Ignored in the mainstream – possibly by design, prog-metal continues its run at the forefront of innovation – especially with several of the genre’s bassists by way tonal effects, an adventurous tendency for time-signature traversing passages, extended range instruments, and beyond.

Martin Mendez straddles the traditional role of the bassist and the challenges of underpinning the complexities of Opeth’s compositions – both on stage and on record. However, unlike many of his prog-metal peers – Mendez keeps it relatively “simple” – using the time-tested Fender Jazz bass (including the Deluxe V) amplified (mostly) organically through a Fender Super Bassman amp, SVT, or Ampeg.

Among the most influential ensembles of its ilk, Opeth’s comprehensive canon incorporates elements of jazz, classical, folk, Goth, blues, and old-school prog – which is why they’ve been working their craft for over thirty years.

Dig Martin’s Five Tips for Bassists as reported on Music Radar:

1: Learn your scales

2: Take more risks

3: “Just play from the heart”

4: Watch that “need for speed”

5: Find the best of the best

Martin Mendez Sound & Vision…

Talking bass on Opeth’s Official Page https://youtu.be/vlVqGbwxU6g

“Ingen Sanning Är Allas”   https://youtu.be/iOLTyUBXuY4

“Sorceress” Live at Red Rocks   https://youtu.be/8Fc0pbZxlo8

“Demon of the Fall” https://youtu.be/OOwmZwpQkrs