Rick with Small Faces

More than a feeling? It was one of those rare times in life when you hear a record for the first time and your jaw drops! How did they do that?
In the summer of ’76, the multi-layered sonic resonance of Tom Scholz’s guitar blaring from FM radios begat an American rock ‘n’ roll revolution. Though reviled by snobbish rock journos – players dug the production, song-craft, and musicianship. As did the public which pushed Boston’s debut slab to 17 x Platinum.
On their watershed debut, mastermind Tom Scholz doubled on bass, save for two tracks waxed by Fran Sheehan. With passages that exuded harmonic finesse by way of upper register motifs, and soulful rhythms among the barrage of harmonies and studio enhanced soundscapes, the Scholz / Sheehan bass duopoly was a force to be reckoned with.
Fran Sheehan Sound & Vision…
Fran’s major 10th motifs, glissandos “Let Me Take You Home Tonight” https://youtu.be/1ZQbJ73GgZ8
“Foreplay” https://youtu.be/TnwqUEelQjE
Boston Live 1979, Giants Stadium, New Jersey https://youtu.be/7SSrZjSoRj4

Photo courtesy of Steve Harley Com

A valued sideman and solo recording artist, the late Rob Wasserman was a dexterous player whose upright prowess excelled in situations where an electric bass would have likely been the first choice!
Rob’s amazing body of work spanned Van Morrison, Lou Reed, Bob Weir & Ratdog, Jerry Garcia, Rickie Lee Jones, Brian Wilson, and Aaron Neville, to cite a select few.
He garnered Grammy nominations for his groundbreaking Duets (1988) album, and Downbeaat cited his debut slab Solo as Record of the Year in 1983.
Rob Wasserman Sound & Vision…
“Ballad of the Runaway Horse” https://youtu.be/TwXlyl2JxYE
With Bob Weir & Ratdog Live 2012 https://youtu.be/iwtlvtw22sI
With Lou Reed performing New York in 1989 https://youtu.be/zy7caDxIexo

Courtesy No Doubt Com
A versatile player given to grooves which draw from reggae, ska, rock, soul, funk, punk, disco, and permutations thereof, Tony Ashwin Kanal is best known, no doubt, for his tenure in No Doubt.
An accomplished bassist, producer, and composer, Tony commenced his musical journey as a saxophonist, then switched to electric bass during his high school years.
Outside of ND, Kanal’s most notable busman holidays include Pink’s Funhouse (2008), the soundtrack to 50 First Dates (2004), Elan Atias (Together As One), and solo platters by his bandmate Gwen Stefani, to cite a few. In 2017 Kanal founded a punk / new wave collective which works under the moniker Dreamcar.
Kanal’s main weapon of choice are Yamaha basses.
Tony Kanal Sound & Vision….
“Just A Girl” https://youtu.be/PHzOOQfhPFg
“Don’t Speak” https://youtu.be/TR3Vdo5etCQ
“Hella Good” https://youtu.be/QtTj4cramPM
“Oi to the World” https://youtu.be/ZFLExwIQKto
Dreamcar “Kill for Candy” https://youtu.be/sj_fc6bG8aE


“Brandy, you’re a fine girl, what a good wife you would be, but my life, my lover, my lady, is the sea….”
My guess is that the Looking Glass singer forsook the above referenced ingénue in favor of nonreproductive romantic inclinations on various ships and foreign shores.
Regardless of which way(s) your sails blow, the late Pieter Sweval was a capable, pocket bassist anchoring one-hit wonder Looking Glass, and hard rock popsters Starz.
Pieter Sweval Sound & Vision…
Looking Glass on “Brandy” https://youtu.be/DVx8L7a3MuE
Starz “Fallen Angel: https://youtu.be/24iMWfiKcDM

Courtesy of Richard Davis Com
As one of the world’s premier bass players, Davis’s music has touched the lives of countless fans, and his teaching has inspired generations of students in the classroom as well as with the Richard Davis Foundation for Young Bassists, Inc., which provides musical instruction for financially challenged youth. While the jazz master and professor could’ve ended his renowned biography there, his passion for social justice, for the healing of racism, has changed the lives of those who have accepted his invitation to open their hearts, minds and spirits to the history and pathology of racism within.” Neil Heinen, Madison Magazine
A master jazz and classical bassist (Leonard Bernstein), solo recording artist, composer, collaborator, and educator at the University of Wisconsin in Madison; Richard Davis’ body of work as sideman span important, watershed recordings by Eric Dolphy, Ahmad Jamal, Kenny Burrell, Tony Williams, Andrew Hill, Thad Jones / Mel Lewis Orchestra, George Benson, Stan Getz, Rahsaan Roland Kirk, and Billy Cobham to cite a select few.
Davis began his career as a bassist in high school. A member of the Chicago Youth Symphony Orchestra, Richard migrated to New York City in the 1950s, and anchored Sarah Vaughan’s ensembles.
Richard served as the rhythmic and melodic foil for Van Morrison on one pop music’s greatest recordings, Astral Weeks (1968). He also worked with pop artists Bruce Springsteen, Laura Nyro, and Frank Sinatra. In 1977 Davis commenced his career as a jazz instructor at University of Wisconsin-Madison.
Richard Davis Sound & Vision….
Van Morrison “Madame George” https://youtu.be/FjSzsu9y9gY
Bruce Springsteen “Meeting Across the River” https://youtu.be/c6OAtvjSf1Y
Richard Davis / Elvin Jones “Shiny Stockings” https://youtu.be/FTnrNqCoFeQ
Richard Davis “What’d Ya Say” https://youtu.be/s_d1GIsXmDM
Richard Davis “Now’s The Time” https://youtu.be/0JdvW-1g3-4
Eric Dolphy “Something Sweet Something Tender” https://youtu.be/rUNDPUIac4E


His slap/pop groove on “Glide” was a rite of passage for bassists of my generation.
A first call session cat, producer, and composer; Nathaniel Phillips co-founded the funk powerhouse Pleasure, and plied monster grooves for artists spanning Ronnie Laws, Roy Ayers, Jeff Lorber, Idris Muhammad, Herb Albert, Stevie Wonder, Bob James, En Vogue, and Toni Braxton to cite a select few.
Nathaniel Phillips Sound & Vision…with Pleasure
“Glide” https://youtu.be/uo9u0vtOqHw
“Joyous” https://youtu.be/ezRwtHlQoM4
Courtesy of Janice Marie Johnson FB
Janice Marie Johnson FB
Courtesy Janice Marie Johnson FB
Busta Jones and Chris Spedding
By Tom Semioli
Back in the late 1970s – early 80s, the late Busta “Cherry” Jones was a first call session cat / side-man, plying funk fueled lines with a mastery of rhythm, space, harmony – rendered with fat P bass tone. A showman, composer, solo recording artist, and collaborator; Mr. Jones distinguished himself on several seminal sides of his era including My Life in the Bush of Ghosts (1981) and The Name of this Band is Talking Heads (1982), among others. He followed Andy Fraser in Sharks, anchored a killer live trio platter with Chris Spedding (Friday the 13th); and worked with Gang of Four, Eno, Robert Fripp, and The Ramones, to cite a select few.
Dig Busta on “You Keep Making Me Hot” https://youtu.be/KwvpyQ8wUR0
Dig Busta with The Talking Heads https://youtu.be/GQo1YK3I0BY
Dig Busta with Eno & Byrne “Regiment” https://youtu.be/wtWFyiZITew