KYBP On Film Season Tres: Graham Gouldman Part Two “Everything is serving the songs…”


Courtesy of Graham Gouldman Info Courtesy of Graham Gouldman Info

Courtesy of Graham Gouldman Info

This Lancastrian (he was born in Lancashire, North West England) bassist, composer, singer, recording artist, multi-instrumentalist, producer has penned some of rock’s most enduring hits – most notably The Yardbirds “For Your Love,” (along with “Heart Full of Soul,” and “Evil Hearted You”), The Hollies “Bus Stop,” and Herman’s Hermits “Listen People,” among others for Wayne Fontana, and Normie Rowe.  Co-founder of the watershed pop / art-rock ensemble 10cc – which he continues with to this day as sole leader – Gouldman is the consummate song-player, rendering passages that anchor the composition and afford harmonic and rhythmic embellishments. From Terminal Studios in beautiful downtown Bermondsey, dig Part 2 of our conversation with Graham!

Tom Semioli: Interviewer / Writer. Mark Preston: Producer / Director. Derek Hanlon, Oliver Harley Symonds: Cinematographers. Mark Polott: Editor. Photos courtesy of Graham Gouldman Info [www.KnowYourBassPlayer.com]

KYBP On Film Season Tres: Graham Gouldman Part One “I was always writing Beatles songs…”


Courtesy of Graham Gouldman Info Courtesy of Graham Gouldman Info

Courtesy of Graham Gouldman Info

This Lancastrian (he was born in Lancashire, North West England) bassist, composer, singer, recording artist, multi-instrumentalist, producer has penned some of rock’s most enduring hits – most notably The Yardbirds “For Your Love,” (along with “Heart Full of Soul,” and “Evil Hearted You”), The Hollies “Bus Stop,” and Herman’s Hermits “Listen People,” among others for Wayne Fontana, and Normie Rowe.  Co-founder of the watershed pop / art-rock ensemble 10cc – which he continues with to this day as sole leader – Gouldman is the consummate song-player, rendering passages that anchor the composition and afford harmonic and rhythmic embellishments.

From Terminal Studios in beautiful downtown Bermondsey, dig Part 1 of our conversation with Graham! Tom Semioli: Interviewer / Writer. Mark Preston: Producer / Director. Derek Hanlon, Oliver Harley Symonds: Cinematographers. Mark Polott: Editor. Photos courtesy of Graham Gouldman Info [www.KnowYourBassPlayer.com]

Bob Lizik (Brian Wilson)

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By Joe Gagliardo

Growing up in a musical family and playing the accordion starting at a young age, Bob had a head start in being able to read the bass cleff.  He had an extra bonus because his teacher was Harry Grebb (saxophonist with the Woody Herman Band, and father of Marty Grebb (The Exceptions, The Buckinghams, Bonnie Raitt, Leon Russell, and more), who inspired him to be a musician.

When Bob got his first bass around age 12, a black Supro, he was able to fill a spot where a local Chicago band needed a bass player.  His lessons with Harry Grebb continued, but not in the usual way.  Since Bob could
read music, Harry brought in a drummer, Harry played Piano, and they played The Real Book, which is a collection of jazz standards.

Bob was able to ultimately trade up for a Rickenbacker bass, like the one Peter Cetera (The Exceptions, Chicago, solo) was playing at the time in The Exceptions, one of the great 60’s Chicago-based bands, who did a show-stopping cover of The Beach Boys’ “Good Vibrations,” and inspired many bands and musicians in Chicago clubs.

An opening gig with Sha Na Na ultimately led to an association with renowned guitarist, Elliott Randall, and a four-year stint with Asylum recording artist, Tim Moore.  Returning to Chicago, Bob was a member of the band that was to be the next big thing—Scott Wilk and the Walls, which included Tommy Scheckel on drums (The Buckinghams, and currently, Paul Revere’s Raiders).  Though signed to Warner Brothers, and despite the positive hype, success eluded the band.

When one of the main studio bass players in Chicago went on tour with Pat Metheny, another spot opened up, and Bob performed on many major commercial jingles over a 20-year period, using his trusty 1959 Fender Precision bass.  The studio work gave him the ability to support his family, and he could still get involved with other musical projects at night, and in his spare time.

One of those projects was with violinist, Jerry Goodman (The Flock, Mahavishnu Orchestra, The Dregs, Solo and currently, Dinosaur Exhibit).  Another was with Joe Thomas who was producing Gospel records, in addition to producing some of Brian Wilson’s records.

Around 1998, Joe Thomas asked Bob if he would like to play on a few tracks that were being finished up for Brian Wilson’s next album, and Bob readily agreed.  That led to a tour in 1999, and a musical relationship that spans over 20 years, and continues today.

During Bob’s time with Brian Wilson, he has continued to work on additional projects, including with Wayne Healy from the Freddie Jones Band.

Dig Bob and Wayne Healy  https://youtu.be/FsftCKfaaQM

While Bob has a variety of basses, including multiple 5-string Laklands and Fenders, true to The Beach Boys’ sound and 60’s/70’s image, Bob’s touring basses are Fenders, and, like Carol Kaye, one of Bob’s bass heroes, Bob plays with a pick to create definition, because that is the sound Brian likes.

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One can only imagine the depth of learning that was required, the challenges and the unbridled joy, when working with the genius of Brian Wilson, who has written an unbelievable catalog of songs, and has the layers of the music in these songs in his head.

Also, many of the bass lines in those Beach Boys’ songs are iconic,  and need to be played like the record.  Just a few examples, “Good Vibrations”, “California Girls,” “Wouldn’t It Be Nice,” “God Only Knows,” and “Help Me Rhonda,” to cite a few.

Dig Bob on…

Smile live https://youtu.be/8UbNwhm2EX8

“Don’t Worry Baby”—Billy Joel with the Brian Wilson Band https://youtu.be/1zSbHADm32o

“Good Vibrations” live on The Tonight Show with Jay Leno https://youtu.be/HPIP6K12wuk

“Sloop John B” live at Capitol Studios, with Al Jardine https://youtu.be/eDZgl7H-coQ

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Catch Bob with Brian Wilson, on what seems like a continual tour, which we are thankful for!

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Mariusz Duda (Riverside)

Courtesy of Mariusz Duda Facebook Courtesy of Mariusz Duda Facebook

Courtesy of Mariusz Duda Facebook

By Chris Semal

I first got turned on to Riverside when Joe, a good friend and the drummer of my old band, Three Way Crash, brought them to my attention.

He loves to scour the internet for good new prog bands and every few rehearsals would hand me a couple of CDs. This dates back some fifteen years ago, as I don’t even have a CD player in the house anymore.

Anyway, the disc is called Out of Myself and I was transfixed from the get-go. This checks off all the categories in what I look for in a band: flowing songs, intriguing vocals & playing expertise. Rhythms accentuate and then lay back, leaving room for virtuosic solos.

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Dig the title track from Out of Myself https://youtu.be/LXL_7s7T79w

Looking them up, I was surprised to find they hail from Warsaw, Poland. Many non-English European bands struggle to compose lyrics that don’t have either a stilted or overly simplistic vision, but not these guys.

In terms of musical style, the band I would put in the same ballpark is Porcupine Tree, but that’s only because I can’t think of anything closer.

Mariusz Duda is the bassist and vocalist for this four piece ensemble, and handles both duties exceptionally. His ability to play complex rhythmic lines while singing is in Geddy Lee territory.

His vocals at first made me think of what Justin Heyward of the Moody Blues would sound like if he was a hard rock singer. His Nexus basses are made by Polish luthier Jacek Kobylski and have a unique tone, gritty and yet silky.

Courtesy of Riverside Band Pl Courtesy of Riverside Band Pl

Courtesy of Riverside Band Pl

They rarely tour the US, focusing mostly in Europe, but played a few gigs in 2013, one of which I attended at a roadhouse in Dunellen, NJ.

I have to say I was kind of surprised they didn’t play in NYC and that this venue, though packed, was the kind of hinterland place that you’d expect some local band to play. They were terrific and sounded heavier than on record.

In particular, keyboardist Mikal Lapaj made me think of Jon Lord’s Hammond playing.

They came back around to Brooklyn last year to promote their new release and seventh CD, Wasteland and the new material sounds as strong as the rest of their work.

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Dig Riverside and Mariuz “Vale of Tears” https://youtu.be/Dh_vgwlYX_4

By Allen Fields

Their debut album, Out of Myself is the first of the Reality Dream Trilogy which includes the albums Out of Myself, Second Life Syndrome and Rapid Eye Movement. It is available now in a box set.

Wasteland comes from a very deep, personal place for Duda and the band. When Piotr Grudziński, co-founder and lead guitarist died suddenly on February 21, 2016, the future of the band was in question. Grudziński was returning to his Warsaw home after seeing a concert by The Winery Dogs (Mike Portnoy, Billy Sheehan, and Ritchie Kotzen) when he collapsed and dead from an apparent heart attack just before his 41st birthday.

Piotr Grudzinski courtesy of Riverside Band Pl Piotr Grudzinski courtesy of Riverside Band Pl

Piotr Grudzinski courtesy of Riverside Band Pl

The band cancelled all the concerts planned for that year and dedicated the album Eye of the Soundscape, released in September 2016, to their late friend.

Riverside began recording again in December 2017 with Duda assuming the role of both bass player and guitarist. Maciej Meller became their touring guitarist, and just a month ago he was announced as an official member.

Here is one of the greatest live shows of Riverside playing the Reality Dream Trilogy. https://youtu.be/0HWv7YJtYCA

This is Duda’s solo project, Lunatic Soul. Check out this amazing song. The sax is beautiful https://youtu.be/SyX2JZ0fFn0

Kevan Frost (Boy George)

A multi-instrumentalist, producer, Tony Award / Drama Desk nominated composer (Boy George’s Taboo ) who was drawn to the bass by the work of Marcus Miller, Mark King, and Larry Graham… from Terminal Studios in beautiful downtown Bermondsey, London, Kevan Frost discusses his  role as the former George O’Dowd’s anchor and musical director, and more!

 

 

Mike Starr (Alice In Chains)

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By Thomas Semioli

As a founding member of Alice in Chains, the late Michael Christopher Starr played a major role in the alternative rock revolution aka “gunge.”

A heavy-handed plectrum player with roots firmly steeped in classic heavy metal and hard rock, Starr held the harmonic fort amid the vocal and instrumental harmonies rendered by his bandmates Jerry Cantrell and Layne Staley.

Mike’s main weapons of choice were Spector NS-2 basses, and Ampeg SVT and speaker cabinets.

Following his departure from AIC due to drug issues, Starr briefly anchored Sun Red Sun with Ray Gillen and Bobby Rondinelli, however the project collapsed following Gillen’s death.

Dig Mike on “Would?” https://youtu.be/Nco_kh8xJDs

Dig Mike on “Man In The Box” https://youtu.be/TAqZb52sgpU

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Mickey Feat (David Gilmour, Van Morrison, Tina Turner)

 

You’ve heard Van Morrison, Tina Turner, David Gilmour, Kevin Ayers, Willy DeVille, Ben E. King, Chaz Jankel, Alan Merrill, Alvin Lee, Mark Knopfler, and Mick Ralphs. Then you’ve heard Mickey Feat: the bass player who anchored their seminal sides. From Terminal Studios in beautiful downtown Bermondsey, London – Mickey stopped by to chat with us – then he had to split for a session. All in a day’s work!

Dave Swift (Jools Holland)

Courtesy of Dave Swift FB

Opines acclaimed author / editor / journalist / bassist Joel McIver “Dave Swift is one of the most, if not the most, recognizable bassists in England…”

From Terminal Studios in beautiful downtown Bermondsey, London, Dave Swift, known in his native land as the anchor of Later….with Jools Holland discusses his career and approach to the “craft” or is it “art” of playing bass! https://bit.ly/2YMv5fK

 

 

Michael Duclos – A Tribute


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By Thomas Semioli

In February 2020, we lost the physical presence of Michael Duclos.  I met Mike at the University of Miami School of Music in 1980 – we became fast friends and stayed that way for 40 years. Actually, we’re still friends – I can feel his company every day, and I can hear him (delightfully and deservedly) “takin’ the mickey” out of me for my work in journalism and on the bandstand/studio, bass in hand (mine, not his)!


The University of Miami “F Clef Gang” 1980: Standing LR: Tom Ostergren, Paul Nowinski, Tom Semioli, Neil Weeks. Kneeling LR: Kenny Pollack, Mike Duclos. The University of Miami “F Clef Gang” 1980: Standing LR: Tom Ostergren, Paul Nowinski, Tom Semioli, Neil Weeks. Kneeling LR: Kenny Pollack, Mike Duclos.

The University of Miami “F Clef Gang” 1980: Standing LR: Tom Ostergren, Paul Nowinski, Tom Semioli, Neil Weeks. Kneeling LR: Kenny Pollack, Mike Duclos.

The more Mike loved you, the more he busted you! Of all the jibes he hurled though, he was most the most hysterically self-effacing individual I’ve ever encountered. I guess he really, really loved himself too! 

In addition to his artistic life as a bassist, photographer, composer, recording artist, band member, sideman, collaborator, poet, writer, journalist, and whatever else I’m unaware of, Mike gave us the everlasting gift of laughter. It was an honor and a pleasure to have been with him on this mortal coil – and to be a frequent subject of his comedy routines!   

When friends, colleagues and family bid Michael farewell in his adopted home in Brooklyn, New York, we all came to the realization of how much we did not know about the man. His humility defined him. He never spoke about himself.

Take it from this bass player, Mike was a master of his instrument. The best ones never have to utter a syllable – their work speaks volumes. 

In 2015 I sat with Mike for a Know Your Bass Player on Film interview. For reasons I disagree with then and now – he did not care for his physical appearance as he was undergoing treatments, and he was unsatisfied with his answers to my queries. We did not publish the interview as per his request during Mike’s lifetime. However due to requests from Gus, family, and friends – the interview is here for you to see. I will explain it to Mike when I see meet him again in the afterlife…..  

Mike Duclos Know Your Bass Player on Film Interview Playlist: https://bit.ly/2umGw1T

Mike made two promises to me in early 2019 – to stay alive to attend a Mott The Hoople reunion concert at the Beacon Theater (mission accomplished), and to finally reshoot the interview. Over the years we tried, but Mike was either on a trip with Gus, on tour, or too ill – so we never got to roll cameras again. Damn! 

As such, Mike Duclos didn’t tell his story. But we will! 

Send me your Mike Duclos stories, photos, videos, sound-files – whatever – with as many details as you can.

And if you have any information on the photos posted please help us out and fill in the missing facts!

Note that this archival page is a perpetual work-in-progress (it’s like making a record or writing a book – you’re never finished, you just run out of time and money!). This Mike page will not follow any thematic, chronological, or logical symmetry either! Does this remind you of someone?

Back at ya’ Mike!!!   

Contact: tom.semioli@gmail.com 


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The Del-Lords play “Me & The Lord Blues” at the Rock Shop in Brooklyn for the Mark Spencer Benefit Dec 11, 2012. From the new record Elvis Club. Eric Ambel: Vocal & Guitar Scott Kempner: Guitar Michael DuClos: Bass Frank Funaro: Drums. Written by Scott Kempner-Prince of the Bronx Music  https://youtu.be/ZMkKT7XCB6U


Mike with Eric Amble of the Del Lords Mike with Eric Amble of the Del Lords

Mike with Eric Amble of the Del Lords

By Kevin Salem

The DuClos chronicles… every once in a while, you meet someone who gives you a charge right in the middle of your life force. Over the years, I spent so much time with this beautiful soul. If Charles Bukowski and Carol Kaye had met in a bar, Duke would have been their love child. I don’t have a lot of pics to post… the document
of our friendship is in the dozens of recordings we made. Believe it when I tell you being produced is more of an art than producing. The bass player is the driver… No one I know was better at that and filling a room with low end. A riot of a human, if there’s a heaven where the dead mingle, Duke is tormenting, ribbing and needling Jaco and Rickles who, by now, must wish they were in hell.

This man was an amazing father and a strong brother. Celebrate his life through the incredible body of work he gifted us with. More to come…

Mike Duclos with Tracy Bonham “Noonday Demon”  https://youtu.be/dFdLprxadUw

Tracy Bonham performs “Crazy In Love” with Mike DuClos at Our Hit Parade Best of the Decade Show at Joe’s Pub on December 16, 2009  https://youtu.be/k8TEL1Apjfg


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By Thomas Semioli

Know Your Bass Player Deep Trax: Mike Duclos workin’ the pocket on this remake – remodel of “Lucretia MacEvil” https://youtu.be/ev_fD3Qvl-A as waxed on a David Clayton-Thomas solo slab. Duc’s tone and rhythm and blues approach evokes comparison to Jim Fielder (whom Mike greatly admired) on the original
from BS&T 3. Dig the way Mike’s passage dances around the backbeat.


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Mike and Rebecca Pidgeon at Paste Studio NYC live from The Manhattan Center  https://youtu.be/LnK6YBxkiC4

Mike and Ambrosia Parsley & The Elegant Too – Skin & Bone https://youtu.be/uvBnJYoeOjY

Mike’s “Avenue” from his album Lustro https://youtu.be/98lQVk8WAy8

Mike’s “Nicotine Windeo Vito Acconci” from his album Lustro https://youtu.be/aetoWzAtV2g


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Mike’s obituary in the Albany Times Union https://legcy.co/2HMrs0q

R.I.P. Mike Duclos by Charles Bissell https://bit.ly/37IRRqA


Mick Fleetwood vs Mike Duclos Mick Fleetwood vs Mike Duclos

Mick Fleetwood vs Mike Duclos


Mike Duclos vs Garth Hudson Mike Duclos vs Garth Hudson

Mike Duclos vs Garth Hudson

By Rocky Petrocelli

Duke!! I’m so grateful that you were in my life! Your musicianship and dedication to music is second to none, but it’s your friendship that I will always treasure! the playing, the talks, the laughs, the travelling, the ups, the downs…memories and stories to last a lifetime that I wouldn’t trade for anything! Love you, brother! Until we “hang” again! The Rock! In the mid 80’s Duke came to my apartment and said, “C’mon, Nick’s doing the Big Band at St Rose…let’s go see if we can get in” (BTW, neither of us ever went to St. Rose). Here’s a couple of shots of us at an ensemble workshop with jazz great, Nick Brignola!


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By Thomas Semioli

KNOW YOUR BASS PLAYER: A DUCLOS STORY: Given his extraordinary accomplishments as working bass player on stage and in the studio, Mike was a modest cat – never drawing attention to himself – always in the service of others. A few years back he asked me if I could help promote a Tracy Bonham album he played on – so I knocked out a quick piece for HUFFINGTON POST   https://bit.ly/38qmAtw

Of course, I had to afford my pal a paragraph. Mike declined to give me a photo of him and Tracy to use in the article – yes, he was that humble! But we got the job done!

“An additional catalyst on the session dates was her longtime bassist Mike DuClos. “He tries out a whole bunch of ideas like a Paul McCartney free-for-all – and then he starts refining his parts — he’ll look at me on the first day and say “don’t worry — don’t worry…” He’ll see my eyebrows go up when I think ‘God he’s overplaying!’ Then he just trims the fat and I’m left with the most tasteful bass lines I’ve ever heard.” 


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By Rob Arthur

I was fortunate enough to have known this man. Duclos. We say goodbye to him now, and I’m shaken by his passing. But I’m going to take this moment to gratuitously elevate myself by my association with this incredible artist. He and I spent about a year (2002), when we could get together, producing what was certainly the most un-commercial record I’ve ever done. “Lustro” A collection of his poems read by some of the most interesting people ever, with musical and noise filled backing track. You’d call it a “spoken word” record. He was such a fine musician, bass player and poet, who embraced his New York world with a truly fearless, unblinking and honest approach that has never left me. He kind of helped me realize that there is no “too far” if you really mean it. This experience expanded my mind. “Lustro” does have a “difficult to listen to”
quality, for sure, but as we were finishing it, I began to see it’s beauty. I love this review…

– Described as everything from “Brilliant” (Lisa Germano) and “Excellent, very good… very interesting” (poet Charles Simic) to “Bizarre” (author William Kennedy) and “It scares me!” (Natalie Merchant), Lustro looks to be released in the coming months.

I’m so fucking proud of this work. Duclos and I laughed together – he was such a funny bastard. I think about his bits right now, and I can hear his comedic tempo with his spot on impressions of our Brooklyn and I
cry laughing. We didn’t talk often after I left the city, but Duke and I spoke a few years ago and I laughed my ass off one last time. Loved him. And I’ll miss him…the real deal. Thank you, brother.


Tony Senatore, John Conte, Mike Duclos Tony Senatore, John Conte, Mike Duclos

Tony Senatore, John Conte, Mike Duclos

By John Conte

There is a giant hole in my heart today with the passing of Mike Duclos. I miss Duke so much already. I am nearly broken with sadness & tears. he was my dearest friend – going back 35 years. there is too much to say about mike and what he meant to me to muster up at the moment. for now I say I loved him, I admired him, he inspired me & taught me. I was in awe of his strength, bravery, tenacity & resilience through his long battle in which he defied all the odds. my heart & love goes out to all of his family for this giant loss & especially to his son Gus who he loved deeply & fiercely. Mike was an AMAZING father, human, musician & artist. he was my buddy, my brother, my hero, and yes- probably the funniest person I have ever known on this planet!
The world is less without him. Love you forever Michael Duclos.


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John Conte, MIke Duclos

By Tony Senatore

I just learned of the passing of my old friend Mike Duclos. He was a great bass player, and one of the funniest people that i ever met. Rest In Peace. I’m certain that right now, you’re probably asking Jaco about the settings he used on his Acoustic 360.

KYBP On Film Season Tres: Keep Calm Write On: A Conversation with Joel McIver


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Author, journalist, editor, bass player, and super fan Joel McIver shares his thoughts on the instrument, discusses his two Metallica tomes and recent John Mayall book, and his stewardship of Bass Player – from Terminal Studios in beautiful downtown Bermondsey, London. Thumbnail: Joel McIver Facebook