Courtesy of Kevin Scott Music Com
There are bass players who realize their dreams….and there are the cats who anchor the legends.
Enter Kevin Scott – who has achieved both goals and more in his remarkable career.
Kevin’s musical journey commenced while he was in his teens, as a bassist in his dad’s bluegrass band. Then this Dothan, Alabama native heard Colonel Bruce Hampton and his life changed. He migrated to Atlanta where Hampton resided, and worked his way into the guitar legend’s band.
Touring and recording with Hampton raised Scott’s profile. He found himself on the bandstand with another legend, drummer Bernard Purdie for the ATL Collective’s yearly “James Brown’s Funky Christmas” wherein Scott serves as musical director. And yet more legends – guitarists Jimmy Herring, and Wayne Krantz have enlisted Kevin for recording and touring.
Scott established himself as a first call bassist in Atlanta, anchoring such ensembles as; Ruby Velle & The Soulphonics, Russell Gunn and Elektrik Butterfly, Whitney Tai, King Baby, Grant Green Jr., Mindi Abair, Fergie, FORQ, Wale, Monica, and Big Shanty, among others.
A finger / plectrum player, among Kevin’s primary weapons of choice is a weathered vintage Fender Precision. Scott’s funky disposition serves the singer and the song – he’s also a prolific soloist. Keep up with Kevin Scott at www.KevinScottMusic.com
KYBP hat tip to Scott Gordon: Says SG “Kevin Scott is one of the baddest bass dudes out there! He’s my favorite young gun…at 35 he is the most versatile bassist …and a super humble guy to top it off. Jesse from St Paul and the Broken Bones has taken a few lessons with Kev and even bought most of the gear that Kev uses!”
Check out Kevin Scott’s KnowYourBassPlayer Spotify Playlist….
Kevin Scott Sound & Vision…
Bruce Hampton: Live https://youtu.be/_C73ELythTs
Wayne Krantz: Under Cover Pop Tour https://youtu.be/ornbl4lqBQ4
ATL Collective Live with Nigel Hall https://youtu.be/E_v1R8CciUE
Ruby Velle “It’s About That Time” https://youtu.be/oTR_ls5a4MQ
Elektrik Butterfly “War Pigs” https://youtu.be/sJI9lgu1sDM
Wale “Ambition” (Kevin served as co-writer on this #1 hit) https://youtu.be/O7ZbM7ak8uw
Photo by Drew Burke – Courtesy of Kevin Scott Music Com!
Courtesy of Haim The Band Com
Este Haim, bassist by Tom Semioli
Artists/Band: Haim
Seminal Sides: Days Are Gone (2013), Something to Tell You (2017) –
They got the looks… they got the hooks….
The sister trio of Este (bass), Danielle, and Alana Haim were raised in a musical San Fernando family and the rock and roll aesthetic most associated with their So Cali environs shines through their artistry i.e. strong vocals, memorable melodies, prominent guitars, and a solid rhythm section with an occasional flash of brilliance.
Akin to their ancestors Fleetwood Mac, Tom Petty & The Heartbreakers, and Sheryl Crow, Haim rock a lot harder on stage than they do on record, and their impromptu jams are a welcome relief in an era wherein rock bands refuse, or are incapable of walking the improvisatory high-wire.
Bassist Este, the eldest sibling, is primarily a song-player. In the studio Este is mostly restrained, doubling sparse lower register keyboard motifs. However on the bandstand she’ll cut loose (somewhat) rhythmically.
Este’s weapon of choice is a naturel finish Fender Precision with a big 70s headstock logo – does it get more Echoes of the Canyon than that, I ask you!?
Dig Este with Haim…
“Right Now” live at Glastonbury https://youtu.be/hqkyTsY2c9g “Oh
Well” live at T In the Park https://youtu.be/VikyxJoBF2k
Rock in Rio 2018 https://youtu.be/vlMqr9pEl70
Courtesy of Haim The Band Com
A bassist, composer, recording artist, vocalist, rap artist, musical director (Beyonce), side-woman, collaborator, educator, producer, clinician, bandleader, and performer extraordinaire – Divinity Roxx is a bass virtuoso whose libretto traverses social issues to the most fragile of the human condition.
Her resume rocks too, collaborating with such notables as Jay Z, Nona Hendryx, WILL I Am, Erykah Badu, Patti Labelle, Ledisi, Victor Wooten, and Gladys Knight to cite a select few…
Divinity Roxx Sound & Vision…
“Teen Town” and “Rapper’s Delight” https://youtu.be/0lJO2gV0PAs
Sweetwater Full Session: https://youtu.be/vmZKF2OAH-c?si=vpYt0oeRvOVTdeAm
Divinity Displays her Wake N Bass Stratagem: https://youtu.be/aOPEH6gZJZY?si=nZtxAEM4i36vIXym
“I love singing, so when I’m playing the bass it’s like I’m singing baritone, so I create a melodic line each time.” Aston Barrett.
He is reggae bass – end of story!
Along with Jaco, Sir Paul, Larry Graham, and James Jamerson, he was among the most influential and widely sampled bassists in the history of recorded music.
As the anchor of the iconic Bob Marley & The Wailers, Aston “Family Man” Barrett plied grooves, counter-melodies, and unison lines which moved millions – physically, spiritually, and intellectually.
His tone, rhythm, and feel is unsurpassed in reggae. The tag “Family Man” was borne of Barrett’s role as a bandleader and motivator among his fellow musicians.
A producer, arranger, engineer, and multi-instrumentalist … Aston’s primary weapon of choice was the Fender Jazz bass run through an Acoustic 370 amplifier.
This writer was cited by the Jamaica Observer for including Aston in the Huffington Post feature “A Bass Player’s Rant: 33 Who Belong in the Rock and Roll Hall of Fame” Jamaica Observer https://bit.ly/2RQ3Le8
Aston Barrett Sound & Vision…
“Stir It Up” https://youtu.be/51pxEO1HX3A
“Is This Love” https://youtu.be/69RdQFDuYPI
“Jamming” https://youtu.be/RIMxmnfDSOs
“No Woman No Cry” https://youtu.be/oi4I-Jh09WY
Huffington Post / Tom Semioli (2017) Aston Barrett: “A Bass Player’s Rant … 33 Bass Players Who Belong in the Rock and Roll Hall of Fame” https://bit.ly/38GldI3
Photos courtesy of Bob Marley Com
“Cissy Strut,” “Lady Marmalade,” “Right Place Wrong Time” … I feel like I am working towards something that will be remembered….”
A giant of the instrument, an elite bassist whose tone and phrasing renders him recognizable in first measure of any passage he renders, George Joseph Porter Jr. is a founding member of The Meters (with Art Neville, Leo Nocentelli, and Zigaboo Modeliste) and among of the forefathers of the genre referred to as “funk.” Make that ‘Nawlins funk….”
To dig deep into the storied history of The Meters, check out this June 2020 Music Aficionado feature by Jim Farber https://bit.ly/3elIC3L
A composer, solo recording artist, producer, valued sideman, and endlessly sampled player, Porter’s signature style is rooted in his growling split-coil “Precision” tone, staccato phrasing, and his absolute mastery of rhythm and space whilst working in tandem with the kick drum of Zigaboo, or any other cat he’s waxed sides with. Every passage George renders means something rhythmically, harmonically, aesthetically – no filler, no wasted notes….
Porter’s collaborations span Tori Amos, Earl King, Harry Connick, Albert Lee, Lee Dorsey, Irma Thomas, Jimmy Buffett, Allen Toussaint, Dr. John, Sir Paul, David Byrne, LaBelle, Robbie Robertson, Taj Mahal, Joe Cocker, Robert Palmer, Solomon Burke, Willy DeVille, and John Scofield… to cite a ridiculously select few!
When George isn’t in the studio cutting chart topping, watershed sides, he leads his own ensemble Runnin’ Pardners – a staple on the jam band festival circuit.
George Porter Sound and Vision…
The Meters
“Cissy Strut” https://youtu.be/Nd3yDoOyvbY
“Ain’t No Use” https://youtu.be/tKWEL-e4_pc
“Cabbage Alley” https://youtu.be/dL6-2euKSgs
“People Say” https://youtu.be/UpEmtoTv2iw
“Hey Pocky Way” https://youtu.be/eFz9GEYLq80
LaBelle: “Lady Marmalade” https://youtu.be/ku7W0BZcxdw
Dr. John: “Right Place Wrong Time” https://youtu.be/G5zPqgQ67yo
Robert Palmer: “Sailin’ Shoes https://youtu.be/V592ldkLMBs
Robert Palmer: “How Much Fun” https://youtu.be/FWuBeZlyn70
David Byrne: “Hanging Upside Down” https://youtu.be/3o_3CXa1ZDs
Tedeschi Trucks Band: “Ain’t No Use” https://youtu.be/VqwhwtlvXYo
Solo George “Woogie Boogie” from his Runnin’ Partner slab https://youtu.be/2JbIQvWB-Ac
Tori Amos “Professional Window” https://youtu.be/5ImEt52CxVY
Harry Connick “Booker” https://youtu.be/Bs6i5R_waPY
Courtesy of George Porter Jr Com
As the anchor of Nashville’s Kings of Leon – a modernist mélange of American rock ‘n’ roll which quotes garage, blues, punk, country, and Southern rock – Jared Followill piles passages in service of the almighty song with pocket motifs and an occasional melodic statement just to remind you that there’s more to life than pickin’ roots!
Jared’s main weaponry of choice is the Gibson Thunderbird IV, and we’ve spotted him with a Epiphone version as well, along with a standard Gibson SG, and old reliables Fender Jazz and Precision basses.
Jared Followill Sound & Vision…
“Black Thumbnail” https://youtu.be/E3BkTjkLea0
“Radioactive” https://youtu.be/wPBbMbKSZrQ
Jared and KOL rockin’ Rotterdam in 2016 https://youtu.be/lKeUCkBO8QA
When KOL is on hiatus, Folowill takes a busman’s holiday with Smoke and Jackal.
“No Tell” https://youtu.be/k5wpB6FpPzE
Among the most prolific, versatile and accomplished bassists on stage and on record, Rodolfo Maximiliano Sarzo Lavieille Grande Ruiz Payret y Chaumont has anchored some of hard rock’s most groundbreaking and influential artists: Ozzy Osbourne, Quiet Riot, Whitesnake, Dio, Yngwie Malmsteem, Tony MacAlpine, Queensryche, and Blue Oyster Cult, to cite a select few. Rudy currently anchors the legacy edition of The Guess Who.
An author (Off The Rails / 2006), composer, clinician, educator (Rock Bass Essentials), instrument designer (Signature Peavey Cirrus Bass, Spector Signature Bass, Sawtooth Electric / Acoustic Signature Basses, among others), podcast host (The Dash Podcast) – Rudy plies his craft with a crisp tone, deft use of chords and harmonic extensions, and a proclivity to leave space in a genre oft given to over-playing! And he’s a master showman….
Incorporating signature jazz, rock, classical, and Latin motifs in his passages and solos, Rudy exemplifies the value of exploring musical formats beyond his chosen genre.
Along with Tony Franklin, Boz Burrell, Bill Wyman, Kenny Passarelli, and Jack Bruce, Rudy is among rock’s fretless bass pioneers.
As the Rock and Roll Hall Fame is making strides, albeit slowly, in citing the masters and influencers of metal and hard rock, Rudy Sarzo should be recognized for his body of work as a sideman, performer, and bandmember in the Musical Excellence category.
Tom Semioli HUFF POST “A Bass Player’s Rant – 33 Bass Players Who Belong in the Rock and Roll Hall of Fame” Rudy Sarzo: https://bit.ly/2RusuV0
Check out Rudy’s Signature Sawtooth basses: https://www.sawtoothworld.com/acoustic-electric-basses
Rudy Sarzo Sound & Vision…
Ozzy Osbourne:
“Mr. Crowley” https://youtu.be/G3LvhdFEOqs
“I Don’t Know” https://youtu.be/ra6bZuCwKy4
Quiet Riot:
“Bang Your Head” https://youtu.be/O_1ruZWJigo
“Mama Weer All Crazee Now” https://youtu.be/gStvjANqoqs
Rudy as the consummate song player in a pop rock context: Dig KYBP Adjunct Professor Tony Senatore’s rendition of Rudy’s passage on the Quiet Riot by way of Slade classic “Come On Feel The Noise” https://youtu.be/lgBMgpf7NXo
Whitesnake:
“Still of the Night” https://youtu.be/9VOvlHUWfs4
“Is This Love” https://youtu.be/W6YypskaWvA
Project Driver: “I Can See It In Your Eyes” https://youtu.be/lIlswNoPnIg
KYBP Adjunct Professor Tony Senatore’s rendition from Rudy’s Project Driver “Nations On Fire” https://youtu.be/y6JS3VNEsXc
Manic Eden: “Can You Feel It” https://youtu.be/5s-Anco9jmM
KYBP ZOOM ZESSIONS / THE BASS GUITAR CHANNEL RADIO SHOW
KNOW YOUR BASS PLAYER / THE BASS GUITAR CHANNEL RADIO SHOW: “I look forward to beautiful uncertainties, everything I have succeeded with comes from the unknown…” A behind-the-scenes vignette from a mesmeric conversation with RUDY SARZO by host David C. Gross and Know Your Bass Player “honcho” Tom Semioli. Rudy reflects on the Rock Hall of Fame, his induction into the Miami-Dade College Hall of Fame, motivations in life, Randy Rhoads’ love of teaching, and his future aspirations. The Bass Guitar Channel Radio Show airs on Cygnus Radio.
KNOW YOUR BASS PLAYER / THE BASS GUITAR CHANNEL RADIO SHOW: “Your bass doesn’t have any bloody frets!” In this behind-the-scenes clip with host David C. Gross and Know Your Bass Player “honcho” Tom Semioli, Rudy Sarzo discusses his Cuban rhythmic roots, his ’59 Fender Precision and “Frankenstein” ’67 Fender Jazz, Pino Palladino’s passive bass resurgence, and the time when Ozzy Osbourne realized that Rudy’s instrument was devoid of metal strips on the fretboard! The Bass Guitar Channel Radio Show airs on Cygnus Radio.
KNOW YOUR BASS PLAYER / THE BASS GUITAR CHANNEL RADIO SHOW: In the first in a series of six unedited interview clips from a 2021 broadcast of The Bass Guitar Channel Radio Show on Cygnus Radio, Rudy Sarzo talks about his Cuban musical and cultural roots, his ’59 Fender Precision and ’67 Jazz basses; David displays his fretless six-string, and Ozzy bellows “you don’t have any frets on that bloody bass!’ among other topics! With host David C. Gross and Know Your Bass Player “honcho” Tom Semioli.
KNOW YOUR BASS PLAYER / THE BASS GUITAR CHANNEL RADIO SHOW: In the second in a series of six unedited interview clips from a 2021 broadcast of The Bass Guitar Channel Radio Show on Cygnus Radio, Rudy Sarzo talks about his signature Sawtooth electric and acoustic bass, the instruments he’s used over the years, amplification, and playing the Miami club scene. With host David C. Gross and Know Your Bass Player “honcho” Tom Semioli.
KNOW YOUR BASS PLAYER / THE BASS GUITAR CHANNEL RADIO SHOW: In the third in a series of six unedited interview clips from a 2021 broadcast of The Bass Guitar Channel Radio Show on Cygnus Radio, with Rudy Sarzo, our discussion covers such topics as: music education, the homogenization of arts and culture, Rudy’s media studies at Miami-Dade and his work in digital platforms, his work as a podcast host, and reflections on Randy Rhoads, among other topics. With host David C. Gross and Know Your Bass Player “honcho” Tom Semioli.
KNOW YOUR BASS PLAYER / THE BASS GUITAR CHANNEL RADIO SHOW: In the fourth in a series of six unedited interview clips from a 2021 broadcast of The Bass Guitar Channel Radio Show on Cygnus Radio, Rudy Sarzo talks about his early family life and emigration from Cuba; musical influences spanning The Beatles, Jimi Hendrix, and Led Zeppelin, touring with Ozzy, and Whitesnake, among other topics. With host David C. Gross and Know Your Bass Player “honcho” Tom Semioli.
KNOW YOUR BASS PLAYER / THE BASS GUITAR CHANNEL RADIO SHOW: In the fourth in a series of five unedited interview clips from a 2021 broadcast of The Bass Guitar Channel Radio Show on Cygnus Radio, Rudy Sarzo reflects on the record industry: then and now, his podcast, working with Blue Oyster Cult on his mid-show bass solo, surviving the loss of Randy Rhoads, and the perils of fame and fortune, among other topics. With host David C. Gross and Know Your Bass Player “honcho” Tom Semioli.
KNOW YOUR BASS PLAYER / THE BASS GUITAR CHANNEL RADIO SHOW: In the sixth and final episode in a series of six unedited interview clips from a 2021 broadcast of The Bass Guitar Channel Radio Show on Cygnus Radio, Rudy Sarzo ruminates o’er such topics as the “hair band era” (notes David “spandex is the most forgiving of fabrics!”), the balance of musicianship and showmanship, Whitesnake, Manic Eden, his induction into the Miami-Dade College Hall of Fame, among other subjects. With host David C. Gross and Know Your Bass Player “honcho” Tom Semioli.
A composer, collaborator, session player, and band-member, Bill MacCormick anchored some of the most influential and groundbreaking slabs of the “Canterbury Scene” – the late ’60s, early-to-mid ’70s period centered in Kent, England wherein musicians created a unique blend of progressive, jazz, and psychedelia.
To my ears, among the most stellar of Bill’s sides is 801 Live: a collaborative effort of MacCormick, Phil Manzanera, Brian Eno, Simon Philips, Francis Monkman, and Lloyd Watson. Captured at London’s Queen Elizabeth Hall 3 September 1976, MacCormick is up in the mix, plying soulful grooves and countermelodies with an incredibly punchy Precision bass tone which can only be described as “funky prog-rock.” MacCormick anchored several Manzanera ensembles on various album projects over the years including Diamond Head, K-Scope, Listen Now, and 6PM.
Bill’s distinctive rhythm & blues approach to the genre was unique, as evidenced on such watershed albums by Quiet Sun (Mainstream), Brian Eno (Here Come the Warm Jets), and Robert Wyatt (Nothing Can Stop Us, Matching Mole), to cite a select few.
Following his music career, MacCormick ventured into politics, and journalism – authoring books on the London 56th Infantry, and the Battle of Somme.
Bill MacCormick Sound & Vision…
Quiet Sun: “Mummy Was An Asteroid, Daddy Was A Small Non-Stick Kitchen Utensil” https://youtu.be/RTxCxzFcawU?si=M_1X5T8eTqRjuMpj
801: “Tomorrow Never Knows” https://youtu.be/NVL2S5y5wJE
Phil Manzanera’s 801 “Listen Now” https://youtu.be/D42b2xpHeO8
Phil Manzanera “Wish You Well” https://youtu.be/wUpnIeEnMSc?si=vfIhDvZSP8qSBMzR
“I think that the bassist is the quarterback in any group, and he must find a sound that he is willing to be responsible for…” Ron Carter
Ronald Levin Carter is the most recorded jazz bassist ever with over 2,500 albums to his credit. His rich tone, soulful rhythmic phrasing, and harmonic flexibility, which draws from classical, jazz, and rhythm & blues, along with his extensive body of work as a leader, collaborator, and sideman on CTI, Milestone, Blue Note, Impulse, and Prestige, among many other imprints, is, in a word – unmatched!
Carter’s enormous contributions to recordings by Miles Davis, George Benson, Paul Simon, Herbie Hancock, Wayne Shorter, Freddie Hubbard, McCoy Tyner, Andrew Hill, Joe Henderson, Gil Scott-Heron, Herbert Laws, A Tribe Called Quest, Tony Williams, Wes Montgomery, Donald Byrd, Jim Hall, Roberta Flack, Bill Frisell, and Kenny Burrell, to cite a very, very few, are all worthy of exploration.
Ron Carter’s tenure with Miles Davis is likely his most recognizable work. Ron propelled Miles second greatest quintet which spanned the hard bop of E.S.P. (1965) to the fusion filled Filles de Kilimanjaro (1968). As told to this writer along with David C. Gross “Miles may have been the bandleader…but I led the band!”
An educator, and revered and prolific composer, if you had to bestow the title of the world’s greatest living bassist …look no further than Ron Carter.
Ron Carter Sound & Vision:
Miles Davis:
“Eighty One” https://youtu.be/WN-hXbeI6vQ
“Four” https://youtu.be/Ce2S2LkTjKI
“E.S.P.” https://youtu.be/lRhqn21-xeg
“Filles De Kilimanjaro” https://youtu.be/7hBJ4664bNQ
Roberta Flack: “Compared to What” https://youtu.be/wDUk9Lsy_yQ
Herbie Hancock / Tony Williams / Ron Carter: “Third Plane” https://youtu.be/9hKFkCtiFZs
Tribe Called Quest “Verses from the Abstract” https://youtu.be/FGB6pWGI_kE
Courtesy of Leo Lyons Com
Among the great success stories to emerge from the original Woodstock Festival in 1969, British blues barons Ten Years After were essentially a one-trick pony; however their singular stunt afforded the lads several hit albums, extensive FM radio play, and two unquestionable classic rock anthems: “I’m Going Home” and “I’d Love to Change the World.”
Leo Lyon’s battered Fender Jazz looked like a toy in the hands of this towering bassist. Though Leo gave the appearance that he was savagely attacking his instrument as his right hand visibly thumped the strings while his left hand flew up and down the neck – the Nottinghamshire native is quite the focused, articulate player.
Ssssh (1969) and Cricklewood Green (1970) are essential British blues rock albums. Highly influential on both sides of the pond, the late, great Alvin Lee and Ten Years After are deserving of Rock ‘n’ Roll Hall of Fame recognition.
A composer for various stage productions, cartoon and film soundtracks, and MTV videos, among Leo’s high-profile production credits include UFO, Magnum, Waysted, Procol Harem, Frankie Miller, Richard and Linda Thompson, Brigitte St John, John Martin, Kevin Coyne, Sassafras, Motorhead, Hatfield and The North, The Bogie Boys, The Winkies, and Chris Farlowe, to cite a few.
After Ten Years After initially folded, Lyons migrated to Nashville to compose, produce, and play various sessions – then reformed TYA again with Lee, then with Joe Gooch in place of Alvin Lee. Leo currently anchors Leo Lyons & Hundred Seventy Split, wherein he also works his craft on the doghouse.
A Conversation with Leo Lyons:
Leo Lyons Sound & Vision…
“I’d Love to Change the World” https://youtu.be/eOCtHjQKySw
Dig Leo and TYA in rehearsal in ‘69 https://youtu.be/289AGcGogQI
Lyons soloing on “Good Bye Little School Girl” https://youtu.be/SlUAuM7oRTc
Leo Lyons & Hundred Seventy Split: https://youtu.be/a23S-NEuSYc