Duff McKagan (Guns ‘n’ Roses)

Courtesy of Fender Com

By Thomas Semioli

 

You either loved or despised Guns ‘n’ Roses – which is the ultimate gauge of a great rock ‘n’ roll band. Muti-instrumentalist, composer, author, economic advisor, masculine mentor,  media host, and bassist Michael Andrew “Duff” McKagan distinguished himself from the majority of his hard rock peers – most of whom played the instrument as a root-note-only buttress – with fluid counter-melodies which weaved their way through Axl’s banshee wails and Slash’s raucous riffage.

 

Born and raised in Seattle, Duff (an Irish nickname) started off as a drummer. He gravitated to the bass by way of his brother Bruce. Plying his craft in various local punk bands, Duff migrated to Los Angeles in the early 1980s.  He answered an ad in a music paper and met his future GNR bandmates Slash and Steven Adler, and the rest, as they say is history… Fans are advised to read his intriguing autobiography It’s So Easy and Other Lies (2011) for the GNR story.  

 

Guns ‘n’ Roses emerged as one of the world’s biggest rock bands in the late 1980s – filling stadiums, whilst moving multi-platinum platters and merch. Akin to their ancestors the Rolling Stones, and Sex Pistols, GNR were the last of rock and roll’s bad boy bands.  Fans dressed like them, and musicians were inspired by them. They were among the few rock bands of any era that were recognized outside the parameters of the music business. GNR’s unsavory public behavior (mostly hype) garnered them headlines aplenty which further fueled interest in the band. Regardless of their persona, GNR delivered the goods: they were exemplary players, writers, performers, and recording artists.  

 

Sadly the original band (mostly) collapsed after four studio albums. However if you were to cherry-pick choice cuts from the members’ ensuing solo slabs: Duff’s Believe In Me (1993), all the Izzy Stradlin albums, Gilby Clarke’s Pawn Shop Guitars (1994), and a Slash’s Snakepit disc or two; you’ve got a few killer GNR sides. Axl’s hired Guns cut a dud of an album sans memorable songs, and fans attended the live performances to hear the classic Duff/Slash/Izzy/Adler era material.

 

Duff’s debut solo slab Believe In Me and his most recent release Tenderness (2019) show him to be well versed in a variety of musical styles – spanning hard rock, blues, funk and Americana.  His band Loaded waxed three sides intermittently between 2001 -11 with Duff on guitar – a collective which echoed his Seattle punk daze with a modern metal modus operandi.

 

McKagan also anchored super-group Velvet Revolver with Scott Weiland, Slash, Matt Sorum, and David Kushner which kept the LA style hard-rock flame burning in pop era of the early 00’s with two fine releases. Among Duff’s other high-profile projects include Neurotic Outsiders with Sex Pistol Steve Jones and John Taylor of Duran Duran, a brief stint in Jane’s Addiction, and Alice Cooper’s star-studded Hollywood Vampires to cite a few. McKagan has also guested on slabs by Iggy Pop and Ozzy, among many others.  In 2015 Duff, Axl, and Slash began a series of GNR reunion tours which resurrect the old glory for those who missed it the first time around. No word as of 2020 if they’ll cut another disc.

 

Duff the bassist is a song-player who renders deep pocket grooves and countermelodies – usually with a slight flange / chorus effect.  Fender feted the Rock and Roll Hall of Fame bassist with a signature model (basically a P/J combo), attitude not included! Duff’s main weapon of choice during the Guns heyday was a Fender Aerodyne bass.

 

 

Duff McKagan Sound & Vision…

 

Guns ‘n’ Roses:

“Pretty Tied Up” https://youtu.be/uOzA23ibxjU

“So Fine” (written and sung by Duff) https://youtu.be/2bM4sdnrNf0

“Paradise City” https://youtu.be/Rbm6GXllBiw

 

Velvet Revolver:  

“Fall to Pieces” https://youtu.be/9JhsUFuqbCM

“Slither” https://youtu.be/BKz2U4fvA4U

Neurotic Outsiders: “Jerk” https://youtu.be/bOs3wBAfwMo

 

Solo Duff:

“Believe In Me” https://youtu.be/2-Xd6I-hMgU

“Wasted Heart” https://youtu.be/uY8TEcR5vjM

“How to Be a Man” https://youtu.be/yyIn8hvue7A

“Flatline” https://youtu.be/tcDS_7p99bA

 

Mike Watt (Minutemen, fIREHOSE, Stooges)

Courtesy of Mike Watt Com

By Thomas Semioli

 

Witness the continual evolution of this astonishingly prolific and diverse bass icon: Michael David Watt. You never know where this cat is coming from – he can play farther out than any other bassist I’ve heard, or he can groove in the pocket akin to the studio icons of yore.

The tones Mike conjures from his instrument range from no lows to no highs to midrange perfection to fuzzed out madness and variations thereof.

With the legendary Minutemen, Mr. Watt was a feverish proponent of punk meets free jazz – and to my ears, his work on the band’s masterpiece Double Nickels on the Dime (1984) evokes comparison to his peer Jamaaladeen Tacuma as heard with (and without) Ornette Coleman’s Prime Time.

In the fIREHOSE trio Mike streamlined his playing to support band-mate Ed Crawford’s pop inclinations along with his own growth as a songwriter as evidenced on such platters as If’n (1987) and Fromohio (1989).

On his  solo bow Ball-Hog or Tugboat (1995), Watt draws the support  “alternative” rock superstars including Eddie Vedder, Flea, Frank Black, Dave Grohl, Henry Rollins, Pat Smear, Evan Dando, Dave Pirner, J. Mascis, and Lee Renaldo.

Watt’s membership in Pornos for Pyros (Good God’s Urge, 1996) and the revamped Stooges on The Weirdness (2007) and Ready to Die (2013), and scores of collaborations and cameos with artists spanning Rickie Lee Jones to Kelly Clarkson to Black Flag to are a testimony to his importance as a player and an innovator.

An actor, author, producer, label owner and entrepreneur, among Watt’s recent collaborations include Big Walnuts Yonder, Hidden Rifles, Mike Watt & The Missing Men, and Jumpstarted Plowhards.

 

Mike Watt Sound & Vision….

Minutemen: “This Ain’t No Picnic” https://youtu.be/UDr25zjd4yM

fIREHOSE:  “Brave Captain” https://youtu.be/VSv8FVJtbAk

Mike Watt: “Big Train” live with Eddie Vedder, Dave Grohl, and Pat Smear https://youtu.be/4cfQaQO-YD4

The Stooges: Live in Sydney 2013 https://youtu.be/ZMfOGqTwNB4

Pornos for Pyros: “Gods Good Urge” https://youtu.be/g6F0sYsJN04

Big Walnuts Yonder: “Raise the Drawbridges” https://youtu.be/dR1DEVfPQ6Q

Hidden Rifles: “Cranial Escrow” https://youtu.be/a-cTchZ8ejY

Jumpstarted Plowhards: “On The Counter” https://youtu.be/EVTZViFDA_c

 

Joe Osborn (Wrecking Crew)

Courtesy of Wrecking Crew Com

By Thomas Semioli

 

He was a first-call Wrecking Crew session giant whose upper register countermelodies are among the most recognizable in the pop rock music canon akin to such high-note notables as Sir Paul, Brian Wilson, and Chris Squire.

 

With a Fender Jazz equipped with LaBella flats which he hardly ever replaced and a plectrum, Joe Osborn was a staple on radio, television, and films throughout the 1960s-70s. Joe anchored hundreds of Top 40 hits and album tracks for nearly half a century.

 

Born in Louisiana, Osborn got his start in the music business as the anchor of Ricky Nelson’s touring and studio band. Moving to Los Angeles in 1964, Joe hooked up with producers Lou Adler and Bones Howe, securing a steady gig as a session player in what was later to be known as elite cadre of players dubbed “The Wrecking Crew” which also included Carol Kaye, Tommy Tedesco, and Leon Russell among others.

 

This writer cited Joe Osborn in Huffington Post November 2017 in “A Bass Player’s Rant: 33 Who Belong in the Rock and Roll Hall of Fame. https://bit.ly/2YjDrsF

 

Joe Osborn Sound & Vision…

Ricky Nelson “Travelin’ Man” https://youtu.be/CZ_973A44mA

Mamas & Papas “California Dreamin’  https://youtu.be/oU6uUEwZ8FM

Fifth Dimension “Aquarius/Let the Sunshine In” https://youtu.be/VlrQ-bOzpkQ

Tommy Roe “Dizzy” https://youtu.be/GeUF-2C8YF4

Grass Roots “Midnight Confessions” https://youtu.be/w369aBf5SF4

The Association “Windy” https://youtu.be/VUv9OK4KUv8

Simon & Garfunkel “Bridge Over Troubled Water” https://youtu.be/4G-YQA_bsOU

America “Ventura Highway” https://youtu.be/tnV7dTXlXxs

Carpenters “Close to You” https://youtu.be/jV127kNz0hs

 

Bassist Joe Iaquinto talks Joe Osborn: 

Joe Osborn is one of the first bassists I connected with. His playing knocked me out. I would say that Joe and Peter Cetera are the two biggest influences on my bass playing. I’m so glad I got to know him and hang out with him through our mutual relationship with Lakland Basses. Here’s a couple of NAMM pics from the early 2000’s. One of the highlights of my life was playing “Tin Man,” and “Horse With No Name” on his bass while he stood in front of me. Leo Fender may have invented the Fender Bass but Joe was one of a handful of pioneers who made the world a better place by making us aware of it. May he rest in peace…

Jimmy Garrison (John Coltrane, Elvin Jones)

By Thomas Semioli

 

A master supportive and countermelodic player with an earthy tone, Jimmy Garrison is most noted for his 1961-66 association with John Coltrane – especially A Love Supreme (1965) wherein his repetitive opening motif is among the most recognized bass passages in recorded music.

Garrison came to prominence on the Philadelphia jazz scene in the 1960s, where such bassists as Reggie Workman and Henry Grimes were his peers.  Garrison would eventually go on to replace Workman in Coltrane’s ensembles.  Jimmy also waxed sides with Ornette Coleman: Ornette on Tenor (1962), New York Is Now (1968), Love Call (1968) and The Art of Improvisors (recorded 1959 and released in 1970).

A composer and collaborative recording artist with Elvin Jones, Garrison provided the solid anchor for his soloist’s harmonic and rhythmic explorations. Aside from Trane and Ornette, Jimmy waxed exceptional sides with Archie Shepp, Sonny Rollins, Bill Evans, Larry Coryell, and Alice Coltrane, to cite a few.      

Jimmy Garrison Sound & Vision…

John Coltrane “A Love Supreme” Pt. 1 “Acknowledgement” https://youtu.be/TMvbUKqWYEs

Ornette Coleman “Cross Breeding” https://youtu.be/7Z70ajQNMJg

Alice Coltrane “Lovely Sky Boat” https://youtu.be/rhmwChxResw

Sonny Rollins “East Broadway Rundown” https://youtu.be/-hHXhnKEmpM

The Elvin Jones Trio live with Jimmy Garrison and Joe Farrell https://youtu.be/p1FlNbFc3EM

Elvin Jones and Jimmy Garrison “Half and Half” https://youtu.be/5iT53h0iHww

James Dewar (Robin Trower)

Courtesy of Robin Trower Com

Among the most underrated singer-bassists from the classic rock era, the late, great Scotsman James Dewar anchored Robin Trower’s groundbreaking ensembles throughout the 1970s, including the ex-Procol Harum guitarist’s masterpiece Bridge of Sighs in 1974.

With a battered Fender Precision and gritty vocals ala Ray Charles, Paul Rodgers, Frankie Miller and Otis Redding, Dewar and Trower soared in tandem – melding blues, progressive, and hard rock which inspired a generation of rockers. 

Before Dewar’s work with Robin, James served as the bassist for Stone the Crows for two seminal slabs: their self-titled debut, and Ode to John Law both in 1970. Dewar also released a fine solo slab Stumbledown Romancer which was recorded in the 70s but not released until 1998.  Dewar passed in 2002 from a rare disease.

John Dewar Sound & Vision…

Stone the Crows and Maggie Bell “Love ‘74” https://youtu.be/YkK49SmUycE

“Bridge of Sighs” https://youtu.be/sBQXeb5iJCg

“A Little Bit of Sympathy” https://youtu.be/DjdRzl2PMGU

“Too Rolled Stoned” https://youtu.be/Xpu66oLjWmk

“Stumbledown Romancer” https://youtu.be/hHrqGteD1kc

 

 

Emory Gordy (Elvis Presley, Gram Parsons, Steve Earle)

By Thomas Semioli

 

A session legend, producer, composer and first-call bassist / sideman- it would be easier to list artists whom Emory Lee Gordy Jr. hasn’t’ anchored on stage and on record! 

 

Emory’s musical skills were evident as a child in his native Atlanta, Georgia. By the time he was in high school he was a multi-instrumentalist working in ensembles spanning Dixieland Jazz to Top 40 to garage rock. A music student at Georgia State, Gordy’s career in the studio began in 1964, collaborating with Tommy Roe, Lou Christie, Rufus Thomas, and Joe South, among others. He moved to Los Angeles in 1970, working sessions as a bassist, producer, and engineer for such artists as Debbie Reynolds, Liberace, and Neil Diamond.

 

In ’72 Gordy anchored Elvis’ TCB Band. In the mid-70s he co-founded Emmylou Harris Hot Band while continuing his studio work with Billy Joel, Tom Petty, and Rosanne Cash, John Denver, and Rodney Crowell to cite a very select few.

 

In ’83 Gordy gave up the road full time and turned to production, helming such sides as Steve Earle’s Exit 0 and Guitar Town, along with releases by Vince Gill, and his wife Patty Loveless. Nowadays Gordy lives in semi-retirement and occasionally works a session or one-off performances in Nashville or his home in Atlanta.  Gordy and Loveless are members of the Georgia Music Hall of Fame.

 

Emory Gordy Jr. Sound & Vision…

 

Elvis Presley: “Burning Love” https://youtu.be/zf2VYAtqRe0

 

Elvis Presley: “Separate Ways”  https://youtu.be/zeUSTbdaiZk

 

Gram Parsons: “Return of the Grievous Angel” https://youtu.be/h_Iz0iVvhEc

 

Emmy Lou Harris Hot Band Old Grey Whistle Test 1977: https://youtu.be/lpNMrugveLE

 

Rodney Crowell “Ain’t No Money” https://youtu.be/tfwGTMJW5XY

 

Rosanne Cash “Ain’t No Money” https://youtu.be/AgqxbnogP3E

 

Neil Diamond  “Longfellow Serenade” https://youtu.be/4XRGMaI46zw

 

Linda Ronstadt “Dark End of the Street” https://youtu.be/PKBvG8XJrSU

 

Tom Petty “Strangered in the Night” https://youtu.be/gC9FDx3HISw

 

Patty Loveless “A Little Bit In Love” https://youtu.be/T-5MN8JuEhc

 

Eric Avery (Jane’s Addiction, Deconstruction, Alanis Morissette)

Courtesy of Fender Com

 

As a founding member of Jane’s Addiction, Eric Adam Avery balanced Dave Navarro’s glam-metal inclinations and Peretz Bernstein’s sinewy vocal phrasing with passages that served as a rhythmic anchor and harmonic counterpart.

 

Eric waxed two influential studio sides with Jane’s Addiction – Nothing’s Shocking (1988) and Ritual de lo Habitual (1990) before they initially split in 1991.  The band reunited without him in 1997, and 2001.  Eric briefly rejoined in 2008, but left for good in 2010 citing tensions with Farrell.

 

Aside from Jane’s Addiction, Avery has embarked on several experimental projects wherein he moved to piano, synthesizer, and guitar – most notably a project dubbed “Deconstruction” with Dave Navarro, and with another collective which worked under the moniker “Polar Bear.”

 

Deeply inspired by Peter Hook of Joy Division / New Order, Avery has returned to the bass chair anchoring artists including Peter Murphy, Garbage, and Alanis Morissette.  To date he has waxed three solo slabs.

 

Eric’s weapon of choice is Fender. https://youtu.be/wX49A1HMjV8

 

Eric Avery Sound & Vision…

 

Jane’s Addiction:

 

“Been Caught Stealing” https://youtu.be/BzUnqr1t7yI

 

“Jane Says” https://youtu.be/gQjYgR_3UqQ

 

Deconstruction:

 

“LA Song” https://youtu.be/62If3SSdFYk

 

“America” https://youtu.be/4Rcs9D9jwmY

 

Solo Eric:

 

“All Remote No Control” https://youtu.be/adbVBmjYot0

 

“Flyer” https://youtu.be/ROnMBsjbMTI

 

Alanis Morissette:

 

“Spineless” https://youtu.be/OPEljzSR1X0

 

Nick Seymour (Crowded House)

Courtesy of Crowded House Com

 

His playing on Neil Finn’s demo for “That’s What I Call Love” nailed the gig! Akin to such pop rock maestros as Sir Paul, Colin Moulding, and The Attractions’ Bruce Thomas, bassist Nicholas More “Nick” Seymour is that rare player who simultaneously renders passages that serve as a harmonic foundation and a melodic foil.

 

A founding member of Crowded House, Nick also distinguished himself as a backing vocalist; an Australian Recording Industry Association Award winning album cover artist for the band’s Temple of Low Men (1988); a costume and stage set designer; and songwriter.

 

Upon the band’s initial split, Seymour turned to production with such bands as Bell X1; toured and recorded with deadstar which featured latter-day Crowded House drummer Paul Jones and ex-Hunters & Collectors guitarist Barry Palmer; scored a documentary film (The Summit / 2012), and appeared on his brother and former Hunters & Collectors front-man Mark Seymour’s debut solo album King Without a Clue (1997). 

  

Nick Seymour Sound & Vision…

“Something So Strong” https://youtu.be/WyBKzBtaKWM    

“Don’t Dream It’s Over” https://youtu.be/J9gKyRmic20

“Fall At Your Feet” https://youtu.be/2ROiU9kOHeE

“Better Be Home Soon” https://youtu.be/AQOlwMKpmvQ

 

Earl Elliott (Mitch Ryder & The Detroit Wheels)

By Thomas Semioli

The Rolling Stones, most notably Brian Jones and Keith Richards, revered them. As the legend goes, Keith and Brian prompted the band’s producer Bob Crewe to release what was to be Mitch Ryder and the Detroit Wheels’ first hit “Jenny Take a Ride” in 1965.

 

Among the founding fathers of the raucous, rhythm and blues fueled rock ‘n’ roll sound of Motor City, Ryder and his Wheels purveyed a profound influence on American rock and roll music – simply refer to the canon of Bruce Springsteen, and the Wheels’ local offspring Bob Seeger, The Stooges, Ted Nugent, Grand Funk Railroad, and the MC5, to cite a few.

Founding bassist Earl E. Elliott worked the pocket with a deep resonance that moved a generation as evidenced in the grooves of such seminal cuts as “Little Latin Lupe Lu,” “Devil in a Blue Dress / Good Golly Miss Molly,”  and “Shake a Tail Feather,” among others.

 

Earl Elliot Sound & Vision ….

 

“Devil in a Blue Dress / Good Golly Miss Molly” https://youtu.be/XMPDA7L2lCc

 

“Jenny Take A Ride” https://youtu.be/9EnGqsFfwII

 

“Shake a Tail Feather” https://youtu.be/R6briouwPhM

 

“Little Latin Lupe Lu”     https://youtu.be/CFd5S88zXyc

 

“C. C. Rider https://youtu.be/j9eWGdJIW74

 

 

Robert “Pops” Popwell (Crusaders, George Benson, Rascals)

 

 

His dancing bass solo with Olivia Newton John is legend. https://youtu.be/CyHpa-LaZYc

 

If ever a bassist was aptly monikered, it was the late, great Robert “Pops” Popwell!  A composer, producer, session ace, anchor of the iconic Crusaders, and in-demand sideman – Pops popped, slapped, plucked, glissando-ed, and grooved with a soulful disposition that drew from jazz, funk, rock, blues, gospel and permutations thereof.

 

Popwell first came to prominence as the anchor of the “Macon Rhythm Section” which included Johnny Sandlin (Gregg Allman, Dickey Betts), Pete Carr, Paul Hornsby, and Jim Hawkins, waxing sides with Doris Duke and Hubert Laws, among others.

 

The scope of Pop’s canon is remarkable: Rascals, Aretha, Irma Thomas, Eddie Money, Allen Toussaint, Gregg Allman, Bob Dylan, B.B. King, George Benson, Ronnie Wood, Bette Midler, Larry Carlton, Smokey Robinson, Ruth Brown, and Dee Dee Bridgewater, to cite a very, very  select few.

 

Pops’ basslines can be heard in numerous hip-hop samples. A true giant of the instrument…sadly Pops popped his clogs in 2017.

 

Pops Popwell Sound & Vision…

 

The Crusaders:

 

“The Spiral” featuring a Pops solo https://youtu.be/FEH-lwu1ryQ

 

“Stomp and Buck Dance” https://youtu.be/-UxyIw-zMFA

 

“Fairy Tales” https://youtu.be/Eigs0SHbQLY

 

“Soul Caravan” https://youtu.be/KnLnWsgq798

 

The Rascals:

 

“Be On The Real Side” https://youtu.be/QMxisKUgbZ8

 

“Lucky Day” https://youtu.be/pUZ3uVgLDOc

 

Ronnie Wood: “Worry No More” https://youtu.be/HS-9oTIwHfw

 

Larry Carlton: “Upper Kern” https://youtu.be/0sUbOXgakhI

 

Lisa Dal Bello: “Day Dream” https://youtu.be/mAOY1Halp0s

 

George Benson: “Welcome to My World” https://youtu.be/md6IgJlq7Kc

 

Doris Duke: “He’s Gone” https://youtu.be/lfiH1zsecWg

 

Eddie Money: “Wanna Be a Rock and Roll Star” https://youtu.be/a0Ezs