Pat Badger (Extreme)

Photo courtesy of Extreme - Band Com Photo courtesy of Extreme - Band Com

Photo courtesy of Extreme – Band Com

Perhaps it’s because they did so many things so well: funk metal, hard rock, pop-balladry, and permutations thereof that Extreme was denied the superstar career they so richly deserved.

 

Bassist Pat Badger – on traditional 4 and extended range – seamlessly shifted gears as the music warranted. Badger’s tone exuded both depth and clarity – which afforded Gary Cherone and Nuno Bettencourt the platform to strut their stuff. They had they hooks, they had the looks, and they had the chops…go figure!   

 

Dig Pat workin’ the pocket on “Get the Funk Out” https://youtu.be/IqP76XWHQI0

 

Greg Norton (Husker Du)

Giants of the indie – alternative genre, Husker Du’s sonic meld of angst and song-craft continues to influence rockers well after their demise in 1988.

 

Akin to the best trios in rock and jazz, the triumvirate of Bob Mould, Grant Hart, and bassist Greg Norton created a signature collective sound that expanded the art-form – they were L O U D! 

 

The mustachioed Norton was a pocket player, supporting his mates with passages that held the bottom and served the songs. Following his tenure in Husker Du, Greg opened a restaurant, and nowadays works in various ensembles featuring indie rockers of note.

 

Grant Norton Sound & Vision…

 

“Could You Be the One” https://youtu.be/mL744BARRG4

 

 

 

Johnny Cement (Ricky Byrd, Phil Gammage, Joey Kelly)

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By Thomas Semioli

He is a mainstay of multiple musical configurations on the NYC Lower East Side scene (and all around town….) traversing blues, rock, folk, Americana, punk, soul, and permutations thereof.

 

Lower register groovin’ in-the-pocket… plying melodic motifs in the upper register as the situation warrants …this cat is as solid as his surname! And his name is….Johnny Cement!

 

Johnny’s primary weapon of choice is a vintage Fender Precision…

 

Johnny Cement Sound & Vision…

 

Phil Gammage “Good Night Irene” https://youtu.be/BhdvY1zNojs

 

Ricky Byrd “Adventures in Bluesland” https://youtu.be/34m5mlBdnm8

 

Lauren Dragon “I’d Rather Go Blind” https://youtu.be/D2PehjTCk8w

 

Phil Gammage “Don’t Turn Me From Your Door” https://youtu.be/79mfbP4n3Gg

 

Felice Rosser “Come Into My House” https://youtu.be/vICcy_ddIBY

 

The nattily attired Johnny Cement! The nattily attired Johnny Cement!

The nattily attired Johnny Cement!

Davey Faragher (Elvis Costello, Cracker, John Hiatt)

Courtesy of DeTempe Guitars

An in-demand, versatile session cat and bandmember with artists spanning Richard Thompson, Randy Newman, Buddy Guy, Heather Nova, Sheryl Crow, Lucinda Williams, Elton & Leon, Katy Sagal, Chuck Prophet, Wanda Jackson, Abra Moore, Shelby Lynne, Buddy Guy, Cracker and Rachel Yamagata, to cite a few….Davey Faragher’s main gig for the past two decades has been anchoring Elvis Costello’s Imposters.

 

Faced with the daunting task of replacing Bruce Thomas in Declan’s main backing ensemble, Davey afforded his bandleader a soulful, rhythm and blues foundation as heard on such fine patters as The Delivery Man (2004), Momofuku (2008) and National Ransom (2010).

 

Davey’s weapons of choice are usually vintage (and vintage style) Fender Precision, DeTemple Hofner, and Dan Armstrong basses.

 

Davey Faragher Sound & Vision….

 

Cracker: “Teen Angst” https://youtu.be/2nqUU7nxUVY

 

John Hiatt:  “Little Head” https://youtu.be/rIjOASSmtD0

 

Elvis & The Imposters:

 

“Delivery Man” https://youtu.be/oUcaJEbXAkM

 

“Monkey to a Man” https://youtu.be/QsAe1X1gNzA

 

 

Bob Babbitt (Motown Funk Brothers)

A legend…an icon of the instrument!

 

If you grew up in the era of classic AM / FM radio, you grooved to Bob Babbitt, but you were likely unaware of the name…or his legacy!

 

Babbitt (born Robert Andrew Kranier) got his start in show biz as a professional wrestler! In the 1960s, Babbitt and James Jamerson alternated sessions with the top Motown artists until the imprint migrated to Los Angeles in the early 70s.

 

Rather than make the move out west, Bob settled in New York city and quickly became a first call session cat thanks to his Detroit pedigree. Babbitt also worked sessions in Philadelphia wherein he was instrumental (pun intended) in the city’s signature sound.

 

A member of the Music City Walk of Fame, Bob is featured prominently in the film Standing In the Shadows of Motown (2002). You can also catch a rare glimpse of Bob in action in Tim Curry’s campy music video “I Do the Rock” (see below).  

 

Bob’s weapon of choice was the Fender Precision and Phil Jones amplification.

 

Here’s Bob discussing his PJB gear: https://youtu.be/bOJqv9i5AXw (Follow the thread for the Three Part interview)

 

Bob Babbitt Sound & Vision…..

 

Edwin Starr “War” https://youtu.be/gKAM1NfMXY8

 

Jim Croce “I Got a Name” https://youtu.be/EG6ZlCpfVvU

 

The Temptations “Ball of Confusion” https://youtu.be/iYAEhgLgddk

 

Stevie Wonder “Signed Sealed Delivered” https://youtu.be/6To0fvX_wFA

 

Main Ingredient “Just Don’t Want to Be Lonely” https://youtu.be/2xMMZfLTkXA

 

Freda Payne “Band of Gold” https://youtu.be/daxiMb0rITA

 

Gladys Night & The Pips “Midnight Train to Georgia” https://youtu.be/A0F9lh8TiSM

 

Marvin Gaye “Inner City Blues” https://youtu.be/57Ykv1D0qEE

 

Jimi Hendrix “Crash Landing” https://youtu.be/LnG6qXE7xWk

 

Tim Curry “I Do the Rock” https://youtu.be/kXPCsaO_55o

 

The Capitols “Cool Jerk” https://youtu.be/R73iEOvkr10

 

Dig this performance of “Scorpio” at NAMM Nashville 2004 https://youtu.be/Lq-ATlSd-A8

 

Recorded live in 2004 at Summer NAMM in Nashville and now available from www.earwavemusic.com as a bonus cut on the DVD “The Day The Bass Players Took Over The World.”  “Scorpio” was originally recorded by Dennis Coffey and the Detroit Guitar Band, featuring legendary Detroit (and NYC, Philly, and Nashville) session bassist Bob Babbitt, was an instrumental hit in the early 70s,  “Scorpio” has perhaps the longest bass solo on a pop hit ever, nearly half its 4 minute length. This live version features Bob as special guest, sitting in with Dave Pomeroy and the All-Bass Orchestra. Dave Pomeroy and Roy Vogt are playing piccolo and piccolino basses made by R.M. Mottola, a Massachusetts luthier, as part of a “family” of four basses, one with normal tuning, one up an octave (piccolo) and a pair up two octaves (piccolino). The All Bass Orchestra includes (L-R) Rick Taylor, Roy Vogt, Charlie Chadwick (upright) Dave Pomeroy, Dave Roe (upright) Bob Babbitt, Paul Arntz, Jackie Street. copyright 2012 by earwave music.

 

Allan Dias (Public Image Limited)

Allan Dias anchored PiL’s pinnacle recordings during his 1986-92 tenure wherein Mr. Lydon gravitated towards a more commercial “alternative dance” posture.  

 

Utilizing his formidable reggae rhythmic and harmonic chops coupled with a warm tone and economic groove passages – Dias’ work on Happy?, 9, and That What is Not seamlessly bridged world and punk.

 

In addition to his PiL pedigree, Allan worked with Sun Ra’s Dawson Miller, Pharoah Sanders, James Blood Ulmer, and helmed his own ensembles, among other musical endeavors. Among Dias’ weapon of choice during his PiL days was the Steinberger XL.

 

Nowadays Allan is a long distance runner!

 

 Allan Dias Sound & Vision…

 

“Disappointed” https://youtu.be/b6Bv887-JlM

 

“Seattle” https://youtu.be/bFOjktDN0IA

 

 

 

Muzz Skillings (Living Colour)

 

Living Colour’s mainstream meld of metal, funk, jazz fusion and permutations thereof coupled with their socio-political libretto made Vivid (1988) one of the most influential slabs of its generation, and though commercial success did not ensue on following releases, the lads never wavered in their boundary stretching artistry.

 

Founding bassist Muzz Skillings is a genre traversing player, plying supportive and counter-melodic passages in the service of the songs.

 

A composer, singer, and guitarist, Muzz has led his own ensembles (Medicine Stick) and appeared on fine slabs by John Tiven, Alan Merrill, Wilson Pickett, and Robert Plant to cite a few.    

 

Muzz Skullings Sound & Vision …

 

“Cult of Personality” https://youtu.be/7xxgRUyzgs0

 

“Love Rears Its Ugly Head” https://youtu.be/MQcPB1WkISI

 

Rockette Morton (Captain Beefheart)

 

From the experimental mish-mash of Trout Mask Replica (1969) to the overtly commercial yearnings of Unconditionally Guaranteed (1974), Rockette Morton (born Mark Boston) served as the anchor of Captain Beefheart’s legendary Magic Band in its second (or third) incarnation, depending on which history books you refer to.

 

Dig Rockette on “The Spotlight Kid” https://youtu.be/y9XRgzHwNqI

 

A guitarist, composer, solo recording artist, and bandleader Rockette was a pocket and countermelodic player who helped the late great Don Van Vliet stretch the parameters of rock, and then some.

 

Following Beefheart, Rockette rocked with ex-Magic Band mates in Mallard, among other endeavors – including a Beefheart repertory ensemble.      

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Mark Tulin (Electric Prunes)

Courtesy of Electric Prunes 67 Com

 

The minute you walk in the room I break into a sweat. My hands begin to shake so bad I can’t light my cigarette….”

 

Founding Electric Prunes bassist Mark Shalom Tulin was a fluid pocket and melodic player whose buoyant grooves, groovy stage moves, and heavy motifs helped define the enduring art of garage rock.

 

Aside from his Prunes pedigree, Mark also plied his craft with various ensembles and sessions including Ananda Shankar (1970), Buckingham Nicks (1973), and Smashing Pumpkins’ Teargarden by Kaleidyscope Volume 1 (2009), among others.

 

Dig Mark with The Electric Prunes…

 

“Get Me to the World on Time” http://bit.ly/2Ej6P8S  

 

“I Had Too Much to Dream Last Night” https://youtu.be/bjaHU8iuhmI

 

Mark with Teargarden / Smashing Pumpkins “Astral Planes” https://youtu.be/cdbzJX-TtyA

 

Brian Odgers (Walker Bros., Serge Gainsbourg)

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“Levon wears his war wound like a crown …he calls his child Jesus ’cause he likes the name…

“No regrets, no tears goodbye…don’t want you back again…”

He’s one of those cats whose name appears in the credits of seminal sides aplenty, yet little is known about him other than his recorded work.

A prolific UK studio player, composer, and multi-instrumentalist (upright / woodwinds) in the golden age of the 70s album era, Brian Odgers excelled in the pocket and as a melodic master. Odgers’ laudable recorded legacy includes John McLaughlin, Elton John, Lou Reed, Roger Daltrey, Van Morrison, Georgie Fame, The Walker Brothers, Al Stewart, Vangelis, Shawn Phillips, Chris de Burgh, Serge Gainsbourg, Roger Chapman, and a struggling young songwriter named Marc Bolan, to cite a very select few!

Akin to many studio players, Odgers also made attempts to break through on his own, most notably with the ensemble Sweet Thursday, which featured session ace Nicky Hopkins, and Slim Chance / Cat Stevens guitarist Alun Davies.

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Dig Brian with Sir Elton “Levon” https://youtu.be/SEgEmTgAEUk

Dig Brian with The Walker Brothers “No Regrets” https://youtu.be/aQNEYb0zp0I

Dig Brian with John McLaughlin “Extrapolation” https://youtu.be/SEgEmTgAEUk

Dig Brian with Serge “Marilou Reggae” https://youtu.be/07MezqbbeXU

Dig Brian with Sweet Thursday on his composition “Molly” https://youtu.be/MOC1SSb6Xzk

Dig Brian with Lou “Ride Into the Sun” https://youtu.be/MeUHGhKObWg

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