Courtesy of Bay Area Bands Com
Coolest bass solo ever? You decide! Mario Cipollina “New Drug” https://youtu.be/0RidhyUlTzo
Most recognized for his tenure as the brooding bassist who anchored Huey Lewis & The News during their 1980s platinum run, Mario Cipollina also plied his craft quite impressively with his brother John for Quicksilver Messenger Service, Robert Hunter, Jonathan Cain, Tony Williams Lifetime (The Joy of Flying), Johnny Nitro, Bill Champlin, Nick Lowe & His Cowboy Outfit, and Melvin Seals, among others.
Beginning on upright bass at the tender age of seven, and turning to the electric at thirteen Mario draws his inspiration from classical music (his personal preference), Frank Zappa, Chick Corea, Led Zeppelin, Captain Beefheart, and Miles Davis.
A pocket player with a flair for rhythm & blues, Mario is still on the bandstand in his native Bay Area.
Mario Cipollina Sound & Vision…
Tony Williams and Ronnie Montrose: “Open Fire” https://youtu.be/u5ArggbPHLI
Huey Lewis “Working for a Living” https://youtu.be/lcIK3akktLU
Nick Lowe “I Knew the Bride When She Used to Rock and Roll” https://youtu.be/Kn1CXbf2xF8

Granted, the Allman Brothers and Lynyrd Skynyrd enjoyed more commercial success…. however Mobile Alabama’s Wet Willie were/are among the most soulful, hard-rocking, hard-working, and influential ensembles from the Southern rock genre which they helped establish in the 1970s.
Founding bassist Jack Hall, still going strong on the bandstand with his charismatic front-man brother Jimmy in a revamped line-up of Willie, is the consummate pocket-player working a funky disposition akin to the Motown, Muscle Shoals, Memphis Stax greats.
In addition to their rhythm & blues modus operandi, Wet Willie also distinguished themselves from the south of the Mason-Dixon Line motley with their female backing vocal duos, most notably Jim and Jack’s sister Donna Hall, along with Ella Brown Avery.
Jack Hall Sound & Vision…
“Grits Ain’t Groceries!” https://youtu.be/vUeXW7LeAig
“Keep On Smilin’” https://youtu.be/zLXRqWoWOuQ
“That’s All Right” https://youtu.be/2IfU3ZPiuLc


Millions grooved to his pounding bass lines blaring from FM radio in the late 1970s by way of his brief tenure in Foreigner.
“Feels Like The First Time” https://youtu.be/CK6jKL2qWxo?si=oFFdR88cqxZflcjX
“Cold As Ice” https://youtu.be/ySb1f9zWJkQ?si=ac_C6i-gSYeh051J
“Double Vision” https://youtu.be/dD-SpHH7qDA?si=ZiAyM5-rG8u7sdi1
The late Ed Gagliardi, who commandeered a Rickenbacker 4001 akin to his idol Sir Paul (he even played it lefty ala Macca despite the fact that he was right-handed), was a formidable upper register and counter-melodic player as evidenced on such deep album cuts including…
“Starrider” https://youtu.be/UNkwrKjYUmo
“Woman Oh Woman” https://youtu.be/kjjP8vDLefA
“Fool For You Anyway” https://youtu.be/WewBjxSdXRQ
“You Are All I Am” https://youtu.be/AzF7hCWNqIw
“Spellbinder” https://youtu.be/xxCwMgsHCLM
Following his dismissal from Foreigner Ed founded Spys with his former Foreigner keyboardist Al Greenwood, guitarist John DiGaudio, drummer Billy Milne, and singer John Blanco. Spys waxed two sides before calling it quits, prompting the Long Island native to leave the music biz.
Spys “She Can’t Wait” https://youtu.be/-Ocb7lvVW5E

To my ears, he is in the company of Jaco, James Jamerson, Sir Paul, and his mentor Aston “Family Man” Barrett, with whom he studied.
The bass half of the iconic duo Sly & Robbie: Mr. Shakespeare is among the most influential players ever on record, on stage, and in the studio as a sideman / collaborator / producer binging the artistry of dub and reggae bass to the masses.
A prolific recording artist, composer, electronics-effects innovator, and master of rhythm and space, among other titles, Robbie and his partner Sly Dunbar, aka The Riddim Twins, extended the rhythms and culture of Jamaica worldwide by way of their watershed collaborations with artists spanning Bill Laswell, Bob Dylan, Peter Tosh, Grace Jones, Yellowman, Gilberto Gil, Mick Jagger, Ian Dury, and Serge Gainsbourg, to cite a select few from thousands of records and session dates.
Among Robbie’s weapons of choice include Hofner 501, Steinberger XL, Fender Jazz bass, Schecter 8 string bass, and PRS.
Robbie was cited by this writer in Huffington Post for bassists deserving recognition in the Rock and Roll Hall of Fame: https://bit.ly/34DvZNz
And this writer was cited by the Jamaica Observer for citing Robbie as a bass player worthy of Rock and Roll Hall of Fame recognition! https://bit.ly/2z5FiKn
Dig Robbie live with Peter Tosh: https://youtu.be/S7wLnP8X3ZI
Dig Robbie with Grace Jones: “Night Clubbing” https://youtu.be/grJiFTEGWAg
Dig Robbie with Bob Dylan: https://youtu.be/1XSvsFgvWr0
Dig Robbie with Ian Dury: “Spasticus Autiscusis” https://youtu.be/UKnBgJG9A8E

“I’ll Take You There” …. “Kodachrome” …”Tell Mama” …”Rock Me On the Water”…
He anchored “The Swampers” aka the iconic Muscle Shoals Rhythm Section of Jimmie Johnson, Roger Hawkins and Barry Beckett on hundreds of recordings which shaped popular music in the 20th Century, and whose influence continues to resonate in the grooves of hip-hop, electronica, and contemporary rhythm and blues artists.
David Hood’s studio credits span seminal sides aplenty, including Etta James, Aretha Franklin, Cher, Laura Nyro, Paul Simon, Shelby Lynne, Linda Ronstadt, The Waterboys, Jose Feliciano, Rod Stewart, Herbie Mann, Bob Seger, Traffic, Leon Russell, Boz Scaggs, Glen Frey, and Candi Staton – to skim the surface.
Hood’s primary weapon of choice during his tenure with Muscle Shoals was a Fender Precision. A master of rhythm, space, and melody, his passage midway through the Staple Singers’ classic “I’ll Take You There” is considered the definitive R&B motif!
David career also includes production, composition, and arranging.
Be sure to check out David in the Muscle Shoals documentary from Magnolia Pictures https://youtu.be/jU09t0smAWI
David Hood Sound & Vision…
“I’ll Take You There” https://youtu.be/uY3vgBzgYn4
Rhymin’ Simon “Kodachrome” https://youtu.be/8rlDTK6QI-w
Etta James “Tell Mama” https://youtu.be/t_wbyv1TgIQ
Traffic live in 1972 https://youtu.be/ocjSc7v83pk
Linda Ronstadt “Rock Me on the Water” https://youtu.be/0_KvuFJZebs
Laura Nyro “Blackpatch” https://youtu.be/2f0MKzrfOgc
Cher “I Walk on Gilded Splinters” https://youtu.be/Wmvts0p1uL0
Boz Scaggs and Duane Allman “Loan Me a Dime” https://youtu.be/oTFvAvsHC_Y

“The Swampers”
Courtesy of Epiphone

Among the forgotten giants of rock music, the late Felix A. Pappalardi waxed history as a producer (Cream, The Youngbloods, among many others) and as a bassist with Mountain. Felix’s work in the studio helped usher in the “album rock” format – thereby affording rock musicians the level of artistic credibility associated with their jazz counterparts.
A classically trained, accomplished multi-instrumentalist, composer, vocalist, arranger, collaborator, recording artist – Pappalardi’s thick Gibson EB tone defined late 60s hard rock genres akin to his colleague Jack Bruce. Pappalardi was also an in-demand session cat for much of the 1960s as well, appearing on seminal sides by Tom Paxton, John Sebastian, and Jesse Colin Young, among others.
Felix Pappalardi Sound & Vision
Felix crooning “Theme from an Imaginary Western at the Cincinnati Pop Festival in 1970 https://youtu.be/iJDX-sYfJ_M
Tony Senatore renders Felix:
“Theme” https://youtu.be/w-993iJLGfA
“For Yasgur’s Farm” https://youtu.be/cIwGTL2UIr4
Tony Senatore: I was recently asked which of Felix Pappalardi’s bass lines best exemplify what he did best, which was playing melodically while being very well aware of the harmonic structure of the song. I decided it would be this one. Listen to the line over Leslie West’s solo…incredible! And I would say influenced by Bach.


When he first heard the Wilson Pickett Band on stage in a small New England town when he was 12, James Hutchinson knew exactly what he wanted to do in life!
A versatile multi-instrumentalist who doubles on upright, and extended range, Hutch plies his craft with an extensive array of tones and techniques to serve the singer and their songs – which is why he is among the elite session players of his generation.
Hutch was hatched in Lynn, Massachusetts, and as a young lad, he soaked up the sounds of the 60s folk boom in Cambridge and Sommerville. He honed his craft working in jam bands throughout the Bay Area, and Latin ensembles San Francisco’s Mission District wherein local legends Micky Hart (Grateful Dead) and John Cipollina (Quicksilver Messenger Service) took him under their respective wings. Cipollina tabbed John for his Copperhead debut slab and ensemble in 1970.
Spending significant time in Central America recording and doing live dates, Hutch landed in Austin with the fusion collective The Point – where they garnered the Top Jazz Group honors at the inaugural Austin Music Awards in 1977. There he met the Neville Brothers, who brought him to New Orleans wherein Hutch also such local acts as The Lastie Brothers, Professor Longhair, James Booker, Jesse Hill, Huey Smith, and The Wild Tchoupitoulas, among others. Hutchinson met Bonnie when the Neville Brothers opened for the Stones on their ‘82 tour, and the rest as they say, is Hutch history….
A first call session cat / sideman with Bonnie Raitt – he’s anchored her touring ensemble since 1983 or thereabouts. Hutch’s credits on stage and on record include the aforementioned Neville Brothers and their ‘Nawlins neighbors along with Brian Wilson, Ringo Starr, Jerry Lee Lewis, Stevie Nicks, CSN&Y, Al Green, Alejandro Escovedo, Jackson Browne, Joe Cocker, BB King, Merle Haggard, Eric Burdon, and Boz Scaggs, to cite a very, very, very few.
Among Hutch’s extensive bass collection is his beloved Signature Kala Electric U Bass.
Hutch Comments…
Jim Donavan: I was proud to work with him in 1999 on my 1st solo record. He’s the best, or at least in the top 5 ever, as far as i am concerned. and great stories come from him about other sessions, as he LIVES IN THE STUDIO. I sent Bonnie’s manager a tape right after she won the Grammies around 1990. Hutch told me later that the band loved like 5 different songs, and they fought for hours on which was best. they never could pick one, and she avoided them all, but the entire band respected me from that day on. I was going to record in NY, but was in LA, and offered a great deal at a studio owned by thew drummer of a harpist old buddy, Jimmy Wood. So i found out they have hutch’s number, they call him up, he says he doesnt know me, but shows up. once he sees me, he starts laughing, hugs me, says he is bad on names. We start trading stories -he had done the Bon Jovi gtrist 1st solo record, a real winner, and i shocked him by telling him that was what were chasing that day, that audience, that this was not a blues session, that i need him for hard rock. He grinned, admitted he doesnt get to do this often enough, and we rocked! See, he knew i was a bassist, with a ruined left shoulder/left elbow, and made sure I would love his work that day. When he asked about pay, i asked him if he didnt mind taking rolled up quarters. he looked at me like you gotta be kidding, which i was, lol. Then i pulled out my roll, and he laughed. See, a bassist will work hard for another bassist, but nobody wants to a wheelbarrow full of quarters. Hutch reads music, writes music and lives it!
David Fraser: Hutch is simply the best! Soulful, Smooth, Dedicated, Smart and a great guy too!

Courtesy of Kala Bass
Hutch Sound & Vision…
Bonnie Raitt:
“Right Down the Line” https://youtu.be/-T_aMNbXVdA
“Gypsy in Me” https://youtu.be/MzNSgAQR9yg
“Two Lights in the Nightmare” https://youtu.be/DxivzvshehE
“Unintended Consequence of Love” https://youtu.be/Aq62G_2iQVU
“Thing Called Love” https://youtu.be/krF6LpUXODc
“Love Sneakin’ Up Behind You” https://youtu.be/74JyGKvfAp0
“Burning Down the House” https://youtu.be/eqJcCmxZYdM
Copperhead “Kamakaze” https://youtu.be/w3bXsDtTlcA
Dig Hutch on the Kala with Abraham Laboriel, Steve Baily, and Bathiki Kumalo https://youtu.be/xXKMo0cAujo
Hutch talks U Bass https://youtu.be/doKO0XdqjHM
Eric Burdon “Soul of a Man” https://youtu.be/yGBmDUU4NFM
Boz Scaggs “Some Change” https://youtu.be/EaQ8H729kBE
Roy Orbison “You’re The One” https://youtu.be/2u6lNOgZgJY
Ringo “Weight of the World” https://youtu.be/k_S77XSXDe8

Courtesy of Bonnie Raitt Com

He is among the stellar UK bassists whose work helped establish London’s groovin’ acid-jazz movement of the ‘90s, incorporating old-school soul, funk, and disco into passages that (literally) moved a generation!
A writer, composer, solo recording artist, session player, and arranger, among other titles: Richard Searle anchored London glam revivalists Doc & The Medics, and later, acid-jazz masters Corduroy. A cat after my own heart who draws from late 60s rhythm & blues – Searle sears through the changes akin to James Jamerson and Jerry Jemmott with elastic passages that traverse the bar line.
Among Richard’s high-profile studio credits include Chris Difford (Squeeze), The Free Stylers, and Soul Hooligan. As a producer he’s guided such indie artists as Smashing Time, Lord Large, and Standing Eight Counts, among others.
In 2018 Corduroy re-united to wax Return of the Fabric Four including their humorous video “Saturday Club” https://youtu.be/0LcglN-YWhk They continue to perform live into the 2020s…..
Among Richard’s weapons of choice include Danelectro, Fender Jazz, and Rickenbacker basses.
Richard Searle Sound & Vision…
Richard with Lord Large on Paul Weller’s “Left and Right Centre” https://youtu.be/26_hxMw3qaU
Richard with Doc & The Medics on their smash hit rendition of Norman Greenbaum’s “Spirit In the Sky” https://youtu.be/VrUoDdS8lBc
Corduroy “Saturday Club” https://youtu.be/0LcglN-YWhk
Richard as heard on Corduroy’s masterpiece Dad Man Cat waxed in 1992.
“Chowdown” https://youtu.be/_k8KAZKMMVU
“Long Cool & Bubbly” https://youtu.be/QHaLWjKT4Zc
“Frug in G Major” https://youtu.be/QQxG-TAyRgs
“Ponytail” https://youtu.be/YV2I5kusXj4

Photo courtesy of Save me SanFrancisco Com


