No bass player defies categorization more so than the late, truly great, utterly unpredictable Hugh Colin Hopper, who was among the most prolific and adventurous recording artists to emerge from the England’s hallowed Canterbury progressive rock and experimental jazz scene of the late 1960s and early 70s.
Hugh seemingly never ran out of fresh ideas or novel ways to express himself on the instrument. Music fans of this era are most aware of Hugh by way of his groundbreaking work with Soft Machine wherein Hopper’s exploratory use of fuzz and various effects along with his extensive rhythmic and harmonic vocabulary was the glue that held multi-instrumentalist Robert Wyatt, keyboardist Mike Ratledge, saxophonist Elton Dean and other assorted Machine band mates together for an amazing run of releases during his 1968 – 1973 membership.
Dig Hugh and Soft Machine live in 1969 https://youtu.be/soQN0sMU0Ck
Of his massive solo and collaborative canon, be advised to hear his fusion avant-garde oriented forays 1984 (1973), Hopper Tunity Box (1977), A Remark Hugh Made (1994) and Numero D’Vol (2007).
Hugh also made several notable appearances as a valued sideman on such seminal releases including Syd Barrett’s Madcap Laughs (1969), Kevin Ayers’ Joy of a Toy (1969), Robert Wyatt’s Rock Bottom (1974) and Carla Bley’s European Tour 1977 (1978).