Ray Manzarek dubbed him “The Fifth Door” and he was offered a full-time gig with the iconic ensemble which he turned down in favor to anchor an ensemble wherein he had more of a creative input: Clear Light. Encouraged by Mama Cass Elliott to migrate to the City of Angels in the mid-1960s, the late Doug Lubahn was a prolific sideman / session cat, producer, composer, and author whose career spanned two generations of classic rock .
On Doors’ record dates, Doug deftly approximated and further embellished Manzarek’s left-hand keyboard figures. Doug contributed to significantly to the band’s hallowed canon, performing on Strange Days (1967), Waiting for the Sun (1968) and Soft Parade (1969) on seminal tracks including “Moonlight Drive,” “Love Me Two Times,” “People are Strange,” “Hello I Love You,” and “Wishful Sinful,” among others.
A watershed ensemble which incorporated jazz, folk, prog, psychedelic and pop – go figure why Clear Light did not scale the commercial heights they so richly deserved.
Produced and engineered by Paul Rothchild and Bruce Botnick of Doors fame,dig Doug with Clear Light: