David Gilmour


By the way, which one’s Pink?  With his former Joker’s Wild bandmate Rick Wills in the bass chair, David Jon Gilmour CBE waxed a classic slab whilst his Floyd co-workers were on hiatus in 1978. 

An in-demand session cat with Roxy Music, Kevin Ayers, Small Faces, and Peter Frampton, among others, Wills colored his warm, classic Fender Precision tone with flange and chorus as he plied fine counterpoint and harmonic extensions to enhance David’s guitar mastery.  

Of all the Pink Floyd solo slabs, this is the best, and would have made a remarkable Floyd album if only…

Dig Rick Wills on “Mihalis” https://bit.ly/2PQJUZl


Rick with Small Faces Rick with Small Faces

Rick with Small Faces

Fran Sheehan (Boston)

More than a feeling? It was one of those rare times in life when you hear a record for the first time and your jaw drops! How did they do that?

 

In the summer of ’76, the multi-layered sonic resonance of Tom Scholz’s guitar blaring from FM radios begat an American rock ‘n’ roll revolution. Though reviled by snobbish rock journos – players dug the production, song-craft, and musicianship. As did the public which pushed Boston’s debut slab to 17 x Platinum. 

 

On their watershed debut, mastermind Tom Scholz doubled on bass, save for two tracks waxed by Fran Sheehan. With passages that exuded harmonic finesse by way of upper register motifs, and soulful rhythms among the barrage of harmonies and studio enhanced soundscapes, the Scholz / Sheehan bass duopoly was a force to be reckoned with. 

 

Fran Sheehan Sound & Vision

 

Fran’s major 10th motifs, glissandos “Let Me Take You Home Tonight” https://youtu.be/1ZQbJ73GgZ8

 

“Foreplay” https://youtu.be/TnwqUEelQjE

 

Boston Live 1979, Giants Stadium, New Jersey https://youtu.be/7SSrZjSoRj4

 

 

George Ford (Steve Harley)

Photo courtesy of Steve Harley Com Photo courtesy of Steve Harley Com

Photo courtesy of Steve Harley Com

Says composer, recording artist, visual artist, bon vivant, and renown Mott the Hoople keyboardist Morgan Fisher …. “George Ford, brother of superstar Emile Ford …he was the smoothest, nicest bassist – and man -I have ever met. [George] played with Al Stewart, and Medicine Head – with whom I played – and later The Shadows! One of nature’s gentlemen and it really showed in his always-delicious bass lines.”

A soulful pocket player, the late George Ford also plied his craft with The Checkmates with Emile, The Ferris Wheel, Cherry Vanilla, Cliff Richard, Linda Lewis, The Shadows and Steve Harley, among others.

George Ford Sound & Vision

Dig George with The Shadows “It Don’t Matter Anymore” https://youtu.be/f8pijUiRHE0

Dig George with Al Stewart “Year of the Cat” https://youtu.be/Ak_MTXQALa0

George with Steve Harley “Psychomodo” https://youtu.be/l–V7zAIfsc

Rob Wasserman (Bob Weir, Lou Reed)

A valued sideman and solo recording artist, the late Rob Wasserman was a dexterous player whose upright prowess excelled in situations where an electric bass would have likely been the first choice!  

 

Rob’s amazing body of work spanned Van Morrison, Lou Reed, Bob Weir & Ratdog, Jerry Garcia, Rickie Lee Jones, Brian Wilson, and Aaron Neville, to cite a select few.

 

He garnered Grammy nominations for his groundbreaking Duets (1988) album, and Downbeaat cited his debut slab Solo as Record of the Year in 1983. 

 

Rob Wasserman Sound & Vision…

 

“Ballad of the Runaway Horse” https://youtu.be/TwXlyl2JxYE

 

With Bob Weir & Ratdog Live 2012 https://youtu.be/iwtlvtw22sI

 

With Lou Reed performing New York in 1989 https://youtu.be/zy7caDxIexo

Tony Kanal (No Doubt)

Courtesy No Doubt Com

 

A versatile player given to grooves which draw from reggae, ska, rock, soul, funk, punk, disco, and permutations thereof, Tony Ashwin Kanal is best known, no doubt, for his tenure in No Doubt.

 

An accomplished bassist, producer, and composer, Tony commenced his musical journey as a saxophonist, then switched to electric bass during his high school years.

 

Outside of ND, Kanal’s most notable busman holidays include Pink’s Funhouse (2008), the soundtrack to 50 First Dates (2004), Elan Atias (Together As One), and solo platters by his bandmate Gwen Stefani, to cite a few. In 2017 Kanal founded a punk / new wave collective which works under the moniker Dreamcar.

 

Kanal’s main weapon of choice are Yamaha basses.

 

Tony Kanal Sound & Vision….

 

“Just A Girl” https://youtu.be/PHzOOQfhPFg

 

“Don’t Speak” https://youtu.be/TR3Vdo5etCQ  

 

“Hella Good” https://youtu.be/QtTj4cramPM

 

“Oi to the World” https://youtu.be/ZFLExwIQKto

 

Dreamcar “Kill for Candy” https://youtu.be/sj_fc6bG8aE

 

Pieter Sweval (Looking Glass, Starz)

 

“Brandy, you’re a fine girl, what a good wife you would be, but my life, my lover, my lady, is the sea….”

 

My guess is that the Looking Glass singer forsook the above referenced ingénue in favor of nonreproductive romantic inclinations on various ships and foreign shores.

 

Regardless of which way(s) your sails blow, the late Pieter Sweval was a capable, pocket bassist anchoring one-hit wonder Looking Glass, and hard rock popsters Starz.

 

Pieter Sweval Sound & Vision…

 

Looking Glass on “Brandy” https://youtu.be/DVx8L7a3MuE

 

Starz “Fallen Angel: https://youtu.be/24iMWfiKcDM

 

Richard Davis (Van Morrison, Eric Dolphy, Bruce Springsteen)

 

Courtesy of Richard Davis Com

 

As one of the world’s premier bass players, Davis’s music has touched the lives of countless fans, and his teaching has inspired generations of students in the classroom as well as with the Richard Davis Foundation for Young Bassists, Inc., which provides musical instruction for financially challenged youth. While the jazz master and professor could’ve ended his renowned biography there, his passion for social justice, for the healing of racism, has changed the lives of those who have accepted his invitation to open their hearts, minds and spirits to the history and pathology of racism within.” Neil Heinen,  Madison Magazine

 

A master jazz and classical bassist (Leonard Bernstein), solo recording artist, composer, collaborator, and educator at the University of Wisconsin in Madison; Richard Davis’ body of work as sideman span important, watershed recordings by Eric Dolphy, Ahmad Jamal, Kenny Burrell, Tony Williams, Andrew Hill, Thad Jones / Mel Lewis Orchestra, George Benson, Stan Getz, Rahsaan Roland Kirk, and Billy Cobham to cite a select few.

 

Davis began his career as a bassist in high school. A member of the Chicago Youth Symphony Orchestra, Richard migrated to New York City in the 1950s, and anchored Sarah Vaughan’s ensembles. 

 

Richard served as the rhythmic and melodic foil for Van Morrison on one pop music’s greatest recordings, Astral Weeks (1968).  He also worked with pop artists Bruce Springsteen, Laura Nyro, and Frank Sinatra. In 1977 Davis commenced his career as a jazz instructor at University of Wisconsin-Madison. 

 

Richard Davis Sound & Vision….

 

Van Morrison “Madame George” https://youtu.be/FjSzsu9y9gY

 

Bruce Springsteen “Meeting Across the River” https://youtu.be/c6OAtvjSf1Y

 

Richard Davis / Elvin Jones “Shiny Stockings” https://youtu.be/FTnrNqCoFeQ

 

Richard Davis “What’d Ya Say” https://youtu.be/s_d1GIsXmDM

 

Richard Davis “Now’s The Time” https://youtu.be/0JdvW-1g3-4

 

Eric Dolphy “Something Sweet Something Tender” https://youtu.be/rUNDPUIac4E

 

Nathaniel Phillips (Pleasure)

 

His slap/pop groove on “Glide” was a rite of passage for bassists of my generation.

A first call session cat, producer, and composer; Nathaniel Phillips co-founded the funk powerhouse Pleasure, and plied monster grooves for artists spanning Ronnie Laws, Roy Ayers, Jeff Lorber, Idris Muhammad, Herb Albert, Stevie Wonder, Bob James, En Vogue, and Toni Braxton to cite a select few.

Nathaniel Phillips Sound & Vision…with Pleasure 

“Glide” https://youtu.be/uo9u0vtOqHw

“Joyous” https://youtu.be/ezRwtHlQoM4

“Take a Chance” https://youtu.be/4sz8QBYEnsQ
“Sasafrass Girl” https://youtu.be/4XdA1fET2LI

Janice Marie-Johnson (A Taste of Honey)

Courtesy of Janice Marie Johnson FB Courtesy of Janice Marie Johnson FB

Courtesy of Janice Marie Johnson FB

An engineer left the tape rolling during a pre-session warm-up, and recorded the bass break that afforded Janice Marie Johnson renown as the sultry slap and pop diva on the dance classic “Boogie Oogie Oogie”

“Boogie Oogie Oogie” https://youtu.be/PhD58dP9kq8

A versatile singer, composer, bassist, Janice anchored disco / contemporary R&B ensemble A Taste of Honey (1978 Best New Artist Grammy) for a few platters and singles, most notably the aforementioned anthem and hits such as “Do It Good,” and “Sukiyaki.” Far from a one-trick disco pony, Janice and TOH were a dexterous collective, traversing soul, funk, traditional ballads, MOR, rock, and permutations thereof.

Raised in a musical family, Janice started her career as a jazz singer in her native Los Angeles. She gravitated to the instrument as a college student – and was a natural. Given her dexterity on the instrument, Janice is the consummate song player – every note counts, and serves the melody and groove. She’s been photographed with a variety of instruments, however KYBP digs Janice with her vintage Fender Jazz basses!

Janice Marie Johnson FB Janice Marie Johnson FB

Janice Marie Johnson FB

Following A Taste Of Honey’s initial commercial decline, she waxed a fine slab in 1984 aptly titled One Taste of Honey. Janice is still on the bandstand, slappin’…poppin’…singin’…tearin’ it up!

“Do It Good” https://youtu.be/PhD58dP9kq8

“Sukiyaki” https://youtu.be/xqFkUNqBwMw

“Rescue Me” https://youtu.be/8yKUHb38liY

“Last Chance Romeo” https://youtu.be/xpoHtlnc4DY

Courtesy Janice Marie Johnson FB Courtesy Janice Marie Johnson FB

Courtesy Janice Marie Johnson FB

Busta Jones (Talking Heads, David Byrne & Eno)

Busta Jones and Chris Spedding Busta Jones and Chris Spedding

Busta Jones and Chris Spedding

By Tom Semioli 

 

Back in the late 1970s – early 80s, the late Busta “Cherry” Jones was a first call session cat / side-man, plying funk fueled lines with a mastery of rhythm, space, harmony – rendered with fat P bass tone. A showman, composer, solo recording artist, and collaborator; Mr. Jones distinguished himself on several seminal sides of his era including My Life in the Bush of Ghosts (1981) and The Name of this Band is Talking Heads (1982), among others. He followed Andy Fraser in Sharks, anchored a killer live trio platter with Chris Spedding (Friday the 13th); and worked with Gang of Four, Eno, Robert Fripp, and The Ramones, to cite a select few.

 

Dig Busta on “You Keep Making Me Hot” https://youtu.be/KwvpyQ8wUR0

 

Dig Busta with The Talking Heads https://youtu.be/GQo1YK3I0BY

 

Dig Busta with Eno & Byrne “Regiment” https://youtu.be/wtWFyiZITew