
Courtesy of DeTempe Guitars
An in-demand, versatile session cat and bandmember with artists spanning Richard Thompson, Randy Newman, Buddy Guy, Heather Nova, Sheryl Crow, Lucinda Williams, Elton & Leon, Katy Sagal, Chuck Prophet, Wanda Jackson, Abra Moore, Shelby Lynne, Buddy Guy, Cracker and Rachel Yamagata, to cite a few….Davey Faragher’s main gig for the past two decades has been anchoring Elvis Costello’s Imposters.
Faced with the daunting task of replacing Bruce Thomas in Declan’s main backing ensemble, Davey afforded his bandleader a soulful, rhythm and blues foundation as heard on such fine patters as The Delivery Man (2004), Momofuku (2008) and National Ransom (2010).
Davey’s weapons of choice are usually vintage (and vintage style) Fender Precision, DeTemple Hofner, and Dan Armstrong basses.
Davey Faragher Sound & Vision….
Cracker: “Teen Angst” https://youtu.be/2nqUU7nxUVY
John Hiatt: “Little Head” https://youtu.be/rIjOASSmtD0
Elvis & The Imposters:
“Delivery Man” https://youtu.be/oUcaJEbXAkM
“Monkey to a Man” https://youtu.be/QsAe1X1gNzA


A legend…an icon of the instrument!
If you grew up in the era of classic AM / FM radio, you grooved to Bob Babbitt, but you were likely unaware of the name…or his legacy!
Babbitt (born Robert Andrew Kranier) got his start in show biz as a professional wrestler! In the 1960s, Babbitt and James Jamerson alternated sessions with the top Motown artists until the imprint migrated to Los Angeles in the early 70s.
Rather than make the move out west, Bob settled in New York city and quickly became a first call session cat thanks to his Detroit pedigree. Babbitt also worked sessions in Philadelphia wherein he was instrumental (pun intended) in the city’s signature sound.
A member of the Music City Walk of Fame, Bob is featured prominently in the film Standing In the Shadows of Motown (2002). You can also catch a rare glimpse of Bob in action in Tim Curry’s campy music video “I Do the Rock” (see below).
Bob’s weapon of choice was the Fender Precision and Phil Jones amplification.
Here’s Bob discussing his PJB gear: https://youtu.be/bOJqv9i5AXw (Follow the thread for the Three Part interview)
Bob Babbitt Sound & Vision…..
Edwin Starr “War” https://youtu.be/gKAM1NfMXY8
Jim Croce “I Got a Name” https://youtu.be/EG6ZlCpfVvU
The Temptations “Ball of Confusion” https://youtu.be/iYAEhgLgddk
Stevie Wonder “Signed Sealed Delivered” https://youtu.be/6To0fvX_wFA
Main Ingredient “Just Don’t Want to Be Lonely” https://youtu.be/2xMMZfLTkXA
Freda Payne “Band of Gold” https://youtu.be/daxiMb0rITA
Gladys Night & The Pips “Midnight Train to Georgia” https://youtu.be/A0F9lh8TiSM
Marvin Gaye “Inner City Blues” https://youtu.be/57Ykv1D0qEE
Jimi Hendrix “Crash Landing” https://youtu.be/LnG6qXE7xWk
Tim Curry “I Do the Rock” https://youtu.be/kXPCsaO_55o
The Capitols “Cool Jerk” https://youtu.be/R73iEOvkr10
Dig this performance of “Scorpio” at NAMM Nashville 2004 https://youtu.be/Lq-ATlSd-A8
Recorded live in 2004 at Summer NAMM in Nashville and now available from www.earwavemusic.com as a bonus cut on the DVD “The Day The Bass Players Took Over The World.” “Scorpio” was originally recorded by Dennis Coffey and the Detroit Guitar Band, featuring legendary Detroit (and NYC, Philly, and Nashville) session bassist Bob Babbitt, was an instrumental hit in the early 70s, “Scorpio” has perhaps the longest bass solo on a pop hit ever, nearly half its 4 minute length. This live version features Bob as special guest, sitting in with Dave Pomeroy and the All-Bass Orchestra. Dave Pomeroy and Roy Vogt are playing piccolo and piccolino basses made by R.M. Mottola, a Massachusetts luthier, as part of a “family” of four basses, one with normal tuning, one up an octave (piccolo) and a pair up two octaves (piccolino). The All Bass Orchestra includes (L-R) Rick Taylor, Roy Vogt, Charlie Chadwick (upright) Dave Pomeroy, Dave Roe (upright) Bob Babbitt, Paul Arntz, Jackie Street. copyright 2012 by earwave music.

Allan Dias anchored PiL’s pinnacle recordings during his 1986-92 tenure wherein Mr. Lydon gravitated towards a more commercial “alternative dance” posture.
Utilizing his formidable reggae rhythmic and harmonic chops coupled with a warm tone and economic groove passages – Dias’ work on Happy?, 9, and That What is Not seamlessly bridged world and punk.
In addition to his PiL pedigree, Allan worked with Sun Ra’s Dawson Miller, Pharoah Sanders, James Blood Ulmer, and helmed his own ensembles, among other musical endeavors. Among Dias’ weapon of choice during his PiL days was the Steinberger XL.
Nowadays Allan is a long distance runner!
Allan Dias Sound & Vision…
“Disappointed” https://youtu.be/b6Bv887-JlM
“Seattle” https://youtu.be/bFOjktDN0IA

Living Colour’s mainstream meld of metal, funk, jazz fusion and permutations thereof coupled with their socio-political libretto made Vivid (1988) one of the most influential slabs of its generation, and though commercial success did not ensue on following releases, the lads never wavered in their boundary stretching artistry.
Founding bassist Muzz Skillings is a genre traversing player, plying supportive and counter-melodic passages in the service of the songs.
A composer, singer, and guitarist, Muzz has led his own ensembles (Medicine Stick) and appeared on fine slabs by John Tiven, Alan Merrill, Wilson Pickett, and Robert Plant to cite a few.
Muzz Skullings Sound & Vision …
“Cult of Personality” https://youtu.be/7xxgRUyzgs0
“Love Rears Its Ugly Head” https://youtu.be/MQcPB1WkISI


From the experimental mish-mash of Trout Mask Replica (1969) to the overtly commercial yearnings of Unconditionally Guaranteed (1974), Rockette Morton (born Mark Boston) served as the anchor of Captain Beefheart’s legendary Magic Band in its second (or third) incarnation, depending on which history books you refer to.
Dig Rockette on “The Spotlight Kid” https://youtu.be/y9XRgzHwNqI
A guitarist, composer, solo recording artist, and bandleader Rockette was a pocket and countermelodic player who helped the late great Don Van Vliet stretch the parameters of rock, and then some.
Following Beefheart, Rockette rocked with ex-Magic Band mates in Mallard, among other endeavors – including a Beefheart repertory ensemble.
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Courtesy of Electric Prunes 67 Com
The minute you walk in the room I break into a sweat. My hands begin to shake so bad I can’t light my cigarette….”
Founding Electric Prunes bassist Mark Shalom Tulin was a fluid pocket and melodic player whose buoyant grooves, groovy stage moves, and heavy motifs helped define the enduring art of garage rock.
Aside from his Prunes pedigree, Mark also plied his craft with various ensembles and sessions including Ananda Shankar (1970), Buckingham Nicks (1973), and Smashing Pumpkins’ Teargarden by Kaleidyscope Volume 1 (2009), among others.
Dig Mark with The Electric Prunes…
“Get Me to the World on Time” http://bit.ly/2Ej6P8S
“I Had Too Much to Dream Last Night” https://youtu.be/bjaHU8iuhmI
Mark with Teargarden / Smashing Pumpkins “Astral Planes” https://youtu.be/cdbzJX-TtyA


As the anchor for synth-punk/pop pioneers Ultravox, bassist Chris Cross, who also doubled on keys and synth-bass, plied mostly root notes as not to clash with the layers of countermelodies which defined the band in all their remarkable incarnations – that is, with John Foxx, and later, Midge Ure.
A singer, and composer Cross’ weapons of choice included fretless Fender P, Steinberger, Ibanez, Gibson EB-3, and Rickenbacker – often colored with various tonal effects.
Chris Cross workin’ the pocket with his Steinberger XL “Heart of the Country” https://youtu.be/MrmgbJFqrFU


Glen Matlock anchored one of the most important and influential bands of the punk era. He was the only Sex Pistol that could actually play bass! In true punk fashion, they (kind of) sacked him despite the fact that he composed most of the songs on their sole legitimate slab.
Starting off as a guitarist, Glen’s tenue working for Malcom McLaren’s Sex shoppe led to his life’s work as a musician. Be sure to read Glen’s autobio I Was a Teenage Sex Pistol for the truth about the Pistols.
Matlock, akin to his idols, is a groove oriented song player, and a rather prolific one at that, leading bands under his own name and with such ensembles as The Rich Kids, Iggy Pop, The Damned, and various all-star configurations.
Glen Matlock Sound & Vision…
Glen on the Pistols’ “Anarchy in the UK” – the only track he played on for Never Mind… https://youtu.be/K07Yq4zGTcI
Sex Pistols Live at Brixton, 2007 https://youtu.be/o_SQI9kgqIc
Midge Ure with The Rich Kids https://youtu.be/PIfFUDt4Grw
Glen belts out a Pistols classic https://youtu.be/N_OY56LI40k


A busy cat from North Yorkshire who excels in the pocket and as a melodic player, bassist Stuart Fletcher has anchored such notable ensembles as The Seahorses featuring John Squire, former Shed Seven crooner Rick Witter’s Dukes, We Could Be Astronauts, the Heather Findlay Band, prog rockers Mantra Vega, and he’s moonlighted at various times with The Happy Mondays.
Inspired by Sir Paul, Flea, James Jamerson, and Anthony Jackson…Stuart started playing violin at 6, however he transferred to school that could not afford musical instruments for students. Figuring that a bass has four strings and is a lot less expensive than a violin, Stuart’s dad purchased his son a bass guitar, and the rest, as they say, is history….. Stuart’s weapon of choice is a 70s Fender Jazz bass.
Says David Anderson: I’m rediscovering my youth and re-following the 90s Brit invasion which eventually led me to the Seahorses. I can’t believe Stuart wasn’t seen as the headliner of this band! Forget Squire, these basslines are everything rock bass should be. Love is the Law is one big bass showcase as far as I’m concerned.
Stuart Fletcher Sound & Vision….
Seahorses:
“Love Is The Law” https://youtu.be/hVzUFNWIYM0
“Blinded by the Sun” https://youtu.be/iv3J4HTThpQ
“You Can Talk to Me” https://youtu.be/7gvc31AVAmo
Mantra Vega The Illusion’s Reckoning https://youtu.be/DUJMSH904ec
Heather Findlay “Southern Shores” https://youtu.be/gKml00P-yrs
Rick Witter & The Dukes “Year of the Rat” https://youtu.be/UEnHfLcn2S4
We Could Be Astronauts https://youtu.be/YoWR8KqiyrQ


