šš ššš¤š ššššš šš āšš š„š šš£šš”šš¤….
MY #NYC 12 December 2025… #financialdistrictNYC #SpanishHarlemNYC

MY #NYC 1 December 2025 Harlem MeerĀ

MY #NYC November 2025 Harlem….

MY #NYC November 2025 Harlem….Ā Ā Ā Ā Ā Ā 
MY #NYC 24 November 2025… Central Park, Upper East Side…Ā Ā Ā Ā 
MY #NYC 19 November 2025 … East Village NYCĀ Ā Ā Ā Ā Ā 
MY #NYC: 18 November 2025: East 125th Street Harlem… 
MY #NYC #RooseveltIslandNYC Tomaso Semioli “Face Time”Ā Ā Ā Ā Ā Ā Ā Ā 
MY #NYC 8 September 2025

MY #NYC 1 September 2025Ā Ā Ā Ā Ā Ā 
MY #NYC September 2025 SoHo
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MY #NYC 19 July 2024Ā Ā Ā Ā Ā Ā Ā Ā 
My #NYC 28 June 2025Ā Ā Ā
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MY #NYC 26 June 2024Ā Ā Ā 
MY #NYC 27 June 2025Ā Ā 
My #NYC 28 June 2025Ā Ā Ā
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31 May 2024 MY #NYCĀ Ā

MY #NYC 22 June 2025Ā

šš #ššš ššš² šš šššš

MY #NYC 2.1 September 2025: Always a great day in Harlemā¦.

MY #NYC 20.1 May 2025

MY #NYC: 2 September 2025: Edward KennedyĀ “Duke”Ā Ellington & Miles Dewey Davis IIIā¦.

MY #NYC 10 May 2025Ā

MY #NYC 10.2 May 2025

MY #NYC 8 May 2025Ā

MY #NYC 29 April 2025Ā

MY #NYC 24 APRIL 2025

MY #NYC 22.1 APRIL 2025Ā

MY #NYC 20 April 2025

MY #NYC 17 April 2025Ā

MY #NYC 10 April 2025

MY #NYC 19 March 2025

MY #NYC 8 March 2025Ā

MY #NYC 25.3 February 2025Ā

š š¬ #š”š¬š š° šš²šÆšæšš®šæš š®š¬š®š±

MY #NYC 30 January 2025Ā

MY #NYC 28 January 2025Ā

MY #NYC 18 January 2025Ā

MY #NYC 18 January 2025Ā

MY #NYC 6 January 2025Ā Ā

MY #NYC 6 January 2025Ā

MY NYC 24 December 2024Ā

MY NYC 10 December 2024Ā

MY #NYC 21 November 2024

MY #NYC 17 November 2024Ā

MY #NYC 9 November 2024

MY #NYC 6 November 2024Ā

MY #NYC 3 November 2024Ā

MY #NYC 1 November 2024Ā

MY #NYC 15 September 2024Ā

MY NYC 13 September 2024Ā

MY #NYC 3 September 2024Ā Ā

My #NYC 27 August 2024Ā

MY #NYC 25 August 2024Ā

MY #NYC 22 August 2024Ā Ā

MY #NYC 12 August 2024Ā

MY NYC 10 August 2024Ā

MY #NYC 18 July 2024Ā

MY #NYC 23 May 2024Ā

MY #NYC 4 MAY 2024

MY #NYC 3 May 2024Ā

MY #NYC 8 April 2024Ā Ā

MY #NYC 12 March 2024Ā

šš š ššššš šš šāšš šš āšš š„š -āš šššššš¤…
MY #LIC 6 September 2025Ā

MY #NYC 1 September 2025: Empty streets of SoHo at dusk on a holiday weekend. Tourists departed on their flights homeā¦bridge ānā tunnel revelers back to the boroughs and āburbs. Just us natives⦠peace in the neighborhood⦠for now.

MY #NYC 1.1 September 2025: āThere are no stars in the New York City skyā¦theyāre all on the groundā¦ā Andrew Warhola

šš #ššš šš šš®š š®š¬š šššš: āšš š²šØš® š°šš§š ššØ šššš„ š¦š šššššš« šš šš¢šÆš¢š§š. šš«š¢š§š š¦š š°šššš«, š°šššš« ššØš« š¦š² š¦š¢š§šā¦ā šš«š¢šš ššš¢ šš«š¢š š”šĀ Ā Ā Ā Ā 
š š¬ #š”š¬š š®šµ ššš“ššš š®š¬š®š±: āšš²š šŗš®š», ššµš®š’š šš¼ššæ šššš¹š²? šš¼š š±š¼ šš¼š š“š²š šš¼ššæ šøš¶š°šøš š³š¼šæ š¹š¶šš¶š»š“? šš²š šŗš®š», ššµš®š’š šš¼ššæ šššš¹š²? šš¼š š±š¼ šš¼š š“š²š šš¼ššæ š®š±šæš²š»š®š¹š¶š»š² š³š¹š¼šš¶š»š“ š»š¼š?” Lewis Allan Reed

MY #NYC 26.3 August 2025: āI was staring through a telescope at night at a large light in the sky. Its spinning lights reminded me of you. A star spinning in orbit lighting up the skyā¦ā Lewis Allan ReedĀ Ā

MY #NYC 26.2 August 2025: āSee myself in the pouring home. See the light, come over now. I see myself in the pouring rain. I watch hope come over meā¦ā Richard Melville Hall

MY #NYC 26.1 August 2025 āAlthough you think I’m sleeping as you get ready to leave. I can see your shadow packing from underneath my sleeve. And there you go and yes I know, I’ll always be the same. Well thanks for looking in on me – I’m really glad you cameā¦ā Ian Robbins Dury

MY #PORTLANDORE July 2025Ā Ā 
MY #PORTLANDORE July 2025Ā Ā 
MY #PORTLANDORE July 2025Ā Ā Ā 
MY #PORTLANDORE July 2025Ā Ā Ā Ā 
MY #NYC 6 July 2025: āWell, she was walkin’ down the street. Lookin’ fine as she could be. Sheās about a moverā¦.ā Douglas Wayne SahmĀ

MY #NYC 4 July 2025: āFace the face, got to face the face. Face the face, got to face the face. You must have heard the cautionary tales. The dangers hidden on the cul-de-sac trails. From wiser folk who’ve been through it all and the faded name sprayed up on the wallā¦ā Peter Dennis Blandford Townshend

MY #NYC 2 July 2025: āI am sitting in the morning at the diner on the corner. I am waiting at the counter… for the man to pour the coffeeā¦.ā Suzanne Vega

šš #ššš š šš®š„š² šššš: āšššÆš š²šØš® š¬ššš§ š”šš« šššš? ššš« šš²šš¬ š«ššš„ššš šš”š ššØš„šØš«š¬ š¢š§ šš”š š¬š¤š². š š°šš«š¦ ššš¦š¢š„š¢šš« š©š„ššš. ššØ šš š¬š°šš©š š¢š§ššØ š°š”šš§ššÆšš« š¬š”š’š¬ šš„šØš¬š šš². ššš¤šš¬ š¦š š°šØš§ššš« š°š”š². šš®š§ šš², ššØš§’š šš®š«š§ šššš¤. ššš§’š š”š¢šš šš«šØš¦ šš”šš š„šØšØš¤ š¢š§ š”šš« šš²šā¦ā šš”š«š¢š¬ššØš©š”šš« šš¢š„š„š¦šš§
Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā 
MY #NYC 1 July 2025: āI don’t look down. From Central Park to Shanty Town. I always hear that crazy sound⦠So why be bored? Who scared you and why stay here? This is no piece of cake. When I hear that crazy soundā¦ā James Newell Osterberg Jr.Ā Ā Ā Ā Ā Ā 
MY #NYC 30 June 2025: āYou got my heart… speak electric waterā¦you got my soulā¦screamin’ and howlin’ freedom, thatās what I want now, give it to meā¦ā James Marshall HendrixĀ Ā Ā Ā Ā Ā Ā Ā Ā 
MY #NYC 29 June 2025: āGold and rose, the color of the dream I had. Not too long ago, misty blue and the lilac too⦠never to grow oldā James Marshall HendrixĀ Ā Ā Ā Ā Ā

My #NYC 28 June 2025: āI’m up on the eleventh floor and I’m watching the cruisers below. He’s down on the street,Ā and he’s trying hard to pull sister Floā¦ā David Robert JonesĀ Ā Ā Ā

MY #NYC 27 June 2025: āStanding on the corner, watching all the girls go by⦠Brother, you don’t know a nicer occupation. Matter of fact, neither do Iā¦ā Frank LoesserĀ Ā Ā Ā Ā Ā 
MY #NYC 26 June 2025: āHey now all you sinners, put your lights on⦠Hey now all you lovers, put your lights onā¦Because there’s a monster living under my bed, whispering in my ear. There’s an angel with a hand on my head she says I’ve got nothing to fearā¦āĀ Erik Francis SchrodyĀ

MY #NYC 25 June 2025: āWhen my baby’s walking down the street I see red, I see red, I see red. How could someone wicked walk round free. I see red, I see red, I see redā¦ā Brian Timothy Finn OBEĀ Ā Ā

MY #NYC 24 June 2025: āI wanna run, I wanna ride. I want to tear down the walls that hold me inside. Oh, show me a place high on the desert plain where the streets have no nameā¦ā Paul David HewsonĀ Ā Ā Ā Ā Ā Ā 
MY #NYC 22 June 2025: āFollow, follow the leader na-na-now. New York, New York City na-na-na-na-na-na-na-na-na-now now⦠Oh, if you wanna dance, hey, work up a sweat. You better-better-better, get yourself, ah-huh, a little romanceā¦ā Lewis Allen ReedĀ Ā Ā Ā Ā 
MY #NYC 20 June 2025:Ā āCold fire, you’ve got everything but cold fire. You will be my rest and peace child. I moved up to take a place near youā David Robert Jones Ā

MY #NYC 14 June 2025: āOn the surface itās all superfluous. I tell Valerie, she gets nervous. If Iām selected for selective service, my salary will more than serve usā¦.ā Tomaso JohnĀ Ā Ā Ā Ā

MY #NYC 13 June 2025: In New York concrete jungle where dreams are made of⦠there’s nothin’ you can’t do⦠Now you’re in New York. These streets will make you feel brand-new…ā Shawn Corey CarterĀ Ā
Ā Ā
MY #NYC 9 June 2025: āIf you want me to stay, I’ll be around today. To be available for you to see. But I am about to go and then you’ll know for me to stay here, I got to be meā¦ā Sylvester StewartĀ Ā Ā Ā Ā

MY #NYC 1 June 2025: āLights onā¦sheās changed her mind. Lights on⦠look at the time. So, you wanna go home? Iāll give you a ride⦠youād rather go it alone, oh really?ā Tom ClarkĀ Ā Ā Ā Ā Ā

MY #NYC 1.1 June 2025: āThere are no easy answers to elongated questions. So try and keep an eye out and be open to suggestionsā¦ā John Joseph Lydon

šš #ššš ššš² šš šššš: āššš§šš š¬š¢š¬ššš« ššš§šš. š
ššš„ šš”š š«š”š²šš”š¦ šš„šØš° š¢š§ššØ š²šØš®š« š¬šØš®š„. š š„šØšÆš ššØ š°šššš” š²šØš® š¦šØšÆš. š š„šØšÆš šš”š š°šš² š²šØš® ššš§ššā¦ā ššš«š„šØš¬ šš®š¦ššš«ššØ ššš§ššš§š ššš«š«šš Ć”š§ / ššØš¦ ššØš¬ššš« / ššš®š š® šš”šš§šš„šš«Ā Ā Ā Ā Ā Ā Ā 
MY #NYC 30.1 May 2025: If I could make a wish, I think I’d pass. Can’t think of anything I need No cigarettes, no sleep, No light, no sound. Nothing to eat, no books to read. Sometimes all I need is the air that I breathe, and to love you.ā Mike Hazlewood / Albert Louis HammondĀ Ā Ā Ā Ā Ā Ā Ā 
MY #NYC 30 May 2025: āI stood up to the powers that be⦠I stood up, ācause I needed to seeā¦Voices in my head⦠canāt you see, itās a rising tideā¦ā Felice RosserĀ Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā

šš #ššš šš ššš² šššš: āšš”š«šØš®š š” šš”š š¦š¢š«š«šØš« šØš š¦š² š¦š¢š§š, šš¢š¦š ššššš« šš¢š¦š, š š¬šš š«ššš„šššš¢šØš§š¬ šØš š²šØš® šš§š š¦š, š«ššš„šššš¢šØš§š¬ šØš šš”š š°šš² š„š¢šš š®š¬šš ššØ ššā¦ā ššš¦šØš§š ššØš³š¢šš«, šš«š¢šš§ ššØš„š„šš§š, ššš°šš«š šš«. ššØš„š„šš§šĀ Ā 
MY #NYC 26 May 2025: āI can’t forget the impression you made. You left a hole in the back of my head. I don’t like hiding in this foliage and peat. It’s wet and I’m losing my body heat. The cassette played poptonesā¦ā John Joseph LydonĀ Ā 
MY #NYC 25.1 May 2025: āAs the trees reached their hands to the heaven and the watchman began to stare, I saw the two rainbows laying across the highway, and I dare not to stare. So can you come out tonight? I got a ride on a satellite. It’s a secret for you I’ve been creatingā¦ā William Earl CollinsĀ Ā 
MY #NYC 25 May 2025: āPeople were dancin’ like there’s no tomorrow, Meat City Finger lickin’, chicken pickin’ Meat City, shook down U.S.Aā¦.ā John Winston LennonĀ Ā Ā 
MY #NYC 21 May 2025: āCome on out of your dreams. And wake up from your reverie. Time is here don’t go to sleep. Streets are running on the brinkā¦ā Beck HansenĀ Ā 
MY #NYC 20.1 May 2025: āIf I could read your mind love, what a tale your thoughts could tell Just like a paperback novel, the kind the drugstore sells. When you reach the part where the heartaches come the hero would be me. Heroes often fail, and you won’t read that book againā¦ā Gordon Meredith LightfootĀ Ā Ā 
MY #NYC 19.1 May 2025: āI play the street life. Because there’s no place I can go. Street life. It’s the only life I know. Street life. And there’s a thousand cards to playā¦ā Will Jennings / Joe SampleĀ Ā Ā Ā Ā 
MY #NYC 19 May 2025: Dis Is Da Drumā¦. Herbert Jeffrey HancockĀ Ā Ā 
MY #NYC 10.1 May 2025: āOh, I just want to hear girls talk. I got a loaded imagination being fired by girls talk. But I can’t say the words you want to hear. I suppose you’re going to have to play it by ear. Right here and nowā¦ā Declan McManusĀ Ā Ā Ā 
MY #NYC 10.2 May 2025: āShe makes me feel like I’m theā
onlyā
man for herā
in this world. Now maybe it’s theā
way that my girl walk⦠maybe it’s the way that my girl talk. Oh yes she makes me feel like I’m a king. That’s the kind of love that my girl bring. Oh yeah-e, yeah-e, yeah-eā¦ā Gregory IsaacsĀ Ā 
MY #NYC 9 May 2025: āYou’re the kind of person that I’ve been dreaming of. You’re the kind of person that I always wanted to love. And when I first seen you walk right through that bar door. And I seen those suit and tie johns buy you one drink, and then buy you some more I had a⦠I knew you had that crazy feelingā Lewis Allen ReedĀ Ā Ā 
MY #NYC 8 May 2025 āWhenever dark has fallen you know the spirit of the party starts to come alive. Until the day is dawning you can throw out all the blues and hit the city lights. ‘Cause there’s music in the air and lots of lovin’ everywhere, so gimme the nightā¦ā George BensonĀ Ā Ā Ā Ā 
MY #NYC 4 May 2025: āMake no mistake about it. Things ain’t what they seem. I’m gonna scream and shout it. This is just a dreamā¦ā Keith RichardsĀ Ā Ā 
MY #NYC 3 May 2025: Let’s see action. Let’s see people. Let’s see freedom. Let’s see who cares. Take me with you. Peter Dennis Blandford TownshendĀ Ā Ā 
MY #NYC 1.4 May 2025: āWhy in the world are we here? Surely not to live in pain and fear. Why on earth are you there? When you’re everywhere. Come and get your shareā¦ā John Winston LennonĀ Ā Ā Ā Ā Ā Ā Ā 
MY #NYC 1.3 May 2025: āLive your life, and just be yourself. ‘Cause you’re somebody special, somebody loves your lifeā¦.ā will.i.am / Carlos Humberto Santana BarragĆ”nĀ Ā Ā Ā Ā Ā 
MY #NYC 1.2 May 2025: āI hear voices, I see people. I hear voices of many people⦠Sayin’ everything is everythingā¦ā Donny Edward HathawayĀ Ā Ā Ā 
MY #NYC 1.1 May 2025: āYou can understand everything’s to share. Let your spirit dance brothers everywhere. Let your head be free, turn the wisdom key, find it naturally – see you’re lucky to be. Dig this sound ItĀØĀŖs been round and round and round.ā Carlos Humberto Santana BarragĆ”nĀ Ā Ā Ā Ā 
šš #ššš šš.š šš©š«š¢š„ šššš: āššØš° ššÆšš«š²šš”š¢š§š š¢š¬ š„šØšÆšš„š². ššØ ššØš§’š š©š®š š²š® šš«š®š¬š š¢š§š§š ššš„š¬š š©š«šØš©š”ššš². šš¢š¬ š šš ššš„šš² šš”š¢š§š šš§š ššššÆš¢š, š²šØš® š¦š¢š š”š š°šØš§ššš«. šššš§š šš¢š«š¦ ššØ šš„š„ šš”šØš¬š š°š”šØ šššš„ ššØš§ššš«š§. šš š°š”šš§ š²šØš® ššš§’š š¬šš šš”š š„š¢š š”šā¦ š²šØš® š¦š®š¬š š¬šš šš”š ššØšš¢š§š¬ š¢š§ šš„š¢š š”š. šš¢šš š¢š¬ š£š®š¬š š š¦ššššš« šØš šš¢š¦š šØš« š¬š©ššš.. ššØ šš„š„ šš”šØš¬š š°š”šØ š”ššÆš ššØ šššš š¬šØš«š«šØš°ā¦š¬š”šš„š„ šØš§š„š² š”ššÆš ššØ š°šš¢š ‘šš¢š„š„ ššØš¦šØš«š«šØš°ā¦ā ššššÆš„šš§š ššš«ššš°šš² ššØš«š«š¢š¬Ā Ā Ā 
MY #NYC 29.1 April 2025: āNew York⦠like a scene from all those movies. But you’re real enough to me. There’s a heart⦠that lives in New Yorkā¦ā Ā Benny Gallagher / Graham LyleĀ Ā Ā 
MY #NYC 29 April 2025: āDance little sister, dance with your missed her, saw that I kissed her, heard that he dissed her, sheās a fighter, cigarette lighter, lighter getting lighter, mystery writerā¦āĀ Tomaso JohnĀ Ā Ā Ā Ā 
MY #NYC 25 APRIL 2025: āLife is pleasure life is pain, homes are lost to eminent domainā¦walk down the aisle be my brideā¦stick your tongue out open wideā¦ā Tomaso JohnĀ Ā Ā Ā Ā

MY #NYC 24 APRIL 2025: āPretty woman, won’t you pardon me? Pretty woman, I couldn’t help but see. Pretty woman, you look lovely as can be. Are you lonely just like me? Rawwwwrā¦.ā Roy Kelton OrbisonĀ Ā Ā Ā Ā Ā 
MY #NYC 22.1 APRIL 2025: āI saw her, yeah I saw her with her black tongue tied āround the roses. Fist pounding on a vending machine. Toy diamond ring stuck on her finger. Hey, my sun eyed girlā¦ā Beck David HansenĀ Ā Ā Ā 
MY #NYC 22 APRIL 2025 āShoulda took a picture. Something I could keep. Buy a little frame. Something cheap. For youā¦ā David Robert JonesĀ Ā Ā 
MY #NYC 20 April 2025: āDon’t these city lights, light these streets to life? All these crazy nights bring us togetherā¦We’re supposed to be a land of liberty and those city lights to blaze foreverā¦ā Lewis Allan ReedĀ Ā Ā Ā 
MY #NYC 19 April 2025: āI was alone and content in my world. Dancing on air. You sent to me a message that said āI like your styleāā¦ā Patricia Lee Smith

MY #NYC 18 April 2025: āI see us in the park strolling the summer days of imaginings in my head. And words from our hearts told only to the winds, felt even without being saidā¦ā Stevland Hardaway MorrisĀ

MY #NYC 17 April 2025 āThere she was just a-walkin’ down the street, singin’ ‘Do wah diddy diddy dum diddy do’. Snappin’ her fingers and shufflin’ her feet, singin’ ‘Do wah diddy diddy dum diddy do’. She looked good (Looked good). She looked fine (Looked fine). She looked good, she looked fine and I nearly lost my mindā¦ā Ellie Greenwich / Jeff Barry

MY #NYC 15 April 2025: āI’m starting with the man in the mirror, I’m asking him to change his waysā¦āSiedah Garrett / Glen BallardĀ Ā Ā 
MY #NYC 15 April 2025: āDaily records. Just want to be making daily records. Try to avoid the bad news in the lettersā¦ā Peter Dennis Blandford Townshend

MY #NYC 10 April 2025: āBut today there is no day or night. Today there is no dark or light. Today there is no black or white, only shades of grayā¦ā Cynthia Weil / Barry MannĀ Ā

MY #NYC 7 April 2025: āLemon, see-through in the sunlight. She wore lemon but never in the daylightā¦ā Paul David HewsonĀ Ā Ā 
MY #NYC 30 March 2025: āYou see I met a devil named Buena, Buena and since I met the devil I ain’t been the sameā¦ā Mark SandmanĀ 
MY #NYC 29.1 March 2025: Cost of an iced coffee with a shot of expresso and a designer chocolate chip cookie downtown NYC $14.25 (tip included). Watching pretty girls pass me by: priceless….Ā Ā Ā 
MY #NYC 30 March 2025: I got nothing to eat in this old house. I gotta go out and catch a mouse. I can’t be wrong so I gotta be right. Your skills are highly specialized. But still that girl can magnetize. You sense the hunger in her eyes⦠strike or be stricken. Eat or be eatenā¦ā James Newell Osterberg Jr.

MY #NYC 27 March 2025: āI’ll say goodbye to all my sorrow. And by tomorrow I’ll be on my way, I guess the Lord must be in New York City. Ain’t it wonderful to be where I’ve always wanted to be? I’ll breathe free, here in New York Cityā¦ā Harry Edward Nilsson IIIĀ Ā Ā 
MY #NYC 26 March 2025: āIām a silhouette not a soldier. Iām a dilletante who pulled one over the leaders and Japanese cedars who cede their power to the bottom feedersā¦ā Tomaso JohnĀ Ā 
MY #NYC 22 March 2025: āIn New York freedom looks like too many choices. In New York I found a friend to drown out the other voices. Voices on the cell phone. Voices from home. Voices of the hard sell. Voices down the stairwell in New York. Just got a place in New Yorkā¦ā Paul David HewsonĀ Ā 
MY #NYC 20 March 2025: āYouāve heard of Radio Ethiopia? Well, Iām Radio Brooklyn!ā Lewis Allan ReedĀ Ā 
MY #NYC 19 March 2025 āAll the majesty of a city landscape. All the soaring days in our lives. All the concrete dreams in my mind’s eye. All the joy I see thru’ these architect’s eyesā¦ā David Robert JonesĀ Ā Ā Ā 
MY #NYC 17 March 2025: āThey call you ecstasy. Nothing ever sticks to you. Not velcro, not scotch tape. Not my arms dipped in glue.ā Lewis Allan ReedĀ Ā 
MY #NYC 16 March 2025: āI’ll be your mirror, reflect what you are, in case you don’t know. I’ll be the wind, the rain and the sunset, the light on your door to show that you’re homeā¦ā Lewis Allan ReedĀ Ā 
MY #NYC 13 2025: āTime after time those fanatical minds try to rule all the world. Telling us all its them who’s in charge of it all. I’ve got a tricked out magic stick that will make them all fall. We’ve got the power now that’s where it belongsā¦ā Wayne Michael CoyneĀ Ā 
MY #NYC 11 March 2025: āAh, it’s a happy time inside my mind. When a melody does find a rhyme says to me I’m comin’ home to stay, oh Lord, home to stayā¦ā Timothy Charles BuckleyĀ Ā 
MY #NYC 10 March 2025: āStanding in the shadow of another man. Lonely as the streets pass me by.Ā Life ain’t under pressure ’cause I got a plan, starin’ at myself in the eyeā¦āĀ Stefani Joanne Angelina GermanottaĀ 
MY #NYC 8 March 2025: āWhen that fat old sun in the sky is fallingā¦summer evening birds are calling⦠and if you see, don’t make a sound, pick your feet up off the groundā¦ā David Jon GilmourĀ Ā 
My #NYC 8 March 2025: āWell, I’m an animal, something like a cannibal. I’m very flammable and partially programmable. Centuries of overuse, now I wear it nice and looseā¦ā Anthony KiedisĀ Ā Ā 
MY #NYC 7 March 2025: āWhile Mona Lisas and mad hatters⦠sons of bankers, sons of lawyersā¦turn around and say good morning to the nightā¦for unless they see the skyā¦but they can’t and that is why⦠they know not if it’s dark outside or lightā¦ā Bernard John TaupinĀ Ā Ā 
MY #NYC 1 March 2025: āWhen your imagination has too much to say⦠when the chill of the night meets the sweat of the dayā¦.and you have trouble understanding what other people have to say, you’d better hang on to your emotionsā¦ā Lewis Allan ReedĀ Ā Ā 
MY #NYC 27.2 February 2025: āI don’t know where the sunbeams end, and the star lights begin. It’s all a mystery. And I don’t know how a man decides, what’s right for his own life. It’s all a mysteryā Wayne Michael CoyneĀ Ā 
MY #NYC 25.3 February 2025 āI know an angel on the east side of Heaven who lives in a first story room. We meet on a rooftop and dream in the dark, when the lights of New York are in bloom. All through the daytime it’s the same old Manhattan, but evening again sets me freeā¦ā John Scott Totter / Harry Lillis āBingā CrosbyĀ Ā Ā 
MY #NYC 25.1.2025 āThey say that heaven is 10 zillion light years away⦠and just the pure at heart will walk her righteous streets somedayā¦ā Stevland Hardaway MorrisĀ Ā 
MY #NYC 25.2.2025 āAs around the sun the earth knows she’s revolving⦠As now can’t reveal the mystery of tomorrow⦠until the rainbow burns the stars out in the sky⦠until the ocean covers every mountain highā¦until we dream of life and life becomes a dreamā¦ā Stevland Hardaway MorrisĀ Ā Ā 
MY #NYC 21.2.2025 āAnd it’s just like the ocean under the moonā¦it’s the same as the emotion that I get from youā¦you got the kind of lovin’ that can be so smooth⦠gimme your heart, make it realā¦or else forget about itā¦ā Robert Kelly Thomas / Carlos Humberto Santana BarragĆ”nĀ Ā Ā 
MY #NYC 24.1.2025 āThere was China in her eyes, in a silk and velvet disguise. She was moving’ like a lady, looking’ like a dragon princessā¦ā Paul Lorin KantnerĀ Ā Ā 
MY NYC 18 February 2025: ššššš š. ššššš & ššš šššš šš ššššššš šššššš ššš ššØš„š„šš”šØš§ / šš«š®š¦š©šš, šššš ššØššš„š¬; ššš š š¢š šš²š„šÆšš¬ššš« / šš«š®š¦š¬, šššÆš¢š ššš²š„šØš« / šš«šØš¦ššØš§š, šššš ššØššš„ ššššššš¬; šššÆš¢š š šš«šØš¬š¬ š-ššš«š¢š§š ššš¬š¬ & ššššššš¬.

MY #NYC 16 February 2025: āIncense and peppermints, meaningless nouns. Turn on, tune in, turn your eyes around. Look at yourself, look at yourself, yeah, girlā¦ā Timothy Gilbert, John CarterĀ Ā Ā 
MY #NYC 15 February 2025 āThey sentenced me to 20 years of boredom, for trying to change the system from within. I’m coming now to reward them. First we take Manhattan⦠then we take Berlinā¦ā Leonard Norman Cohen

MY #NYC 14 February 2025 āHey now, you got me by the tongue. I feel like, there’s nowhere I belong. And they’re working it pretty hard. And they’re selling it by the yard. But it’s more than I can affordā¦ā David Gray

š š¬ #š”š¬š š° šš²šÆšæšš®šæš š®š¬š®š± āš šš®š»š»š® šæš²š®š°šµ š¼šš š®š»š± šš¼šš°šµ ššµš² š³š¹š®šŗš² ššµš²šæš² ššµš² šššæš²š²šš šµš®šš² š»š¼ š»š®šŗš²ā¦ā š£š®šš¹ šš®šš¶š± šš²ššš¼š»

MY #NYC 3 February 2025 āAnd the sign said, “the words of the prophets are written on the subway walls, in tenement halls⦠and whispered in the sounds of silenceā¦ā Paul Simon

MY #NYC 30 January 2025 āAnd I can’t look down, from Central Park to Shanty Town. I always heard that crazy sound, from New York to Shanty Town⦠James OsterbergĀ Ā 
MY #NYC 28 January 2025 āNew York City is a friendly old town, from Washington Heights to Harlem on downā¦there’s a-mighty many people millin’ all aroundā¦. Robert Allen ZimmermanĀ Ā 
MY #NYC 27 January 2025 āIn a catacomb or cave of endless drawings⦠prehistoric or religious⦠your accomplishments prodigious⦠seeking out the perfect toneā¦ā Lewis Allen Reed

MY #NYC 18 January 2025: āI’m doing fine up here, on cloud nineā¦listen, one more timeā¦ā Norman Whitfield / Barry StrongĀ Ā 
MY #NYC 16 January 2025 āSons of the silent age stand on platforms blank looks and notebooks, sit in back rows of city limits⦠Sons of the silent age don’t walk, they just glide in and out of lifeā¦ā David Robert Jones

MY #NYC 14 January 2025 āThe traffic on Canal Street’s so noisy it’s a shock. And someone’s shooting fireworks or a gun on the next block. And I wanna hooky wooky with youā¦ā Lewis Allen Reed

MY #NYC 9 January 2025 āShoulda took a picture. Something I could keep. Buy a little frame. Something cheap. For you. Everyone says hiā¦ā David Robert JonesĀ 
MY #NYC 6 January 2025 āThere is no political solution to our troubled evolutionā¦we are spirits in the material world, are spirits in the material worldā¦ā Gordon Matthew SumnerĀ Ā Ā Ā 
MY #NYC 6 January 2025 āSometimes in winter⦠forgotten memories remember you behind the treesā¦ā Steve KatzĀ Ā 
MY #NYC 2 January 2025: āDid you ever take a look to see whose left around? Everyone I thought was cool is six feet underground! I’m still alive and well, still alive and well⦠Every now and then I know it’s kinda hard to tell⦠but I’m still alive and wellā¦ā John Dawson Winter lllĀ


MY NYC 30 December 2024: āTime, he’s waiting in the wings. He speaks of senseless things. His script is you and me, boy. Time, he flexes like a whore. Falls wanking to the floor. His trick is you and me, boyā¦ā David Robert Jones

MY NYC 24 December 2024: āOutside my window is a tree. There only for me. And it stands in the grey of the cityā¦ā Gail Collins / Felix PappalardiĀ Ā Ā 
MY NYC 10 December 2024: āWell I got a foggy notion, do it again. Over by the corner, do it again. I got my calamine lotion baby, do it againā¦ā Sterling Morrison, Doug Yule, Maureen Tucker & Hy Weiss
Ā 
MY #NYC 8 December 2024: āWe understand your paranoia. But we don’t wanna play your game You think you’re cool and know what you are doing⦠666 is your nameā¦ā John Winston LennonĀ

ā74 @ 50!Ā Rod Stewart / Faces Live! Coast to Coast Overture and Beginners. Bassist Tetsu Yamauchi /Rod Stewart / Smiler. Bassists Spike Heatley, Willie Weeks, Ronnie Wood /Ā Ronnie Wood / Iāve Got My Own Album to Do. Bassists Willie Weeks, Pete Sears, with Mick Taylor /Ā Rolling Stones / Itās Only Rock and Roll. Bassists Bill Wyman, Willie Weeks, with Keith Richards, Mick Taylor /Ā Bill Wyman / Monkey Grip. Bassist Wiliam George Perks RAF O.H.M.S.Ā

MY #NYC 21 November 2024: āImagine how my daddy felt, in your jet black suspender belt. Seventeen years old. He’s touching sixty-four. You got legs right up to your neck. You’re making me a physical wreck. I’m talking to youā¦hot legsā¦ā Sir Roderick David Stewart CBEĀ Ā 
š“š #šµššŖ 20 šµššššššš 2024: šØš š° š®ššššššā šššā¦ šØšš š©ššš & š®ššššš š“ššš š³ššš šš š³š š«ššššššš šš šÆššššš šµššŖ šššš ššššššš šššššš š«šššš šŖ. š®šššš & š“šš š®ššššššš!

MY #NYC 18 November 2024 āA race of angels bound with one another. A dish of dollars laid out for all to see. A tower room at Eden Rock⦠his golf at noon for free⦠Brooklyn owes the charmer under me..ā Walter Carl Becker / Donald Jay FaganĀ Ā 
MY #NYC 17 November 2024: āI used to think maybe you loved me now baby I’m sure. And I just can’t wait till the day when you knock on my door. Now every time I go for the mailbox, gotta hold myself down. ‘Cause I just can’t wait till you write me you’re coming around. I’m walking on sunshineā¦.ā Kimberly Rew

MY #NYC 11 November 2024 āHe was the king of trees, keeper of the leaves. A deep green god of young⦠love stained memory.ā Steven Demetre GeorgiouĀ 
MY #NYC 10 November 2024 āā¦I’m just a raindrop in a bucket. A coin dropped in a slot. I am an empty house on Weed Street. Across the road from a vacant lot⦠You know life is what you make of it⦠so beautiful or so whatā¦ā Paul SimonĀ Ā 
MY #NYC 9 November 2024 āā¦half of the time we’re gone, but we don’t know where and we don’t know whyā¦.the only living boy in New Yorkā¦ā Paul Simon
Ā 
MY #NYC 6 November 2024: āTigers don’t growl much unless they’re bored. Or unless attempting to tackle the jungle, Lord⦠whose face tigers never see⦠but who still hands out their stripes judiciouslyā¦ā Sananda Maitreya 
MY #NYC 4 November 2024: āIf I could live to be several hundred, I could take a walk and really wander. All my ghosts on every sea, in every landā¦ā Charles Michael Kittridge Thompson IVĀ 
MY #NYC 3 November 2024: āI’m a road runner, baby. Can’t stay in one place too long. I’m a road runner, baby. You might look at me and I’ll be goneā¦ā Ā Lamont Dozier, Brian Holland, Edward Jr. HollandĀ 
MY #NYC 1 November 2024: āThere’s a downtown fairy singing out “Proud Mary” as she cruises Christopher Street. And some Southern Queen is acting loud and mean where the docks and the badlands meet⦠this Halloween is something to be sureā¦ā Lewis Allan ReedĀ Ā 
MY #NYC 30 October 2024 āNovember and more, as I wait for the score, they’re telling me forgiveness is the key to every doorā¦ā Phil Lesh / Bobby PetersonĀ 
MY #NYC 24 October 2024 āSmiling faces sometimes⦠they don’t tell the truth. Smiling faces, tell lies and I got proofā¦ā Norman WhitfieldĀ 
MY #NYC 22 October 2024 āNow I own the key to the door, the kingdom of heaven lies insideā¦I love visions of youā¦ā Jah WobbleĀ 
MY NYC 10.10.24: 144 Live at Silvana Harlem “It’s about that time…”Ā

MY NYC 4 October 2024 āLife’s a game of give and take. Early in the morning get your concentration
on your meditation to take the right directionā¦ā Carlos Santana / Michael ShrieveĀ Ā 
MY #NYC 26 September 2024 āIāve been talking to myselfā¦because Iām a little bit crazyā¦ā Stu Richards / Magic Forest Live at AH Presents Ottoās Shrunken Head NYCĀ
Ā 
MY #NYC 24 September 2024 āMy friends are so alarming, my lover’s never charming⦠life’s just a cocktail party on the streetā¦ā Sir Michale Phillip Jagger / Keith RichardsĀ Ā
Ā 
MY NYC 23 September 2024 āIn my sensations, I believe that I was born with the things that I know. I want to talk like I readā¦ā David ByrneĀ 
MY NYC 22 September 2024 āSomething in the night. Something in the day. There’s slaughter in the air protest on the wind⦠Someone else inside meā¦someone could get skinned. Someone fetch a priest, you can’t say no to the Beauty and The Beastā¦ā David Robert Jones 
MY NYC 19 September 2024 āOnly renting. Only subletting. Fences mending. Just pretending. Reality bending. Signal sending. Patent pending. Just inventing. Let’s go āround the bend. Get in trouble again. Make a commotion. Drink a love potion. Sweet ’til the bitter endā¦ā John Doe / Exene CervenkaĀ 
MY N.Y.C. 16 September 2024 āI am a tree, I show my age when I don’t cry. I have the leaf that will fall off when wind blows byā¦I am a tree fruitless and freeā¦ā Robert PollardĀ Ā 
MY #NYC 15 September 2024 āSpeedy Marie, ahead of the now. She’s better built that’s how. She’s built for speed, Speedy Marieā¦ā Frank BlackĀ 
MY NJ/NYC 15 September 2024 āOne day you turn around and it’s summer. Next day you turn around and it’s fallā¦as a man who has always had the wand’ring ways, now I’m reaching back for yesterdays. ‘Til a long-forgotten love appears and I find that I’m sighing softly as I near September, the warm September of my yearsā¦āĀ Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Sammy Cahn as sung by Francis Albert SinatraĀ Ā

MY NYC 13 September 2024 āI wanna be somebody’s Chelsea, somebody’s world. Somebody’s day and night, one and only girl. A part of a love story that never has an end. You know that’s what every woman wants to be somebody’s Chelseaā¦ā Reba McEntireĀ Ā 
MY #NYC 13 September 2024 āThe streets of New York, a maze made of iron and stone. A labyrinth complete, with edges that cut through the bone.ā Willie NileĀ Ā 
MY NYC 13 September 2024 āAutumn in New York, why does it seem so inviting?ā Vernon DukeĀ 
MY #NYC 8 September 2024: āWe’re so young and pretty, we’re so young and clean. So many things that we have never seen. Let’s move from Ohio, sell this dam’ old store. Big Apple dreamin’ on a wooden floorā¦ā Vincent FurnierĀ Ā 
MY NYC 8 September 2024: āSafe in my garden, an ancient flower blooms and the scent from its nature slowly squares my roomā¦ā John Edmund Andrew Phillips

MY #NYC 5 September 2024 āCan we fix our nation’s broken heart? Are we brave enough to try? Can we fix our nation’s broken heart and leave a better world behind?ā Stevland Hardaway MorrisĀ Ā 
MY #NYC 4 September 2024: Groovinā on the 2 & 4 in 4/4! Digginā FAITH NYC Live at Silvana Harlem NYCā¦. 
MY NYC 3 September 2024 āI wanna run, I want to hide I wanna tear down the walls that hold me inside⦠I wanna reach out and touch the flame where the streets have no name⦠Paul David Hewson Ā 
MY #NYC 2 September 2024 āThere is a rose in Spanish Harlem. A red rose up in Spanish Harlem. It is the special one, it’s never seen the sun. It only comes out when the moon is on the run. And all the stars are gleaming. It’s growing in the street right up through the concrete. But soft and sweet and dreamingā¦ā Ben E. King / Jerry Leiber
Ā 
MY #NYC 30 August 2024 āThrough a fault of our designing we are lost among the windings of these metal waysā¦ā Brian Peter George Jean-Baptiste de la Salle EnoĀ Ā

MY #NYC 29 August 2024 āThere ain’t no reason to tell no lie when you’re young and you’ve got a lot of pie⦠now I slink around like a killerā¦the things they say are just a lot of fillerā¦ā James Newell Osterberg Jr.
My NYC 27 August 2024 āNothing is planned by the sea and the sandā¦ā Peter Dennis Blandford TownshendĀ 
MY #NYC 26 August 2024 āEmancipate yourselves from mental slavery, none but ourselves can free our mindsā¦ā Marcus Garvey / Robert Nesta MarleyĀ 
MY #NYC 26 August 2024 āWant some whiskey in your water? Sugar in your tea? What’s all these crazy questions they’re askin’ me? This is the craziest party that could ever be⦠don’t turn on the lights⦠’cause I don’t wanna see! Mama told me not to come! She said āthat ain’t the way to have fun⦠son.ā Uh-huh!ā Randy NewmanĀ 
MY #NYC 2018 āThe return of the Thin White Duke throwing darts in lovers’ eyesā¦ā David Bowie Is Here Bleecker/Lafayette St. Subway ExhibitĀ 
MY NYC 25 August 2024 āAnd when I see the sign that points one way⦠the lot we used to pass by every day. Just walk away, RenĆ©e you won’t see me follow you back home⦠the empty sidewalks on my block are not the same, you’re not to blame⦠just walk awayā¦ā Brown / Calilli / Sansone 
MY NYC 22 August 2024 lORRAINE lECKIE lIVE @ ilon Art Gallery hARLEM nYC Ilon Art GalleryĀ 
MY #NYC 22 August 2024 “No, it ain’t judgement day. No, it ain’t Armageddon… it’s just the apple stretching and yawning, just morning. New York City putting it’s feet on the floorā¦ā Grace JonesĀ 
MY #NYC 20 August 2024 āEveryone’s feeling pretty, it’s hotter than July⦠though the world’s full of problems, they couldn’t touch us even if they triedā¦from the park, I hear rhythms, Marley’s hot on the box⦠tonight, there will be a partyā¦on the corner at the end of the blockā Stevland Hardaway MorrisĀ 
MY #NYC 14 August 2024: āIn the heart of Harlem, a renaissance blooms. A symphony of voices, in countless rooms. Jazz and blues, a soulful sound where creativity and spirit abound, Langstonās dreams deferred, Hughesā rivers flow, in every word, a peopleās echoā¦ā (author unknown)Ā Ā 
MY #NYC 12 August 2024 āThe heart is a bloom, shoots up through the stony ground. There’s no room no space to rent in this town. It’s a beautiful day. Sky falls, you feel like. It’s a beautiful day. Don’t let it get awayā¦ā Paul HewsonĀ 
MY NYC 10 August 2024 āI play the street life because there’s no place I canāt go. Street life, it’s the only life I know. Street life, you can run away from time. Street life, for a nickel, for a dimeā¦ā Wilber JenningsĀ 
MY NYC August 2024 Random images…Ā 
MY NYC 8 August 2024 āFlowers never bend with the rainfallā¦ā Paul SimonĀ 
MY #NYC 6 August 2024 āIāve just seen a face, I canāt forget the time or place where we just metā¦ā James Paul McCartney
MY NYC 4 August 2024 āIf you want me to stay, I’ll be around today, to be available for you to see. But I am about to go and then you’ll know, for me to stay here, I got to be meā¦ā Sylvester StewartĀ 
MY #NYC 20 July 2024 āGone are the days, of the seek and the find. All in the name of easy come, easy go merry go round the mind. Step right up, catch it while you can, alligator hugger and the candy manā¦ā Cris Jacobs Ā 
MY #NYC 19 July 2024 āAll the young girls love Aliceā¦tender young Alice they sayā¦if I give you myĀ number, will you promise to call⦠wait ātill my husbandās awayā¦ā Bernie TaupinĀ 
MY #NYC 18 July 2024 āWalk right out to the four-line track, there’s a camera rolling on her back⦠I sense a rhythm humming in a frenzyā¦.girls on film, two minutes laterā¦ā Lebon / Taylor / Taylor / Taylor / RhodesĀ 
MY #NYC 14 July 2024 āI got the time. I got my feet. Let’s go hit the street. High in the city. I got my mace. You got your knife. You gotta protect your own life. I wanna stay alive in the cityā¦ā Lou Reed Ā 
12 July 2024 MY #NYC āAnd undulating always, like the tide, the devil’s bride is calling all toward her skirt. And in the loving folds there we will hide inside from any would-be sneak attack until it’s safe to journey backā¦ā Robert PollardĀ 
MY #NYC 3 July 2024 āI have a positive hot gift, want one? A scoffer’s clutch karma issue, a nursery whip for men who skip. Want one?ā Robert PollardĀ 
28 June 2024 MY #NYC āWith the sinking of the sun I’ve come to greet you. Clean your hands and go to sleep, confess the dreams of good and bad men all aroundā¦ā Robert PollardĀ

MY #NYC 26 June 2024 āA live wire, barely a beginner, but just watch that lady go. She’s on fire, ’cause dancin’ gets her higher than anything else she knowsā¦āĀ David Lee RothĀ 
17 June 2024 MY NYC āEverywhere I go people want to know, who I am. So, I tell them. I am the Serene King in a half-asleep dream, waltz across the battlefieldā¦ā Robert Pollard 
4 June ’24 MY NYCĀ Ā Ā āAnd I’m sitting on a bench in Coney Islandā¦wondering, āwhere did my baby go?ā The fast times, the bright lights, the merry-goā¦ā Taylor Swift / The NationalĀ 
31 May 2024 MY NYC āUp Madison, down Park… each time I turn a corner, I walk a little faster, pretending life is sweet, ācause love’s around the corner…. I walk a little fasterā¦ā Tony BennettĀ 
30 May 2024 MY NYC āOh, my nuclear baby. Oh, my idiot trance. All my idiot questions. Let’s face the music and danceā¦ā – David BowieĀ 
30 May 2024 MY #NYC āThere goes my hero, watch him as he goes. There goes my hero, he’s ordinaryā¦ā Dave GrohlĀ 
MY N.Y.C. 30 May 2024 āI love women, I think they’re great. They’re a solace to the world in a terrible state. They’re a blessing to the eyes, a balm to the soul. What a nightmare to have no women in the worldā¦ā Lou ReedĀ 
MY NYC 5/29/24 āIām in a straightjacket⦠Iām in a padded cellā¦a new disease is running through my veins…ā Stu Richards
āMama pajama rolled out of bed, and she ran to the police station. When the papa found out he began to shout, and he started the investigation…ā – Paul SimonĀ

MY NYC 24 May 2024 āā¦kids you better look around. How long you think that you can run that body down? How many nights you think that you can do⦠what you been doing? Who, now who you foolin’ ā¦ā Paul SimonĀ 
24 May 2024 MY N.Y.C. “Life, a transient odyssey, weaves a mysterious tapestry of moments that mold our very essence….”
Spaghetti Eastern Electro Dub Live @Silvana with MARK MURO in MY N.Y.C. HARLEM 24 May 2024 āIf you’re tired of walkinā around and getting nowhere, I know, there’s a path that’s leading towards the master. Love, devotion and surrenderā¦ā Carlos SantanaĀ 
MY #NYC 23 May 2024 After midnight, we’re gonna let it all hang out. We’re gonna cause talk and suspicion, give an exhibition, find out what it is all aboutā¦ā JJ CaleĀ 
MY #NYC 16 May 2024 Sign Language ā¦Ā 
MY #NYC 14 MAY 2024 āThe king is gone, but he’s not forgotten. This is the story of a Johnny Rotten⦠it’s better to burn out than it is to rustā¦ā Neil YoungĀ 
MY #NYC 12 May 2024 Paul Collins, Sal Maidaās Bottomās Up Band live at Bowery Electric with Mike Fornatale, Dennis Diken, Dave Amels, Dave Fosterā¦Ā 
MY #NYC 8 May 2024: Ā āWe’ve got to judge the judge. We’ve got to find the finds. We’ve got to scheme the schemes. We’ve got to line the lines. Try to place the place where we can face the faceā¦ā Pete TownshendĀ 
MY #NYC 8 May 2024: “Sign, sign. everywhere a sign. Blockin’ out the scenery, breakin’ my mind. Do this, don’t do that. Can’t you read the sign?” Five Man Electrical Band 
MY #NYC 7 May 2024 āSee her picture in a thousand places, ācause she’s this year’s girl. You think you all own little pieces of this year’s girlā¦āĀ Elvis CostelloĀ

MY #NYC 6 May 2024: āNow this is a song to celebrate the conscious liberation of the female stateā¦ā Annie LennoxĀ 
MY #NYC 4 MAY 2024 āSomebody took the papers, and somebody’s got the key. But me, I’m down around the corner, you know, I’m lookin’ for Miss Linda Leeā¦ā Lou ReedĀ

MY #NYC 3 May 2024 āI’ll say goodbye to all my sorrow. And by tomorrow I’ll be on my way, I guess the Lord must be in New York Cityā¦ā Harry NilssonĀ

MY #NYC 3 May 2024 āI know what I know. I’ll sing what I said. We come and we go. That’s a thing that I keep in the back of my headā¦ā Ā Paul SimonĀ 
MY #NYC 2 May 2024 āI get all the news I need on the weather report⦠hey, I’ve got nothing to do today but smile. And here I am, the only living boy in New Yorkā¦ā Paul SimonĀ

MY #NYC 1 May 2024 āFor there’s Basie, Miller, Satchmo, and the king of all, Sir Duke. And with a voice like Ella’s ringing out, there’s no way the band could loseā¦ā Stevie WonderĀ

MY #NYC 30 April 2024 āWatch out world, comin’ at you full throttle. Better check that sausage before you put it in the waffle. And while you’re at it, better check that batter, make sure the candy’s in the original wrapperā¦ā Lou ReedĀ 
MY #NYC 29 April 2024 āWell I’m beginning to see the light. Some people work very hard, but still they never get it rightā¦.ā Lou Reed Ā 
MY #NYC 4.27.24Ā āI have my books and my poetry to protect me. I am shielded in my armorā¦ā Paul Simon

MY #NYC 26 April 2024: āI want the principles of a timeless muse. I want to eradicate my negative views. And get rid of those people who are always on a downā¦ā Lou ReedĀ

MY #NYC 4.25.24 āIt’s a beautiful day in this neighborhood, a beautiful day for a neighbor. Would you be mine? Could you be mine? Please won’t you be my neighbor?ā – Fred McFeely RogersĀ

MY #NYC 15 April 2024 āTwas a sunny dayā¦not a negative word was heard from the people passing by. All the birds in the trees, and the radio’s singing songs, all the favorite melodiesā¦ā Paul SimonĀ 
MY #NYC 8 April 2024 “Blue, blue, electric blue, that’s the color of my room, where I will liveā¦waiting for the gift of sound and vision…ā David Bowie

MY #NYC 5 April 2024 āEvery day you’ve got to wake up and disappear behind your makeup. Take away your calendar watch and you can’t keep track until your heart attackā¦ā Jimmy DestriĀ

MY #NYC 4 April 2024 āIn the big apple, scars embedded like tattoos. Ghetto love, protection from what’s coming at you. Keeping our heads up, maintaining self-esteem, and reminiscing on the Harlem Nights sceneā¦ā Luther VandrossĀ Ā 
MY #NYC 4 April 2024 In the Heightsā¦.Ā Ā 
MY #NYC 4 April 2024 āI was staying at the Marriott, with Jesus and John Wayne. I was waiting for a chariot, they were waiting for a trainā¦ā Warren ZevonĀ 
MYĀ #NYC 1 April 2024 “Somebody took the papers. And somebody’s got the key. And somebody’s nailed the door shut that says, ‘hey, what you think that you see?” ā¦ā Lou Reed
Ā
MYĀ #NYC 30 March 2024 āEh Cumpari, ci vo sunari. Can you dig it? Yes, I can. And I’ve been waiting such a long time. For Saturdayā¦ā – Robert Lamm 
MYĀ #NYC 29 March 2024 āIf you want me to stay, I’ll be around today, to be available for you to see. But I am about to go and then you’ll know, for me to stay here, I got to be meā¦ā Sly Stone

MYĀ #NYC 28 March 2024 āI’m going uptown to Harlem. If a taxi won’t take me, I’ll catch a train. I’ll go underground, I’ll get there just the sameā¦.ā Duke Ellington / Nick Kenny 
MYĀ #NYC 27 March 2024 āIs is. Therefore you are. I am. That I am. Let me be….” Leon Thomas
MYĀ #NYC 21 March 2024 “Take a risk and listen to the radio, click your heels at the bi-polar disco. Fly down the villa destination sign, everybody feels the days but waits for summer nights⦔ Scott Weiland

MYĀ #NYC 20 March 2024 āCaught between the twisted stars, the plotted lines, the faulty map that brought Columbus to New Yorkā¦ā Lou Reed

MY #NYC 19 March 2024 Three Views of a Secret⦠Jaco Pastorius 
MYĀ #NYC 18 March 2024 āWoke up, it was a Chelsea morning, and the first thing that I heard, was a song outside my window, and the traffic wrote the wordsā¦ā Joni Mitchell

MYĀ #NYC 13 March 2024 āMama’s got a lover, a painter I am told. She’s getting out of real estate, for the art scene down in old Sohoā¦ā Lou ReedĀ 
MYĀ #NYC 13 March 2024: āAh, but remember that the city is a funny place, something like a circus or a sewer. And just remember, different people have peculiar taste, and the glory of love⦠might see you throughā¦ā Lou Reed

MYĀ #NYC 12 March 2024: āYou know the day destroys the night; night divides the dayā¦ā Jim MorrisonĀ 
MYĀ #NYC 7 March 2024: āAs the twilight sunburst gleams, as the chromium moon it sets, as I lose all my regrets, and set the twilight reelingā¦ā Lou ReedĀ 
MYĀ #NYC 3 March 2024 āOye cómo va. Mi ritmo. Bueno pa’ gozarā¦ā Tito PuenteĀ 
MYĀ #NYC 28 February 2024 āOld friends, old friends⦠sat on their park bench like bookendsā¦ā Paul Simon

MYĀ #NYCĀ 27 February 2024 “Man makes machines, to man the machines, that make the machines, that make the machines. And man and machine, will make a machine, to break the machines, that make the machines…” Pete TownshendĀ 
MYĀ #NYC 25 February 2024 “Brooklyn, Bronx, Queens and Staten, from the Battery to the top of Manhattan, Asian, Middle-Eastern and Latin, Black, White, New York you make it happen⦔ Beastie BoysĀ

MYĀ #NYC 23 February 2024 āI couldn’t escape this feeling with my China girl, I’m just a wreck without my little China girlā¦ā Iggy Pop
MYĀ #NYCĀ 23 February 2024 āThey fought with their words, their bodies and their deeds, doin’ the things that they want toā¦ā Lou Reed

MYĀ #NYC 18 February 2024 Weāre an American brandā¦. Bleecker & BoweryĀ Ā 
MYĀ #NYC 27 January 2024 āIt is what you read when you don’t have to that determines what you will be when you can’t help it.āĀ Oscar WildeĀ 
MYĀ #NYC 14 January 2024 āI’ve got nothing to say but it’s okay, good morning, good morning, goodā¦ā John LennonĀ 
MYĀ #NYC 13 January 2024 “…just a perfect day, drink Sangria in the park, and then later, when it gets dark, we go home…” Lou ReedĀ 
MYĀ #NYC 7 January 2024 āRainy day, dream away, let the sun take a holidayā¦ā Jimi HendrixĀ Ā 
2021 – 2023Ā
MYĀ #NYC (June 2023) A Great Day in Harlem 1958 is a black-and-white photograph of 57 jazz musicians in Harlem, New York, taken by freelance photographer Art Kane for Esquire magazine on August 12, 1958 at 17 East 126th StreetĀ 
MY #NYC (31 December 2022) āDrop me off in Harlem, any place in Harlem There’s someone waiting there, who makes it seem like Heaven up in Harlemā¦.āĀ

MYĀ #NYCĀ 26 May 2022 āEyes without a face / les yeux sans visage⦠I’m on a bus on a psychedelic trip reading murder books tryin’ to stay hip, I’m thinkin’ of you, you’re out there so, say your prayersā¦ā Billy IdolĀ

MY #NYC (17 January 2022) āNeath the halo of a streetlamp, I turned my collar to the cold and damp, when my eyes were stabbed by the flash of a neon light, that split the night, and touched the sound of silenceā¦.” Paul Simon

MY NYC 23 January 2024Ā

MYĀ #NYCĀ (May 2022) āIt’s up to youā¦New York, New Yorkā A Mansion Diner denizen since I migrated to the Upper East Side in ā85⦠my sanctuary replete with black coffee, apple pie, and Sinatra on the sound system 24/7. A monument on York & 86th since June 1945ā¦chatty waitresses, culinary anonymity, egalitarian reception no matter what condition I enter⦠says Ed Levine: “Diners are so important because they are the greatest bastions of civility, service, and dare I say grace available to all economic strata in this country.”Ā 
MY #NYC 26 January 2022
Ā Ā 
MY #NYC 1 February 2022 “And I’m laying out my winter clothes and wishing I was gone.. where the New York City winters aren’t bleedin’ meā¦leadin’ meā¦goin’ home…” Paul Simon

MYĀ #NYCĀ (May 14, 2022) āYou don’t know what you’ll do until you’re put under pressureā¦across 110th Street is a hell of a testerā¦ā Bobby Womack

MYĀ #NYC 11 December 2023 āI think it’s the best, when I’m locked in the middle of New York city on Central Park ‘n’ West, I know, I know, I know, I know, I know it’s a mess, but you’ve got to be crazy to live in the city, and New York City’s the bestā¦.ā Ian Hunter

MY #NYC (April 2023) āAsk the angels who they’re calling, go ask the angels if they’re calling to thee, ask the angels while they’re falling, who that person could possibly beā¦ā Dave Grohl

MYĀ #NYC 9 December 2023ā¦out on the edges they’re mixin’ the colors, some they don’t like it, but me I don’t mind⦠Iggy Pop

MYĀ #NYCĀ (July 2023) “Caught between the twisted stars, the plotted lines, the faulty map, that brought Columbus to New Yorkā¦ā Lou ReedĀ 
MYĀ #NYCĀ 19 December 2023 ā…everyone’s gazing at some body part. Thatās the nature of art..ā Iggy PopĀ 
MYĀ #NYC 12 December 2023 āUntil you’ve seen this trash can dream come true, you stand at the edge while people run you through, and I thank the Lord there’s people out there like youā¦ā Bernie Taupin

MYĀ #NYC 20 December 2023 āSunday morning brings the dawn in, it’s just a restless feeling by my sideā¦ā Lou Reed

MY #NYC (November 16, 2023) Dusk on the Upper East Side NYC…

MY #NYC (November 2023) Morning on the Upper East Side…Ā

MY #NYC 8 April 2023 āThe traffic’s so noisy it’s a shock, sounds like fireworks or a gun on the next block, ah, hooky wooky with youā¦ā Lou ReedĀ 

The Know Your Bass Player Interview by Tony Senatore
Recently, one of my Facebook friends, who happens to be a fine bassist, posted that although he started his days with great optimism, after checking out his Facebook feed, he realized that either he was a substandard musician, had made bad decisions, or had any combination thereof. My reaction to his words was quite the opposite. My daily social media habits have reinforced my view that the world is more vapid, vacuous, and morally bereft than I ever imagined. Whether I searched for quality journalism, music, or depictions of humankind at its best, it seemed as if there was none to be found. When creative people are faced with such obstacles, they have choices. They can go with the crowd and follow trends rather than set them or try to uphold all they hold sacred in everything they do, no matter what the cost.
Moreover, they could either remain aloof and unsupportive for fear of losing whatever notoriety they have or be nurturing and try to align themselves with like-minded people who toil away in relative obscurity, unwilling to lower their standards.Ā In my life, when faced with such choices, I have decided on the latter. When I learned of Charles Nagtzaam via my friend Tony Renaud, I was pleased to see that many individuals are still willing to uphold the time-tested tenets of music while resisting the latest fads, and I wanted to be acquainted with him. Charles is the type of bass player that I admire. He doesnāt live in the past. Charles is constantly trying to break new ground on his instrument. What I like most is that, like me, he always tries to move forward while tipping his hat to the great bassists like Anthony Jackson, that inspired him.
Things ranging variously from technology to guns are decidedly non-moral. Whether they are used for good or nefarious purposes is ultimately in the hands of the user. While I have come to despise social media, without it, I would never have learned about the brilliant playing of Charles Nagtzaam. Moreover, if it wasnāt for my friend Tony, there is a good chance that I might never cross paths with him. The lesson is clear. We must stop thinking about ourselves and instead put some effort into others. Social media should not be a place to question your worth. On the contrary, it should be a place to confirm what we are doing right and to help people that we are in a position to help. That said, I would like to introduce Charles to the KYBP family. – Tony SenatoreĀ
When and where were you born?
I was born in June 10, 1967 in a small town called Cuijk, near Nijmegen, which is in the Netherlands
Did you study music in college? I am curious as to your educationalĀ background, and/or specific teachers who guided you, not limited to only music teachers.
From where I grew up, there was not much of music in Elementary School. My parents discovered I had affinity with music and made me play the wooden flute (recorder?) at the local music school, thinking that learning how to read notes was the most important base. After two years of this (I was around 9 years old), I wanted to play drums or electric guitar, but my parents decided to put me on classical guitar lessons first, most likely to prevent complaints of our neighbors.
In 1979 when I was twelve my dad died, and I was tired of classical etudes and wanted to be able to just play a song. Preferably songs I heard on the radio or on those records which my four-year older brother had. By then I was heavily into all kinds of music. The first time I briefly picked up the bass, it felt like home to me. Due to my classical guitar training, my left hand was already a bit familiar to a wider neck and where the notes were. I didnāt own a bass yet and started playing along with songs on the lower strings of my classical guitar. A year or two later, my mom got me a cheap bass guitar (Kumika P-bass clone) and I started playing with friends from school. Thatās when it all started.
After high school I wanted to study at the conservatory and wanted to play (preferably) jazz funk. However, in order to get admitted, I had to play upright bass. After some upright bass lessons with Ruud Hendriks I got admitted to the conservatory of Arnhem to study upright bass with Henk Haverhoek (http://www.henkhaverhoek.nl) a great musician and teacher who has played with many famous jazz musicians.Ā
Two years later the school contracted LenĆ© te Voortwis as the main subject electric bass teacher, and I finally got my first real electric bass guitar lessons. Both LenĆ© and Henk had a huge part in my development. After my graduation I got a lot of wisdom from artists which whom Iāve worked with.
If you studied music in college, did your family support your decision to study music at the college level? Are there any musicians in your family?
My dad used to sing in the church choir. My mom (85) was a housewife and used to sing all the time. When I was in college she was already a widow and did everything she could to make ends meet. She somehow found the strength to carry on, take a part time job and found a way to give us everything we needed. She came from a large single parent family too and, just after WWII, only her brothers could study due to financial reasons. So, she never got the chance to study and was determined to give her children the chance to be able to become anything they wanted. She was very supportive in my decision to make a living from music. I only had to get my high school diploma first, which was kind of a struggle for me after I took up the bass guitar. She had to lock it away in a closet at times in order to make me finish high school first.
My brother plays drums but isnāt a professional musician. My older cousin taught me the first barre chords on guitar but is also not a professional musician.
Ā Do you make your entire living playing music, either live or in the studio, or do you have an alternate source of income?
I make my entire living with music. Iām still playing a lot live, and get the occasional calls for a studio gig. Iām also teaching bass and band-coaching at the conservatory in Arnhem (https://www.artez.nl/en/courses/bachelor/jazz-pop-arnhem) and at Rockacademie in Tilburg (https://rockacademie.nl). This mixed practice is enough to make the ends meet. I have two daughters of 18 and 17 years old and theyāre somewhat at the start of their college education.
Who influenced you coming up, regarding bassists that caught your ear?
Verdine White, Bernard Edwards and Leon F Sylvers III were a huge influence. Iāve always loved soul music! When I picked up the bass, Mark King was conquering the charts with Level 42. So that was a huge influence at first. My brother pointed out Stanley Clarke and bought his first two albums. And I got more and more into jazz rock and serious about music. Marcus Miler, Anthony Jackson and Jaco Pastorius were the main influences during the time before I got admitted into the conservatory.
Ā But also so many other great bass players like Nathan East, Louis Johnson and Will Lee caught my attention. Marcus, Anthony and Jaco however would really āmake my jaw dropā more than a few times whenever I heard something ānewā of them. And I never stopped listening to them ever since. There was no Spotify neither CDās, so discovering new music was really a thing you couldnāt do by surfing on the internet. You were relying on good friends who bought a lot of records. And you had to buy some yourself. And of course, we had Maxwell and TDK, which made it a little cheaper for a music freak like me.
During my study James Jamerson, John Patitucci, Pino Palladino and Francis Rocco Prestia were very much of influence, and of course upright bass players Ray Brown, Niels Henning Ćrsted Pedersen, Paul Chambers, Scott LaFaro. And I have to mention Gary Willis and Jeff Andrews.
When you listen today, do your early bass influences measure up to your perceptions of them when you were young?
I think my perception of how to experience those early influences changed. At a young age one is full of questions like āhow do they do it,ā āhow do they get that sound,ā āwhatās happening harmonically/rhythmicallyā etc. As you grow older and understand that there are no real secrets in music, and that itās also hard work and understanding of theory, analyzing, studying and more, a lot of those early questions might have been answered. But each one of those early influences are very authentic players with a signature sound. Something one only gets out of that unique individual person in combination with a certain instrument. And that still holds up to me with each and every one of them, while in the meantime Iām still searching for my own signature sound. That might be a downside of transcribing and analyzing too much of almost everything.
Are there any bass players or musicians in general that inspire you today?
Ā For sure! Itās amazing to see how some newer players still grow into ātheir thingā which appears to be another new way of approaching the instrument. Like Victor Wooten, MonoNeon is a second to none authentic player, as is Thundercat. I also like bassists Michael League and Joe Dart who are influenced by stuff from the era I grew up in (mid 70ās), giving it a fresh new formula. Also Hadrien Feraud and Dario Deidda are very inspiring bassists. And, of course, Pino Palladino.
I am sure that like me, you have many basses. I have about forty, but I could exist with only my 1973 P bass if I had to. What bass that you currently own is your main instrument that you would never part?
I have enough basses, although not forty. I have to say my STENBACK FIVE will probably be that bass. Amazing response, great tone. A five string that feels like a four string somehow. Well balanced. When I bought it, it probably hadnāt been played that much, and the bass really had to come alive through playing. After two months it definitely did, a day and night difference.
If it wasnāt for the need of a five string, I could exist with only my 1972 Fender Jazz Bass, too.
Your YouTube channel has a vast array of very accurate transcriptions of some of the greatest bass lines ever recorded. Of all of the transcriptions that you have done, which was the most difficult?
Thanks for the compliment. I try to be as accurate as possible. There are a few of those videos which I had to do in more than one take. āVoiceā by Hiromi was three takes, āM&M studioā had a cut right before the solo, which I still canāt play as accurate as the original. āYou Got It!ā, āSome Sharksā and āIsland Magicā were all a one straight take eventually, but that doesnāt mean that those were less difficult. It has to do with focus, staying relaxed and, of course preparation.
Ā Also, ādifficultā evolves to āgetting a little bit more comfortableā every day with a good practice routine. I wasnāt able to feel odd meters in an even flow yet, for instance. After transcribing and practicing it, it just gets more fluid because it starts to feel natural and balanced. You just have to put in the hours of practice, which are harder to find at a later age. But Iāve still managed to put in the work to do it, so far. Difficulties come in all areas. Even a āsimpleā 4/4 groove has its difficulties if you donāt understand the feel or the pocket. So itās not only a matter of a lot of notes or odd meters. Switching from pick to fingerstyle playing could easily call for hours of practice. So Leon Sylversās bassline of āHere I Amā by Dynasty also took some time to get a little more comfortable with.
Can you recommend any specific method books that have helped you to become the bassist that you are today?
When I studied, I probably checked out anything I could get my hands on. āStanding in the Shadows of Motownā, āThe Funkmastersā, āWhat Duck Doneā, āSitting in with Tower of Powerā, āModern Electric Bassā & Oscar Stagnaroās āLatin Bass Bibleā of the more style-method books. As for improvisation, David Bakerās āBebop Eraā, Adelhard Roidingerās āJazz improvisation & pentatonicsā, āCharlie Parker Omnibookā, āJohn Coltrane Omnibookā, Hein van de Geynās āComprehensive Bass Methodā were all great books to discover and get ideas from. And thereās so many more of which I probably took a few excerpts from in my daily study routine.
Ā As a recommendation to upcoming players I would say: explore the stuff that moves you yourself first. Whenever I hear a great melody with a great chord sequence, I want to know what that is. And not by ONLY looking up a YouTube tutorial or (maybe even worse) a quickly written TAB sheet. The same with basslines, drum rudiments or odd time signatures. When I hear something great, Iāll bury myself between the speakers or headphone until I exactly know what it is that moves me. Train your ears and carefully listen to what you really hear, not taken all of those videos and websites as an instant truth. The blessing of having all the acces to all the material with just one click can also set you on a detour when watching an incorrect explanation.
When I went back to school from 2008 to 2017, my goal was to teach history or social studies at either a public or a charter school. This changed when I consulted with some of my friends who have been educators for many years. They informed me that changes in the education system, and the advent of Common Core standards pushed them into early retirement, and that if I had any ideas about teaching with my own style in my effort to change the world one student at a time, I should reconsider teaching.
In a similar way, I feel the same obligation to be honest which young musicians that often ask for my advice regarding a career in music. It is more difficult to survive playing music today than in past eras. Reality is not negativity, and I feel an obligation to young musicians to make this clear. If you could offer one piece of advice to aspiring bassists, what would you tell them?
Ā At Rockacademie, where I also teach, each student is forced to choose a learning path from the perspective of a mixed professional practice. So, next to a skill (main subject) (vocals, bass, guitar etc) one has to choose for either āsession musicianā, āartistā, āaudio engineerā, āskills- & band coach (education)ā and ābusiness managerā.
At Artez Jazz & Pop, we stimulate all students to be as artistic and authentic as possible (more like the āartistā direction), which makes it probably harder to get instant work that pays the bills once a student graduates. Some students rather do a different profession alongside their career so they can carry on with their own intrinsic creativity without any concession to commercial succes.
Both schools have alumni who are really successful, so I would advise a student to really look around, check out each schoolās curriculum to know what appears to be the best thing for your own growth. And by this I most certainly donāt mean āthe easiest path to making moneyā. One should know that, if youāre in it for the money, it will never pay off. I believe Wynton Marsalis said something like: āYou really have to be obsessed with making music, otherwise itās barely impossible to put in the amount of work you need to make it a successful pathā. Or Woody Shaw: āSo youāve tried to play the trumpet but didnāt have the talent? Really? Well, start practicing three hours a day for one year, come back, and then weāll talk about talent againā.
Since you really have to love what you do, itās probably a good idea to have a wider palette of options, but only if those options are almost equally joyful as playing your instrument. And with some of these options you might just want to try it first.
Ā Keep an open mind and if a different direction doesnāt get in the way of your development as a musician: do it. Itās better to quit after trying than wondering how it could have worked out a few years later when that ship has already sailed and chances have passed. Youāll probably never have the same amount of time to explore other options. If you still want to make a living only through making music, though: be ready to sacrifice and put in the hours. And remember that success should always be measured by the things you have had to give up for it.
Charles Nagtzaam Renders Anthony Jackson’s classic Chaka Khan bass passage “Sleep On It”Ā
Charles Nagtzaam Website : https://charlesnagtzaam.wordpress.com/
Ā Charles Nagtzaam YouTube https://youtube.com/channel/UCZ-rbZYrz45_WgbqAaosV7w
Ā Photos by Frank Boeigen, Kathie DanneelsĀ


By KYBP Austin Bureau Chief Robert Jenkins “Austin Underground”
Thad Stevens. Thad Stevens. Thad! Stevens!
Know that name. Know that bass player. Because Thad Stevens is one of the best bassists on the Austin Underground scene right now. He is a dedicated fretless player with a wide range of abilitiesĀ that allows him to be somewhat of a chameleon in the jungle of bands in Austin.
Thad got his start at a relatively young age when he was in middle school. His brother played guitar and when a family friend offered to sell a bass, Thad took a stab at it. With a little background in music from middle school, the interest for Thad to play the bass was immediate, if only diversionary, at first.
Coming up during the post – grunge era, Thad was influenced early on by bands like Alice In Chains but was also drawn deeper into bass playing by listening to Steve Harris of Iron Maiden.
The music of Pink Floyd got Thad deeply interested in the sound of fretless bass. Listening to Death (and Steve Di Giorgio) helped Thad understand and love melodic bass playing in a metal context.
Thad’s bass career really started when he joined local Austin prog metal heavyweights Ethereal Architect. It was with this band that he was able to really showcase his range on the fretless bass in a setting of complex arrangements with broad melodic structure. The regimented style of Ethereal Architect helped Thad to really refine theĀ style of playing fast and in tune on fretless.
Thad went on to play with Immortal Guardian and Descendants of Erdrick, continuing to explore his opportunities to add his fretless sound and style to a metal context.
Thad currently plays with local Austin hardcore behemoths Bƶndbreaker. “I really like playing with Bƶndbreaker because it allows me complete freedom to play my style while engaging in and promoting a message that I feel is important and worthy. It is very fulfilling” says Thad.Ā He also plays with singer/songwriter Amanda Lepre. This provided him with the opportunity to learn to play in a āless is moreā style, playing to the song so as not to be overbearing in a lighter musical setting.
Thad Stevens really can play just about anything. He is a musical chameleon with the ability to play a wide range of genres with a unique sound and style. You should definitely know this bass player.
Thad is an endorser of Clement Basses by Tom Clement of Florida.
He plays two Clement Basses: 5-stringĀ Wide Joan and 6-string Wide Joan, both fretless. His Ā 5-string is a swamp ash body with a black limba top; white limba neck; black/white ebony finger board; Bartolini Original Bass Dual pickups; Bartolini preamp.
Thad plays through a Genz – Benz Shuttle Max 6.0 through Genz – Benz Shuttle 2/10 and 2/12 cabinets.
Who are Thad’s influences?Ā There are too many to mention. But he credits Doug Kaiser of Wrathchild, Lars Norberg of Spiral Architect, Steve Harris of Iron Maiden, and Geddy Lee of Rush as being his primary influences.
Thad Stevens Sound & Vision…
Thad with Ethereal Architect:Ā https://youtu.be/kuVDC9PjU08
Thad with Immortal Guardian:Ā https://youtu.be/jRUK6EpLUFI
Thad with Amanda Lepre:Ā https://youtu.be/47VK3I4Zo_4
Thad with Descendants of Erdrick:Ā https://youtu.be/WSFH2G0nXqM
Thad with Böndbreaker (full performance): https://youtu.be/8yWKu0hbjr4

Conceived, created, and gestated by Dr. Patricia Arean, this bass playing miniature replica of Know Your Bass Player āhonchoā and Notes From An Artist radio / podcast host Tom Semioli traverses landmark locales in New York Cityā¦.

Ā Rooftop hang on the #UpperEastSide of #Manhattanā¦. #trailguardian #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patjisan #NewYorker #StayingPutInNYC

“Twenty, twenty, twenty, twenty-four hours to go, I wanna be sedated, Nothing to do nowhere to go,Ā oh I wanna be sedated…” #LowerEastSide #JoeyRamone Place #Bowery & 2nd Street #NYC #trailguardian #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patjisan #NewYorker #stayingputinNYC #TheRamones #NewYorkCityRock #punkrock

“Happy and I’m smilin’ walk a mile to drink your waterā¦.” Standing Up with #IanAnderson #MartinBarre #GlennCornick #CliveBunker #JethroTull #NYC #trailguardian #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patjisan #NewYorker #stayingputinNYC

#GrandCentralStation #NYC #trailguardian #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patjisan #NYTransit #MTA #NYSubway #NewYorker #StayingPutInNYC

āOnce upon a time you dressed so fine, Threw the bums a dime in your prime, didn’t you?”Ā Hanginā at 4 Gramercy Park West in #NewYorkCity ā the cover image locale of #BobDylan #Highway61Revisited 1965 #trailguardian #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCityBassPlayer @trail_guardians @patjisan #NewYorker #StayingPutInNYC

Hanginā on the 50th Anniversary of the last concert at Bill Grahamās #FillmoreEast 27 June 1971 #trailguardian #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patjisan #NewYorker #stayingputinNYC #NewYorkCityRock #NewYorkCityLandmarkĀ #SanFranciscoRock #FillmoreWest #AllmanBrothers #JGeilsBand #AlbertCollins

“Once I had a love and it was a gas, Soon turned out had a heart of glass …”#DebbieHarry #Blondie Mural at #BleeckerStreet & #Bowery #NYC #trailguardian #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patjisan #NewYorker #stayingputinNYC #NewWaveRock #NewYorkCityRock #punkrock

#TompkinsSquarePark #LowerEastSide #EastVillage #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patjisan #NewYorker #stayingputinNYC

āThe magnificent seven⦠Ring! Ring! It’s 7 A.M.! Move y’self to go againā¦ā Hanginā at the #JoeStrummer mural on the #LowerEastSide of #NYC at #NiagraBar adjacent to #TompkinsSquarePark! Ā #trailguardian #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patjisan #NewYorker #stayingputinNYC #NewYorkCityRock #punkrock #TheClash

āFelix Unger was asked to remove himself from his place of residence; that request came from his wife. Deep down, he knew she was right, but he also knew that someday he would return to her. With nowhere else to go, he appeared at the home of his friend, Oscar Madison. Several years earlier, Madison’s wife had thrown HIM out, requesting that HE never return. Can two divorced men share an apartment without driving each other crazy?” Hanginā at 1049 Park Avenue,Ā #UpperEastSide #NYC Site of opening credits and āhomeā to Oscar Madison and Felix Unger 1970-75 #OddCouple #NeilSimon #TonyRandall #JackKlugman #Broadway #NewYorkTheater #trailguardian #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patjisan #NewYorker #StayingPutInNYC

“Tom, get your plane right on time, I know your part’ll go fine. Doh-n-doh-de-doh-n-doh. And here I am, the only living boy in New York⦠Hanginā on the east end of The #CentralParkReservoir (since renamed for Jackie O.) at the precise locale of #SimonandGarfunkel album image for their first Greatest Hits collection. #PaulSimon #ArtGarfunkel #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patjisan #NewYorker #stayingputinNYC Feelinā groovy?

āLet me take you to the movie.. Can I take you to the show? Let me be yours ever trulyā¦Can I make your garden grow?ā Hanginā at 96-98 St. Markās Place, #LowerEastSide #NewYorkCity site #LedZeppelin #PhysicalGraffiti album cover #JimmyPage #JohnPaulJones #JohnBonham #RobertPlant #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patjisan #NewYorker #stayingputinNYC #StMarksPlace

Hanginā at the #VillageVanguard #GreenwichVillage #NewYorkCityJazz #JohnColtrane #BillEvans #ScottLaFaro #PaulMotian #NewYorkCityLandmark Ā #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patjisan #NewYorker #stayingputinNYC

āI hear voices, I see people I hear voices of many people, everything is everythingā¦ā Hanginā at the legendary #BitterEnd #folkrock #DonnyHathaway #CurtisMayfield #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patjisan #NewYorker #stayingputinNYC āHush now child and don’t you cry, your folks might understand you by and by, just move on up towards your destination, though you may find from time-to-time complicationsā¦.ā

āI’ve stumbled on the side of twelve misty mountains, I’ve walked and I’ve crawled on six crooked highways ā¦āĀ Positively West 4th and Jones Street in #GreenwichVillage, site of #BobDylan Freewheelinā (1963) album imageĀ #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #folkrock #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patjisan #NewYorker #stayingputinNYC

āA hustle here and a hustle there, New York City’s the place where they said, ‘hey, babe, take a walk on the wild side…” What was once #CBGB at 315 #Bowery #punkrock #TheRamones #Blondie #LouReed #Television #PattiSmith #JohnVarvatos #RichardHell #IggyPop #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patjisan #NewYorker #stayingputinNYC

āā¦a smile relieves a heart that grieves, remember what I said, I’m not waiting on a lady, I’m just waiting on a friendā¦ā Hanginā at 96-98 St. Markās Place, #LowerEastSide #NewYorkCity – site of #RollingStones video āWaiting on a Friendā #MickJagger #KeithRichards #BillWyman #CharlieWatts #RonWood #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patjisan #NewYorker #stayingputinNYC #StMarksPlace

āI’m just sittinā here watching the wheels go āround and āround, I really love to watch them rollā¦ā Hanginā at #StrawberryFields and The Dakota, home of #JohnLennon in #NYC #CentralParkWest #TheBeatles #GeorgeHarrison #PaulMcCartney #RingoStarr #YokoOno #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patsjisan #NewYorker #StayingPutInNYC

āI’ll be your mirror reflect what you are, in case you don’t know, I’ll be the wind, the rain and the sunset, the light on your door to show that you’re homeā¦ā Hanginā with #LouReed at the #East86thStreet #NYCSubway station. #ChuckClose #NYCsubwayart #NYCarts #VelvetUnderground #JohnCale #NewYorkRock #RockHall #bass #bassplayer #FenderBass #FenderPrecisionBass #BassGuitar #NewYorkCity #NewYorkCityBassPlayer @trail_guardians @patsjisan #NewYorker #StayingPutInNYC

Hosts David C. Gross and Tom Semioli converse with bassist, producer, collaborator, entrepreneur, label owner, recording artist, musical director, composer, multi-instrumentalist, and light-bulb changer Michael League from his home in Spain. ML discusses his new solo record āRight Where I Fallā which was released on 6/25, his work with Snarky Puppy, his ongoing musical evolution, and the state of the music industry in the 21st Century.
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āAsk him about throwing Roy Harper off a ferry!ā
In this video preview from an episode of The Bass Guitar Channel Radio Show on Cygnus Radio with host David C. Gross and Know Your Bass Player āhonchoā Tom Semioli, Richard Thompson discusses the bassists heās employed over the years including Jerry Scheff (Elvis Presley, The Doors), David Pegg (Jethro Tull, Fairport Convention), Danny Thompson (Pentangle), Pat Donaldson (Fotheringay, Chris Spedding, Sandy Denny), Bruce Lynch (Kate Bush, Cat Stevens), Willie Weeks (Donny Hathaway, Rolling Stones, Eric Clapton), and Taras Prodaniuk (Lucinda Williams).

Photo Courtesy of Larry Grenadier Com
“Most people of my age and my generation started on electricā¦.ā From a Bass Guitar Channel Radio Show broadcast in February 2021 on Cygnus Radioā host David C. Gross and KYBP āhonchoā Tom Semioli talk with bassist Larry Grenadier. In this unedited clip, Larry ruminates oāer his early years, influences, the role of the upright and the electric and how both instruments inspire the present generation, working with Paul Motian, a Jaco story or two, thoughts on practice and education, and reflections on the artform! Interviewers: Tom Semioli, David C. Gross.
āOnce you can play your instrument, the next question is āare you listening to what is going on around youā¦ā From The Bass Guitar Channel Radio Show broadcast in February 2021 on Cygnus Radioā host David C. Gross and KYBP āhonchoā Tom Semioli talk with bassist Larry Grenadier. In this second unedited clip, Larry talks about the merits of streaming and the traditional album format, digging deep into Art Tatum and classical music, his recordings with Jack DeJohnette, Ethan Iverson, David Sanchez, Joshua Redman, Paul Motion, Brad Meldau, Pat Metheny, D’Angelo, Charles Lloyd, Wolfgang Muthsppiel, and his solo bass album āThe Gleanersā among other topics! Interviewers: Tom Semioli, David C. Gross.

Courtesy of Kevin Scott Music Com
There are bass players who realize their dreamsā¦.and there are the cats who anchor the legends.
Enter Kevin Scott ā who has achieved both goals and more in his remarkable career.
Kevinās musical journey commenced while he was in his teens, as a bassist in his dadās bluegrass band.Ā Then this Dothan, Alabama native heard Colonel Bruce Hampton and his life changed. He migrated to Atlanta where Hampton resided, and worked his way into the guitar legendās band.
Touring and recording with Hampton raised Scottās profile. He found himself on the bandstand with another legend, drummer Bernard Purdie for the ATL Collectiveās yearly āJames Brownās Funky Christmasā wherein Scott serves as musical director. And yet more legends ā guitarists Jimmy Herring, and Wayne Krantz have enlisted Kevin for recording and touring.
Scott established himself as a first call bassist in Atlanta, anchoring such ensembles as; Ruby Velle & The Soulphonics, Russell Gunn and Elektrik Butterfly, Whitney Tai, King Baby, Grant Green Jr., Mindi Abair, Fergie, Ā FORQ, Wale, Monica, and Big Shanty, among others.
A finger / plectrum player, among Kevin’s primary weapons of choice is a weathered vintage Fender Precision. Scott’s funky disposition serves the singer and the song – he’s also a prolific soloist.Ā Ā Keep up with Kevin Scott at www.KevinScottMusic.com
KYBP hat tip to Scott Gordon: Says SG “Kevin Scott is one of the baddest bass dudes out there! He’s my favorite young gunā¦at 35 he is the most versatile bassist …and a super humble guy to top it off.Ā Jesse from St Paul and the Broken Bones has taken a few lessons with Kev and even bought most of the gear that Kev uses!”Ā
Check out Kevin Scott’s KnowYourBassPlayer Spotify Playlist….
Kevin Scott Sound & Visionā¦Ā
Bruce Hampton: Live https://youtu.be/_C73ELythTs
Wayne Krantz: Under Cover Pop Tour https://youtu.be/ornbl4lqBQ4
ATL Collective Live with Nigel Hall https://youtu.be/E_v1R8CciUE
Ruby Velle āItās About That Timeā https://youtu.be/oTR_ls5a4MQ
Elektrik Butterfly āWar Pigsā https://youtu.be/sJI9lgu1sDM
Wale āAmbitionā (Kevin served as co-writer on this #1 hit) https://youtu.be/O7ZbM7ak8uw

Photo by Drew Burke – Courtesy of Kevin Scott Music Com!
Courtesy of Haim The Band Com
Este Haim, bassist by Tom Semioli
Artists/Band: HaimĀ
Seminal Sides: Days Are Gone (2013), Something to Tell You (2017) –Ā Ā
They got the looks⦠they got the hooksā¦.
The sister trio of Este (bass), Danielle, and Alana Haim were raised in a musical San Fernando family and the rock and roll aesthetic most associated with their So Cali environs shines through their artistry i.e. strong vocals, memorable melodies, prominent guitars, and a solid rhythm section with an occasional flash of brilliance.
Akin to their ancestors Fleetwood Mac, Tom Petty & The Heartbreakers, and Sheryl Crow, Haim rock a lot harder on stage than they do on record, and their impromptu jams are a welcome relief in an era wherein rock bands refuse, or are incapable of walking the improvisatory high-wire.
Bassist Este, the eldest sibling, is primarily a song-player.Ā In the studio Este is mostly restrained, doubling sparse lower register keyboard motifs. However on the bandstand sheāll cut loose (somewhat) rhythmically. Ā
Esteās weapon of choice is a naturel finish Fender Precision with a big 70s headstock logo ā does it get more Echoes of the Canyon than that, I ask you!?
Dig Este with Haimā¦
āRight Nowā live at Glastonbury https://youtu.be/hqkyTsY2c9gĀ āOh
Wellā live at T In the Park https://youtu.be/VikyxJoBF2kĀ
Rock in Rio 2018 https://youtu.be/vlMqr9pEl70
Courtesy of Haim The Band Com