“If you twist my arm and ask me what type of music I play, it’s chamber music!” Fretless bass virtuoso, innovator and recording artist Michael Manring reflects on the evolution of “live” performance and the future of instrumental music outside of the mainstream. This clip is taken from an episode of The Bass Guitar Channel Radio Show with host David C. Gross and Know Your Bass Player “honcho” Tom Semioli.
“David, the electric bass is not a valid instrument…” David C. Gross and guest Michael Manring discuss their time at Berklee and the bold proclamation which forever affected Mr. Gross , how Manring straddles the “pre-Jaco and post-Jaco eras,” Michael’s tuning methodology, and how Joseph Zon helped bring Michael’s aural visions to fruition. This video clip is from a February 2021 episode of The Bass Guitar Channel Radio Show on Cygnus Radio, hosted by David C. Gross with Know Your Bass Player “honcho” Tom Semioli.
Among the most revered and versatile British session and touring bassists, Mo Foster’s talents as a composer, musician, educator, and author were equaled by his uncanny wit, hospitality, and sidesplitting sense of humor! You know Mo the bassist from his stellar work with a wide range of artists and ensembles including Affinity, Jeff Beck, Eric Clapton, Phil Collins, Luka Bloom, Howard Jones, Russ Ballard, Michael Schenker, Maggie Bell, Gerry Rafferty, Joan Armatrading, Kevin Ayres, Gary Moore, Scott Walker, and the London Symphony Orchestra, among scores of others. We first interviewed Mo in London in 2014.
And we caught up with Mo in November 2020 via Zoom to discuss his then new live album, Mo Foster & Friends In Concert, which was released in March 2021.
From Mo’s official press release….
One of the industry’s most prestigious bass guitarists, and renowned producer, composer, author and session musician, Mo Foster, announces release of new album, with his new band, that’s set to become a must-have jazz classic
“A rare night of great music – lovely vibe, immaculate sound — the music connects very directly”. Malcolm Edmonstone – Professor at the Guildhall School of Music
‘What a great band Mo’ – Terry Rawlings, film editor: Blade-Runner, Alien
‘Beautiful textures and dynamics. Your playing puts the rest of us to shame as usual…’ Joel McIver – Editor, Bass Guitar Magazine
‘This session legend, and one-time Jeff Beck cohort, has thumbed his golden address book to assemble a sextet of undoubted virtuosity’ – Andy Rawll, Record Collector
‘Hearing this was a beautiful reminder of those heady wonderful days. Good feel, orchestration, ensemble sound — lovely….Wow!’ – Mike Gibbs (Composer)
Mo Foster – once managed by Ronnie Scott, Foster is the legendary bass-guitarist, who has recorded and toured over the past 50-years with many of the world’s biggest musical icons from Jeff Beck, Gerry Rafferty, Frida of ABBA, and George Martin, right through to Phil Collins, Gil Evans, Brian May and The London Symphony Orchestra. Now, this spectacular producer, composer, author and session player, steps into the limelight with his new band, as he releases his sixth album, ‘Mo Foster & Friends in Concert’, released on 21 March. A treat for jazz fans worldwide, it’s a stunning collection of precious pieces that Mo’s fallen in love with across his career. Hand-picked gems from the great jazz composers of the 50s, 60s & 70s, curated and interpreted by Mo Foster, in his own outstanding jazz way.
Mo Foster’s melodic spirit has been firmly woven within the rich, vibrant tapestry of our global music scene for over half a century, as his beguiling charm makes him an integral ‘first-choice’ musician for the world’s biggest stars. But, 2020 sees Mo stepping up as front man as, ‘Mo Foster & Friends in Concert’, takes us on a glorious musical journey for jazz connoisseurs and newcomers alike. A delicious, tempting spread of music that Mo simply needed us to experience again, through his own lush and powerful jazz interpretations.
Every track on the album comes with its own personal story of first-hand Foster-experiences. The quirky humour-ladened, ‘Chickens’ takes us back to 1969, when Mo was supporting the Gary Burton Quartet at Ronnie Scott’s. Smitten by the piece, Mo vowed to record the track himself one-day. Lockdown hit, so Mo recorded ‘Chickens’ with his musicians spread across four counties. Steve Swallow, who wrote the original track, thought it was the best version he’d ever heard, ‘Thanks a million…made my day’’ said Steve. The enthralling ‘Django’, a melody that has haunted Mo since the 60s, was written by John Lewis of the Modern Jazz Quartet in homage to his longstanding friendship with Django Reinhardt. ‘Gone’ is Mo’s reinterpretation of the Gil Evans piece, which originally featured on the landmark Miles Davis/Gil Evans album Porgy And Bess. Mo became enchanted by this challenging work whilst playing with the Gil Evans British Orchestra in the 80s. ‘Three Views Of A Secret’ is a perfect composition – now a standard – by visionary bassist Jaco Pastorius. A longtime favourite.
The band, Mo Foster & Friends, comprises of a sparkling line-up including Jim Watson on keyboards, Nic France on drums, Ray Russell on guitar, Chris Biscoe on saxes, Corrina Silvester on percussion, and Mo on bass-guitar; in addition, fiddle-player Chris Haigh guests on a couple of tunes…and their formation was almost by chance. Mo had temporarily pulled a bunch of musicians together to play at ‘The Fetch’ album launch party for friend Linda Hoyle, (who’d been the vocalist in Affinity, Mo’s jazz/rock band many years before). But, two weeks before the event, Mo learnt that Linda was too ill to perform, leaving Mo with a dilemma, ‘I’ve always been a side man, playing for artists such as Jeff Beck and Phil Collins, suddenly, I’m the front man, staging an event, and I couldn’t fail. I needed to find a solution,’ explains Foster. Mo kicked into emergency over-drive, and following a mad writing session, he created a collection of tracks that didn’t need a vocalist. The Mo Foster sound was born – a definitive ground-breaking jazz vibe that made the music the star. A maverick decision from Foster to present the band with tracks they’d never seen until that night (no rehearsal) – and it was magnificent. A second live evening followed, and Mo knew these musicians were too good to let go; Mo Foster & Friends was born. Playing the music of the great jazz composers, the band has gone from strength to strength, culminating in a successful gig at Ronnie Scott’s Jazz Club at the end of last year.
Pulling out the glittering jazz-jewels from that evening, the seeds of his new album were born. Once Mo truly believed that he could be the front man, the outstanding new album ‘Mo Foster & Friends in Concert’ was conceived. The 16 track album features three tracks recorded from that first night, ‘Freedom Jazz Dance’, ‘So Far Away’ and ‘Three Views of A Secret’. Listen and indulge in the sheer excitement and energy of those live jazz journeys and become the ears of the audience of that very first night when magic was made. This is an album that’s set to become a firm ‘must-have’ across all respectable jazz collections for years to come.
‘Mo Foster & Friends – In Concert’ was released on Right Track/Universal March 2021
For more information: www.mofoster.com
Bassist Jack Daley (Lenny Kravitz, Beyonce, Little Steven & The Disciples of Soul, Joss Stone, Sara Bareilles, among many others) discusses his appearance with The Boss on SNL, his work as a bandmember and sideman, and his new Dug Deep recording studio in Asbury Park, New Jersey.
Writers/Interviewers: Tom Semioli, Mark Polott, and Joe Gagliardo. Editor: Mark Polott. Executive Producer: Mark Preston
Read Joe Gagliardo’s KYBP Jack Daley profile https://bit.ly/2YdTcDA
Photo courtesy of Paul Gray Bass Online. Com
He is a bass player you recognize in a single passage!
Renowned for his tenure in Eddie & The Hot Rods, The Damned, UFO, and his work with Johnny Thunders and Rob Tyner, among others, Paul Gray is the harmonic and rhythmic anchor of Professor & The Madman – an all-star collective featuring the diverse talents of singer / multi-instrumentalists Alfie Agnew (Adolescents, D.I.) and Sean Elliott (D.I., Mind Over Four); along with drummer Rat Scabies of The Damned. From lockdown in his home studio in Cardiff Wales, Paul discusses the latest PATM album Séance (November 2020), his storied history, Sensible Gray Cells, his love of Rickenbacker basses, and future plans – including remote recording and more.
Tom Semioli Writer / Interviewer. Mark Polott / editor. Mark Preston / Executive Producer. Props to Randy Haecker of Prime Mover Media!
Shades of Paul Gray Part One: https://youtu.be/UXQGpeA52Z8
Shades of Paul Gray Part Two: https://youtu.be/zEcO4A8U-M0
Alan Lefton is “The Constant Gardener!”
A devotee of Jack Bruce, for whom he composed liner notes on a live release by the iconic bassist, Alan Lefton has been on the bandstand most of his life, and continues to evolve one gig at a time!
Alan on Know Your Bass Player on Film Season Deux, New York City, Euphoria Studios, 2018
A dexterous finesse player, composer, multi-instrumentalist and yet another Queens, New York native who excels at his chosen instrument, Mark Polott has seen it all from the behind four strings: major label deals, tours with his rock mentors, club dates, sessions….
He is also the editor of Know Your Bass Player on Film! The anchor of Haystacks Balboa, Urban Blue, check out Mark’s Know Your Bass Player on Film Season Deux interview New York City 2019, New York City https://bit.ly/2FYXdpp
From his home in The Windy City, KYBP Chicago Bureau Chief recalls his performance with the “Father of Rock and Roll” – Charles Edward Anderson Berry! With Little Richard as the opening act, Chuck possibly mistakes Joe for Joey Spampinato who anchored Chuck and Keith Richards in the 1987 documentary Hail! Hail! Rock and Roll! upon Berry’s inspection of Gagliardo’s Danelectro – which was a nearly the same instrument used by the NRBQ bassist in the film.
“Oh I like that… The Zombies bass player!” The first time Chris White heard “She’s Not There” on broadcast media was on the BBC’s Juke Box Jury wherein guest panelist Beatle George Harrison praised the band and their bassist! The Zombies first recordings were helmed by a new kid in the studio who would go on to become a rock legend: Gus Dudgeon. From Terminal Studios in beautiful downtown Bermondsey UK, our first of a series of interview segments with producer / composer / bassist Chris White.
“It was like a cross between an ode and odyssey…” From Terminal Studios in beautiful downtown Bermondsey UK, our second in of a series of interview segments with producer / composer / bassist Chris White, who shares his recollections on one of the most iconic slabs in the history of rock and roll.
“I’m a songwriter who happens to play bass….”
In our third in a series of interviews with composer / bassist / producer Chris White from Terminal Studios in beautiful downtown Bermondsey UK, The Zombies bassist/composer (and Argent composer with Rod Argent) recalls writing “Hold Your Head Up” based on Jim Rodford’s permutated bassline from The Zombies classic “Time of the Season.” Following Chris’ interview, we include a clip from our 2014 Season One conversation at The Horn in St. Albans with the late Jim Rodford discussing the Argent hit and how he created the signature bass motif which inspired White and rocked a generation!
Mark Preston: “To have Chris White on film was very, very special to us, and to me on a deep personal level. I attended several moving performances of The Zombies Odessey and Oracle, including the historic 40th Anniversary show at Shepard’s Bush in 2008.
As we learn from our interview “A Butcher’s Tale” was composed by Chris, and it is an emotional recollection of how his family was affected in the Battle of Somme in World War One.
We conducted Chris interview on November 11 which is Armistice Day in England. Their holiday is similar to Memorial Day in the United States to honor fallen soldiers in past wars. Our cinematographer Derek Hanlon suggested that we post the Odessey and Oracle album on the wall behind Chris as visual backdrop. Before we started shooting our interview which was scheduled before noon, Chris asked me if we could pause for a moment of silence at the 11th hour of the 11th day of the 11th month to observe two minutes of silence as is custom.
Of course, we agreed. When the clock struck 11 in Room B at Terminal Studios in Bermondsey, we stopped shooting and all of us; including Bass Player editor Joel McIver, my partner Tom, Derek, Ollie our assistant, my wife Joanne, and Chris’ wife all stood in a circle with our heads bowed. Just seconds into our observance, the Odessey and Oracle album crashed to the floor. Chris opened his eyes and looked at me and I said “these things happen for a reason” and Chis said “yes they do…”
Here is our conversation with Chris!”
About Andrea Mina: From the Italian village of Armeno in the province of Novara – Andrea cites his influences as rock icons Steve Harris, Roger Glover, Steve DiGiorgio, and jazz / stuio masters Anthony Jackson, Gary Wills, Skuli Sverisson, and Hadrien Feraud
Proficient in many styles spanning metal, jazz, big band, rop, Celtic, and pop, Andrea has studied with Riccardo Fioravanti, Ramberto Ciammarughi, Mauro Negri, Andrea Pozza, and Mirko Puglisi, among others.
Among his current gigs include the progressive rock/metal band File System [https://filesystem.bandcamp.com] and with the jazz trio Bookhouse Boys.