
Gary also anchored a version of Adam & The Ants replete with the obligatory tarted up New Romantic jim-jams, and also helmed seminal sides by Brian May, Corey Hart, The Vibrators, Kristy MacColl, and Hazel O’Connor, to cite a fringe few.
Gary Tibbs Sound & Vision…
“Ant Rap” Notes bassist, author Robert Burke Warren:
“The only Roxy bassist to be immortalized in an Adam & The Ants song!” https://youtu.be/B4z__lCCBX0
The Vibrators “Automatic Lover” https://youtu.be/_HWieMCKxt0


Photo by Jamie Moroni
Given John Ashton’s idiosyncratic sonic soundscapes, and inventive chord inversions (akin to the masters George Harrison, Mick Ronson, Johnny Marr), coupled with contrapuntal plinkery from an array of keyboardists, and further enhanced by Duncan Kilburn / Mars Williams’ sax-y countermelodies beneath Richard Butler’s signature sand and glue croon– somebody in the bleedin’ Psychedelic Furs had to render the root notes!
Enter founding bassist Tim Butler, who did just that on a variety of instruments (Fender, MusicMan, Ibanez, Zon, among others) occasionally abetted with subtle effects and varying rhythms throughout several superb slabs. In the 21st Century (or what’s left of it) The Furs are back in business sans Ashton, go figure, however their golden era remains relevant. Among rock’s most underappreciated ensembles….
Tim Butler Sound & Vision…
Psychedelic Furs:
“Come All Ye Faithful” https://youtu.be/IID_yINv42s
“Shock” https://youtu.be/KHTanWoS5iM
“Until She Comes” https://youtu.be/dNEDY9I_wOk
“Angels Don’t Cry” https://youtu.be/XU65Y4gTUYo
“All That Money Wants” https://youtu.be/Gti22zo6sm0
“Pretty In Pink” https://youtu.be/RuWmsg-ihLg
“Shine” https://youtu.be/xZjTwh-WGBo
Love Spit Love:
“Half a Life” https://youtu.be/kKGa_P-GZMk

“A goddess on a mountain top was burning like a silver flame…”
Formed in The Hague in 1967 as a blues outfit, Nederbeat rockers Shocking Blue hit the charts when they enlisted racoon eyed singer Mariska Veres and turned psychedelic in ‘69, waxing a series of groovin’ slabs and singles which sold in the millions.
A Fender Precision plectrum purveying pocket player Klaasje Van Der Wal anchored such memorable hits as “Never Marry a Railroad Man,” “Send Me a Postcard,” “Mighty Joe,” “Love Buzz” and the iconic “Venus” among others. As their popularity faded in the early 70s, the members went their separate ways save for a few scattered reunion shows in the early ‘80s and recordings which never saw commercial release. Alas, with the passing of Van Der Wal in 2018, no primary member of Shocking Blue traverses this mortal coil…
Dig Klassje and Shocking Blue…
“Venus” https://youtu.be/aPEhQugz-Ew
“Never Marry a Railroad Man” https://youtu.be/amFm3Ihosig
“Love Buzz” https://youtu.be/QaPL8UsTR1Q
“Send Me a Postcard” https://youtu.be/upO7h5FsIYI
Mighty Joe” https://youtu.be/zHub01jVQ3M

“The music we make is a reflection of our time. The past we dare not forget and the future, that – that we must learn to. Our duty to those who come after us and the richness of our lives today. We try to give from what we get.” Rosko Gee
Jamaican born bassist Rosko Gee was a go-to session cat on the 1970s London scene when reggae inspired everyone from classic rockers to the punks.
A fluid, soulful player with a blunt tone given to melodic and pocket passages, Gee anchored several seminal slabs with Traffic, Go – featuring Stomu Yamashta, Michael Shrieve, and Steve Winwood; Johnny Nash, Rebop, Can, Jim Capaldi, and Vivian Stanshall, among others.

Rosko Gee Sound & Vision…
Rosko with Traffic: Woodstock ‘94 https://youtu.be/N0tf8FIPZsw
“Dream Gerrard” https://youtu.be/KMYUSnecC58
Go “Crossing the Line” https://youtu.be/T3lDZ9MPFLs
Rosko with Johnny Nash “Tears on My Pillow” https://youtu.be/nXvQvSxeCSA
Rosko & The Hooded Ones “Volcano” https://youtu.be/-uhBOx-lZGI
Photos courtesy of Rosko Gee Facebook Page

Courtesy of Flamin’ Groovies Com
Joe Farrell’s ’70 solo bow is a masterful meld of post-bop and jazz fusion. Released three times with three different album designs and titles – Farrell, on tenor and soprano, enlists simpatico collaborators John McLaughlin, Chick Corea, Jack DeJohnette, and bassist Dave Holland on this entrancing song-cycle. With McLaughlin and Farrell moving in tandem, to my ears, this ensemble waxed the finest rendition of John’s iconic “Follow Your Heart.” Holland enhances every cut with his usual harmonic / rhythmic genius.

A young Marcus Miller learned his bassline to “The Bottle” note for note!
The words of the great American poet, activist and musical pioneer Gil-Scott Heron resonate as profoundly today as they did four decades ago. And so does the work of Danny Bowens, who anchored Gil’s watershed collaborations with Brian Jackson, working the pocket with his Fender Jazz and a decidedly funky disposition.
During his time at Lincoln University in the late 60s, Bowens picked up the bass from his college roommate and soon after he was a working musician on the world stage with Gil and Brian’s Midnight Band. Among his admirers included Stanley Clarke, George Benson, Richard Pryor (who booked them on Saturday Night Live), and Stevie Wonder.
When The Midnight Band split, Danny studied with Marshall Hawkins and Keter Betts (Miles Davis, Ella Fitzgerald) and Charles Fambrough (McCoy Tyner, Freddie Hubbard, Grover Washington, Jr.). Among the artists he has worked with include Kenny Barron, Esther Phillips, and Jack McDuff. Danny is also a composer, and solo recording artist – mostly working in Gospel music.
Dig a few of Danny’s signature passages:
“The Bottle” https://youtu.be/EdhoX1Xu6ZI
“Ain’t No Such Thing as Superman” https://youtu.be/2PTyTqdxwqQ
“New York City” https://youtu.be/hbHtU4-Vlqg
“It’s Your World” https://youtu.be/mZ9VxLqkHso
