 8 March 2025: âWell, I’m an animal, something like a cannibal. I’m very flammable and partially programmable. Centuries of overuse, now I wear it nice and looseâŠâ Anthony Kiedis   
MY #NYC 7 March 2025: âWhile Mona Lisas and mad hatters⊠sons of bankers, sons of lawyersâŠturn around and say good morning to the nightâŠfor unless they see the skyâŠbut they can’t and that is why⊠they know not if it’s dark outside or lightâŠâ Bernard John Taupin   
MY #NYC 1 March 2025: âWhen your imagination has too much to say⊠when the chill of the night meets the sweat of the dayâŠ.and you have trouble understanding what other people have to say, you’d better hang on to your emotionsâŠâ Lewis Allan Reed   
MY #NYC 27.2 February 2025: âI don’t know where the sunbeams end, and the star lights begin. It’s all a mystery. And I don’t know how a man decides, what’s right for his own life. It’s all a mysteryâ Wayne Michael Coyne  
MY #NYC 25.3 February 2025 âI know an angel on the east side of Heaven who lives in a first story room. We meet on a rooftop and dream in the dark, when the lights of New York are in bloom. All through the daytime it’s the same old Manhattan, but evening again sets me freeâŠâ John Scott Totter / Harry Lillis âBingâ Crosby   
MY #NYC 25.1.2025 âThey say that heaven is 10 zillion light years away⊠and just the pure at heart will walk her righteous streets somedayâŠâ Stevland Hardaway Morris  
MY #NYC 25.2.2025 âAs around the sun the earth knows she’s revolving⊠As now can’t reveal the mystery of tomorrow⊠until the rainbow burns the stars out in the sky⊠until the ocean covers every mountain highâŠuntil we dream of life and life becomes a dreamâŠâ Stevland Hardaway Morris   
MY #NYC 21.2.2025 âAnd it’s just like the ocean under the moonâŠit’s the same as the emotion that I get from youâŠyou got the kind of lovin’ that can be so smooth⊠gimme your heart, make it realâŠor else forget about itâŠâ Robert Kelly Thomas / Carlos Humberto Santana BarragĂĄn   
MY #NYC 24.1.2025 âThere was China in her eyes, in a silk and velvet disguise. She was moving’ like a lady, looking’ like a dragon princessâŠâ Paul Lorin Kantner   
MY NYC 18 February 2025: đđđđđ đ. đđđđđ & đđđ đđđđ đđ đđđđđđđ đđđđđđ đđđ đđšđ„đ„đđĄđšđ§ / đđ«đźđŠđ©đđ, đđđđ đđšđđđ„đŹ; đđđ đ đąđ đđČđ„đŻđđŹđđđ« / đđ«đźđŠđŹ, đđđŻđąđ đđđČđ„đšđ« / đđ«đšđŠđđšđ§đ, đđđđ đđšđđđ„ đđđđđđđŹ; đđđŻđąđ đ đđ«đšđŹđŹ đ-đđđ«đąđ§đ đđđŹđŹ & đđđđđđđŹ.

MY #NYC 16 February 2025: âIncense and peppermints, meaningless nouns. Turn on, tune in, turn your eyes around. Look at yourself, look at yourself, yeah, girlâŠâ Timothy Gilbert, John Carter   
MY #NYC 15 February 2025 âThey sentenced me to 20 years of boredom, for trying to change the system from within. I’m coming now to reward them. First we take Manhattan⊠then we take BerlinâŠâ Leonard Norman Cohen

MY #NYC 14 February 2025 âHey now, you got me by the tongue. I feel like, there’s nowhere I belong. And they’re working it pretty hard. And they’re selling it by the yard. But it’s more than I can affordâŠâ David Gray

đ đŹ #đĄđŹđ đ° đđČđŻđżđđźđżđ đźđŹđźđ± âđ đđźđ»đ»đź đżđČđźđ°đ” đŒđđ đźđ»đ± đđŒđđ°đ” đđ”đČ đłđčđźđșđČ đđ”đČđżđČ đđ”đČ đđđżđČđČđđ đ”đźđđČ đ»đŒ đ»đźđșđČâŠâ đŁđźđđč đđźđđ¶đ± đđČđđđŒđ»

MY #NYC 3 February 2025 âAnd the sign said, “the words of the prophets are written on the subway walls, in tenement halls⊠and whispered in the sounds of silenceâŠâ Paul Simon

MY #NYC 30 January 2025 âAnd I can’t look down, from Central Park to Shanty Town. I always heard that crazy sound, from New York to Shanty Town⊠James Osterberg  
MY #NYC 28 January 2025 âNew York City is a friendly old town, from Washington Heights to Harlem on downâŠthere’s a-mighty many people millin’ all aroundâŠ. Robert Allen Zimmerman  
MY #NYC 27 January 2025 âIn a catacomb or cave of endless drawings⊠prehistoric or religious⊠your accomplishments prodigious⊠seeking out the perfect toneâŠâ Lewis Allen Reed

MY #NYC 18 January 2025: âI’m doing fine up here, on cloud nineâŠlisten, one more timeâŠâ Norman Whitfield / Barry Strong  
MY #NYC 16 January 2025 âSons of the silent age stand on platforms blank looks and notebooks, sit in back rows of city limits⊠Sons of the silent age don’t walk, they just glide in and out of lifeâŠâ David Robert Jones

MY #NYC 14 January 2025 âThe traffic on Canal Street’s so noisy it’s a shock. And someone’s shooting fireworks or a gun on the next block. And I wanna hooky wooky with youâŠâ Lewis Allen Reed

MY #NYC 9 January 2025 âShoulda took a picture. Something I could keep. Buy a little frame. Something cheap. For you. Everyone says hiâŠâ David Robert Jones 
MY #NYC 6 January 2025 âThere is no political solution to our troubled evolutionâŠwe are spirits in the material world, are spirits in the material worldâŠâ Gordon Matthew Sumner    
MY #NYC 6 January 2025 âSometimes in winter⊠forgotten memories remember you behind the treesâŠâ Steve Katz  
MY #NYC 2 January 2025: âDid you ever take a look to see whose left around? Everyone I thought was cool is six feet underground! I’m still alive and well, still alive and well⊠Every now and then I know it’s kinda hard to tell⊠but I’m still alive and wellâŠâ John Dawson Winter lllÂ


MY NYC 30 December 2024: âTime, he’s waiting in the wings. He speaks of senseless things. His script is you and me, boy. Time, he flexes like a whore. Falls wanking to the floor. His trick is you and me, boyâŠâ David Robert Jones

MY NYC 24 December 2024: âOutside my window is a tree. There only for me. And it stands in the grey of the cityâŠâ Gail Collins / Felix Pappalardi   
MY NYC 10 December 2024: âWell I got a foggy notion, do it again. Over by the corner, do it again. I got my calamine lotion baby, do it againâŠâ Sterling Morrison, Doug Yule, Maureen Tucker & Hy Weiss
 
MY #NYC 8 December 2024: âWe understand your paranoia. But we don’t wanna play your game You think you’re cool and know what you are doing⊠666 is your nameâŠâ John Winston LennonÂ

â74 @ 50! Rod Stewart / Faces Live! Coast to Coast Overture and Beginners. Bassist Tetsu Yamauchi /Rod Stewart / Smiler. Bassists Spike Heatley, Willie Weeks, Ronnie Wood / Ronnie Wood / Iâve Got My Own Album to Do. Bassists Willie Weeks, Pete Sears, with Mick Taylor / Rolling Stones / Itâs Only Rock and Roll. Bassists Bill Wyman, Willie Weeks, with Keith Richards, Mick Taylor / Bill Wyman / Monkey Grip. Bassist Wiliam George Perks RAF O.H.M.S.Â

MY #NYC 21 November 2024: âImagine how my daddy felt, in your jet black suspender belt. Seventeen years old. He’s touching sixty-four. You got legs right up to your neck. You’re making me a physical wreck. I’m talking to youâŠhot legsâŠâ Sir Roderick David Stewart CBE  
đŽđ #đ”đđȘ 20 đ”đđđđđđđ 2024: đšđ đ° đźđđđđđđâ đđđ⊠đšđđ đ©đđđ & đźđđđđđ đŽđđđ đłđđđ đđ đłđ đ«đđđđđđđ đđ đŻđđđđđ đ”đđȘ đđđđ đđđđđđđ đđđđđđ đ«đđđđ đȘ. đźđđđđ & đŽđđ đźđđđđđđđ!

MY #NYC 18 November 2024 âA race of angels bound with one another. A dish of dollars laid out for all to see. A tower room at Eden Rock⊠his golf at noon for free⊠Brooklyn owes the charmer under me..â Walter Carl Becker / Donald Jay Fagan  
MY #NYC 17 November 2024: âI used to think maybe you loved me now baby I’m sure. And I just can’t wait till the day when you knock on my door. Now every time I go for the mailbox, gotta hold myself down. ‘Cause I just can’t wait till you write me you’re coming around. I’m walking on sunshineâŠ.â Kimberly Rew

MY #NYC 11 November 2024 âHe was the king of trees, keeper of the leaves. A deep green god of young⊠love stained memory.â Steven Demetre Georgiou 
MY #NYC 10 November 2024 ââŠI’m just a raindrop in a bucket. A coin dropped in a slot. I am an empty house on Weed Street. Across the road from a vacant lot⊠You know life is what you make of it⊠so beautiful or so whatâŠâ Paul Simon  
MY #NYC 9 November 2024 ââŠhalf of the time we’re gone, but we don’t know where and we don’t know whyâŠ.the only living boy in New YorkâŠâ Paul Simon
 
MY #NYC 6 November 2024: âTigers don’t growl much unless they’re bored. Or unless attempting to tackle the jungle, Lord⊠whose face tigers never see⊠but who still hands out their stripes judiciouslyâŠâ Sananda Maitreya 
MY #NYC 4 November 2024: âIf I could live to be several hundred, I could take a walk and really wander. All my ghosts on every sea, in every landâŠâ Charles Michael Kittridge Thompson IV 
MY #NYC 3 November 2024: âI’m a road runner, baby. Can’t stay in one place too long. I’m a road runner, baby. You might look at me and I’ll be goneâŠâ  Lamont Dozier, Brian Holland, Edward Jr. Holland 
MY #NYC 1 November 2024: âThere’s a downtown fairy singing out “Proud Mary” as she cruises Christopher Street. And some Southern Queen is acting loud and mean where the docks and the badlands meet⊠this Halloween is something to be sureâŠâ Lewis Allan Reed  
MY #NYC 30 October 2024 âNovember and more, as I wait for the score, they’re telling me forgiveness is the key to every doorâŠâ Phil Lesh / Bobby Peterson 
MY #NYC 24 October 2024 âSmiling faces sometimes⊠they don’t tell the truth. Smiling faces, tell lies and I got proofâŠâ Norman Whitfield 
MY #NYC 22 October 2024 âNow I own the key to the door, the kingdom of heaven lies insideâŠI love visions of youâŠâ Jah Wobble 
MY NYC 10.10.24: 144 Live at Silvana Harlem “It’s about that time…”Â

MY NYC 4 October 2024 âLife’s a game of give and take. Early in the morning get your concentration
on your meditation to take the right directionâŠâ Carlos Santana / Michael Shrieve  
MY #NYC 26 September 2024 âIâve been talking to myselfâŠbecause Iâm a little bit crazyâŠâ Stu Richards / Magic Forest Live at AH Presents Ottoâs Shrunken Head NYCÂ
 
MY #NYC 24 September 2024 âMy friends are so alarming, my lover’s never charming⊠life’s just a cocktail party on the streetâŠâ Sir Michale Phillip Jagger / Keith Richards Â
 
MY NYC 23 September 2024 âIn my sensations, I believe that I was born with the things that I know. I want to talk like I readâŠâ David Byrne 
MY NYC 22 September 2024 âSomething in the night. Something in the day. There’s slaughter in the air protest on the wind⊠Someone else inside meâŠsomeone could get skinned. Someone fetch a priest, you can’t say no to the Beauty and The BeastâŠâ David Robert Jones 
MY NYC 19 September 2024 âOnly renting. Only subletting. Fences mending. Just pretending. Reality bending. Signal sending. Patent pending. Just inventing. Let’s go âround the bend. Get in trouble again. Make a commotion. Drink a love potion. Sweet ’til the bitter endâŠâ John Doe / Exene Cervenka 
MY N.Y.C. 16 September 2024 âI am a tree, I show my age when I don’t cry. I have the leaf that will fall off when wind blows byâŠI am a tree fruitless and freeâŠâ Robert Pollard  
MY #NYC 15 September 2024 âSpeedy Marie, ahead of the now. She’s better built that’s how. She’s built for speed, Speedy MarieâŠâ Frank Black 
MY NJ/NYC 15 September 2024 âOne day you turn around and it’s summer. Next day you turn around and it’s fallâŠas a man who has always had the wand’ring ways, now I’m reaching back for yesterdays. ‘Til a long-forgotten love appears and I find that I’m sighing softly as I near September, the warm September of my yearsâŠâ                           Sammy Cahn as sung by Francis Albert Sinatra Â

MY NYC 13 September 2024 âI wanna be somebody’s Chelsea, somebody’s world. Somebody’s day and night, one and only girl. A part of a love story that never has an end. You know that’s what every woman wants to be somebody’s ChelseaâŠâ Reba McEntire  
MY #NYC 13 September 2024 âThe streets of New York, a maze made of iron and stone. A labyrinth complete, with edges that cut through the bone.â Willie Nile  
MY NYC 13 September 2024 âAutumn in New York, why does it seem so inviting?â Vernon Duke 
MY #NYC 8 September 2024: âWe’re so young and pretty, we’re so young and clean. So many things that we have never seen. Let’s move from Ohio, sell this dam’ old store. Big Apple dreamin’ on a wooden floorâŠâ Vincent Furnier  
MY NYC 8 September 2024: âSafe in my garden, an ancient flower blooms and the scent from its nature slowly squares my roomâŠâ John Edmund Andrew Phillips

MY #NYC 5 September 2024 âCan we fix our nation’s broken heart? Are we brave enough to try? Can we fix our nation’s broken heart and leave a better world behind?â Stevland Hardaway Morris  
MY #NYC 4 September 2024: Groovinâ on the 2 & 4 in 4/4! Digginâ FAITH NYC Live at Silvana Harlem NYCâŠ. 
MY NYC 3 September 2024 âI wanna run, I want to hide I wanna tear down the walls that hold me inside⊠I wanna reach out and touch the flame where the streets have no name⊠Paul David Hewson  
MY #NYC 2 September 2024 âThere is a rose in Spanish Harlem. A red rose up in Spanish Harlem. It is the special one, it’s never seen the sun. It only comes out when the moon is on the run. And all the stars are gleaming. It’s growing in the street right up through the concrete. But soft and sweet and dreamingâŠâ Ben E. King / Jerry Leiber
 
MY #NYC 30 August 2024 âThrough a fault of our designing we are lost among the windings of these metal waysâŠâ Brian Peter George Jean-Baptiste de la Salle Eno Â

MY #NYC 29 August 2024 âThere ain’t no reason to tell no lie when you’re young and you’ve got a lot of pie⊠now I slink around like a killerâŠthe things they say are just a lot of fillerâŠâ James Newell Osterberg Jr.
My NYC 27 August 2024 âNothing is planned by the sea and the sandâŠâ Peter Dennis Blandford Townshend 
MY #NYC 26 August 2024 âEmancipate yourselves from mental slavery, none but ourselves can free our mindsâŠâ Marcus Garvey / Robert Nesta Marley 
MY #NYC 26 August 2024 âWant some whiskey in your water? Sugar in your tea? What’s all these crazy questions they’re askin’ me? This is the craziest party that could ever be⊠don’t turn on the lights⊠’cause I don’t wanna see! Mama told me not to come! She said âthat ain’t the way to have fun⊠son.â Uh-huh!â Randy Newman 
MY #NYC 2018 âThe return of the Thin White Duke throwing darts in lovers’ eyesâŠâ David Bowie Is Here Bleecker/Lafayette St. Subway Exhibit 
MY NYC 25 August 2024 âAnd when I see the sign that points one way⊠the lot we used to pass by every day. Just walk away, RenĂ©e you won’t see me follow you back home⊠the empty sidewalks on my block are not the same, you’re not to blame⊠just walk awayâŠâ Brown / Calilli / Sansone 
MY NYC 22 August 2024 lORRAINE lECKIE lIVE @ ilon Art Gallery hARLEM nYC Ilon Art Gallery 
MY #NYC 22 August 2024 “No, it ain’t judgement day. No, it ain’t Armageddon… it’s just the apple stretching and yawning, just morning. New York City putting it’s feet on the floorâŠâ Grace Jones 
MY #NYC 20 August 2024 âEveryone’s feeling pretty, it’s hotter than July⊠though the world’s full of problems, they couldn’t touch us even if they triedâŠfrom the park, I hear rhythms, Marley’s hot on the box⊠tonight, there will be a partyâŠon the corner at the end of the blockâ Stevland Hardaway Morris 
MY #NYC 14 August 2024: âIn the heart of Harlem, a renaissance blooms. A symphony of voices, in countless rooms. Jazz and blues, a soulful sound where creativity and spirit abound, Langstonâs dreams deferred, Hughesâ rivers flow, in every word, a peopleâs echoâŠâ (author unknown)  
MY #NYC 12 August 2024 âThe heart is a bloom, shoots up through the stony ground. There’s no room no space to rent in this town. It’s a beautiful day. Sky falls, you feel like. It’s a beautiful day. Don’t let it get awayâŠâ Paul Hewson 
MY NYC 10 August 2024 âI play the street life because there’s no place I canât go. Street life, it’s the only life I know. Street life, you can run away from time. Street life, for a nickel, for a dimeâŠâ Wilber Jennings 
MY NYC August 2024 Random images…Â 
MY NYC 8 August 2024 âFlowers never bend with the rainfallâŠâ Paul Simon 
MY #NYC 6 August 2024 âIâve just seen a face, I canât forget the time or place where we just metâŠâ James Paul McCartney
MY NYC 4 August 2024 âIf you want me to stay, I’ll be around today, to be available for you to see. But I am about to go and then you’ll know, for me to stay here, I got to be meâŠâ Sylvester Stewart 
MY #NYC 20 July 2024 âGone are the days, of the seek and the find. All in the name of easy come, easy go merry go round the mind. Step right up, catch it while you can, alligator hugger and the candy manâŠâ Cris Jacobs  
MY #NYC 19 July 2024 âAll the young girls love AliceâŠtender young Alice they sayâŠif I give you my number, will you promise to call⊠wait âtill my husbandâs awayâŠâ Bernie Taupin 
MY #NYC 18 July 2024 âWalk right out to the four-line track, there’s a camera rolling on her back⊠I sense a rhythm humming in a frenzyâŠ.girls on film, two minutes laterâŠâ Lebon / Taylor / Taylor / Taylor / Rhodes 
MY #NYC 14 July 2024 âI got the time. I got my feet. Let’s go hit the street. High in the city. I got my mace. You got your knife. You gotta protect your own life. I wanna stay alive in the cityâŠâ Lou Reed  
12 July 2024 MY #NYC âAnd undulating always, like the tide, the devil’s bride is calling all toward her skirt. And in the loving folds there we will hide inside from any would-be sneak attack until it’s safe to journey backâŠâ Robert Pollard 
MY #NYC 3 July 2024 âI have a positive hot gift, want one? A scoffer’s clutch karma issue, a nursery whip for men who skip. Want one?â Robert Pollard 
28 June 2024 MY #NYC âWith the sinking of the sun I’ve come to greet you. Clean your hands and go to sleep, confess the dreams of good and bad men all aroundâŠâ Robert PollardÂ

MY #NYC 26 June 2024 âA live wire, barely a beginner, but just watch that lady go. She’s on fire, ’cause dancin’ gets her higher than anything else she knowsâŠâ David Lee Roth 
17 June 2024 MY NYC âEverywhere I go people want to know, who I am. So, I tell them. I am the Serene King in a half-asleep dream, waltz across the battlefieldâŠâ Robert Pollard 
4 June ’24 MY NYC   âAnd I’m sitting on a bench in Coney IslandâŠwondering, âwhere did my baby go?â The fast times, the bright lights, the merry-goâŠâ Taylor Swift / The National 
31 May 2024 MY NYC âUp Madison, down Park… each time I turn a corner, I walk a little faster, pretending life is sweet, âcause love’s around the corner…. I walk a little fasterâŠâ Tony Bennett 
30 May 2024 MY NYC âOh, my nuclear baby. Oh, my idiot trance. All my idiot questions. Let’s face the music and danceâŠâ – David Bowie 
30 May 2024 MY #NYC âThere goes my hero, watch him as he goes. There goes my hero, he’s ordinaryâŠâ Dave Grohl 
MY N.Y.C. 30 May 2024 âI love women, I think they’re great. They’re a solace to the world in a terrible state. They’re a blessing to the eyes, a balm to the soul. What a nightmare to have no women in the worldâŠâ Lou Reed 
MY NYC 5/29/24 âIâm in a straightjacket⊠Iâm in a padded cellâŠa new disease is running through my veins…â Stu Richards
âMama pajama rolled out of bed, and she ran to the police station. When the papa found out he began to shout, and he started the investigation…â – Paul SimonÂ

MY NYC 24 May 2024 ââŠkids you better look around. How long you think that you can run that body down? How many nights you think that you can do⊠what you been doing? Who, now who you foolin’ âŠâ Paul Simon 
24 May 2024 MY N.Y.C. “Life, a transient odyssey, weaves a mysterious tapestry of moments that mold our very essence….”
Spaghetti Eastern Electro Dub Live @Silvana with MARK MURO in MY N.Y.C. HARLEM 24 May 2024 âIf you’re tired of walkinâ around and getting nowhere, I know, there’s a path that’s leading towards the master. Love, devotion and surrenderâŠâ Carlos Santana 
MY #NYC 23 May 2024 After midnight, we’re gonna let it all hang out. We’re gonna cause talk and suspicion, give an exhibition, find out what it is all aboutâŠâ JJ Cale 
MY #NYC 16 May 2024 Sign Language âŠÂ 
MY #NYC 14 MAY 2024 âThe king is gone, but he’s not forgotten. This is the story of a Johnny Rotten⊠it’s better to burn out than it is to rustâŠâ Neil Young 
MY #NYC 12 May 2024 Paul Collins, Sal Maidaâs Bottomâs Up Band live at Bowery Electric with Mike Fornatale, Dennis Diken, Dave Amels, Dave FosterâŠÂ 
MY #NYC 8 May 2024:  âWe’ve got to judge the judge. We’ve got to find the finds. We’ve got to scheme the schemes. We’ve got to line the lines. Try to place the place where we can face the faceâŠâ Pete Townshend 
MY #NYC 8 May 2024: “Sign, sign. everywhere a sign. Blockin’ out the scenery, breakin’ my mind. Do this, don’t do that. Can’t you read the sign?” Five Man Electrical Band 
MY #NYC 7 May 2024 âSee her picture in a thousand places, âcause she’s this year’s girl. You think you all own little pieces of this year’s girlâŠâ Elvis CostelloÂ

MY #NYC 6 May 2024: âNow this is a song to celebrate the conscious liberation of the female stateâŠâ Annie Lennox 
MY #NYC 4 MAY 2024 âSomebody took the papers, and somebody’s got the key. But me, I’m down around the corner, you know, I’m lookin’ for Miss Linda LeeâŠâ Lou ReedÂ

MY #NYC 3 May 2024 âI’ll say goodbye to all my sorrow. And by tomorrow I’ll be on my way, I guess the Lord must be in New York CityâŠâ Harry NilssonÂ

MY #NYC 3 May 2024 âI know what I know. I’ll sing what I said. We come and we go. That’s a thing that I keep in the back of my headâŠâ  Paul Simon 
MY #NYC 2 May 2024 âI get all the news I need on the weather report⊠hey, I’ve got nothing to do today but smile. And here I am, the only living boy in New YorkâŠâ Paul SimonÂ

MY #NYC 1 May 2024 âFor there’s Basie, Miller, Satchmo, and the king of all, Sir Duke. And with a voice like Ella’s ringing out, there’s no way the band could loseâŠâ Stevie WonderÂ

MY #NYC 30 April 2024 âWatch out world, comin’ at you full throttle. Better check that sausage before you put it in the waffle. And while you’re at it, better check that batter, make sure the candy’s in the original wrapperâŠâ Lou Reed 
MY #NYC 29 April 2024 âWell I’m beginning to see the light. Some people work very hard, but still they never get it rightâŠ.â Lou Reed  
MY #NYC 4.27.24 âI have my books and my poetry to protect me. I am shielded in my armorâŠâ Paul Simon

MY #NYC 26 April 2024: âI want the principles of a timeless muse. I want to eradicate my negative views. And get rid of those people who are always on a downâŠâ Lou ReedÂ

MY #NYC 4.25.24 âIt’s a beautiful day in this neighborhood, a beautiful day for a neighbor. Would you be mine? Could you be mine? Please won’t you be my neighbor?â – Fred McFeely RogersÂ

MY #NYC 15 April 2024 âTwas a sunny dayâŠnot a negative word was heard from the people passing by. All the birds in the trees, and the radio’s singing songs, all the favorite melodiesâŠâ Paul Simon 
MY #NYC 8 April 2024 “Blue, blue, electric blue, that’s the color of my room, where I will liveâŠwaiting for the gift of sound and vision…â David Bowie

MY #NYC 5 April 2024 âEvery day you’ve got to wake up and disappear behind your makeup. Take away your calendar watch and you can’t keep track until your heart attackâŠâ Jimmy DestriÂ

MY #NYC 4 April 2024 âIn the big apple, scars embedded like tattoos. Ghetto love, protection from what’s coming at you. Keeping our heads up, maintaining self-esteem, and reminiscing on the Harlem Nights sceneâŠâ Luther Vandross  
MY #NYC 4 April 2024 In the HeightsâŠ.  
MY #NYC 4 April 2024 âI was staying at the Marriott, with Jesus and John Wayne. I was waiting for a chariot, they were waiting for a trainâŠâ Warren Zevon 
MY #NYC 1 April 2024 “Somebody took the papers. And somebody’s got the key. And somebody’s nailed the door shut that says, ‘hey, what you think that you see?” âŠâ Lou Reed
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MY #NYC 30 March 2024 âEh Cumpari, ci vo sunari. Can you dig it? Yes, I can. And I’ve been waiting such a long time. For SaturdayâŠâ – Robert Lamm 
MY #NYC 29 March 2024 âIf you want me to stay, I’ll be around today, to be available for you to see. But I am about to go and then you’ll know, for me to stay here, I got to be meâŠâ Sly Stone

MY #NYC 28 March 2024 âI’m going uptown to Harlem. If a taxi won’t take me, I’ll catch a train. I’ll go underground, I’ll get there just the sameâŠ.â Duke Ellington / Nick Kenny 
MYÂ #NYC 27 March 2024 âIs is. Therefore you are. I am. That I am. Let me be….” Leon Thomas
MY #NYC 21 March 2024 “Take a risk and listen to the radio, click your heels at the bi-polar disco. Fly down the villa destination sign, everybody feels the days but waits for summer nights⊔ Scott Weiland

MY #NYC 20 March 2024 âCaught between the twisted stars, the plotted lines, the faulty map that brought Columbus to New YorkâŠâ Lou Reed

MY #NYC 19 March 2024 Three Views of a Secret⊠Jaco Pastorius 
MY #NYC 18 March 2024 âWoke up, it was a Chelsea morning, and the first thing that I heard, was a song outside my window, and the traffic wrote the wordsâŠâ Joni Mitchell

MY #NYC 13 March 2024 âMama’s got a lover, a painter I am told. She’s getting out of real estate, for the art scene down in old SohoâŠâ Lou Reed 
MY #NYC 13 March 2024: âAh, but remember that the city is a funny place, something like a circus or a sewer. And just remember, different people have peculiar taste, and the glory of love⊠might see you throughâŠâ Lou Reed

MY #NYC 12 March 2024: âYou know the day destroys the night; night divides the dayâŠâ Jim Morrison 
MY #NYC 7 March 2024: âAs the twilight sunburst gleams, as the chromium moon it sets, as I lose all my regrets, and set the twilight reelingâŠâ Lou Reed 
MY #NYC 3 March 2024 âOye cĂłmo va. Mi ritmo. Bueno pa’ gozarâŠâ Tito Puente 
MY #NYC 28 February 2024 âOld friends, old friends⊠sat on their park bench like bookendsâŠâ Paul Simon

MY #NYC 27 February 2024 “Man makes machines, to man the machines, that make the machines, that make the machines. And man and machine, will make a machine, to break the machines, that make the machines…” Pete Townshend 
MY #NYC 25 February 2024 “Brooklyn, Bronx, Queens and Staten, from the Battery to the top of Manhattan, Asian, Middle-Eastern and Latin, Black, White, New York you make it happen⊔ Beastie BoysÂ

MY #NYC 23 February 2024 âI couldn’t escape this feeling with my China girl, I’m just a wreck without my little China girlâŠâ Iggy Pop
MY #NYC 23 February 2024 âThey fought with their words, their bodies and their deeds, doin’ the things that they want toâŠâ Lou Reed

MY #NYC 18 February 2024 Weâre an American brandâŠ. Bleecker & Bowery  
MY #NYC 27 January 2024 âIt is what you read when you don’t have to that determines what you will be when you can’t help it.â Oscar Wilde 
MY #NYC 14 January 2024 âI’ve got nothing to say but it’s okay, good morning, good morning, goodâŠâ John Lennon 
MY #NYC 13 January 2024 “…just a perfect day, drink Sangria in the park, and then later, when it gets dark, we go home…” Lou Reed 
MY #NYC 7 January 2024 âRainy day, dream away, let the sun take a holidayâŠâ Jimi Hendrix  
2021 – 2023Â
MY #NYC (June 2023) A Great Day in Harlem 1958 is a black-and-white photograph of 57 jazz musicians in Harlem, New York, taken by freelance photographer Art Kane for Esquire magazine on August 12, 1958 at 17 East 126th Street 
MY #NYC (31 December 2022) âDrop me off in Harlem, any place in Harlem There’s someone waiting there, who makes it seem like Heaven up in HarlemâŠ.âÂ

MY #NYC 26 May 2022 âEyes without a face / les yeux sans visage⊠I’m on a bus on a psychedelic trip reading murder books tryin’ to stay hip, I’m thinkin’ of you, you’re out there so, say your prayersâŠâ Billy IdolÂ

MY #NYC (17 January 2022) âNeath the halo of a streetlamp, I turned my collar to the cold and damp, when my eyes were stabbed by the flash of a neon light, that split the night, and touched the sound of silenceâŠ.” Paul Simon

MY NYC 23 January 2024Â

MY #NYC (May 2022) âIt’s up to youâŠNew York, New Yorkâ A Mansion Diner denizen since I migrated to the Upper East Side in â85⊠my sanctuary replete with black coffee, apple pie, and Sinatra on the sound system 24/7. A monument on York & 86th since June 1945âŠchatty waitresses, culinary anonymity, egalitarian reception no matter what condition I enter⊠says Ed Levine: “Diners are so important because they are the greatest bastions of civility, service, and dare I say grace available to all economic strata in this country.” 
MY #NYC 26 January 2022
  
MY #NYC 1 February 2022 “And I’m laying out my winter clothes and wishing I was gone.. where the New York City winters aren’t bleedin’ meâŠleadin’ meâŠgoin’ home…” Paul Simon

MY #NYC (May 14, 2022) âYou don’t know what you’ll do until you’re put under pressureâŠacross 110th Street is a hell of a testerâŠâ Bobby Womack

MY #NYC 11 December 2023 âI think it’s the best, when I’m locked in the middle of New York city on Central Park ‘n’ West, I know, I know, I know, I know, I know it’s a mess, but you’ve got to be crazy to live in the city, and New York City’s the bestâŠ.â Ian Hunter

MY #NYC (April 2023) âAsk the angels who they’re calling, go ask the angels if they’re calling to thee, ask the angels while they’re falling, who that person could possibly beâŠâ Dave Grohl

MY #NYC 9 December 2023âŠout on the edges they’re mixin’ the colors, some they don’t like it, but me I don’t mind⊠Iggy Pop

MY #NYC (July 2023) “Caught between the twisted stars, the plotted lines, the faulty map, that brought Columbus to New YorkâŠâ Lou Reed 
MY #NYC 19 December 2023 â…everyone’s gazing at some body part. Thatâs the nature of art..â Iggy Pop 
MY #NYC 12 December 2023 âUntil you’ve seen this trash can dream come true, you stand at the edge while people run you through, and I thank the Lord there’s people out there like youâŠâ Bernie Taupin

MY #NYC 20 December 2023 âSunday morning brings the dawn in, it’s just a restless feeling by my sideâŠâ Lou Reed

MY #NYC (November 16, 2023) Dusk on the Upper East Side NYC…

MY #NYC (November 2023) Morning on the Upper East Side…Â

MY #NYC 8 April 2023 âThe traffic’s so noisy it’s a shock, sounds like fireworks or a gun on the next block, ah, hooky wooky with youâŠâ Lou Reed 

Bassist, composer, recording and performing artist, educator, and historian – among other endeavors… Brad Hallen hosts a brief video and tutorial history of the electric bass!Â
Who is Brad Hallen. Glad you asked! From his website bio https://bradhallen.com/index.html
Brad Hallen hails from Boston, Mass and is an accomplished Acoustic and Electric bassist.
Since graduating high school in 1975 Brad has been thoroughly committed to the art of music.
After graduating from Andrew Warde High School in Fairfield, Ct in 1975 he spent time in top forty bands honing his craft and learning bass lines to songs that were on the radio at that time by Earth,Wind and Fire, Rufus, Stevie Wonder, Average White Band, etc. In 1978 he got off the road and moved to Boston, Mass where he quickly became part of the musical fabric in the city. He joined Pastiche and they went on to win the Rock N Roll Rumble in 1980 and became one of the top draws in Boston. Also during this time Brad played with many other Boston Bands including The Nervous Eaters, Willie Alexander, and The Outlets.
In 1981 he joined forces with a band out of Chicago called Ministry and toured steadily for two years including tours with The Police on their Synchronicity tour, Culture Club and Madness. During this time there was a flurry of recording activity with Ministry (With Sympathy and Twitch), Eliot Easton (the Cars), Jane Wiedlin (the Go Go’s), and Iggy Pop. After getting off the road with Ministry, Brad came back to Boston and got involved in the local scene again and The Joneses were born and quickly secured a contract with Atlantic Records, releasing Hard; they became a staple on WBCN and in New England.
After that band ran its course Brad toured and recorded with Aimee Mann (I’m with Stupid) for a year or so. Following his stint with Aimee, Brad toured and recorded with Monster Mike Welch (Just Like It Is) and then joined Susan Tedeschi’s touring band, as documented by Live at WC Handy Hall; after two years of working with Susan, Brad became a member of the legendary Roomful of Blues. For 5 years he toured the world with them and made two records for Alligator including the Grammy nominated That’s Right. During that time he also recorded with Johnny Winter (I’m a Bluesman).
After his tenure with Roomful, Brad hooked up with Duke Robillard and has been in his touring and recording band for the last 7 years. Brad has made 6 records with Duke as a leader and countless records that Duke has produced. Brad’s other project at this time includes The Evenfall Quartet on Blue Duchess records.
The journey continues!

Bassist / composer / recording artist / multi-instrumentalist Andonis Michaelides aka Mick Karn came to prominence with innovative UK new wave / glam / experimental collective Japan – also featuring David Sylvian, Rob Dean, Richard Barbieri, and Steve Jansen.
A fretless master who played bassoon as a child, including an appearance with the London Symphony Schools Orchestra, Karnâs melodic prowess paved the way for such players as Pino Palladino who took the fretless to the top of the charts in the 1980s.
Japan enjoyed a string of hits in the late â70s through the early ’80s waxing several groundbreaking and influential sides and singles. Pressure and the usual internal conflicts which prompt bands to go bust put an end to Japan in 1982 â which is a shame as this band was tailor made (pun intended) for MTV.
Karn was an in-demand player – collaborator – writer in his own right â working with Gary Numan, Diana Ross, Midge Ure, Peter Murphy, Bill Nelson, Kate Bush, Joan Armatrading, and Angie Bowie, among others. He occasionally teamed with various ex-Japan mates as well.
A sculptor and a student of Psychotherapy at West London College, Karn passed at age 52 from cancer.
Mick Karn Sound & VisionâŠ
Mick Karn Bass Sampler: https://youtu.be/7IanvhpoGCA
Mick Karn & David Sylvain âWhen Love Walks Inâ https://youtu.be/gMvlEyWpjdA
Bill Nelson âGlow Worldâ https://youtu.be/CjjqNh9ommw
Dalis Car with Peter Murphy âHis Boxâ Â https://youtu.be/_f9sSC2J7fQ
Gary Numan âSheâs Got Clawsâ https://youtu.be/EW02-y0A9e0 Â Â
Midge Ure âNo Regretsâ Live https://youtu.be/DMl_wPCv0No
Mick Karn:
“Bestial Cluster” Live https://youtu.be/0_ER2AADsWg Â
âSleepers Awakeâ Live https://youtu.be/rzt7dF5jwhs
Japan:
âQuiet Lifeâ https://youtu.be/xhm-EqcPta0
âGentlemen Take Photographsâ https://youtu.be/xhm-EqcPta0


By Tom Semioli : Note this op-ed was NOT composed by ChatGPT
*”Rock” is a term loosely used by the author.
In the beginning…
If Iâve learned anything in my sixty-three years on this mortal coil itâs that every generation (within my reach) holds their respective era of pop culture sacred. Sports, music, film, theater, television, radio, literature, fashion, journalism, art, and permutations thereof.
Everything was better âback in the dayâ including sex, drugsâŠand rock and roll!
My dadâs greaser pals revered Chuck Berry, Elvis Presley, Little Richard, Buddy Holly, and Jerry Lee Lewis as the true rockers until âThe Beatles came along and ruined everythingâŠ.â Â
My (slightly) older colleagues beholden to the 1960s cannot imagine a world sans The Rolling Stones, Who, Cream, Jimi Hendrix, and Bob Dylan, among others. Â I was a three-and-a-half-year-old on 9 February 1964 whilst my family gathered to watch the black-and-white transmission of The Ed Sullivan Show. The closest I came to experiencing Beatlemania was when my mom dragged me to witness Help! at the British Pavilion at the New York Worldâs Fair in 1965. The girls shrieked as if the lads were physically on stage. I get it. And now we have hologram concerts! How the mighty have profited postmortem…
In the 1970s I came of age in an ever-shifting landscape spanning Joni Mitchell, David Bowie, Elton John, Patti Smith, Bruce Springsteen, The Ramones, and Stevieâs Fleetwood Mac to cite a few. This decade of decadence and artistic innovation has been recast ad nauseum in film, cable television, theater, books, and multi-media exhibitions well into the 21st Century. I was there folks. The 1970s were very good, perhaps great, but letâs get over it already.
Maybe those ’50s rockers were on to something. From the 1960s onward rock fractured in several disparate directions. Some view it as expansion of the artform. Others maintain the artform was diluted. Rock and roll, at its very core beginning was/is the bastard child of country, folk, jazz, and blues â so there never really was a âpureâ version of the genre. Â
Hence rock can be a hybrid of any of those aforementioned genres. And add the more recent musical formats such as rap, hip-hop, electronica and subdivisions thereof to the melting pot. Rock’s spirit of experimentation is certainly rooted in the 1960s, yet by the 1980s the tools were available to stretch the boundaries even farther.Â
Artists and Audience Enjoy the Benefits of New Tech…
Which brings us to the 1980s â the era wherein I worked as a musician. Once reviled, and oft relegated to kitschy nostalgia obsessed with big hair and even bigger shoulder pads, time has come today for a reevaluation of the decade. My stance is that the ’50s, ’60s, ’70s are not inferior. Simply, in the 1980s we built upon the greatness of those that came before us. And those that followed, namely the ’90s and 21st Century, basked in our shadow.Â
What happened?
Several watershed advances in technology were available to the artists and their audiences in relatively short time frame. This fact alone separates the decade from its ancestors.
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In the studio, digital recording â cleaner and easier to edit and mix- overtook analog with its fragile inconsistent tapes which were prone to wear and tear; were easily damaged, and poorly duplicated. The introduction of MIDI (musical instrument digital interface) changed the game with combining sounds and timbre. The horizon of tones and textures became limitless.Â
When Yamaha debuted the portable and affordable DX7 keyboard in 1983 â rock stars to neighborhood bar bands now had an infinite number of sounds and textures at their disposal. Â You could bring arena rock to your local pub. Orchestral works could now be replicated on stage. I was witness to Paul McCartney bringing side two of Abbey Road to sonic life at Madison Square Garden in 1989 â something the Fabs and George Martin couldnât have fathomed in 1969.Â
Electric basses and guitars vastly improved with active electronics, new ergonomic designs (Steinberger), effects pedals and rack mounts which, akin to their keyboard cousins, were portable, affordable, and durable.
In particular, the electric bass dominated the decade. No longer relegated to a low rumble in the stage mix or hum on record, bass players were now coming to the forefront as both groove masters and melodic equals. Note that on many â80s hits â the bass is the hook!Â
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Guitar and bass rigs became more reliable, moveable, and noise reduction developments (including instrument pick-ups) eliminated unwanted din and distortion â or enhanced it if you were so inclined. Â Acoustic guitar and horn pickups became the norm â every note rendered could now resonate on record and on stage. Wireless systems afforded guitarists and bassists the freedom to prance about the stage and occasionally snag the spotlight.
Electronic Simmonds and Linn drums put percussionists in the same league as their voltage enhanced comrades.
The multi-track Porta-Studio replaced the cassette deck â hence demos became more precise â affording composers and arrangers more tools to hone their craft in their bedrooms and rehearsal studios. Heck, “unsigned” rockers released cassettes recorded and mixed on said gear which sold in indie shops and such chains as Tower Records.Â
With the advances in music instrument tech, home and compact audio systems also developed in leaps and bounds. Compact Discs relegated vinyl, 8-track cartridges, and cassettes to dinosaur status. CDs eliminated surface noise and did away with the degradation and fragility of the LP / cassette since nothing actually touched the surface of the medium, and they were usable at home or on the road in a Walkman or car disc player.
New recording tech, new gear, a new music delivery system all added up to recordings that sounded better than ever. In fact, record companies helmed by profit motivated bean counters began to digitize, remaster, and repackage their valuable back catalogs complimented by sales gimmicks to sell Boomers their old records again: The Rock and Roll Hall of Fame, followed shortly by the Reunion TourâŠand later, the Never-Ending Farewell Tour.Â
Much of the aforementioned tech innovations had their shortcomings at first, but they were upgraded in ensuing years. All progress is messy at best. Musicians, experimental by nature, took the new technology and ran with it â sonically, and artistically.
I Want My MTV…
Of course, no discussion of the 1980s cannot ignore the impact of MTV. Though 24/7 cable TV video didnât quite kill the radio star (radio killed itself with media consolidation), that dirty ass genre known as rock and roll was absorbed into the entertainment industry mainstream.Â
When MTV became fairer and more balanced, the platform afforded exposure to artists who would have gone otherwise unnoticed in secondary and tertiary markets. Programs such as 120 Minutes, Headbangers Ball, Yo! MTV appealed to hardcore and casual audiences alike.
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Props to MTV Europe whose videos veered more towards artistic expression as MTV USA fell prey to product placement and degenerated into soft-core porn.
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I watched for research purposes onlyâŠ.
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From hair bands to pretty boy-and-girl techno rockers, having a bigger and more bombastic mainstream also begat a healthy, stealthy âalternativeâ DIY scene in many a college town, which would eventually rise to the surface in the 1990s. The 1980s were a golden era of indie rock with loud guitars and melodies.
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Sad Songs Say So Much…
To my ears, the 1980s was the last era of classic pop songwriting, based on the two forms of musical structure familiar to our western ears: AABA / “Tin Pan Alley” and “12 bar blues” and all the permutations thereof. I won’t debate the songs nor the artists. Each spoke to their generation in their language.
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And I extend kudos to the ’60s and ’70s rockers who were able to adapt and reinvent themselves as the concept of the “legacy artist” had not quite gestated until the end of the decade.Â
To my ears, the 1980s was the greatest era of musicianship. 1980s musicians were educated in the 1970s, hence we read music, not tablature. We also learned aplenty from the past masters of our respective instruments. Those of us who were serious about our careers delved into theory and composition â as did previous generations. Again, we had more tools. For example, when you composed a horn or a string passage, you could actually hear it (and modify it) in the moment thanks to electronic keyboards. And you could play it on the gig the same day! Think of what Duke Ellington and Billy Strayhorn could have accomplished with such toys! Composition was everywhere!
Instructional VHS tapes afforded players private lessons with the greats to compliment a formal music education. Â
All That Jazz….
Though its roots lie in the soul-jazz movement as exemplified by CTI recordings in the late 1960s and 1980s, contemporary jazz and jazz fusion fell (mostly) into the category of “smooth jazz” or “quiet storm” – two hideous marketing titles. Many jazz artists approached the art of recording akin to rockers in that the long-player was not simply a souvenir of a live performance, but an entity unto itself. Yet jazz was still considered popular music – and the masses responded. Witness hits by George Benson (“Give Me The Night”), Herbie Hancock (“Rockit”), and Anita Baker (“Caught Up in the Rapture,” “Sweet Love”), to cite a few – all of which brought audiences back into the clubs and prompted the casual listener to purchase jazz recordings.
The bassist named for a small, sharp pointed organ at the end of the abdomens of bees employed many a contemporary jazz star for his stellar debut disc The Dream of the Blue Turtles in 1985, namely Darryl Jones (Miles Davis, Steps Ahead), Kenny Kirkland (Branford and Wynton Marsalis), Branford Marsalis, and Omar Hakim (Weather Report).
In 1986 a jazz film ‘Round Midnight starring Dexter Gordon (Academy Award nomination for Best Actor), and Herbie Hancock, was a resounding box-office success. Jazz was hip again in Hollywood! Bassists Marcus Miller and Stanely Clarke, among many others composed numerous television and film scores.Â
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Though ’70s jazz superstars Return To Forever, Mahavishnu Orchestra, and Weather Report flamed out – save for Jaco Pastorius’ brilliant World Of Mouth (1981), Miles was still leader of the pack even as Wynton Marsalis became the “chief of jazz police” – determining what jazz is and what jazz is not. Refer to Ken Burns’ woefully incomplete and misinformed PBS Jazz (2001) documentary series which anointed the bloviating trumpeter as spokesperson for a genre he did absolutely nothing to advance.Â
Sadly, jazz has yet to recover from the death of Davis in 1991 and Wynton Marsalis’ shameful, pandering corporate sell-out of the artform. (Wanna know how I really feel?)Â
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I Want to Play for You… Last Era of Guitar Gods… Instrumental Virtuosos….
The decade was rife with instrumental virtuosos who inspired us to be better. To cite a few: Eddie Van Halen, Kirk Hammett, Steve Vai, Eric Johnson, Johnny Marr, Randy Rhoades, G.E. Smith, Yngwie Malmsteen, Stevie Ray Vaughn, Stanley Jordan, The Edge, Emily Remler, Joe Satriani, Prince, Mark Knopfler, Slash, Mike Campbell, Mike Stern, John Scofield, John Ashton, Mark King, Flea, Pino Palladino, Marcus Miller, Geddy Lee, Tony Levin, Fernando Saunders, Doug Wimbish, Cliff Burton, Tony Franklin, John Taylor, Will Lee, Mick Karn, Bakithi Kumalo, Carmine Rojas, Robbie Shakespeare, Guy Pratt, Sting, Darryl Jones, Billy Sheehan, Neal Peart, Steve Gadd, Stuart Copeland, Phil Collins, Jeff Porcaro, Chad Smith, Kenny Aaronoff, Vinnie Colaiuta, Simon Phillips, Greg Phillinganes, Howard Jones, Vince Clarke, David Paich, Thomas DolbyâŠ
Rock and a Hard Place…Prog Progress
Among the most significant musical developments of the 1980s was the evolution of hard rock.
In the disco era of the mid to late ’70s, the genre became irrelevant as its greatest practitioners â Black Sabbath, Deep Purple, and Led Zeppelin, among others either broke up, or lost their way due to substance abuse.  However âheavy metalâ a term attributed to many sources, was regrouping by â78. Bands such as Iron Maiden, Judas Priest, and Def Leppard, Motorhead â all founded in the â70s – were all laying the groundwork for the âNew Wave of British Metal.âÂ
âWe want to be the band that if we moved in next door to you, your lawn would die.â bassist Ian Fraser Kilmister aka “Lemmy”
By way of new recording technology, as referenced above, heavy metal and hard rock records sounded far superior to their ancestors in the ’70s. The muddy din of such metal classics as Deep Purple’s In Rock, and Machine Head along with all the Black Sabbath releases from ’70s up until the Dio years which began in 1980 – though influential, were rendered sonically ancient – even with their ’90s remasters.Â
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Similar to the way ’80s pop artists were improving on the work of their predecessors, these artists hit their stride in the new decade. And there was plenty of room for the older guard as well: Ozzy Osbourne with Randy Rhoads, Ronnie James Dio, Robert Plant, Rainbow, a reformed Deep Purple, a sober Alice Cooper, a rejuvenated AC / DC, Whitesnake, Runaways alumnae Joan Jett and Lita Ford, among others waxed classic sides.
Aerosmith commenced their first career resurgence, collaborating with Run DMC on their classic track “Walk This Way” – which ran in heavy, heavy, heavy rotation on MTV and was a major factor in hip-hop crossing over into the mainstream. Â
In California, it was no surprise that the west coast hard rockers took their artistic and aesthetic cues from Hollywood. Made-for-MTV collectives including Van Halen with a bona fide rock god guitarist, Motley Crue, Poison, Dokken, Warrant, and New Jersey heartthrob Bon Jovi, topped the charts. Guns ânâ Roses upgraded the Aerosmith / Rolling Stones modus operandi with great success . Underground metal mavens Slayer, Anthrax, and Metallica also enjoyed commercial acceptance.
In fact, it was ’80s metal which paved the way for â90s alternative â which was essentially a stripped-down version of ’80s hard rock with no guitar solos, no keyboards, no entertainment value, and with desperation replacing celebration.
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Prog rock – emblematic of ’70s excess – went decidedly pop and further opened the genre to millions of new listeners. Though purists revile this era of “prog progress” it was a natural growth. Bands such as Rush, King Crimson, Yes, and Genesis / Phil Collins / Peter Gabriel (’70s vets all) retained their signature instrumental prowess while trimming the bloated filler that weighed down many a prog-rock platter.Â
The Blues Never Went AwayâŠ
A genre most responsible of the artform that is rock and roll â the blues, did not enjoy a comeback simply because it never really went away. You canât keep a virtuoso down for long. Thanks to â80s technology, the blues sounded fresher than in previous generations. 1980s Blues artists did not try to âsoundâ old. Vintage gear was left where it belonged – in the storage bins or museums!
Players such as Stevie Ray Vaughn served as a conduit to bluesâ illustrious past. Yes, he worked his Hendrix mojo to the max. Which prompted young players to research Jimi â note all the Hendrix re-issues throughout the decade. Not a bad thing to my ears.
Eric Clapton started sounding like Eric Clapton again on Journeyman (1989). Bonnie Raittâs Nick of Time (1989) scored several Grammys for its indelible meld of songcraft and musicianship. Jeff Healy, Robert Cray, The Fabulous Thunderbirds, George Thorogood, Colin James, and Robben Ford, cut remarkable records that resonated beyond the genreâs faithful.
Once again, the older guard thrived: Johnny Winter, ZZ Top, J. Geils Band, Buddy Guy, B.B. King, to cite a few, continued their mastery and influence. Agreed, The Blues Brothers album and film were steeped in parody, however it reminded a new generation the importance of Memphis Stax, and Muscle Shoals. The movie also brought Aretha Franklin back into the mainstream.
The Worldâs Most Dangerous BandâŠ
Assuming the mantle created by Doc Severinsen’s legendary NBC Orchestra as heard on The Tonight Show Starring Johnny Carson – bandleader Paul Shaffer and bassist Will Lee’s groundbreaking tenure in the World’s Most Dangerous Band for David Letterman’s Late Night and Late Show brought the language of rock, blues, soul, folk, country, jazz fusion, and funk to the Great American Songbook: a major shift in pop culture that happened in the 1980s!
Snthly The Best…
Call it âNew Romantic,â âSynth Pop,â call it whatever you like. In the 1980s British artists such as Spandau Ballet, OMD, Duran Duran, Art of Noise, Erasure, Human League, Heaven 17, Culture Club, Depeche Mode, and Gary Numan, among others, appropriated the same three chords Chuck Berry rendered on âJohnny B. Goode,â transferred Brill Building harmonies to electronic keyboards, tarted up their appearance, and created a sound unique to any generation before or after. Try that in the 1990s or 21st Century!
Keys also played a key role in the resurrection of soul music. Now dubbed âcontemporary rhythm and bluesâ legacy artists along with a new breed of singers borne of a jazz gospel pedigree stood toe to toe with Motown, and Sound of Phillyâs finest. Whitney Houston, Darryl Hall and John Oates, Tina Turner, Lionel Ritchie, Prince, Michael Jackson, Terence Trent DâArby (Sananda Maitreya), Diana Ross, and Madonna cut electro groove tracks that moved a generation â literally and physically â with melodies to boot! Â
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Even teen pop pablum artists-steeped in dance / disco mode, such as New Kids on the Block, Debbie Gibson, Laura Branigan, and New Edition used new tech to their artistic and commercial advantage.
Make Americana Great AgainâŠ
Artists influenced by the folk, singer-songwriter, and outlaw country artists of previous decades created a sub-genre which embraced all the aforementioned camps.
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Americana or âroots rockâ artists including Tom Petty & The Heartbreakers, John Cougar Mellencamp, Jason and the Scorchers, Steve Earle, The Del Lords, Chris Isaak, The Blasters, and Los Lobos all commenced careers which extend well into the 21st Century.
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George Harrison, Bob Dylan, Tom Petty, Jeff Lynne, and Roy Orbison â then old geezers in their mid-40s â collaborated as The Travelling Wilburys for a classic slab that reminded the kids where it all came from. Folk rockers including Suzanne Vega (with KYBP on Film bassist Mike Visceglia), and Tracy Chapman topped the charts too, and exemplified the diversity of the era.
Prince… (No Explanation Necessary)Â
Seminal Moment…
The 1960s were defined by the Woodstock Music Festival. Several music extravaganzas emerged in the 1970s, with George Harrison’s Concert For Bangladesh in 1971 being the most memorable. For the 1980s it was Bob Geldof’s Live Aid. Though Queen stole the show, my favorite performance was Bryan Ferry with bassist Marcus Miller and moonlighting Floyd guitarist David Gilmour.Â
You could argue that Woodstock was the G.O.A.T. however the “Live Aid” tag did not plague the artists who appeared, whereas the “Woodstock” association branded bands who were far more expansive than that one psychedelic moment in time. The 1990s’ attempt to restage three days of peace and love was a disaster.
By the ’80s, the musicianship and staging was significantly more developed. Good work Woodstock – thanks for the idea George, but Live Aid was better.
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Smells Like Teen Redundancy …
Why not the 90s? Great songs, great artists, and the infusion of hip-hop, rap, and electronica continued but was no longer as groundbreaking as it was in the 80s. Rock commenced its backward slide. Pro-Tools, with its cut-and-paste modus operandi didnât require instrumental proficiency.Â
Musicianship in general plummeted. Especially my instrument, the electric bass, which on most ’90s rock recordings served as a root note adjunct to the guitar. As a result, by the 2000s the electric bass vanished from pop records, a trend which continues well into the 2020s. Props to all the ’90s jam bands, in particular Dave Matthews, Phish, 311 to name three, who kept the musicianship bar high.Â
The 1990s put a new coat of paint on old ideas. By the 2000s and beyond, pop culture became American Idol-ized. We were better off when ugly people made beautiful music instead of the other way around! Song structure which served Frank Sinatra to Phil Collins gave way to algorithms and scientifically certified pleasurable timbres. The triumph of spectacle over substance became evident not only in music, but in American life. If only Nero were here to fiddle with auto-tune!
For all ye who opine that the high-tech, spandexed, Aqua-Netted ’80s strayed too far from the proletariat roots of rock and roll, imagine if you will Jimi Hendrix with a guitar synthesizer, and massive digital video monitors. How would The Beatles have taken Sgt. Pepper to the stage with keyboard samples, lasers, and moving stages? What could Elvis Presley’s TCB cats have conjured with MIDI?
Granted, the 1980s got lucky. We stood on the shoulders of the ’50s, ’60s, and ’70s. The results of years of technological and artistic experimentation, innovation, and tech hardware came to fruition at the onset of the decade. Audiences were ready for something new. “Retro” – which wasn’t even a term then, was passe. In the current pop realm especially, the 1980s are oft imitated but never surpassed. Rock music in all its sub-genres has been in a perpetual rinse and repeat cycle for the entirety of the 21st Century.
You could argue that the 1980s is the G.O.A.T. by accident, sheer luck…or by design. You could be wrong, you could be right. What say you Johnny?Â
Tomâs Essential Bass Centric 1980s Tracks. Â
**You fret less with a fretless…
Duran Duran: “Rio” (bassist John Taylor)
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Madonna: “Like A Prayer” (bassist Guy Pratt)
Level 42: “Running With the Family” (bassist Mark King)Â
Paul Young: “Everytime You Go Away” (bassist Pino Palladino**)Â
Lou Reed: “My House” (bassist Fernando Saunders**)Â
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The Clash “Magnificent Seven” (bassist Norman Watt-Roy) Â
Metallica: “Master of Puppets” (bassist Cliff Burton)Â
The Firm: “Radioactive” (bassist Tony Franklin**)Â
Paul Simon: “You Can Call Me All” (bassist Bakithi Kumalo**)Â

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