A founding member of the Ohio Untouchables in 1959, later to become the Ohio Players, turban headed Marshall “Rock” Jones anchored one of America’s premiere crossover funk ensembles.
Incorporating elements of jazz, rhythm & blues, and pop, the Ohio Players were a staple on AM/FM radio, Soul Train, Midnight Special, and “boom boxes” aka a transistorized portable cassette / radios with noticeably loud low frequency speakers…
With a seemingly infinite repertoire of dance motifs, Rock’s rock solid bass lines buoyed the band’s hooky horn melodies hit after hit after hit. No telling how much Rock has been sampled rap, dance, and hip-hop artists. Jones’ main weapon of choice was the Fender Precision, which was always up in the mix!
Rock retired from the band in 1984 following their Graduation album – their first to miss the charts which essentially signaled the end of their recording career.
Rock Jones Sound & Vision…
On Top of the Pops “Fire” https://youtu.be/zqsYNc_M988
“Love Rollercoaster” https://youtu.be/aBkVV9xxCHE
“Funky Worm” https://youtu.be/yHkbOJeHPD0
“Skin Tight” https://youtu.be/CIK_RxGrWZ0
“Sweet Sticky Thing” https://youtu.be/jZKWpTqa2f4
A dexterous finesse player, composer, multi-instrumentalist and yet another Queens, New York native who excels at his chosen instrument, Mark Polott has seen it all from the behind four strings: major label deals, tours with his rock mentors, club dates, sessions….
He is also the editor of Know Your Bass Player on Film! The anchor of Haystacks Balboa, Urban Blue, check out Mark’s Know Your Bass Player on Film Season Deux interview New York City 2019, New York City https://bit.ly/2FYXdpp
Courtesy of Schecter Com
By Thomas Semioli
Pinnick is the pinnacle!
Perhaps the rock ‘n’ roll gods will one day reveal why King’s X was denied the commercial successes of Metallica, Rush, Judas Priest, Iron Maiden, and Def Leppard.
Bandleader, bassist, composer, singer, collaborator, recording artist Dug Pinnick began his musical journey singing in his high school choir in Joliet, Illinois. Inspired by the sounds of funk, rhythm & blues, Led Zeppelin, Sly Stone, and Motown; Pinnick formed King’s X in the early 1980s which combines all of those influences into a unique meld.
An extended range innovator, and prolific recording artist with scores of side projects, Pinnick’s penchant for penning catchy melodies with deep, self-exploratory lyrics rendered with a soulful elegance distinguishes him from his peers within the metal milieu.
Dug Pinnick Sound & Vision…
“Pray” https://youtu.be/mg3mUhGVCgo
“Key Changer” https://youtu.be/KaF00__70Uk
“Rescue Me” https://youtu.be/cD40-CJljas
“All Gods Children” https://youtu.be/1rNqcKE2AOE
Dig Tony Senatore’s rendition of select Dug passages!
“Goldilox” https://youtu.be/MKKacLKGM_g
“Over My Head” https://youtu.be/AIQb_rVV4wo
“Mr. Wilson” https://youtu.be/HrxuARv698w
“It’s Love” https://youtu.be/KDdhqAfy3xE
Courtesy of Fender Com
By Thomas Semioli
You either loved or despised Guns ‘n’ Roses – which is the ultimate gauge of a great rock ‘n’ roll band. Muti-instrumentalist, composer, author, economic advisor, masculine mentor, media host, and bassist Michael Andrew “Duff” McKagan distinguished himself from the majority of his hard rock peers – most of whom played the instrument as a root-note-only buttress – with fluid counter-melodies which weaved their way through Axl’s banshee wails and Slash’s raucous riffage.
Born and raised in Seattle, Duff (an Irish nickname) started off as a drummer. He gravitated to the bass by way of his brother Bruce. Plying his craft in various local punk bands, Duff migrated to Los Angeles in the early 1980s. He answered an ad in a music paper and met his future GNR bandmates Slash and Steven Adler, and the rest, as they say is history… Fans are advised to read his intriguing autobiography It’s So Easy and Other Lies (2011) for the GNR story.
Guns ‘n’ Roses emerged as one of the world’s biggest rock bands in the late 1980s – filling stadiums, whilst moving multi-platinum platters and merch. Akin to their ancestors the Rolling Stones, and Sex Pistols, GNR were the last of rock and roll’s bad boy bands. Fans dressed like them, and musicians were inspired by them. They were among the few rock bands of any era that were recognized outside the parameters of the music business. GNR’s unsavory public behavior (mostly hype) garnered them headlines aplenty which further fueled interest in the band. Regardless of their persona, GNR delivered the goods: they were exemplary players, writers, performers, and recording artists.
Sadly the original band (mostly) collapsed after four studio albums. However if you were to cherry-pick choice cuts from the members’ ensuing solo slabs: Duff’s Believe In Me (1993), all the Izzy Stradlin albums, Gilby Clarke’s Pawn Shop Guitars (1994), and a Slash’s Snakepit disc or two; you’ve got a few killer GNR sides. Axl’s hired Guns cut a dud of an album sans memorable songs, and fans attended the live performances to hear the classic Duff/Slash/Izzy/Adler era material.
Duff’s debut solo slab Believe In Me and his most recent release Tenderness (2019) show him to be well versed in a variety of musical styles – spanning hard rock, blues, funk and Americana. His band Loaded waxed three sides intermittently between 2001 -11 with Duff on guitar – a collective which echoed his Seattle punk daze with a modern metal modus operandi.
McKagan also anchored super-group Velvet Revolver with Scott Weiland, Slash, Matt Sorum, and David Kushner which kept the LA style hard-rock flame burning in pop era of the early 00’s with two fine releases. Among Duff’s other high-profile projects include Neurotic Outsiders with Sex Pistol Steve Jones and John Taylor of Duran Duran, a brief stint in Jane’s Addiction, and Alice Cooper’s star-studded Hollywood Vampires to cite a few. McKagan has also guested on slabs by Iggy Pop and Ozzy, among many others. In 2015 Duff, Axl, and Slash began a series of GNR reunion tours which resurrect the old glory for those who missed it the first time around. No word as of 2020 if they’ll cut another disc.
Duff the bassist is a song-player who renders deep pocket grooves and countermelodies – usually with a slight flange / chorus effect. Fender feted the Rock and Roll Hall of Fame bassist with a signature model (basically a P/J combo), attitude not included! Duff’s main weapon of choice during the Guns heyday was a Fender Aerodyne bass.
Duff McKagan Sound & Vision…
Guns ‘n’ Roses:
“Pretty Tied Up” https://youtu.be/uOzA23ibxjU
“So Fine” (written and sung by Duff) https://youtu.be/2bM4sdnrNf0
“Paradise City” https://youtu.be/Rbm6GXllBiw
Velvet Revolver:
“Fall to Pieces” https://youtu.be/9JhsUFuqbCM
“Slither” https://youtu.be/BKz2U4fvA4U
Neurotic Outsiders: “Jerk” https://youtu.be/bOs3wBAfwMo
Solo Duff:
“Believe In Me” https://youtu.be/2-Xd6I-hMgU
“Wasted Heart” https://youtu.be/uY8TEcR5vjM
“How to Be a Man” https://youtu.be/yyIn8hvue7A
“Flatline” https://youtu.be/tcDS_7p99bA
Courtesy of Mike Watt Com
By Thomas Semioli
Witness the continual evolution of this astonishingly prolific and diverse bass icon: Michael David Watt. You never know where this cat is coming from – he can play farther out than any other bassist I’ve heard, or he can groove in the pocket akin to the studio icons of yore.
The tones Mike conjures from his instrument range from no lows to no highs to midrange perfection to fuzzed out madness and variations thereof.
With the legendary Minutemen, Mr. Watt was a feverish proponent of punk meets free jazz – and to my ears, his work on the band’s masterpiece Double Nickels on the Dime (1984) evokes comparison to his peer Jamaaladeen Tacuma as heard with (and without) Ornette Coleman’s Prime Time.
In the fIREHOSE trio Mike streamlined his playing to support band-mate Ed Crawford’s pop inclinations along with his own growth as a songwriter as evidenced on such platters as If’n (1987) and Fromohio (1989).
On his solo bow Ball-Hog or Tugboat (1995), Watt draws the support “alternative” rock superstars including Eddie Vedder, Flea, Frank Black, Dave Grohl, Henry Rollins, Pat Smear, Evan Dando, Dave Pirner, J. Mascis, and Lee Renaldo.
Watt’s membership in Pornos for Pyros (Good God’s Urge, 1996) and the revamped Stooges on The Weirdness (2007) and Ready to Die (2013), and scores of collaborations and cameos with artists spanning Rickie Lee Jones to Kelly Clarkson to Black Flag to are a testimony to his importance as a player and an innovator.
An actor, author, producer, label owner and entrepreneur, among Watt’s recent collaborations include Big Walnuts Yonder, Hidden Rifles, Mike Watt & The Missing Men, and Jumpstarted Plowhards.
Mike Watt Sound & Vision….
Minutemen: “This Ain’t No Picnic” https://youtu.be/UDr25zjd4yM
fIREHOSE: “Brave Captain” https://youtu.be/VSv8FVJtbAk
Mike Watt: “Big Train” live with Eddie Vedder, Dave Grohl, and Pat Smear https://youtu.be/4cfQaQO-YD4
The Stooges: Live in Sydney 2013 https://youtu.be/ZMfOGqTwNB4
Pornos for Pyros: “Gods Good Urge” https://youtu.be/g6F0sYsJN04
Big Walnuts Yonder: “Raise the Drawbridges” https://youtu.be/dR1DEVfPQ6Q
Hidden Rifles: “Cranial Escrow” https://youtu.be/a-cTchZ8ejY
Jumpstarted Plowhards: “On The Counter” https://youtu.be/EVTZViFDA_c
Courtesy of Wrecking Crew Com
By Thomas Semioli
He was a first-call Wrecking Crew session giant whose upper register countermelodies are among the most recognizable in the pop rock music canon akin to such high-note notables as Sir Paul, Brian Wilson, and Chris Squire.
With a Fender Jazz equipped with LaBella flats which he hardly ever replaced and a plectrum, Joe Osborn was a staple on radio, television, and films throughout the 1960s-70s. Joe anchored hundreds of Top 40 hits and album tracks for nearly half a century.
Born in Louisiana, Osborn got his start in the music business as the anchor of Ricky Nelson’s touring and studio band. Moving to Los Angeles in 1964, Joe hooked up with producers Lou Adler and Bones Howe, securing a steady gig as a session player in what was later to be known as elite cadre of players dubbed “The Wrecking Crew” which also included Carol Kaye, Tommy Tedesco, and Leon Russell among others.
This writer cited Joe Osborn in Huffington Post November 2017 in “A Bass Player’s Rant: 33 Who Belong in the Rock and Roll Hall of Fame. https://bit.ly/2YjDrsF
Joe Osborn Sound & Vision…
Ricky Nelson “Travelin’ Man” https://youtu.be/CZ_973A44mA
Mamas & Papas “California Dreamin’ https://youtu.be/oU6uUEwZ8FM
Fifth Dimension “Aquarius/Let the Sunshine In” https://youtu.be/VlrQ-bOzpkQ
Tommy Roe “Dizzy” https://youtu.be/GeUF-2C8YF4
Grass Roots “Midnight Confessions” https://youtu.be/w369aBf5SF4
The Association “Windy” https://youtu.be/VUv9OK4KUv8
Simon & Garfunkel “Bridge Over Troubled Water” https://youtu.be/4G-YQA_bsOU
America “Ventura Highway” https://youtu.be/tnV7dTXlXxs
Carpenters “Close to You” https://youtu.be/jV127kNz0hs
Bassist Joe Iaquinto talks Joe Osborn:
Joe Osborn is one of the first bassists I connected with. His playing knocked me out. I would say that Joe and Peter Cetera are the two biggest influences on my bass playing. I’m so glad I got to know him and hang out with him through our mutual relationship with Lakland Basses. Here’s a couple of NAMM pics from the early 2000’s. One of the highlights of my life was playing “Tin Man,” and “Horse With No Name” on his bass while he stood in front of me. Leo Fender may have invented the Fender Bass but Joe was one of a handful of pioneers who made the world a better place by making us aware of it. May he rest in peace…
By Thomas Semioli
A master supportive and countermelodic player with an earthy tone, Jimmy Garrison is most noted for his 1961-66 association with John Coltrane – especially A Love Supreme (1965) wherein his repetitive opening motif is among the most recognized bass passages in recorded music.
Garrison came to prominence on the Philadelphia jazz scene in the 1960s, where such bassists as Reggie Workman and Henry Grimes were his peers. Garrison would eventually go on to replace Workman in Coltrane’s ensembles. Jimmy also waxed sides with Ornette Coleman: Ornette on Tenor (1962), New York Is Now (1968), Love Call (1968) and The Art of Improvisors (recorded 1959 and released in 1970).
A composer and collaborative recording artist with Elvin Jones, Garrison provided the solid anchor for his soloist’s harmonic and rhythmic explorations. Aside from Trane and Ornette, Jimmy waxed exceptional sides with Archie Shepp, Sonny Rollins, Bill Evans, Larry Coryell, and Alice Coltrane, to cite a few.
Jimmy Garrison Sound & Vision…
John Coltrane “A Love Supreme” Pt. 1 “Acknowledgement” https://youtu.be/TMvbUKqWYEs
Ornette Coleman “Cross Breeding” https://youtu.be/7Z70ajQNMJg
Alice Coltrane “Lovely Sky Boat” https://youtu.be/rhmwChxResw
Sonny Rollins “East Broadway Rundown” https://youtu.be/-hHXhnKEmpM
The Elvin Jones Trio live with Jimmy Garrison and Joe Farrell https://youtu.be/p1FlNbFc3EM
Elvin Jones and Jimmy Garrison “Half and Half” https://youtu.be/5iT53h0iHww
Courtesy of Robin Trower Com
Among the most underrated singer-bassists from the classic rock era, the late, great Scotsman James Dewar anchored Robin Trower’s groundbreaking ensembles throughout the 1970s, including the ex-Procol Harum guitarist’s masterpiece Bridge of Sighs in 1974.
With a battered Fender Precision and gritty vocals ala Ray Charles, Paul Rodgers, Frankie Miller and Otis Redding, Dewar and Trower soared in tandem – melding blues, progressive, and hard rock which inspired a generation of rockers.
Before Dewar’s work with Robin, James served as the bassist for Stone the Crows for two seminal slabs: their self-titled debut, and Ode to John Law both in 1970. Dewar also released a fine solo slab Stumbledown Romancer which was recorded in the 70s but not released until 1998. Dewar passed in 2002 from a rare disease.
John Dewar Sound & Vision…
Stone the Crows and Maggie Bell “Love ‘74” https://youtu.be/YkK49SmUycE
“Bridge of Sighs” https://youtu.be/sBQXeb5iJCg
“A Little Bit of Sympathy” https://youtu.be/DjdRzl2PMGU
“Too Rolled Stoned” https://youtu.be/Xpu66oLjWmk
“Stumbledown Romancer” https://youtu.be/hHrqGteD1kc
By Thomas Semioli
A session legend, producer, composer and first-call bassist / sideman- it would be easier to list artists whom Emory Lee Gordy Jr. hasn’t’ anchored on stage and on record!
Emory’s musical skills were evident as a child in his native Atlanta, Georgia. By the time he was in high school he was a multi-instrumentalist working in ensembles spanning Dixieland Jazz to Top 40 to garage rock. A music student at Georgia State, Gordy’s career in the studio began in 1964, collaborating with Tommy Roe, Lou Christie, Rufus Thomas, and Joe South, among others. He moved to Los Angeles in 1970, working sessions as a bassist, producer, and engineer for such artists as Debbie Reynolds, Liberace, and Neil Diamond.
In ’72 Gordy anchored Elvis’ TCB Band. In the mid-70s he co-founded Emmylou Harris Hot Band while continuing his studio work with Billy Joel, Tom Petty, and Rosanne Cash, John Denver, and Rodney Crowell to cite a very select few.
In ’83 Gordy gave up the road full time and turned to production, helming such sides as Steve Earle’s Exit 0 and Guitar Town, along with releases by Vince Gill, and his wife Patty Loveless. Nowadays Gordy lives in semi-retirement and occasionally works a session or one-off performances in Nashville or his home in Atlanta. Gordy and Loveless are members of the Georgia Music Hall of Fame.
Emory Gordy Jr. Sound & Vision…
Elvis Presley: “Burning Love” https://youtu.be/zf2VYAtqRe0
Elvis Presley: “Separate Ways” https://youtu.be/zeUSTbdaiZk
Gram Parsons: “Return of the Grievous Angel” https://youtu.be/h_Iz0iVvhEc
Emmy Lou Harris Hot Band Old Grey Whistle Test 1977: https://youtu.be/lpNMrugveLE
Rodney Crowell “Ain’t No Money” https://youtu.be/tfwGTMJW5XY
Rosanne Cash “Ain’t No Money” https://youtu.be/AgqxbnogP3E
Neil Diamond “Longfellow Serenade” https://youtu.be/4XRGMaI46zw
Linda Ronstadt “Dark End of the Street” https://youtu.be/PKBvG8XJrSU
Tom Petty “Strangered in the Night” https://youtu.be/gC9FDx3HISw
Patty Loveless “A Little Bit In Love” https://youtu.be/T-5MN8JuEhc
Courtesy of Fender Com
As a founding member of Jane’s Addiction, Eric Adam Avery balanced Dave Navarro’s glam-metal inclinations and Peretz Bernstein’s sinewy vocal phrasing with passages that served as a rhythmic anchor and harmonic counterpart.
Eric waxed two influential studio sides with Jane’s Addiction – Nothing’s Shocking (1988) and Ritual de lo Habitual (1990) before they initially split in 1991. The band reunited without him in 1997, and 2001. Eric briefly rejoined in 2008, but left for good in 2010 citing tensions with Farrell.
Aside from Jane’s Addiction, Avery has embarked on several experimental projects wherein he moved to piano, synthesizer, and guitar – most notably a project dubbed “Deconstruction” with Dave Navarro, and with another collective which worked under the moniker “Polar Bear.”
Deeply inspired by Peter Hook of Joy Division / New Order, Avery has returned to the bass chair anchoring artists including Peter Murphy, Garbage, and Alanis Morissette. To date he has waxed three solo slabs.
Eric’s weapon of choice is Fender. https://youtu.be/wX49A1HMjV8
Eric Avery Sound & Vision…
Jane’s Addiction:
“Been Caught Stealing” https://youtu.be/BzUnqr1t7yI
“Jane Says” https://youtu.be/gQjYgR_3UqQ
Deconstruction:
“LA Song” https://youtu.be/62If3SSdFYk
“America” https://youtu.be/4Rcs9D9jwmY
Solo Eric:
“All Remote No Control” https://youtu.be/adbVBmjYot0
“Flyer” https://youtu.be/ROnMBsjbMTI
Alanis Morissette:
“Spineless” https://youtu.be/OPEljzSR1X0